Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Chapin, Keith Moore | From tone system to personal inspiration: The metaphysics of counterpoint in 18th and early 19th- century Germany. |
diss. |
| | 2002 |
322p |
|
| 2. | Druzinin, Sergej Vāceslavovic | Sistema sredstv muzykal'noj ritoriki v orkestrovyh sūitah I.S. Baha, G.F. Gendelā, G.F. Telemana. |
diss. |
| | 2002 |
210p |
|
| 3. | Jones, Sara Ann | 'The Neumeister Collection of Chorale Preludes of the Bach Circle': An examination of the chorale preludes of J. S. Bach and their usage as service music and pedagogical works. |
diss. |
| | 2002 |
x, 89p |
|
| 4. | Kahlstorf, Delano Kent | The two-part inventions of J. S. Bach: A performing edition based upon the keyboard technique and performance practice of Bach and his circle. |
diss. |
| | 2002 |
260p |
|
| 5. | Kutz, Eric | Towards a Formal Paradigm for the Bach Cello Suite Preludes: A Study of the History, Theory, Origins, and Organization of Bach's Preludes to BWV 1007-1012, and Implications for Their Performance. |
diss. |
| | 2002 |
x, 146p |
|
| 6. | Leahy, Anne Marie | Text-Music Relationships in the 'Leipzig' Chorales of Johann Sebastian Bach. |
diss. |
| | 2002 |
xv, 223p |
|
| 7. | Lindsley, William T. | Conservative and progressive elements, and vocal and key characteristics in the first two movements of C.P.E. Bach's Prussian Sonata no. 1 in F major, H. 24. |
diss. |
| | 2002 |
67p |
|
| 8. | O'Loghlin, Michael A. | The Viola da Gamba Music of the Berlin School, 1732-1772. |
diss. |
| | 2002 |
xi, 377p |
|
| 9. | Savarese, Mary B. | Performance Practice in the Keyboard Sonatas of Carl Philipp Emanuel Bach. |
diss. |
| | 2002 |
274p |
|
| 10. | Stahlke, Mary Benson | Johann Krieger and sacred vocal music in Zittau, 1682-1735. |
diss. |
| | 2002 |
615p |
|
| 11. | Steely, Kathryn | Large-Scale Architecture in the J. S. Bach Violoncello Suite Preludes and the Formation of Interpretation. |
diss. |
| | 2002 |
215p |
|