Type | List | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | A study of three Baroque cantatas for performance: Alla caccia dell'alme e de' cori, RV 670--Antonio Vivaldi (1678-1741); Vergnügte Ruh', beliebte Seelenlust, BWV 170--Johann Sebastian Bach (1685-1750); O numi eterni (La Lucrezia)--George Frideric Handel (1685–1759). DM diss., Northwestern University, 1998. xiv, 269p. - Ann Arbor, MI: University Microfilms International, 1998; Country of Publication. ISBN: 0-493-93158-9. Dissertation No: 3073495. |
diss. |
| | 1998 |
xiv, 269p |
|
| 2. | The Voice of Luther's Church: Instrumental Cantus Firmus Chorales in Selected Cantatas by Johann Sebastian Bach. DMA diss, University of South Carolina, 1998. v, 97p (See Diss. Abstract 59/05-A, Nov. 1998, p.1384) |
diss. |
| | 1998 |
v, 97p |
|
| 3. | Principy orkestrovogo myslenija I.S. Baha. [Principles of orchestral thinking of J.S. Bach] MA thesis, Nacional'na Muzycna Akademija Ukrajiny im Cajkovs'kogo, Kyjiv, 1998. 20 p. |
diss. |
| | 1998 |
20p |
|
| 4. | A performing edition of J. C. F. Bach's 'Pygmalion' and some performance considerations based on J. F. Agricola's 'Anleitung zur Singkunst'. DMA. University of Houston, 1998. 198p. Advisor: Matthew Dirst. |
diss. |
| | 1998 |
198p |
|
| 5. | A Performer's Study of Selected Compositions by Johann Sebastian Bach and Ferderico Moreno Torroba. DMA diss., Southwestern Baptist Theological Seminary, 1998. 142p. Advisor: William Mac Davis. |
diss. |
| | 1998 |
142p |
|
| 6. | A Study of Baroque Tempo Practices and Their Applications to the Violoncello Suite No.2 by Johann Sebastian Bach. DMA diss. University of Washington, 1998. 153p (See DissAbstracts 59/06-A, 1958.) |
diss. |
| | 1998 |
153p |
|
| 7. | The Use of the Oboe and Oboe d'amore in Selected Solo Arias of J. S. Bach. DMA diss., The University of Texas at Austin, 1998, 365p. DissAbstracts 59/02-A. UMI AAI9824844 |
diss. |
| | 1998 |
365p |
|
| 8. | Musik als Generationsprinzip von Literatur. Eine Analyse am Beispiel von Thomas Bernhards Untergeher. PhD diss., Justus-Liebig-Universität Gießen, 1998. 414p |
diss. |
| | 1998 |
414p |
|
| 9. | Johannes Brahms no J. S. Bach Juyo ni tsuite. Enso, Zosho mokuroku, Henkyoku ni tsuite no Jusho Kenkyu. [Johannes Brahms' Reception of J. S. Bach: a study on performance, catalogue of his library and arrangements] Keio University, MA dissertation, 1998. |
diss. |
| | 1998 |
|
|
| 10. | J. S. Bach Recordings 1945-1975: St Matthew and St John Passions, Brandenburg Concertos and Goldberg Variations - A Study of the Changing Style of Performance in the Context of the Early Music Movement. PhD diss., The University of New South Wales, 1998. |
diss. |
| | 1998 |
|
|
| 11. | The Ornamentation of the Four Flute Concerti of Carl Philipp Emanuel Bach: An Examination of Their Notations According to the Original Manuscripts, and a Discussion of their Executions According to Eighteenth-Century Treatises. DMA Rice University, 1998. 176p. Advisor: Anne Schnoebelen. |
diss. |
| | 1998 |
176p |
|
| 12. | Which Bach Wrote What? A Cumulative Approach to Clarification of Three Disputed Works. PhD diss., University of Michigan, 1998. 382p. Advisor: David Crawford and Steven Whiting. ISBN: 9780591772449 |
diss. |
| | 1998 |
382p |
|
| 13. | Articulation in Johann Sebastian Bach's Six Suites for Violoncello Solo (BWV 1007-1012): History, Analysis, and Performance. DMA diss. Cornell University, 1998, 229p. (See DissAbstracts 59/04-A, 1002) |
diss. |
| | 1998 |
229p |
|
| 14. | Chopin's Twenty-Four Preludes, Opus 28: Historical Background and Performance Considerations. MA diss., San Jose State University, 1998. xii, 111p. |
diss. |
| | 1998 |
xii, 111p |
|
| 15. | French Baroque Influences on Johann Sebastian Bach's 'Six Suites for Violoncello Solo' with an Emphasis on French Court Dance and Suite V. DMA diss, University of Washington, 1998. 65p |
diss. |
| | 1998 |
65p |
|
| 16. | A comparison of perceived musicianship and appropriate use of vibrato in professional cello performances by string performers, music majors, and nonmusic majors. PhD diss., University of Kansas, 1998. xiv, 368p. - Ann Arbor: University Microfilms International, 1999. ISBN: 0-599-31933-X. Dissertation No: 9931933. [BWV 1009] |
diss. |
| | 1998 |
xiv, 368p |
|
| 17. | Baroque and Classical Style in Selected Organ Works of the BACHSCHULE. PhD, Texas Tech University, December 1998. xii, 362p |
diss. |
| | 1998 |
xii, 362p |
|
| 18. | Quantz and the Flute at Dresden: His Instruments, His Repertory, and Their Significance for the 'Versuch' and the Bach Circle. PhD diss., Performance Practice, Duke University. 1998, xxxiv, 727p |
diss. |
| | 1998 |
xxxiv, 727p |
|
| 19. | Arthur Loesser: Pianist, teacher, critic, author. DM diss., Florida State University, 1998. 128p. - Ann Arbor, MI: University Microfilms International, 1999. ISBN: 0-599-09802-3, Dissertation No: 9911448. |
diss. |
| | 1998 |
128p |
|
| 20. | Music and Rhetoric: The Eloquent Flauto Traverso of Johann Sebastian Bach (1685-1750). DMA diss., Performance, Juilliard School, 1998. vii, 164p |
diss. |
| | 1998 |
vii, 164p |
|
| 21. | J. S. Bach no Sakuhin ni okeru furuto no Yoho to Shinjun Mondai o megutte. [The use of flute and the issue of authenticity in J. S. Bach's works], PhD diss., Tokyo National University of Fine Arts and Music, 1998. 119 leaves. |
diss. |
| | 1998 |
119p |
|
| 22. | The Influence of the Nineteenth-Century Bach Revival Movement on the piano Works of Felix Mendelssohn-Bartholdy, Robert Schumann, Clara Wieck-Schumann, and Johannes Brahms. DMA diss, University of Cincinnati, 1998. 130p (See DissAbstracts 59/05-A, 1395) |
diss. |
| | 1998 |
130p |
|
| 23. | The Anglicisation of Bach. MA diss., University of Wales at Cardiff, 1998. |
diss. |
| | 1998 |
|
|
| 24. | Processi muzikal'nogo tvorcestva: Sravnitel'nij tekstologiceskij analiz. [Process of musical creation: Comparative textual analysis] PhD, Gosudarstvennaja Konservatorija imeni P.I. Cajkovskogo, Moskva, 1998. 45p; 329p. |
diss. |
| | 1998 |
329p |
|
| 25. | Vermarktungsstrategien für Kulturveranstaltungen als Teilbereich des Event-Marketing, am Beispiel des Bachfestes 1999 in Leipzig. Dipl.-arb., Hochschule für Technik, Wirtschaft und Kultur Leipzig. Leipzig, 1998. 58, ix, p. |
diss. |
| | 1998 |
58, ix p |
|
| 26. | A Brass Player's Guide to the Transcription and Performance of J. S. Bach's Six Suites for Violoncello Solo. DMA, Performance, University of Washington, 1998. vi, 204 p. |
diss. |
| | 1998 |
vi, 204p |
|
| 27. | Johann Pachelbel: Organist, Teacher, Composer. A Critical Reexamination of His Life, Works, and Historical Significance. PhD diss., Harvard University, 1998. ix, 384 Bl. |
diss. |
| | 1998 |
ix, 384 Bl |
|
| 28. | Musik und Transzendenz: Ein philosophischer Beitrag zur Eruierung der geistig-spirituellen Inhalte der grossen abendlandischen Musik (Gregorianik, Bach, Beethoven, und Mozart) PhD diss., Hochschule für Philosophie, München, 1998. St. Ottilien: Erzabtei St. Ottilien, 1998. 403p. ISBN: 3-88096-927-2. |
diss. |
| | 1998 |
403p |
|