Bach Bibliography Search Result

Series : ^diss.$
Year : 1996
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Type	List	Author	Title [further info]	Series	Vol	No	Year	Pages	Status
			[]
	1.	Brischwein, O.	Die Johannes-Passion von Johann Sebastian Bach. Eine Untersuchung der freien Dichtung. Diplomarbeit Germanistik, Bamberg 1996. 104p. Published in 2001.	diss.			1996	104p
	2.	Chambers, Mark	The 'Mistuned' Cello: Precursors to J. S. Bach's Suite V in C minor for Unaccompanied Violoncello. DMus diss. The Florida State University, 1996. 115p	diss.			1996	115p
	3.	Chung, Erin Hae-Rang	The 'Well-Tempered Clavier' by J. S. Bach: A Performance Guide to Twelve Selected Preludes and Fugues Arranged in Order of Ascending Difficulty. DMA diss. University of Washington, 1996, 117p. DA9637917	diss.			1996	117p
	4.	Collister, Phillip Andrew	The Oboe and the Baroque Bass in Johann Sebastian Bach's Vocal Works. DMA diss., University of Maryland, College Park, 1996. 80p. UMI No. DA9637748	diss.			1996	80p
	5.	Dequevauviller, Vincent	Jean-Sébastien Bach, le musicien-arpenteur. Étude sur les structures numériques dans quelques œuvres de J. S. Bach. mémoire de DEA inédit, Université Paris IV / Sorbonne. 1996, 120p	diss.			1996	120p
	6.	Dequevauviller, Vincent	Le Magnificat de Jean-Sébastien Bach, étude de la version originale en mi bémol majeur. mémoire de maîtrise inédit, Université Paris IV / Sorbonne. 1996, 110p	diss.			1996	110p
	7.	Dirst, Matthew Charles	Bach's Well-Tempered Clavier in Musical Thought and Practice, 1750-1850. PhD diss., Stanford University, 1996, vii, 176p	diss.			1996	vii, 176p
	8.	Gabrielse, Kenneth J.	A Conductor's Analysis of 'Gloria' Settings from Five Masses and a Pedagogical Approach to Their Performance. DMA diss., New Orleans Baptist Theological Seminary. 1996. 123p. UMI No. DA9640215	diss.			1996	123p
	9.	Galloway, Robert J.	From Continuo to Obbligato Cembalo: A Study of the Changing Role of the Harpsichord in J. S. Bach's Harpsichord Concertos and Solo Sonatas with Obbligato Cembalo. PhD Michigan State University, 1996. 340p - Dissertation Abstracts International, Volume: 57-05, Section: A, page: 1900.	diss.			1996	340p
	10.	Goetz, Lois Ann	The returning adult student: Standard and andragogical methods used in the preparation and pedagogy of J. S. Bach's Prelude and Fugue I, BWV 846. MMus diss., Duquesne University, 1996. 66p.	diss.			1996	66p
	11.	Greer, Mary Jewett	The Sacred Duets and Terzets of Johann Sebastian Bach: A Study of Genre and Musical Text Interpretation. PhD diss. Harvard University, 1996. xv, 505 Bl.	diss.			1996	xv, 505 Bl
	12.	Hiramoto, Stephen Anthony	Soloistic Writing for the Oboe in the Arias of Handel's Operas, with Three Recitals of Selected Works by Marcello, Strauss, Ravel, Bach, Handel, Saint-Aaens and Others. DMA diss. University of North Texas, 1996. 87p.	diss.			1996	87p
	13.	Husain-Naviatti, Asif	Mendelssohn's Lobgesang. The Genesis of the Symphony-Cantata and a Critical Edition of its Original Version. M.Litt. diss., University of Oxford, 1996. 2 vols. ii, 98; iii, 333 leaves.	diss.			1996	ii, 98, iii, 333p
	14.	Jackson, Bruce Rogers	The G-D-G-C scordatura tuning for the double bass: A historical survey, theoretical rationale, pedagogical study, and compositional demonstration. DA diss., Ball State U., 1996. 711p. UMI No. DA9713630. [BWV 1011]	diss.			1996	711p
	15.	Kim, Munsook Cho	Extemporization of J. S. Bach's Goldberg Variations BWV 988: The Varying of Reprise with Improvised Embellishments. DMA diss, Boston University, 1996. 232p. UMI No. DA9625330	diss.			1996	232p
	16.	Kroetsch, Terence R.	A Baroque Model in the Twentieth Century: The Preludes and Fugues, Opus 87 of Dmitri Shostakovich. MA diss., University of Western Ontario, 1996. v, 136p.	diss.			1996	v, 136p
	17.	Oechsle, Siegfried	Bachs Arbeiten am strengen Satz: Studien zum Leipziger Vokalwerk. Habilitation, Musicology, Univ. of Kiel, 1996. (Kassel: Bärenreiter Verlag, in preparation, 400p.)	diss.			1996
	18.	Queiroz, Flavio Jose Gomes de	Aprendendo contraponto atraves dos preludios corais. [Learning counterpoint through the chorale preludes] Mestrado, U. Federal da Bahia, 1996.	diss.			1996
	19.	Rosa, Patricia Bretas de Oliveira Sa	Max Reger: Variationen und Fuge über ein Thema von Johann S. Bach für Klavier op. 81--Ensaio interpretativo. Mestrado, Performance practice: U. Federal do Rio de Janeiro, 1996. 220 p.	diss.			1996	220p
	20.	Roueche, Michelle Renee	An Idiomatic Piano Reduction of the Orchestral Accompaniment to Bach's 'Magnificat'. DMA diss., Arizona State University, 1996. 69p	diss.			1996	69p
	21.	Schaap, Elizabeth Maria	Barokartikulasie en -vingersetting vir die klavierbegeleier: 'n Toepassing in die fluitsonate in E-mol (BWV 1031) van J. S. Bach [Baroque articulation and fingering for the piano accompaniment: an application in the flute sonata in E minor (BWV 1031) by J.S. Bach] MMus thesis, Univ. of Pretoria, 1996.	diss.			1996
	22.	Siemons, Jan H.	Het Gebruik van Secundaire Registers in Clavecimbelmuziek voor 1760. [The Use of Secondary Stops in Harpsichord Music before 1760] MA diss. Vakgroep Muziekwetenschap, Universiteit Utrecht, 1996, 96p	diss.			1996	96p
	23.	Tanaka, Yuko	Double-Type Gigues in the Baroque Period and the Rhythmic Interpretation of Bach's Gigue from 'Partita VI'. DMA doc., Stanford University, 1996. 69p. UMI No. DA9611932	diss.			1996	69p