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Bach Bibliography Search Result |
Series : ^diss.$Your search has generated the following results ...
Year : 1996
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| Type | List | Title [further info  ] | Series | Vol | No | Year | Pages | Status |
|---|---|---|---|---|---|---|---|---|
 | 1. | Die Johannes-Passion von Johann Sebastian Bach. Eine Untersuchung der freien Dichtung. | diss. | 104p | ||||
| | 2. | The 'Mistuned' Cello: Precursors to J. S. Bach's Suite V in C minor for Unaccompanied Violoncello. | diss. | 115p | ||||
| | 3. | The 'Well-Tempered Clavier' by J. S. Bach: A Performance Guide to Twelve Selected Preludes and Fugues Arranged in Order of Ascending Difficulty. | diss. | 117p | ||||
| | 4. | The Oboe and the Baroque Bass in Johann Sebastian Bach's Vocal Works. | diss. | 80p | ||||
| | 5. | Jean-Sébastien Bach, le musicien-arpenteur. Étude sur les structures numériques dans quelques œuvres de J. S. Bach. | diss. | 120p | ||||
| | 6. | Le Magnificat de Jean-Sébastien Bach, étude de la version originale en mi bémol majeur. | diss. | 110p | ||||
| | 7. | Bach's Well-Tempered Clavier in Musical Thought and Practice, 1750-1850. | diss. | vii, 176p | ||||
| | 8. | A Conductor's Analysis of 'Gloria' Settings from Five Masses and a Pedagogical Approach to Their Performance. | diss. | 123p | ||||
| | 9. | From Continuo to Obbligato Cembalo: A Study of the Changing Role of the Harpsichord in J. S. Bach's Harpsichord Concertos and Solo Sonatas with Obbligato Cembalo. | diss. | 340p | ||||
| | 10. | The returning adult student: Standard and andragogical methods used in the preparation and pedagogy of J. S. Bach's Prelude and Fugue I, BWV 846. | diss. | 66p | ||||
| | 11. | The Sacred Duets and Terzets of Johann Sebastian Bach: A Study of Genre and Musical Text Interpretation. | diss. | xv, 505 Bl | ||||
| | 12. | Soloistic Writing for the Oboe in the Arias of Handel's Operas, with Three Recitals of Selected Works by Marcello, Strauss, Ravel, Bach, Handel, Saint-Aaens and Others. | diss. | 87p | ||||
| | 13. | Mendelssohn's Lobgesang. The Genesis of the Symphony-Cantata and a Critical Edition of its Original Version. | diss. | ii, 98, iii, 333p | ||||
| | 14. | The G-D-G-C scordatura tuning for the double bass: A historical survey, theoretical rationale, pedagogical study, and compositional demonstration. | diss. | 711p | ||||
| | 15. | Extemporization of J. S. Bach's Goldberg Variations BWV 988: The Varying of Reprise with Improvised Embellishments. | diss. | 232p | ||||
| | 16. | A Baroque Model in the Twentieth Century: The Preludes and Fugues, Opus 87 of Dmitri Shostakovich. | diss. | v, 136p | ||||
| | 17. | Bachs Arbeiten am strengen Satz: Studien zum Leipziger Vokalwerk. | diss. | |||||
| | 18. | Aprendendo contraponto atraves dos preludios corais. | diss. | |||||
| | 19. | Max Reger: Variationen und Fuge über ein Thema von Johann S. Bach für Klavier op. 81--Ensaio interpretativo. | diss. | 220p | ||||
| | 20. | An Idiomatic Piano Reduction of the Orchestral Accompaniment to Bach's 'Magnificat'. | diss. | 69p | ||||
| | 21. | Barokartikulasie en -vingersetting vir die klavierbegeleier: 'n Toepassing in die fluitsonate in E-mol (BWV 1031) van J. S. Bach | diss. | |||||
| | 22. | Het Gebruik van Secundaire Registers in Clavecimbelmuziek voor 1760. | diss. | 96p | ||||
| | 23. | Double-Type Gigues in the Baroque Period and the Rhythmic Interpretation of Bach's Gigue from 'Partita VI'. | diss. | 69p |