Bach Bibliography Search Result

Series : ^diss.$
Year : 1994
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Type	List	Author	Title [further info]	Series	Vol	No	Year	Pages	Status
			[]
	1.	Arshagouni, Michael Hrair	Aria Forms in Opera Seria of the Classic Period: Settings of Metastasio's Artaserse from 1760-1790.. PhD diss., Musicology, University of California at Los Angeles, 1994. xv, 422 p.	diss.			1994	xv, 422p
	2.	Bell, Michael Stephen	The effects of rate of deviation and musical context on intonation perception in homophonic four-part chorales. PhD diss., Florida State U., 1994. 204 p.	diss.			1994	204p
	3.	Boursy, Richard	Historicism and composition: Giuseppe Baini, the Sistine Chapel choir, and stile antico music in the first half of the 19th century. PhD diss., Yale U., 1994. 412p. UMI No. DA9522719.	diss.			1994	412p
	4.	Cooper, John Michael	Felix Mendelssohn Bartholdy and the Italian Symphony: Historical, Musical, and Extramusical Perspectives. PhD diss., Duke University, 1994. xv, 455p. - Ann Arbor: UMI, 1994.	diss.			1994	xv, 455p
	5.	Dauer, Robin Lee	Three works for voice and French horn with accompaniment. DMA doc., Performance practice: U. of Cincinnati, 1994. 72 p.	diss.			1994	72p
	6.	Greenbaum, Sarah	Metrical Displacements in the 'Well-Tempered Clavier': a Study of Rhythm in the Fugal Genre. MA Diss., Ramat-Gan: Bar-Ilan University, 1994.	diss.			1994
	7.	Gross, Steven Lee	The Evolution and Nomenclature of Bach's Horn Parts. DMA doc., Univ. of Cincinnati, 1994. 143p	diss.			1994	143p
	8.	Hill, David S.	The Persistence of Memory: Mode, Trope, and Difference in the Passion Chorale. PhD. State University of New York at Stony Brook, 1994. 302p	diss.			1994	302p
	9.	Huang, Fung-yin	Bartók's contributions to piano pedagogy: His edition of Bach's Well-tempered clavier and impressions of former students. DMA doc., Ohio State U., 1994. ix, 120p.	diss.			1994	ix, 120p
	10.	Häußler, Rita	Die Lutherischen Messen Johann Sebastian Bachs. Studien zum Parodieverfahren in den Messen BWV 233-236. Diss., Institut für Musikwissenschaft, München, 1994. 181 S. (München, Univ. Diss, 1994.).	diss.			1994	181p
	11.	Kaplan, Harriet Marlene	An Examination of Johann Sebastian Bach's Fifth and Sixth Suites for Solo Cello, BWV 1011 and 1012. Univ. of Cincinnati, 1994. 98p	diss.			1994	98p
	12.	Mulvey, Margaret Neal	The School Fugue. Its Place in the Organ Repertoire of the French Symphonic School, a Lecture Recital, together with Three Recitals of Selected Works of J. S. Bach, D. Buxtehude, C. Franck, P. Eben, F. Mendelssohn, R. Schumann, M. Reger and Others. DMA diss., University of North Texas, 1994. 194p.	diss.			1994	194p
	13.	Orgass, Stefan	Disposition und Ausarbeitung in Bachs späten Clavier-Werken (1739-1749). Essen Folkwang Hochschule, 1994.	diss.			1994
	14.	Polevoi, Randall Mark	The Controversy over Bach's Trills: Towards a Reconsiliation. DMA diss., Univ. of North Carolina at Greensboro, 1994. 166p	diss.			1994	166p
	15.	Qureshi, Rifat Javed	The Influence of Baroque Dance in the Performance of Johann Sebastian Bach's 'Six Suites a Violonello Senza Basso' DMA diss., Rice University, 1994. 72p	diss.			1994	72p
	16.	Sandberger, Wolfgang	Das Bach-Bild Philipp Spittas. PhD diss., Musicology, Univ. of Hamburg, 1994.	diss.			1994		'year' conjecture
	17.	Sandler, Vadim	Zapadnoevropejskaja sonata dlja skripki solo pervoj poloviny XX veka--Istorija, stil', problemy interpretacii. [The Western European solo violin sonata of the first half of the twentieth century--History, style, problems of interpretation] PhD diss., Iskusstvovedenie: Gosudarstvennaja Konservatorija, Moskva, 1994. 16 p.	diss.			1994	16p
	18.	Snustad, Nancy	The allemandes in the six suites for solo cello by J.S. Bach: An analysis and comparison. DMA doc., Performance practice: Indiana U., 1994. 91 p.	diss.			1994	91p
	19.	Stewart, John D.	The Pedagogy of Transition: Issues of Composition and Craft in the Bach Chorales and Bach Fugues. Ed.D. Harvard University, 1994. vi, 231 Bl.	diss.			1994	vi, 231 Bl
	20.	Weber, Rudolf	Musikalische Autonomie und Textbezug in Vokalwerken von strenger Satztechnik. PhD diss., Hochschule der Künste, Berlin, 1994. 280 p.	diss.			1994	280p
	21.	Wells, Mark	The fugues of Joseph Rheinberger's organ sonatas: An historical and analytical study. DMA doc., Performance practice. Univ. of Cincinnati, College-Conservatory of Music, 1994. 2 vols. 176 p.	diss.			1994	176p
	22.	Yearsley, David Gaynor	Ideologies of learned counterpoint in the northern German Baroque. PhD diss. Stanford University, 1994. 376p. UMI No. DA9516942. [BWV 668, 769]	diss.			1994	376p
	23.	Yoon, Soomee	Addition, omission and revision: the stylistic changes made to Zehn Variationen ueber ein Praeludium von Chopin by Ferruccio Busoni, with three recitals of selected works by J. S. Bach, D. Scarlatti, Beethoven, Brahms, Debussy, Schumann and Liszt. DMA diss., Univ. of North Texas, Denton, 1994. 79p - Ann Arbor, Mich.: UMI, 1994. xi, 67p. AAT 9517661	diss.			1994	xi, 67p