Bach Bibliography Search Result

Series : ^diss.$
Year : 1987
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Type	List	Title [further info]	Series	Vol	No	Year	Pages	Status
		[]
	1.	Osobennosti fug v sonatah I.-S. Baha: Vzaimodejstvie polifonièeskih i gomofonièeskih principov formoobrazovanija.	diss.			1987	23p
	2.	Friedrich Wilhelm Rust (1739-1796): Untersuchungen zu seinem Liedschaffen und seinem Beitrag zur Überlieferung der Werke Johann Sebastian Bachs.	diss.			1987	256p
	3.	The Significance and Incidence of Articulation Marks in the Primary Sources of J. S. Bach.	diss.			1987	336, 79, 31p
	4.	Componenti bachiane nell'opera di Robert Schumann.	diss.			1987
	5.	Toccata und Präludien in der Orgelmusik von Merulo bis Bach.	diss.			1987	viii, 194p
	6.	A stylistic comparison of two cantata settings based on the chorale 'Nun komm, der heiden Heiland' by G. P. Telemann and J. S. Bach.	diss.			1987	140p
	7.	Der Orgelbauer Heinrich Gottfried Trost: Personlichkeit, Schaffensanalyse und Aspekte eines Künstlerbildes.	diss.			1987	284p
	8.	The flute and obbligato keyboard sonatas by Carl Philipp Emanuel Bach: A study for performance.	diss.			1987	234p
	9.	The lute suite in G minor BWV 995 by Johann Sebastian Bach: A comparison of the autograph manuscript and the lute intabulation in Leipzig, Sammlung Becker, MS.III.11.3.	diss.			1987	131p
	10.	The Möller Manuscript and the Andreas Bach Book: Two Keyboard Anthologies from the Circle of the Young Johann Sebastian Bach.	diss.			1987	xvii, 754 Bl
	11.	J. S. Bach 'Mubanso Cello Kumikyoku' ni kansuru Kenkyu: Enso, Gakufu nado no Rekishiteki Jokyo ni tsuite.	diss.			1987
	12.	The eighteenth-century chorale prelude for organ and solo wind instrument: Its repertoire and historical background.	diss.			1987	xi, 132p
	13.	Protestant funeral music and rhetoric in seventeenth-century Germany: a musical-rhetorical examination of the printed sources.	diss.			1987	x, 247p
	14.	Tintenanalytische Untersuchungen an Bachschen Originalhandschriften mit Hilfe reflexionsspektroskopischer Methoden.	diss.			1987
	15.	O nekotoryh priemah vyrazenija avtorskoj pozicii v muzykal'nom proizvedenii.	diss.			1987	17p
	16.	The Well-Tampered Clavier: Authenticity and performing style in editions of Bach's Wohltemperiertes Clavier.	diss.			1987
	17.	The Geistreiches Gesangbuch of Johann Anastasius Freylinghausen (1690-1739): A German pietist hymnal.	diss.			1987	661p
	18.	Voice-leading patterns in the fugal expositions of J. S. Bach's 'Well-tempered Clavier'.	diss.			1987	355p
	19.	Six odes by C. F. Gellert set by C. P. E. Bach and Ludwig van Beethoven: a comparative analysis, a lecture recital together with three recitals of selected works by Monteverdi, Caldara, Mozart, Brahms, Mendelssohn, Ives.	diss.			1987	65p
	20.	Mendelssohn and the Reformation Symphony: A Critical and Historical Study.	diss.			1987	vii, 246p
	21.	The influence of French keyboard and Italian instrumental music of the seventeenth and early-eighteenth centuries in the organ works of J. S. Bach.	diss.			1987	106p
	22.	LUSUS POETICUS VEL MUSICUS. Johann Sebastian Bach. The Baroque Paragram and Frederich Smend's theory of a musical Number Alphabet.	diss.			1987
	23.	Fugue in German Theory from Dressler to Mattheson.	diss.			1987	x, 664p