Type | List | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | The Dramaturgy of Religious Emotions in Bach's Cantatas: Aristotelian Process in Neoplatonic Frames. http://www.bachnetwork.co.uk/ub4/hacohen.pdf |
UnderstandingBach |
4 | | 2009 |
33-54 |
|
| 2. | Rhetoric, Gesture and Scenic Imagination in Bach's Music. http://www.bachnetwork.co.uk/ub4/kubik_legler.pdf |
UnderstandingBach |
4 | | 2009 |
55-76 |
|
| 3. | New Evidence on Thomaskantor Kuhnau's Operatic Activities, or: Could Bach have been allowed to compose an Opera? http://www.bachnetwork.co.uk/ub4/maul.pdf |
UnderstandingBach |
4 | | 2009 |
9-20 |
|
| 4. | Relationships between Text and Music in the 'hybrid' Recitatives of Bach’s second Leipzig Cantata Cycle. http://www.bachnetwork.co.uk/ub4/mincham.pdf |
UnderstandingBach |
4 | | 2009 |
119-133 |
|
| 5. | Passion and Drama in German Literature. http://www.bachnetwork.co.uk/ub4/scheitler.pdf |
UnderstandingBach |
4 | | 2009 |
21-31 |
|
| 6. | Recent Discoveries in St Petersburg and their Meaning for the Understanding of Bach's Cantatas. http://www.bachnetwork.co.uk/ub4/shabalina.pdf |
UnderstandingBach |
4 | | 2009 |
77-99 |
|
| 7. | Bach among the Heretics: Inferences from the Cantata Texts. http://www.bachnetwork.co.uk/ub4/smaill.pdf |
UnderstandingBach |
4 | | 2009 |
101-118 |
|