Type | List | Title [further info![Display full bibliographical information](http://homepages.bw.edu/bachbib/images/expand.gif) ] | Series![Reorder serially](http://homepages.bw.edu/bachbib/images/sort.gif) | Vol | No | Year![Reorder chronologically](http://homepages.bw.edu/bachbib/images/sort.gif) | Pages | Status |
| 1. | Bach: Progressive or Conservative and the Authorship of the Goldberg Aria. |
StudMcol |
108 | | 1989 |
195-208 |
|
| 2. | Conflicting Binary and Ternary Rhythms: From the Theory of Mensural notation to the Music of J. S. Bach. |
StudMcol |
108 | | 1989 |
35-64 |
|
| 3. | Graham Pont's 'Paradigm of Inconsistency' and the Interpretation of Handel's Overtures. |
StudMcol |
108 | | 1989 |
77-84 |
|
| 4. | Interpretation Problems of Ornament Symbols and Two Recent Case Histories: Hans Klotz on Bach, Faye Ferguson on Mozart. |
StudMcol |
108 | | 1989 |
121-153 |
|
| 5. | New Essays on Performance Practice. |
StudMcol |
108 | | 1989 |
x, 257p |
|
| 6. | Notes on the Violin Sonatas of Bach and Handel. |
StudMcol |
108 | | 1989 |
221-225 |
|
| 7. | Some Controversial Aspects of the Authenticity School. |
StudMcol |
108 | | 1989 |
17-31 |
|
| 8. | The 'Notes Inégales' Revisited. |
StudMcol |
108 | | 1989 |
65-76 |
|
| 9. | The Rise of the Early Music Movement. |
StudMcol |
108 | | 1989 |
3-16 |
|