Type | List | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | The Stanford Eclectic Tunings. The Stanford Organ: a Synthesis of Views. |
PerformPractReview |
5 | 2 | Fall 1992 |
159-197 |
|
| 2. | Identity in violin playing on records: Interpretation profiles in recordings of solo Bach by early twentieth-century violinists. |
PerformPractReview |
14 | 1 | 2009 |
1-40 |
|
| 3. | Some Thoughts concerning the Effects of Tuning on Selected Musical Works (from Landini to Bach). Tuning Systems |
PerformPractReview |
9 | 1 | Spring 1996 |
114-121 |
|
| 4. | Was the 'Well-Tempered Clavier' Performable on a Fretted Clavichord? Reprinted with corrections in PerformPractReview, 5/2 (1992), 247-292. |
PerformPractReview |
5 | 1 | Spring 1992 |
44-89 |
|
| 5. | Bach's Tempo ordinario: A Plaine and Easie Introduction to the System. |
PerformPractReview |
13 | 1 | 2008 |
1-33 |
|
| 6. | Interpretation Problems of Ornament Symbols and Two Recent Case Histories: Hans Klotz on Bach, Faye Ferguson on Mozart. A Scholar's Response to Two Critics. |
PerformPractReview |
1 | 1 | Spring-Fall 1988 |
71-106 |
|
| 7. | More (and Less) on Bach's Orchestra. |
PerformPractReview |
4 | 1 | Spring 1991 |
5-13 |
|
| 8. | Questions Concerning the Edition of the 'Goldberg Variations' in the Neue Bach Ausgabe. |
PerformPractReview |
3 | 1 | Spring 1990 |
58-69 |
|
| 9. | Saint-Saëns's View on the Performance of Early Music. |
PerformPractReview |
2 | 2 | Fall 1989 |
126-132 |
|
| 10. | Keyboard fingering and interpretation: A comparison of historical and modern approaches. |
PerformPractReview |
12 | 1 | 2007 |
1-26 |
|