Type | List | Title [further info![Display full bibliographical information](http://homepages.bw.edu/bachbib/images/expand.gif) ] | Series![Reorder serially](http://homepages.bw.edu/bachbib/images/sort.gif) | Vol | No | Year![Reorder chronologically](http://homepages.bw.edu/bachbib/images/sort.gif) | Pages | Status |
| 1. | Duets in the collection of Sara Levy and the ideal of 'unity in multiplicity'. |
EastmanStudM |
145 | | 2018 |
181-204 |
|
| 2. | Sara Levy's world: gender, Judaism, and the Bach tradition in Enlightenment Berlin. |
EastmanStudM |
145 | | 2018 |
x, 292p |
|
| 3. | What was the Berlin Jewish salon around 1800? |
EastmanStudM |
145 | | 2018 |
21-38 |
|
| 4. | Lessing and the limits of enlightenment. |
EastmanStudM |
145 | | 2018 |
99-121 |
|
| 5. | Poetry, music, and the limits of harmony: Mendelssohn's aesthetic critique of christianity. |
EastmanStudM |
145 | | 2018 |
122-146 |
|
| 6. | Longing for the sublime: Jewish self-consciousness and the 'St. Matthew Passion' in Biedermeier Berlin. |
EastmanStudM |
145 | | 2018 |
147-177 |
|