Type | List | Author![Hide Author field](http://homepages.bw.edu/bachbib/images/x.gif) | Title [further info![Display full bibliographical information](http://homepages.bw.edu/bachbib/images/expand.gif) ] | Series![Reorder serially](http://homepages.bw.edu/bachbib/images/sort.gif) | Vol | No | Year![Reorder chronologically](http://homepages.bw.edu/bachbib/images/sort.gif) | Pages | Status |
| 1. | | Author-Title-Subject: Cumulative Index 1970-2000 |
Bach |
31 | 2 | 2000 |
1-67 |
|
| 2. | Badura-Skoda, Eva | Did J. S. Bach Compose 'Pianoforte Concertos'? |
Bach |
31 | 1 | 2000 |
1-16 |
|
| 3. | Cole, Warwick | Improvisation as a Stimulus to Composition in Bach's Partita II. |
Bach |
31 | 1 | 2000 |
96-112 |
|
| 4. | Jerold, Beverly | Pitch in the Vocal Works of J. S. Bach. |
Bach |
31 | 1 | 2000 |
74-95 |
|
| 5. | Leaver, Robin A. | Johann Sebastian Bach: Theological Musician and Musical Theologian. |
Bach |
31 | 1 | 2000 |
17-33 |
|
| 6. | Milner, Scott C. | 'Süße Todesstunde' or 'Mit Fried und Freud': Reformation Theology and the Lutheran 'Art of Dying' in Two Bach Cantatas. |
Bach |
31 | 1 | 2000 |
34-57 |
|
| 7. | Peters, Mark A. | Adapting Bach's final Weimar Cantata for Performance in Leipzig: Liturgical and Musical Considerations in Cantata 147. |
Bach |
31 | 1 | 2000 |
58-73 |
|