Bach Bibliography Search Result

Series : ^[p]BNUK_Oxford$
Max number of results shown : 300
Display author field : OFF
Output sorted : alphabetically (table)

Type	List	Title [further info]	Series	Vol	No	Year	Pages	Status
		[]
	1.	Performance and Reception of Bach's Matthew Passion in Berlin, 1829.	[p]BNUK_Oxford			Jan 2008
	2.	Bach and the Spirit of Music Drama.	[p]BNUK_Oxford			Jan 2009
	3.	Nineteenth-Century Legacy Projected onto the Twenty First: A German-Israeli Dialogue on Bach's Passions.	[p]BNUK_Oxford			Jan 2008
	4.	The Dramaturgy of Religious Emotions in Bach's Cantatas: Aristotelian Processes in Neo-Platonic Frames.	[p]BNUK_Oxford			Jan 2009
	5.	'His superior ideas are the consequences of those inferior ones': Influence and Independence in Bach's Early Creative Development.	[p]BNUK_Oxford			Jan 2008
	6.	Bach's Chamber Music with Flute: a 'hands-on' approach to fact and fiction.	[p]BNUK_Oxford			Dec 2006
	7.	An Early English Imprint of the B minor 'Crucifixus'.	[p]BNUK_Oxford			Jan 2008
	8.	Bach: Luther's Musical Prophet?	[p]BNUK_Oxford			Dec 2006
	9.	Could the Thomaskantor Bach have been Allowed to Compose an Opera?	[p]BNUK_Oxford			Jan 2009
	10.	The 'hybrid' recitatives of JS Bach.	[p]BNUK_Oxford			Jan 2009
	11.	The Sound-Coded Politics: on the Cantata Tönet, ihr Pauken BWV 214 by Johann Sebastian Bach.	[p]BNUK_Oxford			Jan 2009
	12.	The musician-novels of the German Baroque: new perspectives on Bach's world.	[p]BNUK_Oxford			Dec 2006
	13.	Passion and Drama in German Literature.	[p]BNUK_Oxford			Jan 2009
	14.	Musical Drama in the Coffee Garden: Nature, Mythology and Morality in J.S. Bach's Secular Cantatas.	[p]BNUK_Oxford			Jan 2009
	15.	Recent Discoveries in St. Petersburg and their Meaning for Understanding Bach.	[p]BNUK_Oxford			Jan 2009
	16.	Theological inferences drawn from Bach's cantata texts.	[p]BNUK_Oxford			Jan 2009
	17.	'Ways to Bach'.	[p]BNUK_Oxford			Jan 2009
	18.	Buttstett-Mattheson dispute and its implication for Bach Studies.	[p]BNUK_Oxford			Jan 2009
	19.	Collections, bars and numbers: Analytical coincidence or Bach's design?	[p]BNUK_Oxford			Dec 2006
	20.	Anna Magdalena as Bach's Copyist.	[p]BNUK_Oxford			Jan 2008
	21.	One more time: Bach and Seventeenth-Century Traditions of Rhetoric.	[p]BNUK_Oxford			Dec 2006
	22.	Bach materials in the Berlin Sing-Akademie: a preliminary stock-taking.	[p]BNUK_Oxford			Jan 2008
	23.	Under the Spell of Opera? - Bach's Oratorio Trilogy of 1734-35.	[p]BNUK_Oxford			Jan 2009
	24.	The 'Weimar Organ Tablature': Bach's Earliest Autographs.	[p]BNUK_Oxford			Jan 2008