Type | List | Title [further info![Display full bibliographical information](http://homepages.bw.edu/bachbib/images/expand.gif) ] | Series![Reorder serially](http://homepages.bw.edu/bachbib/images/sort.gif) | Vol | No | Year![Reorder chronologically](http://homepages.bw.edu/bachbib/images/sort.gif) | Pages | Status |
| 1. | The Violoncello da Spalla and the Eccentricities of Historical Performance Practice. |
[p]AMS_Nashville |
| | Nov 2008 |
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| 2. | The Rhythms of Counterpoint and the Representation of Time: Bach, Haydn, and the Et vitam venturi Fugue in the Missa in tempore belli. |
[p]AMS_Nashville |
| | Nov 2008 |
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| 3. | Editorial Decisions and their Analytical Implications in the 'Corrente' from Bach's First Violin Partita. |
[p]AMS_Nashville |
| | Nov 2008 |
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| 4. | Bach's Numbers? Proportional parallelism and its implications for musicology. |
[p]AMS_Nashville |
| | Nov 2008 |
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