Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Bertoglio, Chiara | Translating Bach: Understanding Bach Piano Performance through Lipiński's Instructive Edition Abstract: pp.368 (pl), 369 (en). |
[cr]Warsaw2017 |
| | 2019 |
343-367 |
Latin 2 |
| 2. | Blanken, Christine | A Genuine Romantic Composer and his Pre-Classical Inspirations: Johann Sebastian Bach as Seen through the Eyes of Franz Schubert. New Light on Viennese Bach Sources Abstract: pp.128 (pl), 129 (en). |
[cr]Warsaw2017 |
| | 2019 |
87-126 |
|
| 3. | Brookshire, Bradley | Chopin and the Legacy of Carl Philipp Emanuel Bach. Abstract: pp.264 (pl), 265 (en). |
[cr]Warsaw2017 |
| | 2019 |
231-262 |
|
| 4. | Delpech, Louis | Bach in Paris. Editions, Networks, Performances (1800-1840). Abstract: pp.228 (pl), 229 (en). |
[cr]Warsaw2017 |
| | 2019 |
201-227 |
|
| 5. | Erickson, Raymond | Popularisation and Transformation: Bach's Violin Ciaccona, BWV 1004/5 in the Nineteenth Century. Abstract: pp.394 (pl), 395 (en). |
[cr]Warsaw2017 |
| | 2019 |
371-393 |
|
| 6. | Guido, Massimiliano | Improvisation Matrices: A Possible Reading for Bach's and Chopin's Preludes? Abstract: pp.300 (pl), 301 (en). |
[cr]Warsaw2017 |
| | 2019 |
285-299 |
|
| 7. | Maul, Michael | Public Concerts at the 'True Musical Conservatory': Baroque Repertoire at St Thomas's School at the Turn of the Nineteenth Century. Abstract: pp.410 (pl), 411 (en). |
[cr]Warsaw2017 |
| | 2019 |
397-409 |
|
| 8. | Paczkowski, Szymon (ed.) | Bach and Chopin: Baroque Traditions in the Music of the Romantics. Warsaw: The Fryderyk Chopin Institute, 2019. 492p. ISBN: 978-83-64823-92-3. |
[cr]Warsaw2017 |
| | 2019 |
492p |
|
| 9. | Paczkowski, Szymon | 'The Ideal of Great Music I Created for Myself'. Chopin, Bach and the Baroque Musical Tradition. Trans. Steven Canty. Abstract, pp.48 (pl), 49 (en). |
[cr]Warsaw2017 |
| | 2019 |
13-46 |
|
| 10. | Papadopoulou, Vasiliki | Karol Lipiński as Editor and Interpreter of J. S. Bach's Music Abstract: pp.340 (pl), 341 (en). |
[cr]Warsaw2017 |
| | 2019 |
303-339 |
Latin 2 |
| 11. | Poniatowska, Irena | Some Remarks on Tempo Rubato from the Baroque to Chopin. Trans. John Comber. Abstract: pp.472 (pl), 473 (en). |
[cr]Warsaw2017 |
| | 2019 |
459-470 |
|
| 12. | Speerstra, Joel | Bach, Chopin, and the Affordances of Keyboard Instruments during the Long Eighteenth Century. Abstract: pp.282 (pl), 283 (en). |
[cr]Warsaw2017 |
| | 2019 |
267-280 |
|
| 13. | Synofzik, Thomas | Romantic Counterpoint? – Compositional Techniques in the Piano Fugues of Robert and Clara Schumann. Abstract: pp.168 (pl), 169 (en). |
[cr]Warsaw2017 |
| | 2019 |
131-167 |
|
| 14. | Tatlow, Ruth | Symmetry and a Template: Bach's Well-Tempered Clavier, and Chopin's Preludes, Op. 28. Abstract: pp.82-83 (pl), 84-85 (en). |
[cr]Warsaw2017 |
| | 2019 |
51-81 |
|
| 15. | Tomita, Yo | Aspects of the Reception of Bach's Well-Tempered Clavier in Chopin's Time: An Overview of Print and Manuscript Sources Abstract: pp.198 (pl), 199 (en). |
[cr]Warsaw2017 |
| | 2019 |
171-196 |
|
| 16. | Zepf, Markus | Bach - Mozart - Chopin. Some Aspects of Pianos and Piano Making from Bach's to Chopin's Time. Abstract: pp.456 (pl), 457 (en). |
[cr]Warsaw2017 |
| | 2019 |
413-455 |
|