Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Cameron, Jasmin M. | Placing the 'Et incarnatus' and 'Crucifixus' in Context: Bach and the Panorama of the Baroque Mass Tradition. |
[cr]Belfast2007 |
1 | | 2007 |
11-26 |
|
| 2. | Dadelsen, Georg von | Friedrich Smend's Edition of the B-minor Mass by J. S. Bach. Edited reprint of article published in Bach xx/2 (1989), 49-74. |
[cr]Belfast2007 |
2 | | 2007 |
404-424 |
|
| 3. | Dalton Greer, Mary | Bach's Calov Bible and his Quest for the Title of Royal Court Composer. |
[cr]Belfast2007 |
1 | | 2007 |
150-176 |
|
| 4. | Franklin, Don O. | A Guide to the Temporal Structure of the 1733 Missa. A new article based on his paper given at the Wissenschaftliche Konferenz 'Bach in Leipzig / Bach und Leipzig' from 27 to 29 January 2000. |
[cr]Belfast2007 |
2 | | 2007 |
446-458 |
|
| 5. | Golomb, Uri | Intensity, Complexity and Musical Rhetoric in Performances of the B-minor Mass. |
[cr]Belfast2007 |
1 | | 2007 |
258-277 |
|
| 6. | Hartinger, Anselm | A 'fairly correct copy of the mass'? Mendelssohn's score of the B-minor Mass as a document of the Romantics' view on matters of performance practice and source criticism. |
[cr]Belfast2007 |
1 | | 2007 |
286-291 |
|
| 7. | Hoshino, Hiromi | J. S. Bach's Mass in B minor: A Study of its Reception History in the First Half of the Nineteenth Century especially regarding the Activities of Felix Mendelssohn Bartholdy. English translation of 'J. S. Bach saku 'Misakyoku Ro-Tancho' no 19seiki Zenhan ni okeru Juyo. Enso Kiroku no Kensho o tooshite', in Senzoku-Ronso (Memoirs by the members of Senzoku-Gakuen College) xxiv (1995), 145-159, with revised conclusion. |
[cr]Belfast2007 |
2 | | 2007 |
459-473 |
|
| 8. | Isoyama, Tadashi | The B-minor Mass and Japanese People: A Problematical Issue of 'Universality'. |
[cr]Belfast2007 |
1 | | 2007 |
344-351 |
|
| 9. | Kevorkian, Tanya | Cultural Transfer, Cultural Competition, and Religious Diversity in Leipzig during the Baroque Era. |
[cr]Belfast2007 |
1 | | 2007 |
1-10 |
|
| 10. | Knijff, Jan-Piet | Performing Bach's B-minor Mass: Some Notes by Heinrich Schenker. |
[cr]Belfast2007 |
1 | | 2007 |
239-258 |
|
| 11. | Kobayashi, Yoshitake | Universality in Bach's B Minor Mass: A Portrait of Bach in His Final Years. New translation by Tanja Kovacevic of 'Die Universalität in Bachs h-Moll-Messe. Ein Beitrag zum Bach-Bild der letzten Lebensjahre', Musik und Kirche lvii/1 (1987), 9-24. |
[cr]Belfast2007 |
2 | | 2007 |
387-403 |
|
| 12. | [Kovacevic, Tanja; Tomita, Yo; Leaver, Robin A.] | B-minor Mass: Select Bibliography. Compiled by Tanja Kovacevic, Yo Tomita and Robin A. Leaver. |
[cr]Belfast2007 |
2 | | 2007 |
492-504 |
|
| 13. | Leaver, Robin A. | How 'Catholic' is Bach's 'Lutheran' Mass? |
[cr]Belfast2007 |
1 | | 2007 |
177-206 |
|
| 14. | Leisinger, Ulrich | Viennese Traditions of the Mass in B Minor. |
[cr]Belfast2007 |
1 | | 2007 |
278-285 |
|
| 15. | Luongo, Paul | Theodore Thomas's 1902 Performance of Bach's Mass in B Minor: Working within the Grand American Festival. |
[cr]Belfast2007 |
1 | | 2007 |
322-343 |
|
| 16. | Maul, Michael | How Relevant is Count Jan Adam von Questenberg for the Genesis of the B-minor Mass? A Preliminary Report. |
[cr]Belfast2007 |
1 | | 2007 |
27-32 |
|
| 17. | Paczkowski, Szymon | On the Role and Meaning of the Polonaise in the Mass in B minor by Johann Sebastian Bach as Exemplified by the Aria 'Quoniam tu solus sanctus'. |
[cr]Belfast2007 |
1 | | 2007 |
33-51 |
|
| 18. | Pardee, Katharine | The Mass in B Minor in Nineteenth-Century England. |
[cr]Belfast2007 |
1 | | 2007 |
292-308 |
|
| 19. | Parrott, Andrew | Vocal Ripienists and the Mass in B minor. |
[cr]Belfast2007 |
1 | [supplement 1] | Nov 2007 |
24p |
|
| 20. | Petzoldt, Martin | Dogma set to music: Theological aspects of Bach's B-minor Mass. English translation by Andrew Koll, Isabella van Elferen and Tanja Kovacevic of 'Vertonte Dogmatik. Zu theologischen Aspekten der h-Moll-Messe Bachs', in: Bach für Kenner und Liebhaber: Festschrift zum 70. Geburtstag von Diethard Hellmann (Stuttgart: Carus Verlag, 1998), 67-75. |
[cr]Belfast2007 |
2 | | 2007 |
425-434 |
|
| 21. | Rifkin, Joshua | Bach's Mass, Bach's Missa, and the Arrogance of Editing. |
[cr]Belfast2007 |
1 | [supplement 2] | Nov 2007 |
14p |
|
| 22. | Schulze, Hans-Joachim | J.S. Bach's Mass in B minor: Observations and Hypotheses with regard to some Original Sources. |
[cr]Belfast2007 |
1 | | 2007 |
234-238 |
|
| 23. | Shabalina, Tatiana [Shabalina, Tat'jana] | Manuscript score No. 4500 in St. Petersburg: A new source of the B-minor Mass. |
[cr]Belfast2007 |
1 | | 2007 |
207-225 |
|
| 24. | Shabalina, Tatiana [Shabalina, Tat'jana] | Reception History of the Mass in B minor in Russia. |
[cr]Belfast2007 |
1 | | 2007 |
309-321 |
|
| 25. | Siegele, Ulrich | Some Observations on the Formal Design of Bach's B-minor Mass. |
[cr]Belfast2007 |
1 | | 2007 |
137-149 |
|
| 26. | Smaczny, Jan | Bach's B-minor Mass: An Incarnation in Prague in the 1860s and its Consequences. |
[cr]Belfast2007 |
1 | | 2007 |
352-356 |
|
| 27. | Stauffer, George B. | The Symbolum Nicenum of the B-minor Mass and Bach's Late Choral Ideal. |
[cr]Belfast2007 |
1 | | 2007 |
116-117 |
|
| 28. | Stauffer, George B. | The Symbolum Nicenum of the B-minor Mass and Bach's Late Choral Ideal. |
[cr]Belfast2007 |
1 | [supplement 3] | Nov 2007 |
11p |
|
| 29. | Stockigt, Janice B. | Consideration of Bach's Kyrie e Gloria BWV 232I within the Context of Dresden Catholic Mass Settings, 1729-1733 |
[cr]Belfast2007 |
1 | | 2007 |
52-92 |
|
| 30. | Tatlow, Ruth | Numerical Ordering in Bach's B-minor Mass. Unpublished and revised paper given at the colloquium 'Bach's B Minor Mass: Perspectives on its music and history' in Oxford on 19 December 2000, with author's postscript. |
[cr]Belfast2007 |
2 | | 2007 |
435-445 |
|
| 31. | Tatlow, Ruth | Parallel Proportions, Final Revisions and the Status of Manuscript P 180. |
[cr]Belfast2007 |
1 | | 2007 |
118-136 |
|
| 32. | Tomita, Yo; Crean, Elise; Mills, Ian (eds.) | International Symposium: Understanding Bach's B-minor Mass. Discussion Book 1. Full Papers by the Speakers at the Symposium on 2, 3 and 4 November 2007. School of Music and Sonic Arts, Queen's University Belfast. 2007. x, 356p. |
[cr]Belfast2007 |
1 | | 2007 |
x, 356p |
|
| 33. | Tomita, Yo; Kovacevic, Tanja; [Kovačević] (eds.) | International Symposium: Understanding Bach's B-minor Mass. Discussion Book 2. Resource Book. School of Music and Sonic Arts, Queen's University Belfast. 2007. 357-511pp. |
[cr]Belfast2007 |
2 | | 2007 |
357-511p |
Latin 2 |
| 34. | Towe, Teri Noel | The Coates Continuo Conundrum Clarified. A new article accompanying his poster at Exhibition Room. |
[cr]Belfast2007 |
2 | | 2007 |
474-491 |
|
| 35. | Unger, Melvin P. | Chiastic Reflection in the B-minor Mass: Lament's Paradoxical Mirror. |
[cr]Belfast2007 |
1 | | 2007 |
93-115 |
|
| 36. | Walker, Paul | Bach's Use of Fugue in the Stile Antico Vocal Writing of the B-Minor Mass. Unpublished and expanded paper read at the Biennial Meeting of the American Bach Society, Leipzig, May 11-13, 2006: 'Bach Crossing Borders'. |
[cr]Belfast2007 |
2 | | 2007 |
368-386 |
|
| 37. | Wolff, Christoph | 'Et Incarnatus' and 'Crucifixus': The Earliest and Latest Settings of Bach's B-minor Mass. Edited reprint of article originally published in: Eighteenth-Century Music in Theory and Practice: Essays in Honor of Alfred Mann, ed. Mary Anne Parker (Stuyvesant: Pendragon Press, 1994), 1-17, with author's postscript. |
[cr]Belfast2007 |
2 | | 2007 |
357-367 |
|
| 38. | Wolf, Uwe | Many problems, different solutions: Editing Bach's Mass in B minor. |
[cr]Belfast2007 |
1 | | 2007 |
226-233 |
|