Type | List | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | 'Authentic' Performance: Musical Text, Performing Forces, Performance Style (A Review Essay). [Repr. of 'Reviews of Records. Johann Sebastian Bach: The Complete Cantatas.' [Vols. 1 and 2 of the Telefunken Series, Nikolaus Harnoncourt and Gustav Leonhardt, conductors], MQ, lix (1973), pp.145-159] |
[ce]Marshall |
| | 1989 |
229-239, 328-331 |
|
| 2. | Bach and Luther. Chapter 3 |
[ce]Marshall |
| | 2019 |
38-55, 268-269 |
|
| 3. | Bach and Mozart: Essays on the Enigma of Genius. Rochester, NY: University of Rochester Press; Woodbridge: Boydell & Brewer, 2019. xxi, 331p. ISBN: 978-1-58046-962-3 |
[ce]Marshall |
| | 2019 |
xxi, 331p |
|
| 4. | Bach and Mozart's Artistic Maturity. Chapter 14. |
[ce]Marshall |
| | 2019 |
212-237, 292-294 |
|
| 5. | Bach and Mozart: Styles of Musical Genius. Chapter 12. |
[ce]Marshall |
| | 2019 |
186-196, 286-289 |
|
| 6. | Bach at Mid-Life: The Christmas Oratorio and the Search for New Paths. Chapter 8. |
[ce]Marshall |
| | 2019 |
130-147, 278-279 |
|
| 7. | Bach at the Boundaries of Music History: Preliminary Reflections on the B-Minor Mass and the Late-Style Paradigm. Chapter 9. |
[ce]Marshall |
| | 2019 |
148-155, 279-280 |
|
| 8. | Bach, Johann Sebastian. [Repr from Encyclopaedia Britannica, 15th edition, II, pp.556-561] |
[ce]Marshall |
| | 1989 |
3-20 |
|
| 9. | Bach's Keyboard Music. Chapter 5. |
[ce]Marshall |
| | 2019 |
65-113, 270-276 |
|
| 10. | Bach's Orchestre. [Repr. from EarlyM xiii (1985), pp.176-179] |
[ce]Marshall |
| | 1989 |
59-63, 303 |
|
| 11. | Bach the Progressive: Observations on His Later Works. [Repr. from MQ, lxii (1976), pp.313-357] (pp.54-58 is a postscript) |
[ce]Marshall |
| | 1989 |
23-58, 295-303 |
|
| 12. | 'Composing Scores' and 'Fair Copies'. [Repr. of 'Introduction' in Cantata Autographs in American Collections, New York: Garland publishing 1986, pp. vii-xv] [BWV 131, 10, 33, 171, 112, 97, 9, 118] |
[ce]Marshall |
| | 1989 |
83-110, 304-305 |
|
| 13. | 'Editore traditore': Suspicious Performance Indications in the Bach Sources. [Repr. of 'Editore traditore: Ein weiterer 'Fall Rust'?', in Wolfgang Rehm (ed.), Bachiana et alia Musicologica. Festschrift Alfred Dürr zum 65. Geburtstag am 3. März 1983. Kassel [u.a.]: Bärenreiter, 1983, pp. 183-191] Postscript, p. 254. |
[ce]Marshall |
| | 1989 |
241-254, 331-333 |
|
| 14. | Father and Sons: Confronting a Uniquely Daunting Paternal Legacy. Chapter 10. |
[ce]Marshall |
| | 2019 |
156-173, 280-284 |
|
| 15. | Had Mozart Lived Longer: Some Cautious (and Incautious) Speculations. Epilogue (ossia Postmortem). |
[ce]Marshall |
| | 2019 |
252-259, 296-298 |
|
| 16. | Johann Christian Bach and Eros. Chapter 11. |
[ce]Marshall |
| | 2019 |
174-185, 284-286 |
|
| 17. | Mozart and Amadeus. Chapter 13. |
[ce]Marshall |
| | 2019 |
197-211, 289-292 |
|
| 18. | Mozart's Unfinished: Some Lessons of the Fragments Chapter 15. |
[ce]Marshall |
| | 2019 |
238-251, 294-296 |
|
| 19. | On Bach's Universality. [Repr. from Martin Heckscher et al (ed.), The Universal Bach: Lectures Celebrating the Tercentenary of Bach's Birthday. Fall 1985. Philadelphia: American Philosophical Society, 1986, pp. 50-81] [BWV 78] |
[ce]Marshall |
| | 1989 |
65-79, 303-304 |
|
| 20. | On the Origin of the Magnificat: A Lutheran Composer's Challenge. [Repr. from Bach Studies, ed. Don Franklin. Cambridge: Cambridge Univ. Press, 1988, pp.3-17] |
[ce]Marshall |
| | 1989 |
161-173, 312-313 |
|
| 21. | Organ or 'Klavier'? Instrumental Prescriptions in the Sources of the Keyboard Works. [Repr. of 'Organ or 'Klavier'? Instrumental Prescriptions in the Sources of Bach's Keyboard Works', in George B. Stauffer and Ernest May (eds.), J. S. Bach as Organist. His instruments, music and performance practices. - London: B. T. Batsford Ltd., 1986, pp. 212-239] |
[ce]Marshall |
| | 1989 |
271-293, 337-339 |
|
| 22. | Prologue. The Century of Bach and Mozart as a Music-Historical Epoch: A Different Argument for the Proposition. |
[ce]Marshall |
| | 2019 |
1-8, 261 |
|
| 23. | Redeeming the St. John Passion--and J. S. Bach. Chapter 4. |
[ce]Marshall |
| | 2019 |
56-64, 269-270 |
|
| 24. | Tempo and Dynamics: The Original Terminology. [Repr. of 'Tempo and Dynamic Indications in the Bach Sources: A Review of the Terminology', Peter F.Williams (ed), Bach, Handel, Scarlatti Tercentenary Essays. Cambridge: Cambridge Univ. Press 1985, pp. 259-276] |
[ce]Marshall |
| | 1989 |
255-269, 333-337 |
|
| 25. | The Autograph Fair Copies of the Fantasia per il Cembalo, BWV 906. [Repr. of 'Introduction', Johann Sebastian Bach, Fantasia per il Cembalo. BWV 906. Facsimile Edition. Kassel [u.a.]: Bärenreiter, 1976, pp. [2-7]] |
[ce]Marshall |
| | 1989 |
193-200, 314-316 |
|
| 26. | The Autograph Score of Herr, gehe nicht ins Gericht, BWV 105. [Repr. of 'Commentary', Johann Sebastian Bach, Herr, gehe nicht ins Gericht (BWV 105). Faksimile nach dem Partiturautograph der Deutschen Staatsbibliothek Berlin mit einem Nachwort hrsg. von Robert Marshall. Leipzig: Zentral-Antiquariat der DDR; Neuhausen-Stuttgart: Hänssler, 1983, pp. 5-7] |
[ce]Marshall |
| | 1989 |
131-142 |
|
| 27. | The Compositions for Solo Flute: A Reconsideration of Their Authenticity and Chronology. [Repr. from JAMSoc, xxxii (1979), pp.463-498] Postscript, p.225. |
[ce]Marshall |
| | 1989 |
201-225, 316-328 |
|
| 28. | The Genesis of an Aria Ritornello: Observations on the Autograph Score of 'Wie zittern und wanken,' BWV 105/3. [Repr. from Studies in Renaissance and Baroque music in Honor of Arthur Mendel. - Kassel [u.a.]: Bärenreiter; Hackensack, NJ: Joseph Boonin, 1974, pp.165-182] |
[ce]Marshall |
| | 1989 |
143-159, 308-312 |
|
| 29. | The Mass in B Minor: The Autograph Scores and the Compositional Process. [Repr. of 'Beobachtungen am Autograph der h-moll-Messe: Zum Kompositionsprozeß J. S. Bachs', MKirche, l/5 (1980), pp. 230-239] |
[ce]Marshall |
| | 1989 |
175-189, 313-314 |
|
| 30. | The Minimalist and Traditionalist Approaches to Performing Bach's Choral Music: Some Further Thoughts Chapter 6. |
[ce]Marshall |
| | 2019 |
114-120, 276-277 |
|
| 31. | The Music of Johann Sebastian Bach. The Sources, The Style, The Significance. New York: Schirmer Books, 1989. xxiii, 375p. |
[ce]Marshall |
| | 1989 |
xxiii, 375p |
|
| 32. | The Notebooks for Wilhelm Friedemann and Anna Magdalena Bach: Some Biographical Lessons. Chapter 2. |
[ce]Marshall |
| | 2019 |
30-37, 266-268 |
|
| 33. | The Sketches. [Repr. of 'Musical sketches in J. S. Bachs cantata autographs', in Studies in music history; essays for Oliver Strunk, ed. Harold S. Powers, Princeton, N.J.; Princeton U.P, 1968, pp.405-427] [BWV 117, Anh. 2, 232, 29, 183, 198, 133, 215, 39] |
[ce]Marshall |
| | 1989 |
111-129, 305-308 |
|
| 34. | Truth and Beauty: J. S. Bach at the Crossroads of Cultural History. Chapter 7. |
[ce]Marshall |
| | 2019 |
121-129, 277-278 |
|
| 35. | Young Man Bach: Toward a Twenty-First-Century Bach Biography. Chapter 1. |
[ce]Marshall |
| | 2019 |
9-29, 261-266 |
|