| Type | List | Author | Title [further info ] | Series | Vol | No | Year | Pages | Status |
| 1. | Richards, Annette; Yearsley, David (eds.) | Organ Works / Carl Philipp Emanuel Bach. Edited by Annette Richards and David Yearsley. - Los Altos, CA: Packard Humanities Institute, 2008. xxvi, 123p. ISBN: 978-1-933280-33-2. (= Carl Philipp Emanuel Bach: The Complete Works. Series I: Keyboard music, Volume 9) [Wq 70, 119, H 336] |
CPEBachCW |
1 | 9 | 2008 |
xxvi, 123p |
 |
| 2. | Yearsley, David | Alchemy and Counterpoint in an Age of Reason |
JAMSoc |
51 | 2 | Summer 1998 |
201-243 |
 |
| 3. | Yearsley, David | Bach and the Meanings of Counterpoint. Cambridge UP, 2002. xvi, 257p. ISBN: 0-521-80346-2. - repr. 2010. ISBN: 978-0-521-09099-5. |
|
| | 2002 |
xvi, 257p |
 |
| 4. | Yearsley, David | C. P. E. Bach and the living traditions of learned counterpoint. |
[ce]CPEBachStud |
| | 2006 |
173-201 |
 |
| 5. | Yearsley, David | Death Everyday: The Anna Magdalena Bach Book of 1725 and the Art of Dying. |
18cM |
2 | 2 | Sep 2005 |
231-249 |
 |
| 6. | Yearsley, David | In Buxtehude's footsteps. |
EarlyM |
35 | 3 | Aug 2007 |
339-353 |
 |
| 7. | Yearsley, David | Poets, Mothers, and Performers: Considering Women's Impact on the Music of Johann Sebastian Bach. |
18cM |
7 | 2 | Sep 2010 |
326-329 |
 |
| 8. | Yearsley, David (ed.) | Princes of War and Peace and their Most Humble, Most Obedient Court Composer. http://konturen.uoregon.edu/vol1_Yearsley.html |
Konturen(Oregon) |
1 | | 2009 |
1-33 |
 |
| 9. | Yearsley, David | The concerto in northern Europe to c.1770. |
[ce]CambridgeCompanion_Concerto |
| | 2005 |
53-69 |
 |
| 10. | Yearsley, David | The concerto in northern Europe to c.1770. In: The Cambridge companion to the concerto, ed. and intro. Simon P. Keefe, 2005. xxv, 309p. ISBN: 0-521-83483-X; 0-521-54257-X; pp.53-69. [BWV 1046-1051] |
|
| | 2005 |
53-69 |
 |
| 11. | Yearsley, David | The organ music of J. S. Bach. |
[ce]CambridgeCompanion_Organ |
| | 1998 |
236-249 |
 |
| 12. | Yearsley, David | Towards an Allegorical Interpretation of Buxtehude's Funerary Counterpoints. |
MLetters |
80 | 2 | May 1999 |
183-206 |
 |
| 13. | Yearsley, David | What is a Sängerin? A paper read at conference 'Poets, Mothers, and Performers: Considering Women's Impact on the Music of Johann Sebastian Bach' held at Yale Institute of Sacred Music, USA, on October 16-18, 2009. |
[p]Women_Yale |
| | Oct 2009 |
|
 |
| 14. | Yearsley, David | Women at the organ: a fragment. [BWV 573] |
[fs]Williams70 |
| | 2007 |
119-141 |
 |
| 15. | Yearsley, David Gaynor | Ideologies of learned counterpoint in the northern German Baroque. PhD diss. Stanford University, 1994. 376p. UMI No. DA9516942. [BWV 668, 769] |
diss. |
| | 1994 |
376p |
 |