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| Type | List | Author | Title [further info  ] | Series | Vol | No | Year | Pages | Status |
|---|---|---|---|---|---|---|---|---|---|
 | 1. | Abadie, Daniel; Georget, Maryvonne | Hartung et la musique. | 72p | |||||
| | 2. | Abdy Williams, Charles Francis | Bach. | xi, 223p | |||||
 | 3. | Abdy Williams, Charles Francis | The Rhythmical Construction of Bach's 'Forty-Eight' Fugues. | ProceedRMA | 19 | 73-93 | |||
| | 4. | Abe, Kin'ya | Bach no Miryoku no Himitsu. | BachZenshu | 15 | 150-156 | |||
| | 5. | Abravaya, Ido | A French overture revisited: another look at the two versions of BWV 831. | EarlyM | 25 | 1 | 47-58, 60-61 | ||
 | 6. | Abravaya, Ido | Bach's tempo practices: tempo changes. | [p]BICB_Manchester | |||||
| | 7. | Abravaya, Ido | Bach's tempo practices, the tempo theories of his time -- and ours. | OrbisMusicae | 13 | 81-90 | |||
| | 8. | Abravaya, Ido | On Bach's Rhythm and Tempo. | BochumArbMw | 4 | 232p | |||
 | 9. | Abravaya, Ido | Studies of Rhythm and Tempo in the Music of J. S. Bach. | diss. | xv, 318p | ||||
| | 10. | Abravaya, Ido | The Baroque upbeat: outline of its typology and evolution. | IrishMStud | 8 | 17-28 | |||
| | 11. | Abrányi Kornél | Tárca. Egy khorál hatalma. | ZeneszetiLapok | 8 | 32 | 507-509 | ||
| | 12. | Abrányi Kornél | Tárca. Egy khorál hatalma (Folytatás). | ZeneszetiLapok | 8 | 33 | 523-525 | ||
| | 13. | Abrányi Kornél | Tárca. Egy khorál hatalma (Vége). | ZeneszetiLapok | 8 | 34 | 537-540 | ||
| | 14. | Abyzova, Elena Nikolaevna | Nekotorye voprosy tematizma i formy skripichnyh koncertov I. S. Baha. | VoprosyTM | 3 | 237-271 | |||
| | 15. | A Country Amateur | J. S. Bach, Graun, etc., etc. | MWorld | 23 | 28 | 442 | ||
| | 16. | Adams, Courtney S. | Organization in the Two-Part Inventions of Johann Sebastian Bach, Part I. | Bach | 13 | 2 | 6-16 | ||
| | 17. | Adams, Courtney S. | Organization in the Two-Part Inventions of Johann Sebastian Bach, Part II. | Bach | 13 | 3 | 12-19 | ||
| | 18. | Adiloglu, Kamil; Noll, Thomas; Obermayer, Klaus | A Paradigmatic Approach to Extract the Melodic Structure of a Musical Piece. | JNewMResearch | 35 | 3 | 211-236 | ||
| | 19. | Adley, Morris | J.S. Bach no Orugan Ongaku. | OruganKenkyu | 4 | 42-46 | |||
| | 20. | Agario, Shinya | Gakushi no Jidai. Chusei Doitsu no 'Ongakuka' to iu Shokugyo. | BachZenshu | 13 | 140-157 | |||
| | 21. | Agay, Denes | Authentic Baroque Performance. | Clavier | 24 | 4 | 18-20 | ||
| | 22. | Agmon, Eytan | Beethoven's op. 81a and the psychology of loss. | MTtheoryOnline | 2 | 4 | |||
| | 23. | Ainsley, R. | The New Face of Bach. | ClassicCD | 39 | 20-22 | |||
| | 24. | Ainsley, R. | What's Best for Bach? | ClassicCD | 35 | 39-41 | |||
| | 25. | Akada, Kin'ya | BCJ to Kobe Water. | BCJ | 43 | 40-41 | |||
| | 26. | Akioka, Yo | J. S. Bach 7-Ban Shobu. Bach vs. Scarlatti. | [ce]Daremoiwanakatta | 166-179 | ||||
| | 27. | Akiyama, Motoo | Bach Zuiso. | 273p | |||||
| | 28. | Albrecht, Timothy E. | Musical Rhetoric in J.S. Bach's Organ Toccata BWV 565. | OrganYb | 11 | 84-94 | |||
| | 29. | Albrecht, Timothy Edward | Musical Rhetoric in Selected Organ Works of Johann Sebastian Bach | diss. | v, 211p | ||||
| | 30. | Albus, Harry James | The Music maker. The life of Johann Sebastian Bach in story form. | 93p | |||||
| | 31. | Alewyn, Richard | Johann Beer. Studien zum Roman des 17. Jahrhunderts. | ix, 274p | |||||
| | 32. | Alfaya, Javier | Prismas: Bach y el cine. | Scherzo(Spain) | 211 | ||||
| | 33. | Allanbrook, Wye J. (ed.) | The Sleep of Sin: A Note on an Aria from Bach's St. Matthew Passion. | [fs]Bart | 16-23 | ||||
| | 34. | Allanbrook, Wye J.; Levy, Janet M.; Mahrt, William P. (eds.) | Convention in Eighteenth- and Nineteenth-Century Music: Essays in honor of Leonard G. Ratner. | FestschriftSer | 10 | xxi, 548p | |||
| | 35. | Allred, Brady Russell | Mozarts Grand mass in C minor: historical perspective, analysis, and performance. | diss. | 128 leaves | ||||
| | 36. | Anderson, Cynthia R.; Tunks, Thomas W. | The influence of expectancy on harmonic perception. | PsychoMcol | 11 | 1 | 3-14 | ||
| | 37. | Anthonicek, Theophil; Flotzinger, Rudolf; Wessely, Othmar (eds.) | De ratione in musica. Festschrift Erich Schenk zum 5. Mai 1972. | [fs]Schenk70 | xiii, 300p | ||||
| | 38. | Anthony, John Philip | The Organ Works of Johann Christian Kittel. | diss. | 636p | ||||
 | 39. | Anthony, Michael | Minnesota Opera: PDQ Bach Premiere. | HiFiMAmer | 34 | 8 | 23f | ||
| | 40. | Aoyama, Shiro | Misa - Reihaishiki ni tsuite. | BachAkadJapan | 90-94 | ||||
| | 41. | Apps, Howard Llewellyn | Bach and the violin. | Strad | 72 | 858 | 209-213 | ||
| | 42. | Arewa, Olufunmilayo B. | From J.C. Bach to Hip Hop: Musical Borrowing, Copyright and Cultural Context. | NorthCarolinaLawReview | 84 | 2 | 547-645 | ||
| | 43. | Ariga, Noyuri | Bach no Klavierkyoku Kaishakujo no Shomondai (1). | DoshishaJDGK | 23 | 3 | 610-630 | ||
| | 44. | Ariga, Noyuri | Bach no Klavierkyoku Kaishakujo no Shomondai (2): tempo. | DoshishaJDGK | 24 | 3 | 384-392 | ||
| | 45. | Ariga, Noyuri | Bach no Klavierkyoku Kaishakujo no Shomondai (3): Soshokuon. | DoshishaJDGK | 25 | 3 | 435-462 | ||
| | 46. | Ariga, Noyuri | Bach no Klavierkyoku Kaishakujo no Shomondai (4): rhythm | DoshishaJDGK | 26 | 3 | 284-310 | ||
| | 47. | Ariga, Noyuri | Bach no Ongaku ni okeru Shochosei. | DoshishaJDGK | 27 | 3 | 219-247 | ||
| | 48. | Ariga, Noyuri | Friedemann Bach no tame no Clavier Shokyokushu. | DoshishaJDGK | 19 | 151-196 | |||
| | 49. | Ariga, Noyuri | J. S. Bach France jokyoku ni kansuru ichikosatsu. | DoshishaJDGK | 18 | 314-329 | |||
| | 50. | Ariga, Noyuri | Mattheson no Chosei Byosha, Bach no Clavier Sakuhin to no Kanren. | DoshishaJDGK | 20 | 19-42 | |||
| | 51. | Arlin, Mary I. (ed.) | Esquisse de l'histoire de l'harmonie: an english-language translation of the François-Joseph Fétis history of harmony | HarmonolSer | 7 | xliv, 203p | |||
| | 52. | Arnold, Frank Thomas; Schreyer, Johannes | [Über die Echtheit von Bachs Generalbaßlehre] | BachJb | 6 | 153-162 | |||
| | 53. | Arsenault, Valerie Prebys | A Pedagogical Edition and Performer's Guide to J. S. Bach's Cello Suites (BWV 1007--1010) transcribed for the violin. | diss. | 92p | ||||
| | 54. | Asayama, Natsuko | Ridel Gasshodan no 'Rekishi Ensokai' ni okeru 'Shin-Doitsu-ha'. | OkinawaKenritsuGeijutsuDaigakuKiyo | 18 | 147-162 | |||
| | 55. | Ashby, A. B. | Schweitzer on Bach. | MLetters | 26 | 2 | 102-112 | ||
 | 56. | Ashby, A. B. (ed.) | The Pianist's Book of Bach Chorals. 100 Chorals harmonized by J. S. Bach, chosen from Charles Sanford Terry's Complete Collection | 57p | |||||
 | 57. | Ashley, Tim | The butcher of Bach. Why has this man taken the St Matthew Passion and thrown half of it away? | Guardian | |||||
| | 58. | Asselin, Pierre-Yuves | Musique et Tempérament. Théorie et pratique de l'accord à l'ancienne. | 235p | |||||
| | 59. | Atkins, Ivor; Emery, Walter (eds.) | Orgelbüchlein (Little organ book) | OrgWorks(Novello) | 15 | [rev] | xii, 123p | ||
| | 60. | Audsley, George Ashdown | The art of organ-building: a comprehensive historical, theoretical and practical treatise on the tonal appointment and mechanical construction of concert-room, church and chamber organs, profusely illustrated. | 600, 760p | |||||
| | 61. | Autry, Philip | 24 Steps to the Great 48. Introducing Students to Contrapuntal Playing. | Clavier | 37 | 8 | 13-15, 17-18, 20 | ||
| | 62. | Avenary, Hanoch | Formal Structure of Psalms and Canticles in early Jewish and Christian Chant. | MusicaDisciplina | 7 | 1-58 | |||
| | 63. | A West Country Organist | Sebastian Bach. | MWorld | 25 | 13 | 199 | ||
| | 64. | Ayars, Christine; Ayars, Merrick | Contributions to the art of music in America by the music industries of Boston 1640-1936. | 342p | |||||
| | 65. | [Ayrton, William] (ed.) | Sacred minstrelsy: a collection of sacred music by the great masters of all ages and nations; consisting of anthems, solos, duets, trios, &c., and choruses; with accompaniments for the piano-forte or organ. | 210, 216p | |||||
| | 66. | [Ayrton, William] (ed.) | The musical library. Vol. II. Instrumental. | 164p | |||||
| | 67. | Bach, Anna Magdalena [Meynell, Esther] | Bach no Omoide. | 222p | |||||
| | 68. | Bach, Anna Magdalena [Meynell, Esther] | Bach no Omoide (Sho). | BessatsuTaiyo | 68-69 | ||||
| | 69. | Bach, Anna Magdalena [Meynell, Esther] | Otto Sebastian Bach no Kaiso. | 240p | |||||
| | 70. | Bach, Anna Magdalena [Meynell, Esther] | Sebastian Bach Kaisoki. | 268p | |||||
| | 71. | Bach, Carl Philipp Emanuel; Agricola, Johann Friecrich; Mizler, Lorenz; Venzky, Georg | 'Nekrolog' di Johann Sebastian Bach e cantata funebre. | [ce]MusicaPoetica | 227-240 | ||||
 | 72. | Bach, Carl Philipp Emanuel; Agricola, Johann Friedrich; Mizler, Lorenz Christoph; Emery, Walter | Nekrolog or Obituary Notice of Johann Sebastian Bach. | xx, 231p | |||||
| | 73. | Bacyk, Andrzej Henryk | Z problematyki transkripcji - Transkrypcja w muzyce: Transkrypcja w twórczosci Jana Sebastiana Bacha. | ZeszytyNaukowe(Poznan) | 4 | 7-37 | |||
| | 74. | Bae, Jin Young | Karg-Elert's 'Passacaglia and Fugue on B-A-C-H': A study of harmonic and stylistic analysis. | diss. | v, 101p | ||||
| | 75. | Bag, Cho-yeon | J.S. Baheu yi syakon bunseog, haeseog, yeonju ga'ideu. | NangmanQ | 19 | 2 | 49-76 | ||
| | 76. | Bailey, Kathryn | The Art of Fugue: A new Explanation. | StudM(WesternOntario) | 1 | 31-42 | |||
| | 77. | Bailey, Louis Lee | The Sacred Vocal Duets of Heinrich Schütz and Johann Sebastian Bach: an Introduction and an Annotated Listing. | diss. | 110p | ||||
| | 78. | Bailey, Robert | Sacred and profane. | OperaNews | 66 | 6 | 16-20 | ||
| | 79. | Baker, Harry Edgar (arr.) | The peasant cantata / J. S. Bach. | 59p | |||||
| | 80. | Baker, Harry Edgar (arr.) | The peasant cantata / J. S. Bach. | 44p | |||||
| | 81. | Balme, Christopher; Liptay, Fabienne; Drewes, Miriam (eds.) | Die Passion des Künstlers: Kreativität und Krise im Film. | [ce]PassionDesKünstlers | 312p | ||||
| | 82. | Barclay Squire, W. | Bach Society, The. | GroveDictionary(2) | 1 | 159-160 | |||
| | 83. | Barjansky, Alexandre (arr.) | Praise be to Thee, O Jesus Christ = Gelobet seist du, Jesu Christ: Chorale-Prelude / J. S. Bach. | 3p + St | |||||
| | 84. | Barokku Ongaku Kenkyukai (The Society for the Study of Baroque Music in Japan) | Kyokai Kantata no Seiritsu to Tenkai -- Barokku Ongaku no Shoso. | 404p | |||||
| | 85. | Barry, Barbara | Heavenly Harmony and the Tradition of Medieval Number Theory. | Consort | 36 | 361-364 | |||
| | 86. | Barry, Barbara R. | Variation Technique in Bach's D Minor Chaconne. | Proteus | 2 | 1 | 19-24 | ||
| | 87. | Barry, Charles Ainslie | Wagner on Bach. | MWorld | 69 | 10 | 149-150 | ||
| | 88. | Bartels, Ulrich; Wollny, Peter (eds.) | Freie Orgelwerke und Choralpartiten aus unterschiedlicher Überlieferung / Johann Sebastian Bach. | NBA | 4 | 11 | xiii, 84p | ||
| | 89. | Bartels, Ulrich; Wollny, Peter | Johann Sebastian Bach. Neue Ausgabe Sämtlicher Werke. Serie IV · Band 11. Freie Orgelwerke und Choralpartiten aus unterschiedlicher Überlieferung. Kritischer Bericht. | NBA | 4 | 11 | 248p | ||
| | 90. | Baryphonus, Heinrich [Henricus] | [Pleiades Musicae] Henrici Baryphoni VVernigerodano Cherusci Pleiades Musicae: Qvĉ In Certas Sectiones distributĉ prĉcipuas quĉstiones Musicas discutiunt, & omnia, quĉ ad Theoriam pertinent ... ex veris fundamentis Mathematicis exstructa ... | 95p | |||||
| | 91. | Bates, Robert; Lindley, Mark; Marshall, Kimberley | The Stanford Eclectic Tunings. | PerformPractReview | 5 | 2 | 159-197 | ||
| | 92. | Baud-Bovy, Samuel | L'Interprétation rythmique des Ouvertures pour orchestre de J. S. Bach. | SchweizerischeMz | 84 | 5 | 181-184 | ||
| | 93. | Bayer, Francis | Thèmes et citations dans le 3e mouvement de la Sinfonia de Berio. | AnalyseM | 13 | 69-73 | |||
| | 94. | Bayer, Oswald | Das Wunder der Gottesgemeinschaft. Eine Besinnung auf das Motiv der 'unio' bei Luther und im Luthertum Bachs. | [cr]Eisenach1996 | 13-20 | ||||
| | 95. | Bayer, Reinhard | Die musikalische Darstellung der Person Christi in verschiedenen Stilepochen. | diss. | 88p | ||||
| | 96. | Bayly, Anselm | The Alliance of Musick, Poetry, and Oratory. | iv, 384p | |||||
| | 97. | Baynon, Arthur (arr.) | Minuet and Badinerie / J. S. Bach | 7, 7p | |||||
| | 98. | Bayreuther, Rainer | Bachs Weimarer Wortgeber: Salomo Franck. | HainholzMw | 11 | 41-61 | |||
| | 99. | Bayreuther, Rainer | Bach und Sperontes. Zur Geburt des Bürgerlichen aus dem Geist der Innerlichkeit. | Schr_MittDMges | 4 | 65-84 | |||
| | 100. | Bayreuther, Rainer | Bach und Sperontes. Zur Geburt des Bürgerlichen aus dem Geist der Innerlichkeit. | [p]IMK_Erfurt | |||||
| | 101. | Bayreuther, Rainer | Struktur des Wissens in der Musik-Wissenschaft Lorenz Mizlers. | Mf | 56 | 1 | 1-22 | ||
| | 102. | Bayreuther, Rainer | Untersuchungen zum musikalischen Satz in Telemanns Leipziger Kirchenmusik. | TelemannKonfBer | 16 | 61-75 | |||
| | 103. | Bayreuther, Rainer | Vertonungen des Hohenlieds: Ein Überblick über die Entwicklung seit dem 16. Jahrhundert. | MKirche | 72 | 6 | 354-361 | ||
| | 104. | Bayreuther, Rainer | Zum Erbauungscharakter geistlicher Musik zwischen Schütz und Bach. | MÄsth | 7 | 27 | 67-86 | ||
| | 105. | Beach, David; Thym, Jurgen (trans.) | The Art of Strict Musical Composition / Johann Philipp Kirnberger. | xix, 423p | |||||
| | 106. | Beach, David W.; Thym, Jurgen | The True Principles for the Practice of Harmony by Johann Philip Kirnberger. | JMTheory | 23 | 2 | 163-226 | ||
| | 107. | Beardsley, Monroe | The Metaphorical Twist. | PhilPhenomResearch | 22 | 293-307 | |||
| | 108. | Beardsley, Monroe Curtis | Aesthetics: Problems in the Philosophy of criticism. | xv, 614p | |||||
| | 109. | Beaulieu-Marconnay, Carl Freiherrn von | Ernst August, Herzog von Sachsen-Weimar-Eisenach (1688 - 1748): kulturgeschichtlicher Versuch. | vi, 303p | |||||
| | 110. | Beechey, Gwilym | A Short Guide to Wolfgang Schmieder's Catalogue of J. S. Bach's Music. | MOpinion | 108 | 1289 | 162-170 | ||
| | 111. | Beechey, Gwilym | Bach's A minor prelude and Fugue. Some textual observations on BWV 543. | MTimes | 114 | 1566 | 831-833 | ||
| | 112. | Beechey, Gwilym | Bach's B-Minor Fugue, BWV 579 - Corelli's B-Minor Sonata, Op. 3, No.4. | AmerOrganist(2) | 19 | 3 | 126-127 | ||
| | 113. | Beechey, Gwilym | C. P. E. Bach (1714-1788) -- His Solo Keyboard and Chamber Music. | Consort | 44 | 10-22 | |||
| | 114. | Beechey, Gwilym | John Christian Bach (1735-1782). A bicentenary tribute. | MOpinion | 106 | 1263 | 106-109, 126 | ||
| | 115. | Beechey, Gwilym | J. S. Bach's Christmas Oratorio. | AmerOrganist(2) | 15 | 12 | 39-42 | ||
| | 116. | Beechey, Gwilym | J.S. Bach's Magnificat BWV 243. | MOpinion | 104 | 1250 | 85-86, 115 | 
| |
| | 117. | Beechey, Gwilym | Mendelssohn's organ music. | Organ | 58 | 230 | 67-89 | ||
| | 118. | Beechey, Gwilym | Notes on some Selected Organ Pieces by J. S. Bach. | AmerOrganist(2) | 17 | 1 | 47-48 | ||
| | 119. | Beechey, Gwilym | Songs and cantatas in eighteenth-century England. | Consort | 49 | 30-40 | |||
| | 120. | Beechey, Gwilym | The Organ Music of Max Reger (1873-1916). | Organ | 55 | 218, 219 | 49-58; 93-111 | ||
| | 121. | Beechey, Gwilym E. | J. J. Quantz (1697-1773) and his flute sonatas. | MOpinion | 101 | 1206 | 298-299 | ||
| | 122. | Beechey, Gwilym E. | Johann Gottfried Walther's organ music. | MOpinion | 108 | 1287 | 98-105 | ||
| | 123. | Begbie, Jeremy S. | Created beauty: The witness of J.S. Bach | [ce]ResonantWitness | 83-108 | ||||
| | 124. | Begbie, Jeremy S.; Guthrie, Steven R. (eds.) | Resonant witness: Conversations between music and theology. | [ce]ResonantWitness | viii, 497p | ||||
| | 125. | Beißwenger, Kirsten; Kobayashi, Yoshitake | Rezeption und Verbreitung des Wohltemperirten Claviers I zu Lebzeiten J. S. Bachs. | [p]IS_Köthen | |||||
| | 126. | Beißwenger, Kirsten; Kobayashi, Yoshitake | Work in progress: the copyists' catalogue of the Neue Bach-Ausgabe. | [p]BICB_Manchester | |||||
| | 127. | Belt, Byron | Bluejeans and Bach. New York City's Holy Trinity Lutheran Cantata Vespers tremendous hit. | MusicAGOMag | 8 | 2 | 36-38 | ||
| | 128. | Belval, Maurice (pseudonyme: Maubel, Henri) | La Trente-Deuxième Cantate de Bach 'Liebster Jesu mein Verlangen'. | 52p | |||||
| | 129. | Benary, Peter | Die deutsche Kompositionslehre des 18. Jahrhunderts. | JenaBeitrMf | 3 | 161p, 85p | |||
| | 130. | Benary, Peter | Die motivgeprägten Accompagnati in Johann Sebastian Bachs Matthäus-Passion. | Mtheorie | 15 | 2 | 99-106 | ||
| | 131. | Benary, Peter | Die Stellung der Melodielehre in der Musiktheorie des 18. Jahrhunderts in Deutschland. | [cr]Kassel1962 | 362-364 | ||||
| | 132. | Benary, Peter | Johann Adolf Scheibes Compendium Musices | Mf | 10 | 4 | 508-515 | ||
| | 133. | Benary, Peter | J. S. Bachs Wohltemperiertes Klavier: Text - Analyse - Wiedergabe. | 160p | |||||
| | 134. | Benary, Peter | Motiv und Thema, in Bachs 'Wohltemperiertem Klavier'. | SchweizerischeMzMpädagBl | 101 | 6 | 369-374 | ||
| | 135. | Benary, Peter | Musikalische Werkbetrachtung in metrischer Sicht. | Mf | 14 | 1 | 2-10 | ||
| | 136. | Benary, Peter | Vom Als-ob in Musik und Musikanschauung des 18. Jahrhunderts. | BaslerJbHistMpraxis | 13 | 99-139 | |||
| | 137. | Benary, Peter | Zum periodischen Prinzip bei Johann Sebastian Bach. | BachJb | 46 | 111-123 | |||
| | 138. | Benary, Peter | Zum periodischen Prinzip bei J. S. Bach. | BachJb | 45 | 84-93 | |||
| | 139. | Benary, Peter | Zum Phrasenbau in Suitensatzen von J. S. Bach. | Musica | 47 | 6 | 337-338 | ||
| | 140. | Benary, Peter | Zur Methode harmonischer Analysen bei J. S. Bach. | BachJb | 49 | 80-87 | |||
| | 141. | Benary, Peter | Zur musikalischen Satztechnik in Theorie und Praxis um 1750. | JbStaatInstMf | 1994 | 71-85 | |||
| | 142. | Benstock, Seymour L. (ed.) | Johann Sebastian: A Tercentenary Celebration. | ContributStudMDance | 19 | 176p | |||
| | 143. | Berke, Dietrich; Bödeker, Anke; Ferguson, Faye; Leisinger, Ulrich (eds.) | Bearbeitungen und Ergänzungen von Werken verschiedener Komponisten / Wolfgang Amadeus Mozart. | xxxv, 173p | |||||
| | 144. | Berry, Mark | Romantic Modernism: Bach, Furtwängler, and Adorno. | NewGermCritique | 35 | 104: 2 | 71-102 | ||
| | 145. | Berry, Wallace | J. S. Bach's Fugue in D-sharp Minor (WTC I, No.8): A Naive Approach to Linear Analysis. | InTheoryOnly | 2 | 10 | 4-7 | ||
| | 146. | Berry, Wallace | La articulación rítmica en la música. | Quodlibet | 10 | 44-77 | |||
| | 147. | Berry, Wallace | Metric and rhythmic articulation in music. | MTheorySpec | 7 | 7-33 | |||
| | 148. | Besly, Maurice (arr.) | Choral Prelude 'Dearest Jesu, we are here.' | ||||||
| | 149. | Besly, Maurice (arr.) | Dearest Jesu, we are here / J.S. Bach. | 3p | |||||
| | 150. | Besly, Maurice (arr.) | Enrich us with Thy bounty. | ||||||
| | 151. | Besly, Maurice (arr.) | LARGO from the Pianoiforte Concerto in F Minor. / J. S. Bach. | 3p | |||||
| | 152. | Besly, Maurice (arr.) | Trio in C minor / J. S. Bach. | 25p | |||||
| | 153. | Beyer | Leichensermome auf Musiker des 17. Jahrhunderts. [Heinrich Bach u.a.] | MhMges | 7 | 11, 12 | 171-175; 177-188 | ||
| | 154. | Beyer, Frank Michael | Johann Sebastian Bach: Musikalisches Opfer. Ricercar a 3 -- 10 Canones -- Ricercar a 6. | BachWoche_Ansbach | 113-114 | ||||
| | 155. | Beyer, Frank Michael | Satz II aus den Streicherfantasien zu einem Motiv von J. S. Bach. | [fs]Bialas70 | 100-104 | ||||
| | 156. | Beyer, Johann Samuel | Primae lineae musicae vocalis: das ist: kurze, leichte, gründliche und richtige Anweisung, wie die Jugend, so wohl in den öffentlichen Schulen, als auch in der Privat-Information, ein musicalisches Vocal-Stück wohl und richtig singen zu lernen, auffs kürtzte kan unterrichtet werden ..., worinnen allerhand lateinische, französische und italiänische Termini musici zu finden. | 124p | |||||
| | 157. | Beyerlein, Franz Adam | Karl Straubes Leben. | [ce]Straube | 222-228 | ||||
| | 158. | Beyer, Michael | Leipziger Kirche und Kirchengut in der Reformationszeit: die Absicherung der städtischen kirchlichen Versorgung aus dem Thomaskloster durch Herzog Moritz von Sachsen. | [ce]800JThomana | 137-145 | ||||
| | 159. | Beyer, Oskar | Bach: Anmerkungen und Hinweise. | 87p | |||||
| | 160. | Beyer, Oskar | Bach. Eine Kunde vom Genius. | 63p | |||||
| | 161. | Beyer, Oskar | Vom Hören Bach'scher Musik. | JungeM | 1 | 60-62 | |||
| | 162. | Beyer, Richard | Georg Joseph Vogler und seine Rezeption der vierstimmigen Choralgesänge von Johann Sebastian Bach. | MtArbgMittRheinMges | 76-77 | 359-386 | |||
| | 163. | Beyer, Rudolf von | Meine Begegnung mit Goethe und andern großen Zeitgenossen: Tagebuchblätter. | 192p | |||||
| | 164. | [Beyer und Maring] | Ankündigung eines neuen praktischen Werks für Organisten. | AllgMlZ | 2 | Intel 12 | 48-50 | ||
| | 165. | Bey, Henning | Mozart und die barocke Suite. | ActaMozartiana | 42 | 1 | 13-20 | ||
| | 166. | Beyron, G. | La symbolique musicale de J.-S. Bach, au miroir des chorals de l'Orgelbüchlein. | PositionsLuther | 33 | 1 | 86-101 | ||
| | 167. | Beyschlag, Adolf | Die Ornamentik der Musik. | 285p | |||||
| | 168. | Beythien, Jürgen | Johann Sebastian Bach: Sechs Brandenburgische Konzerte. | 6 Bl | |||||
| | 169. | Beythien, Jürgen | Zum Traditionsfeld der Orgelmusik Johann Sebastian Bachs. | [cr]Rostock1985 | 61-71 | ||||
| | 170. | Biancolli, Louis Leopold; Peyser, Herbert Francis | Masters of the Orchestra from Bach to Prokofieff. | 481p | |||||
| | 171. | Biden, Sydney (arr.) | For us a Child is Born (Uns ist ein Kind geboren) ... A Christmas Cantata. | 33p | |||||
| | 172. | Bighley, Mark | Double-Titled Chorale Preludes of J. S. Bach. | AmerOrganist(2) | 22 | 2 | 50-52 | ||
| | 173. | Bighley, Mark | Johann Sebastian Bachs Choralvorspiele mit Doppeltitel. | MKirche | 58 | 1 | 17-21 | ||
| | 174. | Bighley, Mark | J.S. Bach's Schubler Chorales as Advent Cycle. | CrossAccent | [2b] | ||||
| | 175. | Bighley, Mark | The Schübler Chorales as Cycle: A Liturgical and Theological Perspective. | OrganYb | 22 | 97-118 | |||
| | 176. | Bighley, Mark S. | The Lutheran Chorales in the Organ Works of J. S. Bach. | 336p | |||||
| | 177. | Bighley, Mark Steven | The Lutheran Chorales in the Organ Works of J. S. Bach. | diss. | 271p | ||||
| | 178. | Bigler, Carol; Valery, Lloyd-Watts | The Suzuki Approach to Teaching a Bach Minuet. | Clavier | 19 | 10 | 34-35 | ||
| | 179. | Bingmann, Anke; Hortschansky, Klaus; Kirsch, Winfried (eds.) | Studien zur Instrumentalmusik: Lothar Hoffmann-Erbrecht zum 60. Geburtstag. | FrankfurtBeitrMw | 20 | 534p | |||
| | 180. | Bischoff, Hans; Frey, Martin (eds.) | Kleine Präludien und Fughetten / Joh. Seb. Bach. | EdSteingräber | 1787 | [rev] | 35p | ||
| | 181. | Bischoff, Hans; Frey, Martin (eds.) | Zwei- und dreistimmige Inventionen / Joh. Seb. Bach. | EdSteingräber | 1786 | 39p | |||
| | 182. | Bishop, Henry R. (arr.) | Twelve corales: composed and harmonized by Martin Luther, Schop, Eccard, Graun, Osiander, Homilious and Sebastian Bach | 64p | |||||
| | 183. | Bizony, Celia | The family of Bach: A Brief History. | 47p | |||||
| | 184. | Blahynka, Miloslav | Reflexia Johanna Sebastiana Bacha vo filozofii 20. storoèia. | SlovenskaHudba | 26 | 4 | 417-424 | ||
| | 185. | Bland, Leland Dye | The instrumental ritornello in selected vocal works of Italian composers ca.1670 to ca. 1710. | diss. | 403p | ||||
| | 186. | Blanning, Timothy C. W. | Triumph der Musik: von Bach bis Bono. | 445p | |||||
| | 187. | Blay, Philippe; Legrand, Raphaelle (eds.) | Sillages musicologiques: Hommage à Yves Gerard. | [fs]Gerard | 337p | ||||
| | 188. | Blaze de Bury, Henry | Jean-Sébastien: L'organiste. | RevueDeuxMondes | 712-754 | ||||
| | 189. | Blume, Hürlimann; Schnalke, Tyradellis (eds.) | Schmerz: Kunst + Wissenschaft. | [ce]Schmerz | 311p | ||||
| | 190. | Blyth, Alan (ed.) | Choral Music on Record. | [ce]ChoralMusicOnRecord | viii, 309p | ||||
| | 191. | Bodky, Erwin | Bach Kenbankyoku no Kaishaku. | 465p | |||||
| | 192. | Bodky, Erwin | Clavichord Music from 1500-1800. | BulAMSoc | 11-13 | 28-29 | |||
| | 193. | Bodky, Erwin | Das Cembalo-Clavichord-Problem. | DieMusik | 24 | 2 | 97-101 | ||
| | 194. | Bodky, Erwin | Der Vortrag alter Klaviermusik. | 112, 15p | |||||
| | 195. | Bodky, Erwin | Der Vortrag der Klavierwerke von J. S. Bach. | 445p | |||||
| | 196. | Bodky, Erwin | Interpretacija klavirnyh proizvedenij I.S. Baha. | ||||||
| | 197. | Bodky, Erwin | Ispolnenie klavirnyh proizvedenij Baha na fortepiano. | [ce]KakIspolnjatBaha | 83-93 | ||||
| | 198. | Bodky, Erwin | New contributions to the problem of the interpretation of Bach's keyboard works. | [cr]Utrecht1952 | 73-78 | ||||
| | 199. | Bodky, Erwin | Special'nye rekomendacii po interpretacii klavirnyh proizvedenij I.S. Baha. | [ce]KakIspolnjatBaha | 148-156 | ||||
| | 200. | Bodky, Erwin | The Interpretation of Bach's Keyboard Works. | xi, 421p | |||||
| | 201. | Bogatyrëv, Semën S. | Analiz nekotorych fug Bacha. | [ce]Bogatyrev | 29-52 | ||||
| | 202. | Bogatyrëv, Semën S. | Brandenburgskij koncert Bacha Nr.2, I èast. | [ce]Bogatyrev | 23-28 | ||||
| | 203. | Bogatyrëv, Semën S. | Issledovanija Stati Vospominanija. Sbornik Statej. | [ce]Bogatyrev | |||||
| | 204. | Bogdan, Izabela; Miernikiewicz, Patryk | 'Confessio fidei Bachiana'. Religious Experience of God in the Works of Johann Sebastian Bach. | CompostelaPrize | 2 | 205-215 | |||
| | 205. | Boldt, Kenwyn Guy | The solo clavier Sonatas attributed to J. S. Bach. | diss. | 32p | ||||
| | 206. | Borchmeyer, Dieter | 'Lass mich hören, lass mich fühlen': Johann Sebastian Bach im Urteil Goethes. | GoetheYb | 12 | 189-195 | |||
| | 207. | Borkowsky, Ernst | Das alte Jena und seine Universität: eine jubiläumsgabe zur universitätsfeier. | 286p | |||||
| | 208. | Borkowsky, Ernst | Die Musiker Familie Bach. | 88p | |||||
| | 209. | Borkowsky, Ernst | Johann Sebastian Bach. | DReihe | 88 | 77p | |||
| | 210. | Borowsky, A. | Ornamentations in the music of Bach. | Diapason | 53 | 5:629 | 8f | ||
| | 211. | Borysenko, Elena | The Cantatas of Wilhelm Friedemann Bach. | diss. | 889p | ||||
| | 212. | Borysenko, Elena | The cantatas of Wilhelm Friedemann Bach. | AmerChoralReview | 33 | 1 | 33-39 | ||
| | 213. | Bossuyt, Ignace | De Missae breves (BWV 233-236) van Johann Sebastian Bach. | 150p | |||||
| | 214. | Bossuyt, Ignace | Het Weihnachts-Oratorium (BWV 248) van Johann Sebastian Bach. | 179p, mus exx | |||||
| | 215. | Bossuyt, Ignace | Johann Sebastian Bach: Christmas Oratorio. BWV 248. | 185p | |||||
| | 216. | Bostrom, Kerry L. | The Use of Recitative and the Communal Style in the Solo Cantatas of Dietrich Buxtehude. | Bach | 17 | 3 | 22-32 | ||
| | 217. | Boult, Adrian Cedric; Emery, Walter | The St Matthew Passion: Its preparation and performance. | vii, 75p | |||||
| | 218. | Boursy, Richard | Historicism and composition: Giuseppe Baini, the Sistine Chapel choir, and stile antico music in the first half of the 19th century. | diss. | 412p | ||||
| | 219. | Bouyer, R. | La vogue de Bach depuis la découverte de sa puissance expressive. [Petites notes sans portée (CXLI)]. | LMenestrel | 74 | 51 | |||
| | 220. | Bouyer, R. | L'expression chez Bach. | LMenestrel | 75 | 7 | |||
| | 221. | Bowen, York (arr.) | Toccata and Fugue in D minor / Johann Sebastian Bach | 19, 19p | |||||
| | 222. | Bowlby, Timothy J. | The influence of Bach's Well-tempered clavier on the opp. 34 and 87 piano pieces of Dmitri Shostakovich. | ExTempore | 10 | 1 | 118-140 | ||
| | 223. | Boyars, Arthur | Lili Kraus at the Wigmore Hall. | MSurvey | 1 | 6 | 191-192 | ||
| | 224. | Boyd, Charles N.; Riemenschneider, Albert (eds.) | Chorales by Johann Sebastian Bach. | x, 76p; x, 76p | |||||
| | 225. | Boydell, Barra | Bach comes to Dublin: the performance and reception of Bach's music in Dublin in the 19th and early 20th centuries. | [p]BCB_Dublin | |||||
| | 226. | Boydell, Barra | 'This most crabbed of all earthly music': the Performance and Reception of Bach's Vocal Music in Dublin in the 19th and early 20th Centuries. | [p]M19CBritain_London | |||||
| | 227. | Boydell, Barra | 'This most crabbed of all earthly music': the performance and reception of Bach's vocal music in Dublin in the nineteenth and early twentieth centuries. | IrishMStud | 8 | 229-246 | |||
| | 228. | Boyden, David D. | [Chapter XIX of Die Geschichte des Violinspiels von seinen Anfängen bis 1761.] | ConBrioFachbuch | 5 | 46-60 | |||
| | 229. | Boyden, David D. | Die Geschichte des Violinspiels von seinen Anfängen bis 1761. | xxiii, 630, 40p | |||||
| | 230. | Boyden, David D. | Performance Practice in the 17th and 18th Centuries. | [cr]NewYork1961 | 2 | 122-126 | |||
| | 231. | Boyden, David D. | The Violin and Its Technique in the 18th Century. | MQ | 36 | 1 | 9-38 | ||
| | 232. | Boyden, David D. | The violin bow in the 18th century. | EarlyM | 8 | 2 | 199-203, 205-212 | ||
| | 233. | Boyden, David D. | When Is a Concerto Not a Concerto? | MQ | 43 | 2 | 220-232 | ||
| | 234. | Boyden, David Dodge | The History of Violin Playing from its Origins to 1761 - and its Relationship to the Violin and Violin Music. | 570p | |||||
| | 235. | Boyd, Malcolm | Bach. | 222p | |||||
| | 236. | Boyd, Malcolm | B-A-C-H. | NewGrove(1) | 1 | 877-878 | |||
| | 237. | Boyd, Malcolm | B-A-C-H. | NewGrove(2) | 2 | 429 | |||
| | 238. | Boyd, Malcolm | Bach. | 290p | |||||
| | 239. | Boyd, Malcolm | Bach: Chorale Harmonization and Instrumental Counterpoint. | 39p | |||||
| | 240. | Boyd, Malcolm | Bach's Instrumental Counterpoint. | 39p | |||||
| | 241. | Boyd, Malcolm | Bach, Telemann und das Fanfarenthema. | BachJb | 82 | 147-150 | |||
| | 242. | Boyd, Malcolm | Bach: The Brandenburg Concertos. | x, 111p | |||||
| | 243. | Boyd, Malcolm | Baroque Oratorio: a terminological inexactitude? | MTimes | 119 | 1624 | 507-508 | ||
| | 244. | Boyd, Malcolm | Harmonizing 'Bach' Chorales. | 39p | |||||
| | 245. | Boyd, Malcolm | Johann Sebastian Bach. Leben und Werk. | 376p | |||||
| | 246. | Boyd, Malcolm (ed.) | Oxford Composer Companions: J. S. Bach. | xxv, 626p | |||||
| | 247. | Boyd, Malcolm | Sacred Bach, echt and unecht. | EarlyM | 23 | 2 | 338 | ||
| | 248. | Boyd, Malcolm | The Bach Family. | [ce]CambridgeCompanion_Bach | 9-16 | ||||
| | 249. | Boyd, Malcolm | The Italian Serenata and related genres in Britain and Germany: Some observations. | SopplimentiM | 1 | 4 | 515-527 | ||
| | 250. | Boyd, Megan | The St Matthew Passion: A discussion of the textual structure of the work in 1727, Bach's 1736 revision and its 1829 and 1841 revivals by Mendelssohn. | diss. | ii, 147p | ||||
| | 251. | Boyd, William | History of Western Education. | 443p | |||||
| | 252. | Boyer, Henri | Les cantates sacrées de Jean-Sébastien Bach. | UniversM | 388p | ||||
| | 253. | Boyer, Henri | Les mélodies de chorals dans les cantates de Jean-Sébastien Bach. | UniversM | 441p | ||||
| | 254. | Boykan, Martin | The power of every moment: Musical continuity in J.S. Bach. | HarmonolSer | 16 | 93-104 | |||
| | 255. | Boykan, Martin | The power of the moment: Essays on the Western music canon. | HarmonolSer | 16 | viii, 107p | |||
| | 256. | Boyvin, Jacques | Premier Livre d'Orgue. | ||||||
| | 257. | Bradley, Alan Louis | A modern performing edition for clarinet and piano of five selected Baroque sonatas with a study of performance practice and descriptive commentary of the sonatas. | diss. | 105p | ||||
| | 258. | Bradshaw, Murray C. | Bach's Toccatas and Preludes. | MusicAGOMag | 6 | 28-29 | |||
| | 259. | Brady, Edwin | The Data of Bach's Life. | [ce]LittleBachBook | 161-162 | ||||
| | 260. | Brandes, Jeffrey Harold | The Organ as an Ensemble Instrument: Concerto Techniques in the Sinfonia of Cantata BWV 169 by Johann Sebastian Bach, Concerto for Organ and Chamber Orchestra, op.46, No.2, by Paul Hindemith, and Organ Concerto in G minor by Francis Poulenc. | diss. | 94p | ||||
| | 261. | Brandts Buys, Hans | Bachs Hoogmis. | KroniekKunstKultuur | 11 | 127-130 | |||
| | 262. | Brandts Buys, Hans | Bachs tweestemmige Inventies. | MensMelodie | 1 | 338-340 | |||
| | 263. | Brandts Buys, Hans | De Passies van Johann Sebastian Bach. | 379p | |||||
| | 264. | Brandts Buys, Hans | Getallensymboliek en diminutietechnik. | MensMelodie | 5 | 321-324 | |||
| | 265. | Brandts Buys, Hans | Het Wohltemperirte Clavier van Johann Sebastian Bach. | 308p | |||||
| | 266. | Brandts Buys, Hans | Johann Sebastian Bach. 48 praeludia. | 304p | |||||
| | 267. | Brandts Buys, Hans | Over de uitvoering van Bachs Mattheuspassie. | MensMelodie | 3 | 71-73 | |||
| | 268. | Brandts Buys, M. A. Jr. | Matthäus-Passion. | KerkMLiturg |
| ||||
| | 269. | Brandts Buys, M. A. Jr. | Problemen bij Matthäus-Passion uitvoeringen. | ||||||
| | 270. | Brandts Buys, Marius A. | Iets over J. S. Bach's kleine g-moll fuga, of zoogenaamde 'Zwitsersche-fuga'. | Caecilia | 27 | 4 | 27-28 | ||
| | 271. | Brandts-Buys, Marius Adrianus Jr. | Eine merkwürdige Stelle in Bachs Matthäus-Passion. | Signale | 85 | 9 | 285 | ||
| | 272. | Brauchli, Bernard; Galazzo, Alberto; Moody, Ivan (eds.) | De Clavicordio V: Proceedings of the V International Clavichord Symposium, Magnano, 5-8 September 2001. | DeClavicordio | 5 | 328p | |||
| | 273. | Brearley, Denis H. R. (arr.) | Adagio aus den Goldberg Variationen / Bach. | HinrichsenEd | 284 | 5p + 2 St | |||
| | 274. | Brearley, Denis H. R. (arr.) | Three Chorale Preludes / J. S. Bach. | 15p + 5 St | |||||
| | 275. | Brearley, Denis H. R.; Dare, Marie (arr.) | Eight Canons from Goldberg Variations / J. S. Bach. | HinrichsenEd | 381 | ||||
| | 276. | Breig, Werner; Suzuki, Masaaki; Kobayashi, Yoshitake; Sato, Nozomi | Zadankai. Gendai ni ikiru Bach -- Enso to Kenkyu kara. | ExMusica | 1 | 6-21 | |||
| | 277. | Breymayer, Reinhard | Ein Dillenburger bei Johann Sebastian Bach: Johann Daniel Müller aus Wissenbach / Nassau (geb 1716). | JbBachWoche_Dillenburg | 9-10 | ||||
| | 278. | Breymayer, Reinhard | Von Swedenborg zu Elias Artista: Der 'Prophet' Johann Daniel Müller aus Wissenbach/ Nassau (1716 bis nach 1785), Gegner Moses Mendelssohns und Lessings, kritischer Freund Emanuel Swedenborgs. | 89-92 | |||||
| | 279. | Bridge, Frederick; Higgs, James; Emery, Walter (eds.) | Fantasia, toccata, preludes & fugues / Bach | OrgWorks(Novello) | 8 | [rev] | 88-135 | ||
| | 280. | Bridge, Frederick; Higgs, James; Emery, Walter (eds.) | Six sonatas for two manuals and pedal, I-III. | OrgWorks(Novello) | 4 | [rev1] | 88-123 | ||
| | 281. | Bridge, Frederick; Higgs, James; Emery, Walter (eds.) | Toccatas, preludes, and fugues. | OrgWorks(Novello) | 6 | [rev] | 41p | ||
| | 282. | Brinkmeyer, Elisabeth | Bach-Zyklus in Würzburg. | MKirche | 51 | 1 | 44 | ||
| | 283. | Broeyer, Frits | Bach's library as starting-point for the reception of his music in the Netherlands. | [p]IBS_Utrecht | |||||
| | 284. | Brofsky, Howard | Martini's music school. | QuadRivistaItaliMcol | 12 | 305-313 | |||
| | 285. | Brofsky, Howard | Padre Martini's relations with Germany: As teacher, historian and bibliophile. | ContributMcolAMIS | 10 | 436-472 | |||
| | 286. | Bronnenmeyer, Walter | Bach als Kulturbrücke nach Italien. Bayreuther Stadtkirchenkantorei in Triest. | GottesdKm | 28-29 | ||||
| | 287. | Bronnenmeyer, Walter | Bach zwischen Ur- und Erstaufführungen. Jubiläumsprogramm der Orgelwoche 'Musica Bayreuth'. | GottesdKm | 4 | 129-130 | |||
| | 288. | Bronnenmeyer, Walter | Diesmal kein April-Scherz. 'Johann Sebastian Bach auf der Opernbühne' beim Jugendfestspieltreffen in Bayreuth. | MBildung | 18 [77] | 3 | 269-270 | ||
| | 289. | Bronnenmeyer, Walter | Johann Sebastian Bach auf der Opernbühne beim Jugendfestspieltreffen in Bayreuth. | Opernwelt | 10 | 32-33 | |||
| | 290. | Brook, Barry S. (ed.) | The Breitkopf Thematic Catalogue. The Six Parts and Sixteen Supplements 1762-1787. | lxxxi, 886p | |||||
| | 291. | Brook, Barry Shelley | Piraterie und Allheilmittel bei der Verbreitung von Musik im späten 18. Jahrhundert. | BeitrMw | 22 | 3 | 217-239 | ||
| | 292. | Brown, Emily Freeman | Zarathustra. Reflection of the Baroque Overture. | Bach | 26 | 1-2 | 84-90 | ||
| | 293. | Brown, Howard Mayer | Emulation, Competition, and Homage: Imitation and Theories of Imitation in the Renaissance. | JAMSoc | 35 | 1 | 1-48 | ||
| | 294. | Brown, Howard Meyer | Bach B minor Mass [by Monteverdi-Chor Hamburg and the Camerata Accademica Hamburg conducted by J. Jürgens] | MTimes | 114 | 1564 | 622 | ||
| | 295. | Broyles, Michael Everett | Text interpretation in Johann Sebastian Bach's four-part chorales. | RevueBelgeMcol | 22 | 1-4 | 64-85 | ||
| | 296. | Broyles, Michael Everett | Textural Interpretations in the chorale Harmonizations of J. S. Bach. | diss. | 471p | ||||
| | 297. | Bruxner, Mervyn | J. S. Bach, 1685-1750. | OxfordViewpoint | 4 | 1 | |||
| | 298. | Bruyck, Carl van | 1. Johann Sebastian Bach. Von C. H. Bitter. -- Zwei Bände im Verlage von Ferdinand Schneider in Berlin. / 2. J. S. Bach's Werke, herausgegeben von der Bach-Gesellschaft im Verlage von Breitkopf und Härtel in Leipzig. I.-XIII. Band. | MsTheaterM | 11 | 31 f | 484-487 f | ||
| | 299. | Bruyck, Carl van (arr.) | [6 Violin-Sonaten / J.S. Bach] | ||||||
| | 300. | Bruyck, Carl van (arr.) | Acht Fugen und vier Praeludien aus Joh. Seb. Bach's Wohltemperirtem Clavier als Trios für Violine, Viola und Violoncell | ||||||
| | 301. | Bruyck, Carl van | Die Entwicklung der Clavier-Musik von Bach bis Schumann. | SamMlVorträge | 1 | 3 | 81-120 |
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