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Type | List | Title [further info] | Series | Vol | No | Year | Pages | Status |
---|---|---|---|---|---|---|---|---|
1. | Hartung et la musique. | 72p | ||||||
2. | Bach. | xi, 223p | ||||||
3. | Reminiscences of a Pilgrimage through the Bach Country. | Musician | 17 | 9 | 590-591 | |||
4. | The Rhythmical Construction of Bach's 'Forty-Eight' Fugues. | ProceedRMA | 19 | 73-93 | ||||
5. | Bach no Miryoku no Himitsu. | BachZenshu | 15 | 150-156 | ||||
6. | A French overture revisited: another look at the two versions of BWV 831. | EarlyM | 25 | 1 | 47-58, 60-61 | |||
7. | Bach's tempo practices: tempo changes. | [p]BICB_Manchester | ||||||
8. | Bach's tempo practices, the tempo theories of his time -- and ours. | OrbisMusicae | 13 | 81-90 | ||||
9. | J.S. Bach's wedding quodlibet, BWV 524. | MinAd | 13 | 51-61 | ||||
10. | On Bach's Rhythm and Tempo. | BochumArbMw | 4 | 232p | ||||
11. | Studies of Rhythm and Tempo in the Music of J. S. Bach. | diss. | xv, 318p | |||||
12. | The Baroque upbeat: outline of its typology and evolution. | IrishMStud | 8 | 17-28 | ||||
13. | Tárca. Egy khorál hatalma. | ZeneszetiLapok | 8 | 32 | 507-509 | |||
14. | Tárca. Egy khorál hatalma (Folytatás). | ZeneszetiLapok | 8 | 33 | 523-525 | |||
15. | Tárca. Egy khorál hatalma (Vége). | ZeneszetiLapok | 8 | 34 | 537-540 | |||
16. | Nekotorye voprosy tematizma i formy skripichnyh koncertov I. S. Baha. | VoprosyTM | 3 | 237-271 | ||||
17. | J. S. Bach, Graun, etc., etc. | MWorld | 23 | 28 | 442 | |||
18. | Organization in the Two-Part Inventions of Johann Sebastian Bach, Part I. | Bach | 13 | 2 | 6-16 | |||
19. | Organization in the Two-Part Inventions of Johann Sebastian Bach, Part II. | Bach | 13 | 3 | 12-19 | |||
20. | A Paradigmatic Approach to Extract the Melodic Structure of a Musical Piece. | JNewMResearch | 35 | 3 | 221-236 | |||
21. | J.S. Bach no Orugan Ongaku. | OruganKenkyu | 4 | 42-46 | ||||
22. | Gakushi no Jidai. Chusei Doitsu no 'Ongakuka' to iu Shokugyo. | BachZenshu | 13 | 140-157 | ||||
23. | Authentic Baroque Performance. | Clavier | 24 | 4 | 18-20 | |||
24. | Beethoven's op. 81a and the psychology of loss. | MTtheoryOnline | 2 | 4 | ||||
25. | Felix Mendelssohn-Bartholdy: The first 'Romantic' composer for the organ. | diss. | 51p | |||||
26. | The New Face of Bach. | ClassicCD | 39 | 20-22 | ||||
27. | What's Best for Bach? | ClassicCD | 35 | 39-41 | ||||
28. | BCJ to Kobe Water. | BCJ | 43 | 40-41 | ||||
29. | Johann Sebastian Bach Sakkyoku 'Matai Junankyoku'. | FerrisStud | 1 | 18-41 | ||||
30. | Johann Sebastian Bach Sakkyoku 'Yohane Junankyoku'. | FerrisStud | 1 | 2-17 | ||||
31. | J. S. Bach 7-Ban Shobu. Bach vs. Scarlatti. | [ce]Daremoiwanakatta | 166-179 | |||||
32. | Bach: Kantata 147 Ban (BWV 147) | FerrisStud | 1 | 50-53 | ||||
33. | Bach Zuiso. | 273p | ||||||
34. | Musical Rhetoric in J.S. Bach's Organ Toccata BWV 565. | OrganYb | 11 | 84-94 | ||||
35. | Musical Rhetoric in Selected Organ Works of Johann Sebastian Bach | diss. | v, 211p | |||||
36. | The Music maker. The life of Johann Sebastian Bach in story form. | 93p | ||||||
37. | Johann Beer. Studien zum Roman des 17. Jahrhunderts. | ix, 274p | ||||||
38. | Prismas: Bach y el cine. | Scherzo(Spain) | 211 | |||||
39. | On music and faith. | SacredM | 138 | 1 | 32-42 | |||
40. | The Christian Believer and the Sleep of Jesus: 'Mache dich, mein Herze, rein' from J. S. Bach's Matthew Passion. | ContextBachStud | 8 | 153-164 | ||||
41. | The Sleep of Sin: A Note on an Aria from Bach's St. Matthew Passion. | [fs]Bart | 16-23 | |||||
42. | Convention in Eighteenth- and Nineteenth-Century Music: Essays in honor of Leonard G. Ratner. | FestschriftSer | 10 | xxi, 548p | ||||
43. | Mozart’s Grand mass in C minor: historical perspective, analysis, and performance. | diss. | 128 leaves | |||||
44. | Musik und kulturelle Identität. Bd. 2: Symposien B. | [cr]Weimar2004 | 2 | xi, 779p | ||||
45. | Musik und kulturelle Identität. Bd. 3: Freie Referate und Forschungsberichte. | [cr]Weimar2004 | 3 | xiii, 864p | ||||
46. | Das deutsche Kirchenlied: DKL; kritische Gesamtausgabe der Melodien. Band 1 [= Abteilung I], Teil 1: Verzeichnis der Drucke von den Anfängen bis 1800. (= RISM B/VIII/1) | DKL | 1 | 1 | 61, 745p | |||
47. | The influence of expectancy on harmonic perception. | PsychoMcol | 11 | 1 | 3-14 | |||
48. | John Sebastian Bach's GRAND STUDIES for the ORGAN, with PEDAL OBLIGATO, consisting of Preludes, Fugues, Toccatas, and Fantasias. | GrandStudies(Novello) | 223p + St | |||||
49. | John Sebastian Bach's GRAND STUDIES for the ORGAN, with PEDAL OBLIGATO, consisting of Preludes, Fugues, Toccatas, and Fantasias. | GrandStudies(Novello-Ewer) | 223p | |||||
50. | De ratione in musica. Festschrift Erich Schenk zum 5. Mai 1972. | [fs]Schenk70 | xiii, 300p | |||||
51. | The Organ Works of Johann Christian Kittel. | diss. | 636p | |||||
52. | Minnesota Opera: PDQ Bach Premiere. | HiFiMAmer | 34 | 8 | 23f | |||
53. | Misa - Reihaishiki ni tsuite. | BachAkadJapan | 90-94 | |||||
54. | Bach and the violin. | Strad | 72 | 858 | 209-213 | |||
55. | From J.C. Bach to Hip Hop: Musical Borrowing, Copyright and Cultural Context. | NorthCarolinaLawReview | 84 | 2 | 547-645 | |||
56. | Bach no Klavierkyoku Kaishakujo no Shomondai (1). | DoshishaJDGK | 23 | 3 | 610-630 | |||
57. | Bach no Klavierkyoku Kaishakujo no Shomondai (2): tempo. | DoshishaJDGK | 24 | 3 | 384-392 | |||
58. | Bach no Klavierkyoku Kaishakujo no Shomondai (3): Soshokuon. | DoshishaJDGK | 25 | 3 | 435-462 | |||
59. | Bach no Klavierkyoku Kaishakujo no Shomondai (4): rhythm | DoshishaJDGK | 26 | 3 | 284-310 | |||
60. | Bach no Ongaku ni okeru Shochosei. | DoshishaJDGK | 27 | 3 | 219-247 | |||
61. | Friedemann Bach no tame no Clavier Shokyokushu. | DoshishaJDGK | 19 | 151-196 | ||||
62. | J. S. Bach France jokyoku ni kansuru ichikosatsu. | DoshishaJDGK | 18 | 314-329 | ||||
63. | Mattheson no Chosei Byosha, Bach no Clavier Sakuhin to no Kanren. | DoshishaJDGK | 20 | 19-42 | ||||
64. | Nanki Ongaku Bunko. | |||||||
65. | Esquisse de l'histoire de l'harmonie: an english-language translation of the François-Joseph Fétis history of harmony | HarmonolSer | 7 | xliv, 203p | ||||
66. | [Über die Echtheit von Bachs Generalbaßlehre] | BachJb | 6 | 153-162 | ||||
67. | Literary mediations of Baroque music: Biber, Bach, and Nancy Huston. | WordMStud | 9 | 93-114 | ||||
68. | A Pedagogical Edition and Performer's Guide to J. S. Bach's Cello Suites (BWV 1007--1010) transcribed for the violin. | diss. | 92p | |||||
69. | Mittsu no 'Denkumäler' ni miru Doitsu Ongakushi. | Ongakugaku | 53 | 2 | 93-107 | |||
70. | Ridel Gasshodan no 'Rekishi Ensokai' ni okeru 'Shin-Doitsu-ha'. | OkinawaKenritsuGeijutsuDaigakuKiyo | 18 | 147-162 | ||||
71. | Schweitzer on Bach. | MLetters | 26 | 2 | 102-112 | |||
72. | The Pianist's Book of Bach Chorals. 100 Chorals harmonized by J. S. Bach, chosen from Charles Sanford Terry's Complete Collection | 57p | ||||||
73. | The butcher of Bach. Why has this man taken the St Matthew Passion and thrown half of it away? | Guardian | ||||||
74. | Musique et Tempérament. Théorie et pratique de l'accord à l'ancienne. | 235p | ||||||
75. | Orgelbüchlein (Little organ book) | OrgWorks(Novello) | 15 | [rev] | xii, 123p | |||
76. | The art of organ-building: a comprehensive historical, theoretical and practical treatise on the tonal appointment and mechanical construction of concert-room, church and chamber organs, profusely illustrated. | 600, 760p | ||||||
77. | Sicilienne / Bach Sakkyoku. | 4p + 1 St | ||||||
78. | 24 Steps to the Great 48. Introducing Students to Contrapuntal Playing. | Clavier | 37 | 8 | 13-15, 17-18, 20 | |||
79. | Formal Structure of Psalms and Canticles in early Jewish and Christian Chant. | MusicaDisciplina | 7 | 1-58 | ||||
80. | Sebastian Bach. | MWorld | 25 | 13 | 199 | |||
81. | Contributions to the art of music in America by the music industries of Boston 1640-1936. | 342p | ||||||
82. | Sacred minstrelsy: a collection of sacred music by the great masters of all ages and nations; consisting of anthems, solos, duets, trios, &c., and choruses; with accompaniments for the piano-forte or organ. | 210, 216p | ||||||
83. | The musical library. Vol. II. Instrumental. | 164p | ||||||
84. | Bach no Omoide. | 222p | ||||||
85. | Bach no Omoide (Sho). | BessatsuTaiyo | 68-69 | |||||
86. | Otto Sebastian Bach no Kaiso. | 240p | ||||||
87. | Sebastian Bach Kaisoki. | 268p | ||||||
88. | 'Nekrolog' di Johann Sebastian Bach e cantata funebre. | [ce]MusicaPoetica | 227-240 | |||||
89. | Nekrolog or Obituary Notice of Johann Sebastian Bach. | xx, 231p | ||||||
90. | Z problematyki transkripcji - Transkrypcja w muzyce: Transkrypcja w twórczosci Jana Sebastiana Bacha. | ZeszytyNaukowe(Poznan) | 4 | 7-37 | ||||
91. | Karg-Elert's 'Passacaglia and Fugue on B-A-C-H': A study of harmonic and stylistic analysis. | diss. | v, 101p | |||||
92. | J.S. Baheu yi syakon bunseog, haeseog, yeonju ga'ideu. | NangmanQ | 19 | 2 | 49-76 | |||
93. | The Art of Fugue: A new Explanation. | StudM(WesternOntario) | 1 | 31-42 | ||||
94. | The Sacred Vocal Duets of Heinrich Schütz and Johann Sebastian Bach: an Introduction and an Annotated Listing. | diss. | 110p | |||||
95. | Sacred and profane. | OperaNews | 66 | 6 | 16-20 | |||
96. | The peasant cantata / J. S. Bach. | 59p | ||||||
97. | The peasant cantata / J. S. Bach. | 44p | ||||||
98. | Die Passion des Künstlers: Kreativität und Krise im Film. | [ce]PassionDesKünstlers | 312p | |||||
99. | Doing without thinking? Aspects of musical decision-making revisited. | [cr]Vienna2013 | 201 | |||||
100. | Performing solo Bach: a case study of musical decision-making. | MScientiae | 18 | 1 | 35-52 | |||
101. | Bach Society, The. | GroveDictionary(2) | 1 | 159-160 | ||||
102. | Praise be to Thee, O Jesus Christ = Gelobet seist du, Jesu Christ: Chorale-Prelude / J. S. Bach. | 3p + St | ||||||
103. | Arcangelo Corelli fra mito e realtà storica: nuove prospettive d'indagine musicologica e interdisciplinare nel 350o anniversario della nascita | HistMCultores | 111 | xxiv, 707p | ||||
104. | Kyokai Kantata no Seiritsu to Tenkai -- Barokku Ongaku no Shoso. | 404p | ||||||
105. | Rendering the Prosaic Persuasive: Gould and the Performance of Bach's C-minor Prelude (WTC I) | MTheoryOnline | 18 | 1 | 8p | |||
106. | Heavenly Harmony and the Tradition of Medieval Number Theory. | Consort | 36 | 361-364 | ||||
107. | Variation Technique in Bach's D Minor Chaconne. | Proteus | 2 | 1 | 19-24 | |||
108. | Three Songs from Anna-Magdalena Bach's Music-book. | |||||||
109. | Wagner on Bach. | MWorld | 69 | 10 | 149-150 | |||
110. | Freie Orgelwerke und Choralpartiten aus unterschiedlicher Überlieferung / Johann Sebastian Bach. | NBA | 4 | 11 | xiii, 84p | |||
111. | Johann Sebastian Bach. Neue Ausgabe Sämtlicher Werke. Serie IV · Band 11. Freie Orgelwerke und Choralpartiten aus unterschiedlicher Überlieferung. Kritischer Bericht. | NBA | 4 | 11 | 248p | |||
112. | Kenner und Liebhaber: Yet another look. | IReviewAesthSociolM | 44 | 1 | 19-47 | |||
113. | [Pleiades Musicae] Henrici Baryphoni VVernigerodano Cherusci Pleiades Musicae: Qvæ In Certas Sectiones distributæ præcipuas quæstiones Musicas discutiunt, & omnia, quæ ad Theoriam pertinent ... ex veris fundamentis Mathematicis exstructa ... | 95p | ||||||
114. | The Stanford Eclectic Tunings. | PerformPractReview | 5 | 2 | 159-197 | |||
115. | L'Interprétation rythmique des Ouvertures pour orchestre de J. S. Bach. | SchweizerischeMz | 84 | 5 | 181-184 | |||
116. | Thèmes et citations dans le 3e mouvement de la Sinfonia de Berio. | AnalyseM | 13 | 69-73 | ||||
117. | Das Wunder der Gottesgemeinschaft. Eine Besinnung auf das Motiv der 'unio' bei Luther und im Luthertum Bachs. | [cr]Eisenach1996 | 13-20 | |||||
118. | Die musikalische Darstellung der Person Christi in verschiedenen Stilepochen. | diss. | 88p | |||||
119. | Herrn Peter Baylens, weyland Professors der Philosophie und Historie zu Rotterdam, Historisches und Critisches Wörterbuch, .. Auflage von 1740 ins Deutsche übersetzt.. Zweyter Theil. C bis J. | 970, 854p | ||||||
120. | The Alliance of Musick, Poetry, and Oratory. | iv, 384p | ||||||
121. | Minuet and Badinerie / J. S. Bach | 7, 7p | ||||||
122. | Bachs Weimarer Wortgeber: Salomo Franck. | HainholzMw | 11 | 41-61 | ||||
123. | Bach und Sperontes. Zur Geburt des Bürgerlichen aus dem Geist der Innerlichkeit. | Schr_MittDMges | 4 | 65-84 | ||||
124. | Bach und Sperontes. Zur Geburt des Bürgerlichen aus dem Geist der Innerlichkeit. | [p]IMK_Erfurt | ||||||
125. | Generalbass und Differentialmathematik: Denkfiguren des 17. Jahrhunderts. | [cr]Weimar2004 | 2 | 278-289 | ||||
126. | Struktur des Wissens in der Musik-Wissenschaft Lorenz Mizlers. | Mf | 56 | 1 | 1-22 | |||
127. | Untersuchungen zum musikalischen Satz in Telemanns Leipziger Kirchenmusik. | TelemannKonfBer | 16 | 61-75 | ||||
128. | Vertonungen des Hohenlieds: Ein Überblick über die Entwicklung seit dem 16. Jahrhundert. | MKirche | 72 | 6 | 354-361 | |||
129. | Zum Erbauungscharakter geistlicher Musik zwischen Schütz und Bach. | MÄsth | 7 | 27 | 67-86 | |||
130. | The Art of Strict Musical Composition / Johann Philipp Kirnberger. | xix, 423p | ||||||
131. | Bach to Brahms: Essays on musical design and structure. | EastmanStudM | 122 | 326p | ||||
132. | Explorations in Schenkerian analysis. | EastmanStudM | 136 | xii, 359p | ||||
133. | The True Principles for the Practice of Harmony by Johann Philip Kirnberger. | JMTheory | 23 | 2 | 163-226 | |||
134. | The Metaphorical Twist. | PhilPhenomResearch | 22 | 293-307 | ||||
135. | Aesthetics: Problems in the Philosophy of criticism. | xv, 614p | ||||||
136. | Ernst August, Herzog von Sachsen-Weimar-Eisenach (1688 - 1748): kulturgeschichtlicher Versuch. | vi, 303p | ||||||
137. | The Dance movements of Christian Flor in Lüneburg Mus. Ant. Pract. 1198. | diss. | iv, 111p | |||||
138. | A Short Guide to Wolfgang Schmieder's Catalogue of J. S. Bach's Music. | MOpinion | 108 | 1289 | 162-170 | |||
139. | Bach's A minor prelude and Fugue. Some textual observations on BWV 543. | MTimes | 114 | 1566 | 831-833 | |||
140. | Bach's B-Minor Fugue, BWV 579: Corelli's B-Minor Sonata, Op. 3, No.4. | AmerOrganist(2) | 19 | 3 | 126-127 | |||
141. | C. P. E. Bach (1714-1788) -- His Solo Keyboard and Chamber Music. | Consort | 44 | 10-22 | ||||
142. | John Christian Bach (1735-1782). A bicentenary tribute. | MOpinion | 106 | 1263 | 106-109, 126 | |||
143. | J. S. Bach's Christmas Oratorio. | AmerOrganist(2) | 15 | 12 | 39-42 | |||
144. | J.S. Bach's Magnificat BWV 243. | MOpinion | 104 | 1250 | 85-86, 115 | |||
145. | Mendelssohn's organ music. | Organ | 58 | 230 | 67-89 | |||
146. | Notes on some Selected Organ Pieces by J. S. Bach. | AmerOrganist(2) | 17 | 1 | 47-48 | |||
147. | Songs and cantatas in eighteenth-century England. | Consort | 49 | 30-40 | ||||
148. | The Organ Music of Max Reger (1873-1916). | Organ | 55 | 218, 219 | 49-58; 93-111 | |||
149. | J. J. Quantz (1697-1773) and his flute sonatas. | MOpinion | 101 | 1206 | 298-299 | |||
150. | Johann Gottfried Walther's organ music. | MOpinion | 108 | 1287 | 98-105 | |||
151. | Created beauty: The witness of J.S. Bach. | [ce]ResonantWitness | 83-108 | |||||
152. | Resonant witness: Conversations between music and theology. | [ce]ResonantWitness | viii, 497p | |||||
153. | Rezeption und Verbreitung des Wohltemperierten Klaviers I zu Lebzeiten Johann Sebastian Bachs. Mit einem Exkurs über den Schreiber Anonymus Vr bzw. Anonymus 12 von Yoshitake Kobayashi. | MwSchr | 38 | 7-25 | ||||
154. | Rezeption und Verbreitung des Wohltemperirten Claviers I zu Lebzeiten J. S. Bachs. | [p]IS_Köthen | ||||||
155. | Work in progress: the copyists' catalogue of the Neue Bach-Ausgabe. | [p]BICB_Manchester | ||||||
156. | Bluejeans and Bach. New York City's Holy Trinity Lutheran Cantata Vespers tremendous hit. | MusicAGOMag | 8 | 2 | 36-38 | |||
157. | La Trente-Deuxième Cantate de Bach 'Liebster Jesu mein Verlangen'. | 52p | ||||||
158. | Die deutsche Kompositionslehre des 18. Jahrhunderts. | JenaBeitrMf | 3 | 161p, 85p | ||||
159. | Die motivgeprägten Accompagnati in Johann Sebastian Bachs Matthäus-Passion. | Mtheorie | 15 | 2 | 99-106 | |||
160. | Die Stellung der Melodielehre in der Musiktheorie des 18. Jahrhunderts in Deutschland. | [cr]Kassel1962 | 362-364 | |||||
161. | Johann Adolf Scheibes Compendium Musices | Mf | 10 | 4 | 508-515 | |||
162. | J. S. Bachs Wohltemperiertes Klavier: Text - Analyse - Wiedergabe. | 160p | ||||||
163. | Motiv und Thema, in Bachs 'Wohltemperiertem Klavier'. | SchweizerischeMzMpädagBl | 101 | 6 | 369-374 | |||
164. | Musikalische Werkbetrachtung in metrischer Sicht. | Mf | 14 | 1 | 2-10 | |||
165. | Vom Als-ob in Musik und Musikanschauung des 18. Jahrhunderts. | BaslerJbHistMpraxis | 13 | 99-139 | ||||
166. | Zum periodischen Prinzip bei Johann Sebastian Bach. | BachJb | 46 | 111-123 | ||||
167. | Zum periodischen Prinzip bei J. S. Bach. | BachJb | 45 | 84-93 | ||||
168. | Zum Phrasenbau in Suitensatzen von J. S. Bach. | Musica | 47 | 6 | 337-338 | |||
169. | Zur Methode harmonischer Analysen bei J. S. Bach. | BachJb | 49 | 80-87 | ||||
170. | Zur musikalischen Satztechnik in Theorie und Praxis um 1750. | JbStaatInstMf | 1994 | 71-85 | ||||
171. | Zur Ästhetik von Fragment und Vollständigkeit. | Mtheorie | 20 | 2 | 103-111 | |||
172. | Johann Sebastian: A Tercentenary Celebration. | ContributStudMDance | 19 | 176p | ||||
173. | Bearbeitungen und Ergänzungen von Werken verschiedener Komponisten / Wolfgang Amadeus Mozart. | xxxv, 173p | ||||||
174. | Romantic Modernism: Bach, Furtwängler, and Adorno. | NewGermCritique | 35 | 104: 2 | 71-102 | |||
175. | J. S. Bach's Fugue in D-sharp Minor (WTC I, No.8): A Naive Approach to Linear Analysis. | InTheoryOnly | 2 | 10 | 4-7 | |||
176. | La articulación rítmica en la música. | Quodlibet | 10 | 44-77 | ||||
177. | Metric and rhythmic articulation in music. | MTheorySpec | 7 | 7-33 | ||||
178. | Choral Prelude 'Dearest Jesu, we are here.' | |||||||
179. | Dearest Jesu, we are here / J.S. Bach. | 3p | ||||||
180. | Enrich us with Thy bounty. | |||||||
181. | LARGO from the Pianoiforte Concerto in F Minor. / J. S. Bach. | 3p | ||||||
182. | Trio in C minor / J. S. Bach. | 25p | ||||||
183. | Leichensermome auf Musiker des 17. Jahrhunderts. [Heinrich Bach u.a.] | MhMges | 7 | 11, 12 | 171-175; 177-188 | |||
184. | Johann Sebastian Bach: Musikalisches Opfer. Ricercar a 3 -- 10 Canones -- Ricercar a 6. | BachWoche_Ansbach | 113-114 | |||||
185. | Satz II aus den Streicherfantasien zu einem Motiv von J. S. Bach. | [fs]Bialas70 | 100-104 | |||||
186. | Primae lineae musicae vocalis: das ist: kurze, leichte, gründliche und richtige Anweisung, wie die Jugend, so wohl in den öffentlichen Schulen, als auch in der Privat-Information, ein musicalisches Vocal-Stück wohl und richtig singen zu lernen, auffs kürtzte kan unterrichtet werden ..., worinnen allerhand lateinische, französische und italiänische Termini musici zu finden. | 124p | ||||||
187. | Karl Straubes Leben. | [ce]Straube | 222-228 | |||||
188. | Leipziger Kirche und Kirchengut in der Reformationszeit: die Absicherung der städtischen kirchlichen Versorgung aus dem Thomaskloster durch Herzog Moritz von Sachsen. | [ce]800JThomana | 137-145 | |||||
189. | Bach: Anmerkungen und Hinweise. | 87p | ||||||
190. | Bach. Eine Kunde vom Genius. | 63p | ||||||
191. | Vom Hören Bach'scher Musik. | JungeM | 1 | 60-62 | ||||
192. | Zu Bachs Matthäus-Passion. (Rückblick, Umblick, Vorausblick.) | ZsfKmlBeamte | 11 | 2 | 9-10 | |||
193. | Georg Joseph Vogler und seine Rezeption der vierstimmigen Choralgesänge von Johann Sebastian Bach. | MtArbgMittRheinMges | 76-77 | 359-386 | ||||
194. | Meine Begegnung mit Goethe und andern großen Zeitgenossen: Tagebuchblätter. | 192p | ||||||
195. | Giovanni Gualberto Bottarelli: Zanaida | Concerto | 28 | 240 | 30-31 | |||
196. | Ankündigung eines neuen praktischen Werks für Organisten. | AllgMlZ | 2 | Intel 12 | 48-50 | |||
197. | Mozart und die barocke Suite. | ActaMozartiana | 42 | 1 | 13-20 | |||
198. | Album. Auswahl classischer Compositionen von Scarlatti, Corelly, Sebastian u. Emanuel Bach, Händel, Haydn, Beethoven, Mozart, Clementi, Pleyel & Dussek. | |||||||
199. | La symbolique musicale de J.-S. Bach, au miroir des chorals de l'Orgelbüchlein. | PositionsLuther | 33 | 1 | 86-101 | |||
200. | Die Ornamentik der Musik. | 285p | ||||||
201. | Johann Sebastian Bach: Sechs Brandenburgische Konzerte. | 6 Bl | ||||||
202. | Zum Traditionsfeld der Orgelmusik Johann Sebastian Bachs. | [cr]Rostock1985 | 61-71 | |||||
203. | Masters of the Orchestra from Bach to Prokofieff. | 481p | ||||||
204. | For us a Child is Born (Uns ist ein Kind geboren) ... A Christmas Cantata. | 33p | ||||||
205. | Organic Bach! Marathon AGO Annual Fund Benefit. | AmerOrganist(2) | 19 | 9 | 48-49 | |||
206. | Double-Titled Chorale Preludes of J. S. Bach. | AmerOrganist(2) | 22 | 2 | 50-52 | |||
207. | Johann Sebastian Bachs Choralvorspiele mit Doppeltitel. | MKirche | 58 | 1 | 17-21 | |||
208. | J.S. Bach's Schubler Chorales as Advent Cycle. | CrossAccent | [2b] | |||||
209. | The Chorales of the Organ Works: Tunes, Texts, and Translations / Johann Sebastian Bach. | CompOrgWorks(Leupold) | 2 | 2 | xx, 263p | |||
210. | The Schübler Chorales as Cycle: A Liturgical and Theological Perspective. | OrganYb | 22 | 97-118 | ||||
211. | The Lutheran Chorales in the Organ Works of J. S. Bach. | 336p | ||||||
212. | The Lutheran Chorales in the Organ Works of J. S. Bach. | diss. | 271p | |||||
213. | The Suzuki Approach to Teaching a Bach Minuet. | Clavier | 19 | 10 | 34-35 | |||
214. | Ach, Bach?! - Ba, Chopin! | 174-184 | ||||||
215. | Flimmernfiguren bei Johann Sebastian Bach. | 60-76 | ||||||
216. | Studien zur Instrumentalmusik: Lothar Hoffmann-Erbrecht zum 60. Geburtstag. | FrankfurtBeitrMw | 20 | 534p | ||||
217. | The Legato Line: An Organ Lesson. | Clavier | 9 | 2 | 21-24 | |||
218. | Kleine Präludien und Fughetten / Joh. Seb. Bach. | EdSteingräber | 1787 | [rev] | 35p | |||
219. | Zwei- und dreistimmige Inventionen / Joh. Seb. Bach. | EdSteingräber | 1786 | 39p | ||||
220. | Twelve corales: composed and harmonized by Martin Luther, Schop, Eccard, Graun, Osiander, Homilious and Sebastian Bach, | 64p | ||||||
221. | The family of Bach: A Brief History. | 47p | ||||||
222. | Reflexia Johanna Sebastiana Bacha vo filozofii 20. storoèia. | SlovenskaHudba | 26 | 4 | 417-424 | |||
223. | The instrumental ritornello in selected vocal works of Italian composers ca.1670 to ca. 1710. | diss. | 403p | |||||
224. | Triumph der Musik: von Bach bis Bono. | 445p | ||||||
225. | Sillages musicologiques: Hommage à Yves Gerard. | [fs]Gerard | 337p | |||||
226. | Jean-Sébastien: L'organiste. | RevueDeuxMondes | 712-754 | |||||
227. | Schmerz: Kunst + Wissenschaft. | [ce]Schmerz | 311p | |||||
228. | Choral Music on Record. | [ce]ChoralMusicOnRecord | viii, 309p | |||||
229. | Sjuita vs sonata v èpohu barokko. | VestnikStPetersburgUArts | 10 | 2 | 210-229 | |||
230. | Bach Kenbankyoku no Kaishaku. | 465p | ||||||
231. | Clavichord Music from 1500-1800. | BulAMSoc | 11-13 | 28-29 | ||||
232. | Das Cembalo-Clavichord-Problem. | DieMusik | 24 | 2 | 97-101 | |||
233. | Der Vortrag alter Klaviermusik. | 112, 15p | ||||||
234. | Der Vortrag der Klavierwerke von J. S. Bach. | 445p | ||||||
235. | Hat das Klavier in der Hausmusik noch eine Zukunft? | DieMusik | 24 | 8 | 569-575 | |||
236. | Interpretacija klavirnyh proizvedenij I.S. Baha. | |||||||
237. | Ispolnenie klavirnyh proizvedenij Baha na fortepiano. | [ce]KakIspolnjatBaha | 83-93 | |||||
238. | New contributions to the problem of the interpretation of Bach's keyboard works. | [cr]Utrecht1952 | 73-78 | |||||
239. | Special'nye rekomendacii po interpretacii klavirnyh proizvedenij I. S. Baha. | [ce]KakIspolnjatBaha | 148-156 | |||||
240. | The Interpretation of Bach's Keyboard Works. | xi, 421p | ||||||
241. | Analiz nekotorych fug Bacha. | [ce]Bogatyrev | 29-52 | |||||
242. | Brandenburgskij koncert Bacha Nr.2, I èast. | [ce]Bogatyrev | 23-28 | |||||
243. | Issledovanija Stati Vospominanija. Sbornik Statej. | [ce]Bogatyrev | ||||||
244. | 'Confessio fidei Bachiana'. Religious Experience of God in the Works of Johann Sebastian Bach. | CompostelaPrize | 2 | 205-215 | ||||
245. | The solo clavier Sonatas attributed to J. S. Bach. | diss. | 32p | |||||
246. | Musik(vermittlung) und Gender(forschung) im Internet: Perspektiven einer anderen Musikgeschichtsschreibung. | StMaterMw | 92 | vi, 256p | ||||
247. | 'Lass mich hören, lass mich fühlen': Johann Sebastian Bach im Urteil Goethes. | GoetheYb | 12 | 189-195 | ||||
248. | Das alte Jena und seine Universität: eine jubiläumsgabe zur universitätsfeier. | 286p | ||||||
249. | Die Musiker Familie Bach. | 88p | ||||||
250. | Johann Sebastian Bach. | DReihe | 88 | 77p | ||||
251. | Jesu, joy of man's desiring: chorale from cantata no. 147 / J. S. Bach. | 5p | ||||||
252. | Ornamentations in the music of Bach. | Diapason | 53 | 5:629 | 8f | |||
253. | 'In the Swim’: The life and musical achievements of William Gillies Whittaker 1876-1944. | diss. | x, 527p | |||||
254. | The Cantatas of Wilhelm Friedemann Bach. | AmerChoralReview | 33 | 1-2 | 33-39 | |||
255. | The Cantatas of Wilhelm Friedemann Bach. | diss. | 889p | |||||
256. | De dood in cantates van J.S. Bach: Van Actus Tragicus tot Trauer-Ode. | 144p | ||||||
257. | De Goldbergvariaties van J. S. Bach. | 80p | ||||||
258. | De Missae breves (BWV 233-236) van Johann Sebastian Bach. | 150p | ||||||
259. | Het Weihnachts-Oratorium (BWV 248) van Johann Sebastian Bach. | 179p, mus exx | ||||||
260. | Johann Sebastian Bach: Christmas Oratorio. BWV 248. | 185p | ||||||
261. | J.S. Bach. De h-Moll-Messe. | 204p | ||||||
262. | Van jaloezie tot waanzin: Georg Friedrich Händel—Hercules (1745). | [fs]Bossuyt | 80-95 | |||||
263. | The Use of Recitative and the Communal Style in the Solo Cantatas of Dietrich Buxtehude. | Bach | 17 | 3 | 22-32 | |||
264. | The St Matthew Passion: Its preparation and performance. | vii, 75p | ||||||
265. | Historicism and composition: Giuseppe Baini, the Sistine Chapel choir, and stile antico music in the first half of the 19th century. | diss. | 412p | |||||
266. | La vogue de Bach depuis la découverte de sa puissance expressive. [Petites notes sans portée (CXLI)]. | LMenestrel | 74 | 51 | ||||
267. | L'expression chez Bach. | LMenestrel | 75 | 7 | ||||
268. | Toccata and Fugue in D minor / Johann Sebastian Bach | 19, 19p | ||||||
269. | The influence of Bach's Well-tempered clavier on the opp. 34 and 87 piano pieces of Dmitri Shostakovich. | ExTempore | 10 | 1 | 118-140 | |||
270. | Lili Kraus at the Wigmore Hall. | MSurvey | 1 | 6 | 191-192 | |||
271. | Chorales by Johann Sebastian Bach. | x, 76p; x, 76p | ||||||
272. | Bach comes to Dublin: the performance and reception of Bach's music in Dublin in the 19th and early 20th centuries. | [p]BCB_Dublin | ||||||
273. | 'This most crabbed of all earthly music': the Performance and Reception of Bach's Vocal Music in Dublin in the 19th and early 20th Centuries. | [p]M19CBritain_London | ||||||
274. | 'This most crabbed of all earthly music': the performance and reception of Bach's vocal music in Dublin in the nineteenth and early twentieth centuries. | IrishMStud | 8 | 229-246 | ||||
275. | [Chapter XIX of Die Geschichte des Violinspiels von seinen Anfängen bis 1761.] | ConBrioFachbuch | 5 | 46-60 | ||||
276. | Die Geschichte des Violinspiels von seinen Anfängen bis 1761. | xxiii, 630, 40p | ||||||
277. | Performance Practice in the 17th and 18th Centuries. | [cr]NewYork1961 | 2 | 122-126 | ||||
278. | The Violin and Its Technique in the 18th Century. | MQ | 36 | 1 | 9-38 | |||
279. | The violin bow in the 18th century. | EarlyM | 8 | 2 | 199-203, 205-212 | |||
280. | When Is a Concerto Not a Concerto? | MQ | 43 | 2 | 220-232 | |||
281. | The History of Violin Playing from its Origins to 1761 - and its Relationship to the Violin and Violin Music. | 570p | ||||||
282. | B-A-C-H. | NewGrove(1) | 1 | 877-878 | ||||
283. | Bach. | 290p | ||||||
284. | Bach. | 222p | ||||||
285. | B-A-C-H. | NewGrove(2) | 2 | 429 | ||||
286. | Bach: Chorale Harmonization and Instrumental Counterpoint. | 39p | ||||||
287. | Bach's Instrumental Counterpoint. | 39p | ||||||
288. | Bach, Telemann und das Fanfarenthema. | BachJb | 82 | 147-150 | ||||
289. | Bach: The Brandenburg Concertos. | x, 111p | ||||||
290. | Baroque Oratorio: a terminological inexactitude? | MTimes | 119 | 1624 | 507-508 | |||
291. | Harmonizing 'Bach' Chorales. | 39p | ||||||
292. | Johann Sebastian Bach. Leben und Werk. | 376p | ||||||
293. | Oxford Composer Companions: J. S. Bach. | xxv, 626p | ||||||
294. | Sacred Bach, echt and unecht. | EarlyM | 23 | 2 | 338 | |||
295. | The Bach Family. | [ce]CambridgeCompanion_Bach | 9-16 | |||||
296. | The Italian Serenata and related genres in Britain and Germany: Some observations. | SopplimentiM | 1 | 4 | 515-527 | |||
297. | The St Matthew Passion: A discussion of the textual structure of the work in 1727, Bach's 1736 revision and its 1829 and 1841 revivals by Mendelssohn. | diss. | ii, 147p | |||||
298. | History of Western Education. | 443p | ||||||
299. | Les cantates sacrées de Jean-Sébastien Bach. | UniversM | 388p | |||||
300. | Les mélodies de chorals dans les cantates de Jean-Sébastien Bach. | UniversM | 441p | |||||
301. | The power of every moment: Musical continuity in J.S. Bach. | HarmonolSer | 16 | 93-104 |
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