Bach Bibliography
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1. Hurford, Peter; Williams, Peter F.Approaches to Bach Performance and Scholarship, then, now, next Lecture given at 'Bach Artist Craftsman Harmonist': An International Celebration of the Music of J. S. Bach 1685-1750, London & St Albans 26 November - 2 December 2000 Nov-Dec 2000
2. Williams, Peter F.2/4 Time and J. S. Bach. A paper read at the Southeast Chapter meeting of the American Musicological Society on 19 March 1988 at Duke University. [p]AMS_Southeast Mar 1988
3. Williams, Peter F.A chaconne by Georg Böhm: a note on German composers and French styles. EarlyM 17 1 Feb 1989 43-54
4. Williams, Peter F.Again: Was J.S. Bach an expert on organs? OrganYb 36 2007 86-105
5. Williams, Peter F.A New History of the Organ from the Greeks to the Present Day. London: Faber & Faber; Bloomington, Indiana, 1980. 233p 1980 233p
6. Williams, Peter F.Are we any closer to understanding Bach, the organist and organ-composer? [ce]IAOMillenniumBook 2000 1-14
7. Williams, Peter F.Bach at Edinburgh. MTimes 104 1449 Nov 1963 815
8. Williams, Peter F.Bach, Handel, Scarlatti Tercentenary Essays. Cambridge: Cambridge Univ. Press 1985. xiv, 363p. [ce]BHSTercentenaryEssays 1985 xiv, 363p
9. Williams, Peter F.Bach Organ Music. London: British Broadcasting Corporation, 1972. R/1974. 71p. ISBN: 0563103485. - Seattle: University of Washington Press, [1972]. ISBN: 0295951990. (= BBC music guide, 20) BBCMGuides 20 1972 71p
10. Williams, Peter F.Bach Recitatives. Letters to the Editor. MTimes 115 1579 Sep 1974 747
11. Williams, Peter F.Bach's G minor Sonata for viola da gamba and harpsichord BWV 1029: A seventh Brandenburg Concerto? EarlyM 12 3 Aug 1984 345-354
12. Williams, Peter F.Bach's Organ Chorales from the Neumeister Collection. First Edition and Recordings. A Feature Review. AmerOrganist(2) 20 6 Jun 1986 63-64
13. Williams, Peter F.Bach's Seven Fughette. The Organists' Repertory - 19. MTimes 116 1589 Jul 1975 653, 655, 657
14. Williams, Peter F.Bach: The Goldberg Variations. Cambridge: Cambridge Univ. Press, 2001. 101p. ISBN: 0-521-80735-2; 0-521-00193-5. (= Cambridge music handbooks) CambridgeMHandb 2001 101p
15. Williams, Peter F.Bach Thoughts from Edinburgh. MTimes 106 1472 Oct 1965 771-772
16. Williams, Peter F.Basso continuo on the Organ. MLetters 50 1, 2 Jan; Apr 1969 136-152; 230-245
17. Williams, Peter F.BWV 565: A toccata in D minor for Organ by J.S. Bach? EarlyM 9 3 Jul 1981 330-337
18. Williams, Peter F.Can editions of Bach or Scarlatti be entirely trusted? RCOJ 1 2007 18-28
19. Williams, Peter F.Considérations sur la nouvelle mesure à 2/4 au début du XVIIIe siècle. [Reflections on the emergence of the 2/4 meter in the early 18th century] [cr]Metz1994 1996 85-98
20. Williams, Peter F.Decoding Bach 2: Clouds of witness. MTimes 141 1872 Autumn 2000 13-15
21. Williams, Peter F.Encounters with the Chromatic Fourth ... or, More on Figurenlehre. MTimes 126 1707-1708 May-Jun 1985 276-278; 339-343
22. Williams, Peter F.'Figurae' in the Keyboard Works of Scarlatti, Handel and Bach: An Introduction. [ce]BHSTercentenaryEssays 1985 327-346
23. Williams, Peter F.Figured Bass Accompaniment. Edinburgh: Edinburgh University Press, 1970. in 2 vols. [8], 117p; [6],131p. ISBN: 0-85224-054-6; 0-85224-055-4 1970 117, 131p
24. Williams, Peter F.Figurenlehre from Monteverdi to Wagner. 1: What is 'Figurenlehre'? MTimes 120 1636 Jun 1979 476-479
25. Williams, Peter F.Figurenlehre from Monteverdi to Wagner. 2: The chromatic 4th continued. MTimes 120 1637 Jul 1979 571-573
26. Williams, Peter F.Figurenlehre from Monteverdi to Wagner. 3: The suspirans. MTimes 120 1638 Aug 1979 648-650
27. Williams, Peter F.Figurenlehre from Monteverdi to Wagner. 4: 'Orfeo' and 'Meistersinger'. MTimes 120 1640 Oct 1979 816-818
28. Williams, Peter F.French overture conventions in the hands of the young Bach and Handel. BachStud 1 1989 183-193
29. Williams, Peter F.Further on Changing Manuals in Works of J. S. Bach. OrganYb 29 2000 75-90
30. Williams, Peter F.Hints for performance in J. S. Bach's 'Clavierübung' prints. EarlyKeyboardJ 5 1986-87 29-44
31. Williams, Peter F.Is there an anxiety of influence discernible in J. S. Bach's 'Clavierübung I'? [ce]KeyboardInBaroqueEurope 2003 140-156
32. Williams, Peter F.Johann Sebastian Bach and the Basso Continuo. BaslerJbHistMpraxis 18 1994 67-86
33. Williams, Peter F.Johann Sebastian Bach's ideal organ. OrganistsReview 94 2 2008 7-13
34. Williams, Peter F.Johann Sebastian Bachs Orgelwerke 1. Präludien, Toccaten, Fantasien, Fugen, Sonaten, Concerti und Einzelwerke. Aus dem Englischen von Gudrun Budde. - Mainz: Schott Musik International, 1996. 441p. 1996 441p
35. Williams, Peter F.Johann Sebastian Bachs Orgelwerke. Band 2: Choralbearbeitungen. Aus dem Englischen von Gudrun Budde. - Mainz: Schott Musik International, 1998. 476p. ISBN: 3-7957-1854-6 1998 476p
36. Williams, Peter F.Johann Sebastian Bachs Orgelwerke. Band 3: Liturgie, Kompositionstechnik, Instrumente und Aufführungspraxis. Aus dem Englischen von Caroline Schneider-Kliemt. - Mainz: Schott, 2000. 365p. ISBN: 3-7957-1855-4. 2000 365p
37. Williams, Peter F.Johann Sebastian Bachs Sonate in g-moll (BWV 1029)... ein siebtes Brandenburgisches Konzert? Concerto 2 4 Jun 1985 41-48
38. Williams, Peter F.J.S. Bach: A Life in Music. Cambridge: Cambridge University Press, 2007. xi, 405p. ISBN: 0-521-87074-7. 2007 405p
39. Williams, Peter F.J. S. Bach and English Organ Music. MLetters 44 2 Apr 1963 140-151
40. Williams, Peter F.J. S. Bach: Ein Leben in der Musik. Aus dem Engl. von Clemens Brunn. - Berlin: Osburg Verlag, 2008. 575p. ISBN-10: 3-940731-08-0; ISBN-13: 978-3-940731-08-1. 2008 575p
41. Williams, Peter F.J. S. Bach: Mass in B minor. Recordings. EarlyM 12 1 Feb 1984 137,139,141
42. Williams, Peter F.J. S. Bach -- Orgelsachverständiger unter dem Einfluß Andreas Werckmeisters? Summary in English (p.174), French (p.176), Russian (p.178) and Czech (p.180). BachJb 68 1982 131-142
43. Williams, Peter F.J. S. Bach's Well-tempered Clavier: A new approach. EarlyM 11 1, 3 Jan, Jul 1983 46-52; 332-339
44. Williams, Peter F.J.S. Bach y el compás de 2/4. [J.S. Bach and the 2/4 time signature] Trans. by Gago, Luis Carlos Quodlibet 5 Jun 1996 3-18
45. Williams, Peter F.J. S. Bach y la distribución entre las manos derecha e izquierda. [J.S. Bach and left-hand--right-hand distribution] Trans. by Paul S. McLaney. Quodlibet 18 Oct 2000 68-84
46. Williams, Peter F.Két esettanulmány az elõadói gyakorlat és a notáció részleteinek témakörébõl; 1. J. S. Bach és a 2/4 metrum; 2. J. S. Bach és a balkéz-jobbkéz megosztás. [Zwei Fallstudien über Aufführungspraxis und Notation. Übers. aus dem Engl. Katalin Komlós] BachTanulmanyok 4 1995 5-41; 25-41 Latin 2
47. Williams, Peter F.More on the question, Is there a 'Toccata and Fugue in D minor for Organ' by J. S. Bach? OrganYb 33 2004 139-143
48. Williams, Peter F.Need Organists Pay Attention to Theorists of Rhetoric? Diapason 73 4:869 Apr 1982 3-4
49. Williams, Peter F.New Bach? [on recently discovered chorales] Letters to the Editor. MTimes 126 1710 Aug 1985 452
50. Williams, Peter F.Noch einmal: J. S. Bach -- Orgelsachverständiger unter dem Einfluß Andreas Werckmeisters? Kleine Beiträge. BachJb 72 1986 123-125
51. Williams, Peter F.Playing and studying Bach: Where next? BIOSJ 24 2000 80-92
52. Williams, Peter F.Playing the organ works of Bach: Some case studies. New York: American Guild of Organists, 1987. 128p. [collection of essays first appeared in The American Organist during 1983-85] 1987 128p
53. Williams, Peter F.Public Executions and the Bach Passions. http://www.americanbachsociety.org/Newsletters/BachNotes02.pdf BachNotesABS 2 Fall 2004 1-4
54. Williams, Peter F.Recent questionable approaches to J. S. Bach. [fs]Tagliavini70 2001 553-572
55. Williams, Peter F.Some further Thoughts. DortmundBachF 6 2003 371-388
56. Williams, Peter F.Some observations on three keyboard-composers: Frescobaldi, J.S. Bach and Domenico Scarlatti. [fs]Owen 2005 53-71
57. Williams, Peter F.Some thoughts on Italian elements in certain music of Johann Sebastian Bach. Recercare 11 1999 185-198
58. Williams, Peter F.Stop Press: Some questions about JS Bach and his organ music. Peter Williams addresses some basic assumptions underlying our understanding of a canonical corpus. MTimes 141 1870 Spring 2000 34-40
59. Williams, Peter F.Suggestions for Playing the Works of J. S. Bach. I. AmerOrganist(2) 17 1 Jan 1983 45-47
60. Williams, Peter F.Suggestions for Playing the Works of J. S. Bach. II. Harpsichord Versus Organ in Six Trio Sonatas. AmerOrganist(2) 17 3 Mar 1983 50-52
61. Williams, Peter F.Suggestions for Playing the Works of J. S. Bach. III. BWV 565: A Toccata in d Minor for Organ by J. S. Bach? AmerOrganist(2) 17 9 Sep 1983 42-47
62. Williams, Peter F.Suggestions for Playing the Works of J. S. Bach. IV. Motivs in the Passacaglia. AmerOrganist(2) 18 2 Feb 1984 56-57
63. Williams, Peter F.Suggestions for Playing the Works of J. S. Bach. IX. The Italian music. AmerOrganist(2) 19 5 May 1985 74-75
64. Williams, Peter F.Suggestions for Playing the Works of J. S. Bach. VIII. Certain early preludes and fugues BWV 531 and 549. AmerOrganist(2) 19 4 Apr 1985 82-84
65. Williams, Peter F.Suggestions for Playing the Works of J. S. Bach. VII. The Smaller Pieces of 'Clavier-übung III.' AmerOrganist(2) 19 3 Mar 1985 118-119
66. Williams, Peter F.Suggestions for Playing the Works of J. S. Bach. VI. The Larger Chorals of 'Clavier-übung III.' AmerOrganist(2) 19 2 Feb 1985 56-57
67. Williams, Peter F.Suggestions for Playing the Works of J. S. Bach. V. Motivs in the Orgelbüchlein. AmerOrganist(2) 18 9 Sep 1984 44-45
68. Williams, Peter F.Suggestions for Playing the Works of J. S. Bach. XI. Chorale fughettas. AmerOrganist(2) 19 7 Jul 1985 56-58
69. Williams, Peter F.Suggestions for Playing the Works of J. S. Bach. XIII. AmerOrganist(2) 19 9 Sep 1985 Libero does not have H.9
70. Williams, Peter F.Suggestions for Playing the Works of J. S. Bach. XII. Stylistic allusions in certain mature preludes. AmerOrganist(2) 19 8 Aug 1985 38-40
71. Williams, Peter F.Suggestions for Playing the Works of J. S. Bach. XIV. Dividing solo lines between the hands; clues to articulation? AmerOrganist(2) 19 10 Oct 1985 117-119
72. Williams, Peter F.Suggestions for Playing the Works of J. S. Bach. X. The transcription. AmerOrganist(2) 19 6 Jun 1985 44-46
73. Williams, Peter F.Suggestions for Playing the Works of J. S. Bach. XVI. More organ works by J. S. Bach? AmerOrganist(2) 19 12 Dec 1985 60-62
74. Williams, Peter F.Suggestions for Playing the Works of J. S. Bach. XV. Some issues raised in certain early chorales. AmerOrganist(2) 19 11 Nov 1985 91-93
75. Williams, Peter F.Sui generis: some fashionable uses to which Bach is put. MTimes 141 1871 Summer 2000 8, 10, 12-15
76. Williams, Peter F.The Acquisitive Minds of Handel & Bach: Some Reflections on the Nature of 'Influences' [fs]Fisk 1986 267-282
77. Williams, Peter F.The Chromatic Fourth. During Four Centuries of Music. New York: Oxford Univ. Press, 1998. 272p. ISBN: 0-19-816563-3. 1998 272p
78. Williams, Peter F.The European Organ 1450-1850. London: Batsford, 1966. 336p. - 3/1978. ISBN: 0713407530. 1966 336p
79. Williams, Peter F.The French Silbermann. MTimes 112 1535 Jan 1971 77-78
80. Williams, Peter F.The Harpsichord Acciaccatura: Theory and Practice in Harmony, 1650-1750. MQ 54 4 Oct 1968 503-523
81. Williams, Peter F.The Life of Bach. Cambridge Univ. Press, 2004. viii, 219p. ISBN: 0-5221-82636-5 / 0-521-53374-0. (= Musical Lives) 2004 viii,219p
82. Williams, Peter F.The Musical Aims of J. S. Bach's 'Clavierübung III'. [gs]Dart 1981 259-278
83. Williams, Peter F.The music of J.S. Bach: excerpts from the writings of Peter Williams. [fs]Williams70 2007 371-381
84. Williams, Peter F.The Organ Music of J. S. Bach. III: A Background. Univ. press Cambridge 1984, 309p. 3 1984 309p
85. Williams, Peter F.The Organ Music of J. S. Bach. II: Works based on Chorales (BWV 599-771 etc.) Univ. press Cambridge 1980, x, 357p. 1980 357p
86. Williams, Peter F.The Organ Music of J. S. Bach. I: Preludes, Toccatas, Fantasias, Fugues, Sonatas, Concertos and Miscellaneous Pieces (BWV 525-598, 802-805 etc). Univ. press Cambridge 1980, 365p. 1 1980 365p
87. Williams, Peter F.The Organ Music of J. S. Bach. Second Edition. Cambridge: Cambridge Univ. Press, 2003. x, 624p. ISBN: 0521814162. 2003 x, 624p
88. Williams, Peter F.The Organs of Saxony. MTimes 111 1533 Nov 1970 1141-1143
89. Williams, Peter F.The Snares and Delusions of Musical Rhetoric: Some Examples from recent writings on J. S. Bach. BaslerJbHistMpraxis [Sonderband] 1983 230-240
90. Williams, Peter F.The Snares and Delusions of Notation: Bach's Early Organ Works. [ce]JSBOrganist 1986 274-294
91. Williams, Peter F.Towards a close reading of Carl Philipp Emanuel Bach. FestschriftSer 13 1994 143-156 [fs]Mann
92. Williams, Peter F.Two case studies in performance practice and the details of notation: 1. J. S. Bach and 2/4 Time. EarlyM 21 4 Nov 1993 613-622
93. Williams, Peter F.Two case studies in performance practice and the details of notation: 2: J. S. Bach and left-hand-right-hand distribution. [BWV 534,1; 572; 553; 541; 548; 566; 572; 739; 829] EarlyM 22 1 Feb 1994 101-113
94. Williams, Peter F.Was Johann Sebastian Bach an Organ Expert or an Acquisitive Reader of Andreas Werckmeister? JAmerMInstrSoc 11 1985 38-54
95. Williams, Peter F.Why do we need a new book on Bach's Organ Music? MReview 38 4 1977 249-257
96. Williams, Peter F.Witting and Unwitting Allusion in Certain Keyboard Music of J. S. Bach. Texts and Contexts. MQ 84 4 Winter 2000 756-775
97. Williams, Peter F.; Owen, BarbaraThe Organ. Macmillan, 1988. 438p. ISBN: 0-393-02555-1; 0-393-30516-3. (= New Grove Musical Instruments) 1988 438p
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