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Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
---|---|---|---|---|---|---|---|---|---|
1. | Hurford, Peter; Williams, Peter F. | Approaches to Bach Performance and Scholarship, then, now, next | |||||||
2. | Williams, Peter | Bach: A Musical Biography. | xiv, 704p | ||||||
3. | Williams, Peter | Bach and the organ. | MTimes | 155 | 1926 | 81-94 | |||
4. | Williams, Peter | French Elements in Bach. | [cr]McGill1981 | 13-19 | |||||
5. | Williams, Peter | On Bach and the Organ. | [p]ABS_Rochester | ||||||
6. | Williams, Peter | Some remarks on organs, organ-playing and the studying of music. | BIOSJ | 28 | 6-25 | ||||
7. | Williams, Peter | The International Organ Competition, Leipzig, July 2000. | OrganistsReview | 86 | 4: 340 | 336-337 | |||
8. | Williams, Peter | Tuning and Temperament. | |||||||
9. | Williams, Peter | Two new editions of Bach's organ music: some questions arising. | OrganYb | 41 | 183-212 | ||||
10. | Williams, Peter | What is it to Write a Biography of J. S. Bach? | Bach | 45 | 1 | 1-14 | |||
11. | Williams, Peter F. | 2/4 Time and J. S. Bach. | [p]AMS_Southeast | ||||||
12. | Williams, Peter F. | A chaconne by Georg Böhm: a note on German composers and French styles. | EarlyM | 17 | 1 | 43-54 | |||
13. | Williams, Peter F. | Again: Was J.S. Bach an expert on organs? | OrganYb | 36 | 86-105 | ||||
14. | Williams, Peter F. | A New History of the Organ from the Greeks to the Present Day. | 233p | ||||||
15. | Williams, Peter F. | Another book on JS Bach? | MTimes | 157 | 1934 | 5-18 | |||
16. | Williams, Peter F. | Are we any closer to understanding Bach, the organist and organ-composer? | [ce]IAOMillenniumBook | 1-14 | |||||
17. | Williams, Peter F. | Bach at Edinburgh. | MTimes | 104 | 1449 | 815 | |||
18. | Williams, Peter F. | Bach, Handel, Scarlatti Tercentenary Essays. | [ce]BHSTercentenaryEssays | xiv, 363p | |||||
19. | Williams, Peter F. | Bach Organ Music. | BBCMGuides | 20 | 71p | ||||
20. | Williams, Peter F. | Bach Recitatives. | MTimes | 115 | 1579 | 747 | |||
21. | Williams, Peter F. | Bach's G minor Sonata for viola da gamba and harpsichord BWV 1029: A seventh Brandenburg Concerto? | EarlyM | 12 | 3 | 345-354 | |||
22. | Williams, Peter F. | Bach's Organ Chorales from the Neumeister Collection. First Edition and Recordings. A Feature Review. | AmerOrganist(2) | 20 | 6 | 63-64 | |||
23. | Williams, Peter F. | Bach's Seven Fughette. | MTimes | 116 | 1589 | 653, 655, 657 | |||
24. | Williams, Peter F. | Bach: The Goldberg Variations. | CambridgeMHandb | 101p | |||||
25. | Williams, Peter F. | Bach Thoughts from Edinburgh. | MTimes | 106 | 1472 | 771-772 | |||
26. | Williams, Peter F. | Basso continuo on the Organ. | MLetters | 50 | 1, 2 | 136-152; 230-245 | |||
27. | Williams, Peter F. | BWV 565: A toccata in D minor for Organ by J.S. Bach? | EarlyM | 9 | 3 | 330-337 | |||
28. | Williams, Peter F. | Can editions of Bach or Scarlatti be entirely trusted? | RCOJ | 1 | 18-28 | ||||
29. | Williams, Peter F. | Considérations sur la nouvelle mesure à 2/4 au début du XVIIIe siècle. | [cr]Metz1994 | 85-98 | |||||
30. | Williams, Peter F. | Decoding Bach 2: Clouds of witness. | MTimes | 141 | 1872 | 13-15 | |||
31. | Williams, Peter F. | Encounters with the Chromatic Fourth ... or, More on Figurenlehre. | MTimes | 126 | 1707-1708 | 276-278; 339-343 | |||
32. | Williams, Peter F. | 'Figurae' in the Keyboard Works of Scarlatti, Handel and Bach: An Introduction. | [ce]BHSTercentenaryEssays | 327-346 | |||||
33. | Williams, Peter F. | Figured Bass Accompaniment. | 117, 131p | ||||||
34. | Williams, Peter F. | Figurenlehre from Monteverdi to Wagner. 1: What is 'Figurenlehre'? | MTimes | 120 | 1636 | 476-479 | |||
35. | Williams, Peter F. | Figurenlehre from Monteverdi to Wagner. 2: The chromatic 4th continued. | MTimes | 120 | 1637 | 571-573 | |||
36. | Williams, Peter F. | Figurenlehre from Monteverdi to Wagner. 3: The suspirans. | MTimes | 120 | 1638 | 648-650 | |||
37. | Williams, Peter F. | Figurenlehre from Monteverdi to Wagner. 4: 'Orfeo' and 'Meistersinger'. | MTimes | 120 | 1640 | 816-818 | |||
38. | Williams, Peter F. | French overture conventions in the hands of the young Bach and Handel. | BachStud | 1 | 183-193 | ||||
39. | Williams, Peter F. | Frescobaldi's Fiori musicali and Bach. | Recercare | 24 | 1-2 | ||||
40. | Williams, Peter F. | Further on Changing Manuals in Works of J. S. Bach. | OrganYb | 29 | 75-90 | ||||
41. | Williams, Peter F. | Hints for performance in J. S. Bach's 'Clavierübung' prints. | EarlyKeyboardJ | 5 | 29-44 | ||||
42. | Williams, Peter F. | Is there an anxiety of influence discernible in J. S. Bach's 'Clavierübung I'? | [ce]KeyboardInBaroqueEurope | 140-156 | |||||
43. | Williams, Peter F. | Johann Sebastian Bach and the Basso Continuo. | BaslerJbHistMpraxis | 18 | 67-86 | ||||
44. | Williams, Peter F. | Johann Sebastian Bach's ideal organ. | OrganistsReview | 94 | 2 | 7-13 | |||
45. | Williams, Peter F. | Johann Sebastian Bachs Orgelwerke 1. Präludien, Toccaten, Fantasien, Fugen, Sonaten, Concerti und Einzelwerke. | 441p | ||||||
46. | Williams, Peter F. | Johann Sebastian Bachs Orgelwerke. Band 2: Choralbearbeitungen. | 476p | ||||||
47. | Williams, Peter F. | Johann Sebastian Bachs Orgelwerke. Band 3: Liturgie, Kompositionstechnik, Instrumente und Aufführungspraxis. | 365p | ||||||
48. | Williams, Peter F. | Johann Sebastian Bachs Sonate in g-moll (BWV 1029)... ein siebtes Brandenburgisches Konzert? | Concerto | 2 | 4 | 41-48 | |||
49. | Williams, Peter F. | J.S. Bach: A Life in Music. | xi, 405p | ||||||
50. | Williams, Peter F. | J. S. Bach and English Organ Music. | MLetters | 44 | 2 | 140-151 | |||
51. | Williams, Peter F. | J. S. Bach: Ein Leben in der Musik. | 575p | ||||||
52. | Williams, Peter F. | J. S. Bach: Mass in B minor. | EarlyM | 12 | 1 | 137,139,141 | |||
53. | Williams, Peter F. | J. S. Bach -- Orgelsachverständiger unter dem Einfluß Andreas Werckmeisters? | BachJb | 68 | 131-142 | ||||
54. | Williams, Peter F. | J. S. Bach's Well-tempered Clavier: A new approach. | EarlyM | 11 | 1, 3 | 46-52; 332-339 | |||
55. | Williams, Peter F. | J.S. Bach y el compás de 2/4. | Quodlibet | 5 | 3-18 | ||||
56. | Williams, Peter F. | J. S. Bach y la distribución entre las manos derecha e izquierda. | Quodlibet | 18 | 68-84 | ||||
57. | Williams, Peter F. (ed.) | Kunst der Fuge / Johann Sebastian Bach. | EdEulenburg | 1391 | xlvi, 138p | ||||
58. | Williams, Peter F. | Két esettanulmány az elõadói gyakorlat és a notáció részleteinek témakörébõl; 1. J. S. Bach és a 2/4 metrum; 2. J. S. Bach és a balkéz-jobbkéz megosztás. | BachTanulmanyok | 4 | 5-41; 25-41 | ||||
59. | Williams, Peter F. | More on the question, Is there a 'Toccata and Fugue in D minor for Organ' by J. S. Bach? | OrganYb | 33 | 139-143 | ||||
60. | Williams, Peter F. (ed.) | Musicalisches Opfer, BWV 1079 / Johann Sebastian Bach. | EdEulenburg | 1390 | xxxviii, 51p | ||||
61. | Williams, Peter F. | Need Organists Pay Attention to Theorists of Rhetoric? | Diapason | 73 | 4:869 | 3-4 | |||
62. | Williams, Peter F. | New Bach? [on recently discovered chorales] | MTimes | 126 | 1710 | 452 | |||
63. | Williams, Peter F. | Noch einmal: J. S. Bach -- Orgelsachverständiger unter dem Einfluß Andreas Werckmeisters? | BachJb | 72 | 123-125 | ||||
64. | Williams, Peter F. | Orugan Kyoku. | [ce]BachJiten | 294-298 | |||||
65. | Williams, Peter F. | Playing and studying Bach: Where next? | BIOSJ | 24 | 80-92 | ||||
66. | Williams, Peter F. | Playing the organ works of Bach: Some case studies. | 128p | ||||||
67. | Williams, Peter F. | Public Executions and the Bach Passions. | BachNotesABS | 2 | 1-4 | ||||
68. | Williams, Peter F. | Recent questionable approaches to J. S. Bach. | [fs]Tagliavini70 | 553-572 | |||||
69. | Williams, Peter F. | Some further Thoughts. | DortmundBachF | 6 | 371-388 | ||||
70. | Williams, Peter F. | Some observations on three keyboard-composers: Frescobaldi, J.S. Bach and Domenico Scarlatti. | [fs]Owen | 53-71 | |||||
71. | Williams, Peter F. | Some Tercentenary Questions for the Performer. | AmerOrganist(2) | 19 | 1 | 42-46 | |||
72. | Williams, Peter F. | Some thoughts on Italian elements in certain music of Johann Sebastian Bach. | Recercare | 11 | 185-198 | ||||
73. | Williams, Peter F. | Stop Press: Some questions about JS Bach and his organ music. | MTimes | 141 | 1870 | 34-40 | |||
74. | Williams, Peter F. | Suggestions for Playing the Works of Bach--IV. Motifs in the Passacaglia. | AmerOrganist(2) | 18 | 2 | 38-39 | |||
75. | Williams, Peter F. | Suggestions for Playing the Works of Bach--IX: The Italian music. | AmerOrganist(2) | 19 | 5 | 74-75 | |||
76. | Williams, Peter F. | Suggestions for Playing the Works of Bach--VIII: Certain Early Preludes and Fugues: BWV 531 and 549. | AmerOrganist(2) | 19 | 4 | 82-84 | |||
77. | Williams, Peter F. | Suggestions for Playing the Works of Bach--VII: The Smaller Pieces of Clavier-übung III. | AmerOrganist(2) | 19 | 3 | 118-119 | |||
78. | Williams, Peter F. | Suggestions for Playing the Works of Bach--VI: The Larger Chorals of Clavier-übung III. | AmerOrganist(2) | 19 | 2 | 56-57 | |||
79. | Williams, Peter F. | Suggestions for Playing the Works of Bach--V. Motifs in the Orgelbüchlein. | AmerOrganist(2) | 18 | 9 | 44-45 | |||
80. | Williams, Peter F. | Suggestions for Playing the Works of Bach--XII: Stylistic Allusions in Certain Mature Preludes. | AmerOrganist(2) | 19 | 8 | 38-40 | |||
81. | Williams, Peter F. | Suggestions for Playing the Works of Bach--XIV: Dividing Solo Lines Between the Hands; Clues to Articulation? | AmerOrganist(2) | 19 | 10 | 117-119 | |||
82. | Williams, Peter F. | Suggestions for Playing the Works of Bach--X: The Transcriptions. | AmerOrganist(2) | 19 | 6 | 44-46 | |||
83. | Williams, Peter F. | Suggestions for Playing the Works of Bach--XVI: More Organ Works by J. S. Bach? | AmerOrganist(2) | 19 | 12 | 60-62 | |||
84. | Williams, Peter F. | Suggestions for Playing the Works of Bach--XV: Some Issues Raised in Certain Early Chorales. | AmerOrganist(2) | 19 | 11 | 91-93 | |||
85. | Williams, Peter F. | Suggestions for Playing the Works of J. S. Bach--I. | AmerOrganist(2) | 17 | 1 | 45-47 | |||
86. | Williams, Peter F. | Suggestions for Playing the Works of J. S. Bach-II. Harpsichord versus Organ in Six Trio Sonatas. | AmerOrganist(2) | 17 | 3 | 50-52 | |||
87. | Williams, Peter F. | Suggestions for Playing the Works of J. S. Bach--III. BWV 565: A Toccata in d Minor for Organ by J. S. Bach? | AmerOrganist(2) | 17 | 9 | 42-47 | |||
88. | Williams, Peter F. | Suggestions for Playing the Works of J. S. Bach--XI: Chorale Fughettas. | AmerOrganist(2) | 19 | 7 | 56-58 | |||
89. | Williams, Peter F. | Suggestions for Playing the Works of J. S. Bach--XIII: Manual Changing in Certain Fugues. | AmerOrganist(2) | 19 | 9 | 62-64 | |||
90. | Williams, Peter F. | Sui generis: some fashionable uses to which Bach is put. | MTimes | 141 | 1871 | 8, 10, 12-15 | |||
91. | Williams, Peter F. | The Acquisitive Minds of Handel & Bach: Some Reflections on the Nature of 'Influences' | [fs]Fisk | 267-282 | |||||
92. | Williams, Peter F. | The Chromatic Fourth. During Four Centuries of Music. | 272p | ||||||
93. | Williams, Peter F. | The European Organ 1450-1850. | 336p | ||||||
94. | Williams, Peter F. | The French Silbermann. | MTimes | 112 | 1535 | 77-78 | |||
95. | Williams, Peter F. | The Harpsichord Acciaccatura: Theory and Practice in Harmony, 1650-1750. | MQ | 54 | 4 | 503-523 | |||
96. | Williams, Peter F. | The Life of Bach. | viii,219p | ||||||
97. | Williams, Peter F. | The Musical Aims of J. S. Bach's 'Clavierübung III'. | [gs]Dart | 259-278 | |||||
98. | Williams, Peter F. | The music of J.S. Bach: excerpts from the writings of Peter Williams. | [fs]Williams70 | 371-381 | |||||
99. | Williams, Peter F. | The Organ Music of J. S. Bach. III: A Background. | 3 | 309p | |||||
100. | Williams, Peter F. | The Organ Music of J. S. Bach. II: Works based on Chorales (BWV 599-771 etc.) | 357p | ||||||
101. | Williams, Peter F. | The Organ Music of J. S. Bach. I: Preludes, Toccatas, Fantasias, Fugues, Sonatas, Concertos and Miscellaneous Pieces (BWV 525-598, 802-805 etc). | 1 | 365p | |||||
102. | Williams, Peter F. | The Organ Music of J. S. Bach. Second Edition. | x, 624p | ||||||
103. | Williams, Peter F. | The Organs of Saxony. | MTimes | 111 | 1533 | 1141-1143 | |||
104. | Williams, Peter F. | The Snares and Delusions of Musical Rhetoric: Some Examples from recent writings on J. S. Bach. | BaslerJbHistMpraxis | [Sonderband] | 230-240 | ||||
105. | Williams, Peter F. | The Snares and Delusions of Notation: Bach's Early Organ Works. | [ce]JSBOrganist | 274-294 | |||||
106. | Williams, Peter F. | Towards a close reading of Carl Philipp Emanuel Bach. | FestschriftSer | 13 | 143-156 | ||||
107. | Williams, Peter F. | Two case studies in performance practice and the details of notation: 1. J. S. Bach and 2/4 Time. | EarlyM | 21 | 4 | 613-622 | |||
108. | Williams, Peter F. | Two case studies in performance practice and the details of notation: 2: J. S. Bach and left-hand-right-hand distribution. | EarlyM | 22 | 1 | 101-113 | |||
109. | Williams, Peter F. | Was Johann Sebastian Bach an Organ Expert or an Acquisitive Reader of Andreas Werckmeister? | JAmerMInstrSoc | 11 | 38-54 | ||||
110. | Williams, Peter F | Was J. S. Bach an expert on organs? | BibDeputStoriaUmbria | 6 | |||||
111. | Williams, Peter F. | Why do we need a new book on Bach's Organ Music? | MReview | 38 | 4 | 249-257 | |||
112. | Williams, Peter F. | Witting and Unwitting Allusion in Certain Keyboard Music of J. S. Bach. | MQ | 84 | 4 | 756-775 | |||
113. | Williams, Peter F.; Owen, Barbara | The Organ. | 438p | ||||||
114. | Williams, Peter J. | The performance of dotted rhythms and upbeat figures in J. S. Bach with particular reference to his organ music. | diss. |