Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Brown, Sebastian | Well-Tempered Integrations: A new approach to prelude-fugue relationship. |
PianoJ |
20 | 58 | Spring 1999 |
10-12 |
|
| 2. | Chentowa, Sofia | Bach und Schostakowitsch. |
MgesMittOstEurop |
5 | | 1999 |
85-98 |
|
| 3. | Higuchi, Ryuichi; Ichikawa, Shin'ichiro (eds.) | Bach no subete. Johann Sebastian Bach, Werk und Wirkung. |
[ce]Bach_no_subete |
| | 1985 |
174p |
|
| 4. | Ichikawa, Shin'ichiro | Bach o torimaku Kenbangakki. |
BachZenshu |
11 | | Jul 1996 |
101-108 |
|
| 5. | Ichikawa, Shin'ichiro | Bach to Vivaldi. |
BCJ |
| 2 | Jul 1992 |
|
|
| 6. | Ichikawa, Shin'ichiro | Gendai no Bach Kenkyu -10- Bach Enso no Chihei to Tenbo. |
OngakuGeijutsu |
43 | 12 | 1985 |
79-86 |
|
| 7. | Ishikawa, Shoji | Invention to Sinfonia. Gakushu e no Tebiki / Bach. |
|
| | 1982 |
121p |
|
| 8. | Itō, Seiko; Koiwa, Shinji | Aspekte der Bach-Rezeption in Japan. |
[ce]BeitrBReception1945-2005 |
| | 2007 |
35-58 |
|
| 9. | Lowe, Steven | Bach Collegium and Kantorei Stuttgart. |
HiFiMAmer |
19 | 1 | Jan 1969 |
11f |
|
| 10. | Marlowe, Sarah | A Taxonomy for Teaching Music Theory: J. S. Bach and Lessons in Invertible Counterpoint. |
Bach |
49 | 2 | 2018 |
365-387 |
|
| 11. | Marlowe, Sarah Rose | Fugue in context: a Schenkerian approach to select works by J. S. Bach and Dmitri Shostakovich. |
diss. |
| | 2013 |
xiv, 199p |
|
| 12. | Miyazawa, Sosuke (ed.) | Nanki ongaku toshokan shozo kamingusu bunko ni tsuite. |
[ce]NankiOngakuToshokan |
| | 1926 |
80, 83p |
|
| 13. | Sumikura, Ichiro; Tokawa, Seiichi | Bach no Shogai. |
BessatsuTaiyo |
| | 1984 |
50-55, 58-61, 64-67, 70-73 |
|
| 14. | Sumikura, Ichiro; Tokawa, Seiichi; Higuchi, Ryuichi; Monma, Naomi | Bach o yomu. |
[ce]Bach_no_subete |
| | 1985 |
116-129 |
|
| 15. | Sunagawa, Shigehisa | Noboritsumetara Dai-Bach. |
|
| | 1993 |
149p |
|
| 16. | Tokawa, Seiichi | Atarashii Bach Zo towa nani ka? |
OngakuGeijutsu |
21 | 10 | 1963 |
6-13 |
|
| 17. | Tokawa, Seiichi | Bach Kenkyu Noto. Sakkyoku Nendai o megutte. |
|
| | 1981 |
222p |
|
| 18. | Tokawa, Seiichi | Bach no 4tsu no 'Sho-Misakyoku' ni tsuite. |
BachAkadJapan |
| | 1984 |
86-89 |
|
| 19. | Tokawa, Seiichi | Bach no Kyosokyoku Keishiki -- Brandenburg Kyosokyoku o Chushin ni. |
OngakuGaku |
2 | | Jan 1960 |
|
|
| 20. | Tokawa, Seiichi | Bach no Parody ni tsuite -- Sakkyokuka Kenkyu. |
OngakuGeijutsu |
22 | 3 | 1964 |
10-13 |
|
| 21. | Tokawa, Seiichi | Bach no Ryuto Sakuhin o Megutte -- BWV 1006a no Jihitsufu ni hasshite. |
BulMusashinoAcadM |
10 | | 1976 |
27-63 |
|
| 22. | Tokawa, Seiichi | Bach no Sakkyoku Nendai Kenkyu no Genjo to Mondai. |
OngakuGaku |
8 | | Feb 1963 |
|
|
| 23. | Tokawa, Seiichi | Bach to 'Heikinritsu'. |
BachZenshu |
12 | | Jul 1998 |
28-49 |
|
| 24. | Tokawa, Seiichi | 'Fukkatsusai Oratorio' Osteroratorium 'Kommt, eilet und laufet' BWV 249 |
BachAkadJapan |
| | 1984 |
56-61 |
|
| 25. | Tokawa, Seiichi | Gendai no Bach Kenkyu -2- Atarashii Nendai Kenkyu to sonogo -- Kyokai Kantata o Chushin ni. |
OngakuGeijutsu |
43 | 4 | 1985 |
90-99 |
|
| 26. | Tokawa, Seiichi | J.S. Bach no Orugan Koraru to sono Rekishiteki Ichi. |
OngakuGeijutsu |
20 | 4 | 1962 |
|
|
| 27. | Tokawa, Seiichi | Kaitakusha to shite no Bach -- Besseler no Kenkyu o Chushin ni. [1] |
OngakuGeijutsu |
19 | 11 | 1961 |
|
|
| 28. | Tokawa, Seiichi | Kaitakusha to shite no Bach -- Besseler no Kenkyu o Chushin ni -2-. |
OngakuGeijutsu |
20 | 2 | 1962 |
|
|
| 29. | Tokawa, Seiichi | Kaitakusha to shite no Bach -- Besseler no Kenkyu o Chushin ni -3(kan)-. |
OngakuGeijutsu |
20 | 3 | 1962 |
|
|
| 30. | Tokawa, Seiichi | Kogaku no Onritsu. |
|
| | 2001 |
288p |
|
| 31. | Tokawa, Seiichi | 'Manifikato' Ni-Chocho. Magnificat D dur BWV 243. |
BachAkadJapan |
| | 1984 |
64-70 |
|
| 32. | Tokawa, Seiichi | Ongakuka no Jijoden: Quantz, Benda, E. Bach, Czerny. |
|
| | 2003 |
252p |
|
| 33. | Tokawa, Seiichi | Ongakushi-jo no Bach. |
RekodoGeijutsu |
16 | 13 | 1967 |
244-247 |
|
| 34. | Tokawa, Seiichi | Senpo-ron. Gakuri no Kenkyu. |
|
| | 2010 |
174p |
|
| 35. | Tokawa, Seiichi | Shin Bach Zenshu ni tsuite. |
TokyoGakugeiDaigakuKiyo |
2 | 24 | Feb 1973 |
35-45 |
|
| 36. | Tokawa, Seiichi | Taiiho no Hendo; Shin-Ongaku no Taido: Renaissance kara Baroque e Tenkanki no Ongaku Riron. |
|
| | 2008 |
256p |
|
| 37. | Town, Stephen | Mendelssohn's Lobgesang: A fusion of forms and textures. |
ChoralJ |
33 | 4 | Nov 1992 |
19-26 |
|
| 38. | Town, Stephen | Sechs Lieder von Christian Fürchtegott Gellert (1715-1769) as set by Carl Philipp Emanuel Bach and Ludwig van Beethoven: a comparative analysis. |
NATSBul |
36 | 5 | 1980 |
30-36 |
|
| 39. | Town, Stephen | Toward an understanding of fugue and fugato in the Masses of Joseph Haydn. |
JMcolResearch |
6 | 4 | 1986 |
311-351 |
|
| 40. | Tsugawa, Shuichi (ed.) | Orugan Dokuso Kyokushu / Bach Kyoku = Orgelwerke bear. für Harmonium / J. S. Bach. |
|
| | 1941 |
|
|
| 41. | W., S. | Wien (Drittes Gesellschaftsconcert -- Siebentes und achtes Concert der Philharmoniker). |
AllgMlZ(3) |
8 | 16 | 16 Apr 1873 |
252-254 |
|