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Bach Bibliography Search Result |
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Type | List | Title![]() ![]() ![]() | Series![]() | Vol | No | Year![]() | Pages | Status |
---|---|---|---|---|---|---|---|---|
![]() | 1. | Rules for Chord Doubling (and Spacing): A Reply To Wibberley. | MTheoryOnline | 10 | 3 | |||
![]() | 2. | Rules for chord doubling (and spacing): Which ones do we need? | MTheoryOnline | 10 | 2 | |||
![]() | 3. | Hartung et la musique. | 72p | |||||
![]() | 4. | Desâtye Bahovskie èteniâ v Sankt-Peterburge. | Musicus(Russia) | 4:13 | 66-67 | |||
![]() | 5. | Iz pedagogièeskogo opyta Kazanskoj konservatorii: Prošloe i nastojašèee. | [ce]KazanConservatory | 376p | ||||
![]() | 6. | Johann Sebastian Bach gezinshoofd & kind van zijn tijd. | Adem | 38 | 4 | 178-182 | ||
![]() | 7. | A Checklist of Music Manuscripts in Facsimile Edition. | Notes | 34 | 3 | 557-570 | ||
![]() | 8. | A French overture revisited: another look at the two versions of BWV 831. | EarlyM | 25 | 1 | 47-58, 60-61 | ||
![]() | 9. | Bach's tempo practices: tempo changes. | [p]BICB_Manchester | |||||
![]() | 10. | Bach's tempo practices, the tempo theories of his time -- and ours. | OrbisMusicae | 13 | 81-90 | |||
![]() | 11. | J.S. Bach's wedding quodlibet, BWV 524. | MinAd | 13 | 51-61 | |||
![]() | 12. | On Bach's Rhythm and Tempo. | BochumArbMw | 4 | 232p | |||
![]() | 13. | Studies of Rhythm and Tempo in the Music of J. S. Bach. | diss. | xv, 318p | ||||
![]() | 14. | The Baroque upbeat: outline of its typology and evolution. | IrishMStud | 8 | 17-28 | |||
![]() | 15. | Nekotorye voprosy tematizma i formy skripichnyh koncertov I. S. Baha. | VoprosyTM | 3 | 237-271 | |||
![]() | 16. | Neapolitan Son. | Strad | 119 | 1414 | 26-29 | ||
![]() | 17. | Post-Modern Concept of Bach in Slovakia: 250 Years After. | CompostelaPrize | 2 | 245-252 | |||
![]() | 18. | 'Modern' Organ Style in Karl Straube's Reger Editions. | diss. | xiv, 222p | ||||
![]() | 19. | 'Kak horoso, cto Bah opjat' stal zloboj dnja' | Fortepiano | 1 | 16-17 | |||
![]() | 20. | Johann Theodor Roemhildt (1684-1756). Werkverzeichnis. | JbBachWoche_Dillenburg | 17-127 | ||||
![]() | 21. | The Well-Tempered Clavier I / BACH | vi, 123p | |||||
![]() | 22. | 14 canons BWV 1087 sur la basse Goldberg / J. S. Bach ; version 3(a) en sextuor à cordes. | 8p | |||||
![]() | 23. | 14 canons BWV 1087 sur la basse Goldberg / J. S. Bach ; version 3(b) pour deux claviers. | 12p | |||||
![]() | 24. | 14 canons BWV 1087 sur la basse Goldberg / J. S. Bach ; version 3(c) pour trio à cordes et clavier. | 8p | |||||
![]() | 25. | 14 canons BWV 1087 sur la basse Goldberg / texte original J. S. Bach ; et réalisation Olivier Alain. | 9p | |||||
![]() | 26. | 14 canons sur la basse Goldberg ; BWV 1087 / J. S. Bach. | 12p | |||||
![]() | 27. | Bach. | 125p | |||||
![]() | 28. | Bach. | 96p | |||||
![]() | 29. | Johann Sebastian Bach. | 127p | |||||
![]() | 30. | Un supplément inédit aux 'Variations Goldberg' de J. S. Bach. | RevueMcol | 61 | 2 | 244-294 | ||
![]() | 31. | L'oeuvre d'orgue de Jean-Sébastien Bach. | 111, 19p | |||||
![]() | 32. | Musik in Antike und Neuzeit. | QuellenStMgesAntikeGegenw | 1 | 348p | |||
![]() | 33. | Nekotorye osobennosti tematizma passakalii barokko. | [ce]SemantikaStarinnogoUrteksta | 54-70 | ||||
![]() | 34. | Basso-ostinato i ego rol' v tekstovoj organizacii instrumental'noj muzyki Zapadnoevropejskogo barokko. | ||||||
![]() | 35. | Formes cachées d'organisation rythmique dans le Contrapunctus iv (BWV 1080, 4) de L'Art de la Fugue. | Musicologie | 15 | ||||
![]() | 36. | Hidden Forms of Inversion (Mirror) inside the Contrapunctus 'in stylo francese' of The Art of Fugue of Johann Sebastian Bach (BWV 1080, 6). | [p]BICB_Salzburg | |||||
![]() | 37. | L'Art de la fugue de Johann Sebastian Bach: la structure morpholo- gique du contrapunctus iv (BWV 1080, 4): une fugue postérieure. | Musicologie | 15 | ||||
![]() | 38. | Le concept de matrice dans L'Art de la Fugue de Johann Sebastian Bach. | diss. | |||||
![]() | 39. | Parameters of Stretto Use inside the Contrapunctus 5 of the Art of Fugue by Johann Sebastian Bach (BWV 1080, 5). | RevueMO | 6 | 1 | 142-159 | ||
![]() | 40. | Re-ordering 'The Art of Fugue'? A new, analytical point of view. | [p]BICB_Canterbury | |||||
![]() | 41. | The rhythmic segments in the Cp. iv in the Art of Fugue of Johann Sebastian Bach. | [p]BICB_Southampton | |||||
![]() | 42. | Prismas: Bach y el cine. | Scherzo(Spain) | 211 | ||||
![]() | 43. | On music and faith. | SacredM | 138 | 1 | 32-42 | ||
![]() | 44. | Osobennosti fug v sonatah I.-S. Baha: Vzaimodejstvie polifonièeskih i gomofonièeskih principov formoobrazovanija. | diss. | 23p | ||||
![]() | 45. | Sonate, clavecin et flûte: 2e partie, Siciliano / J. S. Bach. | 3p | |||||
![]() | 46. | Academy of Ancient Music's Bach at St John's. | MOpinion | 125 | 1428 | |||
![]() | 47. | J. S. Bach. - Passions in a Fashion... | Organ | 81 | 321 | 8-9 | ||
![]() | 48. | St Matthew Passion at St John's. | MOpinion | 126 | 1435 | |||
![]() | 49. | Ideâ ravnomernosti i eë voplos^enie v Horošo temperirovannom klavire I.S. Baha: K probleme vybora tempa ispolneniâ. | [cr]Moskva2010 | 228-243 | ||||
![]() | 50. | Igra form v bahovskoj fuge. | Muzykovedenie | 10 | 42-52 | |||
![]() | 51. | Convention in Eighteenth- and Nineteenth-Century Music: Essays in honor of Leonard G. Ratner. | FestschriftSer | 10 | xxi, 548p | |||
![]() | 52. | A conspiracy of composers: J.C. Bach and C.F. Abel vs. Longman & Lukey. | [p]IMS_Leuven | |||||
![]() | 53. | Conspiracy of Composers: The Chancery Suits J. C. Bach and C. F. Abel Brought against Longman and Lukey. | [p]AMS_Houston | |||||
![]() | 54. | 'For instruments not intended': J. C. Bach resolves a point of orchestration. | [p]RMA_Huddersfield | |||||
![]() | 55. | 'For instruments not Intended': The Second J.C. Bach Lawsuit. | MLetters | 83 | 1 | 3-29 | ||
![]() | 56. | Wind Orchestration in the Music of Johann Christian Bach, 1762-1782: Studies in Structure, Texture and Form. | diss. | 608p | ||||
![]() | 57. | Lûtnâ v tvorcestve I.S. Baha: Na materiale rukopisej. | Muzykovedenie | 10 | 26-35 | |||
![]() | 58. | Proizvedeniâ I.S. Baha dlâ lûtni solo: Istocnikovedceskij aspekt issledovaniâ. | [cr]Moscow2012 | 272-277 | ||||
![]() | 59. | Sûita BWV 1006a I.S. Baha: Tekstologièeskij aspekt issledovaniâ | Muzykovedenie | 7 | 22-28 | |||
![]() | 60. | Corpos em tensão: feminino, masculino e barroco no espetáculo Bach. | RevistaEstudosFeministas | 11 | 1 | |||
![]() | 61. | Ueber die Idee dramatischen Fortgangs und Zusammenhangs im Oratorium. Bei Gelegenheit der Aufführung des 'Moses' von A. B. Marx. | NZsfM | 16 | 17 | 65-67 | ||
![]() | 62. | [Clavier-Sonaten / Carl Philipp Emanuel Bach.] | MonumentaMR | 7 | [7] | 14p | ||
![]() | 63. | Zijn bliksem, zijn donder: over de Mattheus-Passie van Johann Sebastian Bach. | 126p | |||||
![]() | 64. | Perspectives on Organ Playing and Musical Interpretation: pedagogical, historical, and instrumental studies: a festschrift for Heinrich Fleischer at 90. | VeröffGOrgelfreunde | 191 | x, 195p | |||
![]() | 65. | J. Seb. Bach's Grand Mass In B Minor, For two Sopranos, Alto, Tenor, Bass, and full Orchestras. | MWorld | 8 | 97 (NS.1/3) | 47 | ||
![]() | 66. | Osobenosti na charmoniènija ezik v chorovoto tvorèestvo na J. S. Bach | 341p | |||||
![]() | 67. | A csucspontok esztetikuma J.S. Bach passioiban. | Iskolakultura | 11-12 | 2-18 | |||
![]() | 68. | Mir ètit Bacha. Bachovskie dni v Lejpcige. | SovetskajaM | 10 | 91-97 | |||
![]() | 69. | Editionsrichtlinien Musik. | MwArb | 30 | x, 428p | |||
![]() | 70. | Hronoartikuljacionnye struktury v klavirnom tvorcestve I.S. Baha. | MuzykalnajaAkad | 2 | 2-13 | |||
![]() | 71. | Hronoartikulâcionnye struktury novoevropejskoj muzyki i fundamental'nye problemy ritma. | diss. | 360p | ||||
![]() | 72. | Metroritm i artikulâciâ v tvorèestve Baha. | Israel21 | 2 | ||||
![]() | 73. | The twenty Children of Johann Sebastian Bach. | 40p | |||||
![]() | 74. | Lutry: Les Folles Journées Bach. | RevueMSuisseRomande | 69 | 1 | 56-57 | ||
![]() | 75. | Beiträge zur Geschichte der Kupferschmiedefamilie Schramm aus Ohrdruf. | Tafel 13 | |||||
![]() | 76. | Bahovedenie v Sankt-Peterburge. | MuzykalnajaAkad | 3 | 84-88 | |||
![]() | 77. | A Pedagogical Edition and Performer's Guide to J. S. Bach's Cello Suites (BWV 1007--1010) transcribed for the violin. | diss. | 92p | ||||
![]() | 78. | Die zwei- und dreistimmigen Inventionen J. S. Bachs. | 172p | |||||
![]() | 79. | Principy formoobrazovanija fug I. S. Bacha. (Chorošo temperirovannyi klavir.) | 86p | |||||
![]() | 80. | A New Froberger Manuscript. | J17cM | 13 | 1 | |||
![]() | 81. | Frobergeriana. Neue Erkenntnisse über die 'Allemande, faite en passant le Rhin'. | Concerto | 21 | 191, 192 | 25-28; 27-30 | ||
![]() | 82. | Musique et Tempérament. Théorie et pratique de l'accord à l'ancienne. | 235p | |||||
![]() | 83. | Bach's Organ Music. | MTimes | 63 | 956 | 685-689 | ||
![]() | 84. | CHORAL WEDDING POSTLUDE / JOHANN SEBASTIAN BACH. | 5p | |||||
![]() | 85. | COME, REDEEMER OF OUR RACE (Nun komm, der heiden Heiland) Erste Composition. CANTATA for soprano, tenor, and bass soli, chorus and orchestra by J. S. BACH. | 23p | |||||
![]() | 86. | Jesus Sleeps, What Hope Remaineth? = (Jesus schläft, was soll ich hoffen?): Cantata for alto, tenor and bass soli, chorus, and orchestra / by J. S. Bach. | 27p | |||||
![]() | 87. | Ready be, my soul, alway: cantata for the twenty-second Sunday after Trinity, for SATB soli, chorus and orchestra / by J. S. Bach. | 27p | |||||
![]() | 88. | The chorale preludes. Orgelbüchlein (Little organ book). | OrgWorks(Novello) | 15 | xii, 123p | |||
![]() | 89. | The chorales used in the organ works of Bach. | OrgWorks(Novello) | 20 | 91p | |||
![]() | 90. | THE LORD IS A SUN AND SHIELD: CANTATA for soprano, alto and bass soli, chorus, and orchestra. Composed for the Leipzig Reformation Festival of 1735 by J. S. BACH. | 35p | |||||
![]() | 91. | The passion of our Lord according to Saint John / set to music by John Sebastian Bach. | v, 149p | |||||
![]() | 92. | Psalm CXXI, for chorus and semi-chorus. | 30p | |||||
![]() | 93. | The Hundredth Psalm: For semi-chorus, chorus and orchestra / Bach. | 32p | |||||
![]() | 94. | St. Matthew Passion. | MTimes | 52 | 824 | 643-645 | ||
![]() | 95. | Orgelbüchlein (Little organ book) | OrgWorks(Novello) | 15 | [rev] | xii, 123p | ||
![]() | 96. | Romain Rolland musicologue: Célébration du cent cinquantième anniversaire de la naissance de Romain Rolland. | [fs]Rolland150 | 202p | ||||
![]() | 97. | Johann Sebastian Bach: an Appreciation. | diss. | 53p | ||||
![]() | 98. | The neurosciences and music. II: From perception to performance. Annals of the New York Academy of Sciences. | AnnNYAcadSci | 1060 | xii, 490p | |||
![]() | 99. | Breve introduzione al basso continuo [1]. | Musicaaa | 5 | 14 | 9-14 | ||
![]() | 100. | Breve introduzione al basso continuo [2]. | Musicaaa | 5 | 15 | 26-30 | ||
![]() | 101. | Breve introduzione al basso continuo [3]. | Musicaaa | 6 | 16 | 25-30 | ||
![]() | 102. | The passion according to Saint Matthew by John Sebastian Bach. | 27p | |||||
![]() | 103. | The passion according to Saint Matthew by John Sebastian Bach. | 38p | |||||
![]() | 104. | The Passion according to St. Matthew / Joh. Seb. Bach. | 36p | |||||
![]() | 105. | Formal Structure of Psalms and Canticles in early Jewish and Christian Chant. | MusicaDisciplina | 7 | 1-58 | |||
![]() | 106. | Leipzig--Mailand hin und zurück: Die internationalen Beziehungen zwischen Ricordi und Breitkopf & Härtel als Weg zur Geburt von Nationalismen. | [p]IWS_Leipzig | |||||
![]() | 107. | Sicilienne / J. S. Bach. | 3p | |||||
![]() | 108. | An Essay on Musical Expression. | 138p | |||||
![]() | 109. | L'adaptation du folklore brésilien au style de J.S. Bach selon la thèse de Villa-Lobos. | JIFolkMCouncil | 9 | 29-31 | |||
![]() | 110. | FIFTH SONATA in C major / J. S. BACH | 39, 39p | |||||
![]() | 111. | FIRST SONATA in Eb major / J. S. BACH | 15, 15p | |||||
![]() | 112. | FOURTH SONATA in E minor / J. S. BACH | 24, 24p | |||||
![]() | 113. | SECOND SONATA in C minor / J. S. BACH | 24, 24p | |||||
![]() | 114. | SIXTH SONATA in G major / J. S. BACH | 32, 32p | |||||
![]() | 115. | THIRD SONATA in D minor / J. S. BACH | 28, 28p | |||||
![]() | 116. | 'Nekrolog' di Johann Sebastian Bach e cantata funebre. | [ce]MusicaPoetica | 227-240 | ||||
![]() | 117. | Govert Jan Bach over Maarten Luther en Johann Sebastian Bach: Twee grensverleggers--Een hoorcollege vol muziekfragmenten. | 54p | |||||
![]() | 118. | Govert Jan Bach über Martin Luther und Johann Sebastian Bach: zwei grenzüberschreitende Genies: ein Hörbuch mit Musikfragmenten. | 11 | 4 CDs + 55p | ||||
![]() | 119. | Bach's Brandenburg Concerto No. 2: who can play the trumpet part? | Instrumentalist | 15 | 94-96 | |||
![]() | 120. | Die 'recht schöne und große Orgel' von Johann Sebastian Bach. | ArsOrgani | 54 | 1 | 22-24 | ||
![]() | 121. | Ein Zeitzeuge charakterisiert Bachs Orgelspiel. | ArsOrgani | 58 | 4 | 260-261 | ||
![]() | 122. | Karl Straue und das Dritte Reich. | [ce]800JThomana | 281-297 | ||||
![]() | 123. | Wie sollte man Bachs Orgelwerke aufführen und wie mag Bach selbst gespielt haben? | ArsOrgani | 56 | 3 | 161-164 | ||
![]() | 124. | Ein Zeitzeuge charakterisiert Bachs Orgelspiel. II. | ArsOrgani | 59 | 2 | 123 | ||
![]() | 125. | Bediente sich Bach einer 'Weichschuh-Tecknik'? | ArsOrgani | 57 | 3 | 179-181 | ||
![]() | 126. | The Violoncello, Viola da spalla and Viola pomposa in theory and practice. | GalpinSocJ | 60 | 121-145 | |||
![]() | 127. | Yomigaeru 'Katakake Cello'. Violoncello da Spalla. Kakucho suru Barokku Cello no Teigi. | BCJ | 71 | 32-36 | |||
![]() | 128. | Aspects of Performance Practice. | [ce]18cKeyboardM | 33-67 | ||||
![]() | 129. | C.P.E. Bach und der Hammerflügel. | CPEBachKonzepteSR | 2 | 392-405 | |||
![]() | 130. | Did J. S. Bach Compose 'Pianoforte Concertos'? | Bach | 31 | 1 | 1-16 | ||
![]() | 131. | Die 'Clavier'-Musik in Wien zwischen 1750 und 1770. | StMw(BeihDTÖ) | 35 | 65-88 | |||
![]() | 132. | Kielflugel und Hammerflugel bei Bach und Mozart. | JbBachWoche_Dillenburg | 143-152 | ||||
![]() | 133. | Komponierte J. S. Bach 'Hammerklavier-Konzerte'? | BachJb | 77 | 159-171 | |||
![]() | 134. | Nouvelle compréhension de l'histoire du piano de Domenico Scarlatti à Franz Schubert. | [fs]Kastner | 127-139 | ||||
![]() | 135. | Vom Pedalcembalo zum Fortepiano pedale. | CöthenerBachH | 8 | 73-82 | |||
![]() | 136. | Über nötige und unnötige Auszierungen in Mozarts Klavierkonzerten. | DokGewandhausGes | 9 | 47-49 | |||
![]() | 137. | BIS-Sha no 25-shunen Kinen ni atatte. Shacho Robert von Bahr shi kara no Message. | BCJ | 35 | 26-27 | |||
![]() | 138. | O vyrazitel'nosti intermedij fugi (opyt mnogostorannego analiza intermedij v fuge nr. I 'Iskusstvo fugi' Bacha). | Muzykoznanie | 4 | 144-154 | |||
![]() | 139. | Barocnaja preljudija v istorii evoljucii žanra. | MusitschneMisteztwo | 3 | 140-148 | |||
![]() | 140. | Aus Köln. (From our Original Correspondent.) | MWorld | 47 | 18 | 305 | ||
![]() | 141. | Aus Köln. (From our Original Correspondent.) | MWorld | 47 | 14 | 234 | ||
![]() | 142. | Aus Köln (From our own correspondent). | MWorld | 46 | 16 | 269-270 | ||
![]() | 143. | To Henderson, Rait & Fenton, Esquires (Cologne, 18 june). | MWorld | 45 | 26 | 432-433 | ||
![]() | 144. | To Jules Benedict, Esq. | MWorld | 45 | 10 | 303 | ||
![]() | 145. | 'La la la... Maistre Henri': Mélanges de musicologie offerts à Henri Vanhulst. | [fs]Vanhulst | 496p | ||||
![]() | 146. | 'Castor et Pollux' - eine neuentdeckte Oper von Johannes Patzelt aus dem Jahre 1743. | [cr]Leipzig1985 | 361-366 | ||||
![]() | 147. | Air in C minor: from French suites no. 2 / J. S. Bach. | 3p | |||||
![]() | 148. | Air on the G string. (Suite no. 3, D major) / J. S. Bach. | 4p | |||||
![]() | 149. | Aria from Suite (No.3) in D. Words by Helen F. Bantock ; Music by BACH. | 4p | |||||
![]() | 150. | Aria from the Suite, No. 3. Piano Solo / Bach. | 3p | |||||
![]() | 151. | Choral-Variation Wachet auf, ruft uns die Stimme aus der Kantate Nr. 140 für Orchester / Joh. Seb. Bach | PartBib | 2136 | 8p | |||
![]() | 152. | Chorus from Cantata 140: 'Wachet auf' = 'Sleepers wake' / J. S. Bach. | [ce]BachBookForCohen | 1 | [1]-4 | |||
![]() | 153. | Sheep may safely graze. From cantata No. 208 by J.S. Bach. | 8p | |||||
![]() | 154. | Sheep may safely graze. Piano Solo. Aria from cantata No. 208 by Bach. | 5p | |||||
![]() | 155. | Sleepers wake ... | ||||||
![]() | 156. | Toccata and Fugue in D minor. Piano solo / J. S. Bach. | 11p | |||||
![]() | 157. | Donato musicologica. | [ce]DonatoMusicologica | 145p | ||||
![]() | 158. | Kompozitorskaâ tehnika kak znak: Sbornik statej k 90-letiû so dnâ roždeniâ Ûzefa Gejmanovièa Kona—Materialy Ûbilejnoj nauènoj konferencii. | [fs]Kon90 | 403p | ||||
![]() | 159. | Iskusstvo fugi J. S. Bacha v ispolnenii organista S. Dižira. | MuzykalnajaZizn | 4 | 5 | |||
![]() | 160. | Starinnaja muzyka v kontekste sovremennoj kultury: Problemy interpretacii i istocnikovedenija. | [ce]StarinnajaMuzyka | 573p | ||||
![]() | 161. | Bach, Beethoven and the Boys: Music History As It Ought to be Taught. | 146p | |||||
![]() | 162. | Bach at Oxford. | MMusicians | 11 | 12 | 7-8 | ||
![]() | 163. | Johann Sebastian Bach életének kronikája. | NaprolNapra | 11 | 230p | |||
![]() | 164. | Arcangelo Corelli fra mito e realtà storica: nuove prospettive d'indagine musicologica e interdisciplinare nel 350o anniversario della nascita | HistMCultores | 111 | xxiv, 707p | |||
![]() | 165. | El 'clavier', reflejado en la música para teclado de Carl Philipp Emanuel Bach. | [fs]Kastner | 111-126 | ||||
![]() | 166. | Bah--Šënberg: Dve horal'nye prelûdii I.S. Baha v orkestrovoj obrabotke A. Šënberga | NaucnyeTrudy | 60 | 167-197 | |||
![]() | 167. | Gustav Maler: Sûita iz orkestrovyh proizvedenij I. S. Baha. | NaucnyeTrudy | 44 | 213-230 | |||
![]() | 168. | Orkestr bez granic: Materialy nauènoj konferencii pamâti Û.A. Fortunatova. | [fs]Forunatov | 272p | ||||
![]() | 169. | Les enjeux de la modernité dans la musique orchestrale de J.S. Bach. Réflexions sur le Concertos Brandebourgeois. | OstinatoRigore | 16 | 341-353 | |||
![]() | 170. | Jauchzet, frohlocket. Das Weihnachtsoratorium von Johann Sebastian Bach. | 64p | |||||
![]() | 171. | L'Interprétation rythmique des Ouvertures pour orchestre de J. S. Bach. | SchweizerischeMz | 84 | 5 | 181-184 | ||
![]() | 172. | A maker's secrets revealed: restoration of a 1784 clavichord by C. G. Hoffmann. | DeClavicordio | 4 | 187-201 | |||
![]() | 173. | Bah: Ego zizn i muzykalnaja dejatelnost. | [ce]ZiznZamecatelnyhLjudej | |||||
![]() | 174. | I. S. Bach. Ego žizñ i muzykal'naja déjatel'nost'. Biogr. oèerk S[ergeja] A[lesandrovièa] Bazunova. S portretom Bacha [i] muzykal'nym pril., sostojašim iz vybova ego proizvedenij dl'ja fortepiano. | 78, 16p | |||||
![]() | 175. | Glenn Gould: The Performer in the Work: A Study in Performance Practice. | xxi, 297p | |||||
![]() | 176. | Listening to Glenn Gould: Johann Sebastian Bach. | GlennGould | 6 | 1 | 9-16 | ||
![]() | 177. | The Art of Strict Musical Composition / Johann Philipp Kirnberger. | xix, 423p | |||||
![]() | 178. | Analyzing Bach and how Bach actually wrote. | JSchenkerStud | 3 | 211-221 | |||
![]() | 179. | Aspects of Unity in J. S. Bach's Partitas and Suites: An Analytical Study. | EastmanStudM | 33 | xiii, 92p | |||
![]() | 180. | Bach's Partita No. 1 in Bb, BWV 825: Schenker's Unpublished Sketches with Commentary and Alternative Readings. | MTheorySpec | 30 | 1 | 1-34 | ||
![]() | 181. | The Origins of Harmonic Analysis. | JMTheory | 18 | 2 | 274-306 | ||
![]() | 182. | The submediant as third divider: Its representation at different structural levels. | 309-335 | |||||
![]() | 183. | Bach to Brahms: Essays on musical design and structure. | EastmanStudM | 122 | 326p | |||
![]() | 184. | Explorations in Schenkerian analysis. | EastmanStudM | 136 | xii, 359p | |||
![]() | 185. | The True Principles for the Practice of Harmony by Johann Philip Kirnberger. | JMTheory | 23 | 2 | 163-226 | ||
![]() | 186. | Une Misalliance dans la maison de Brunswick. | ||||||
![]() | 187. | Ernst August, Herzog von Sachsen-Weimar-Eisenach (1688 - 1748): kulturgeschichtlicher Versuch. | vi, 303p | |||||
![]() | 188. | J. S. Bach's 15 Two-Part Inventions with Harmonic Structure at Second Piano or Organ | 14, 15, 15p | |||||
![]() | 189. | [Begeisterung über die geplante Herausgabe der Werke Bachs] | ||||||
![]() | 190. | [Bitte um Abschriften von der h-Moll-Messe und dem Wohltemperierten Klavier] | ||||||
![]() | 191. | [Bitte um eine Partitur der h-Moll-Messe] | ||||||
![]() | 192. | [Danke für Erhalt der Motetten-Ausgabe] | ||||||
![]() | 193. | [Pränumerant der Bach-Ausgabe] | ||||||
![]() | 194. | Resonant witness: Conversations between music and theology. | [ce]ResonantWitness | viii, 497p | ||||
![]() | 195. | 'Wir suchen Leute mit Ideen und Aussagekraft'. | BachMag | 27 | 26-28 | |||
![]() | 196. | Actes du Colloque XVIIe, XIXe, XXIe siècles: Bruxelles--Carrefour européen de l'orgue. | [cr]Brussels2000 | x, 294p | ||||
![]() | 197. | La Trente-Deuxième Cantate de Bach 'Liebster Jesu mein Verlangen'. | 52p | |||||
![]() | 198. | Bach's Toccata and Fugue in D Minor, BWV 538: A Rhythmic/Metric Perspective. | AmerOrganist(2) | 25 | 3 | 56-58 | ||
![]() | 199. | Buxtehude's passacaglia principle. | RivistaAnalsiTeoriaM | 20 | 1-2 | 77–98 | ||
![]() | 200. | Musical-rhetorical figures in the 'Orgelbüchlein' of J.S. Bach. | diss. | |||||
![]() | 201. | Musical-Rhetorical Figures in the Orgelbüchlein of J. S. Bach. | Bach | 18 | 1 | 3-21 | ||
![]() | 202. | The treasons of image: Bach, irony, and Shostakovich's preludes and fugues, op. 87. | diss. | 256p | ||||
![]() | 203. | Music: A Mathematical Offering. | xiii, 411p | |||||
![]() | 204. | Blomstrende vendinger. | DanskMTidsskr | 61 | 5 | 224-228 | ||
![]() | 205. | Nogle tanker i relation til mit Tempererede Klaver bind I-XIII. | DanskMTidsskr | 73 | 2 | 55-60 | ||
![]() | 206. | Žanr prinošenij v otecestvennoj muzyke konca XX veka. | [cr]Moscow2014 | 42-50 | ||||
![]() | 207. | Bahovskij festival' v Lejpcige. | MuzykalnajaAkad | 4 | 210-213 | |||
![]() | 208. | B. L. Âborskij o 'Horošo temperirovannom klavire' I. S. Baha. | NaucnyeTrudy | 56 | 81-90 | |||
![]() | 209. | Boleslav Javorskij o Horoso temperirovannom klavire. | MuzykalnajaAkad | 2 | 117-124 | |||
![]() | 210. | Naši sovremenniki Bah i Gendel'. | MuzykalnajaAkad | 4 | 202-205 | |||
![]() | 211. | Gomiletièeskie tradicii duhovnyh kantat I.S. Baha. | diss. | 212p | ||||
![]() | 212. | Motety J. S. Bacha. | [ce]BachSovremennost | 111-123 | ||||
![]() | 213. | Kak trubaèi naèispolnât' Baha: Opyt malen'koj lekcii | StarinnajaMuzyka | 2:64 | 22-31 | |||
![]() | 214. | Ingezonden: orgelmuziek voor en na Bach. | HetOrgel | 7 | ||||
![]() | 215. | Musicalia v pražském periodickém tisku 18. století. | c240p | |||||
![]() | 216. | My a Bach. | HudebniRozhledy | 38 | 11 | 513-514 | ||
![]() | 217. | Qvaestiones Ex Antithetica Theologia De Gemino Exinanitionis Et Exaltationis Statv Itemqve Tergemino Officio D. N. Iesv Christi Coll. Baieriano Theologiae Positivae Compendio ; Dispvtabvnt D. XI. Febrvar. A. Er. C. MDCCXXXIII. | 32p | |||||
![]() | 218. | Le trascrizioni per clavicembalo solo ed organo solo di Johann Sebastian Bach. | HortusMusicus | 2 | 8 | 28-29 | ||
![]() | 219. | Etièeskoe muzykoznanie: Teatr bez kulis. | [fs]Levasev60 | |||||
![]() | 220. | V poiskah utraèennogo smysla: Boleslav Âvorskij o 'Horošo temperirovannom klavire' | 372p | |||||
![]() | 221. | Keldyševskie èteniâ--2005: Množestvennost' nauènyh koncepcij v muzykoznanii--K 60-letiû E.M. Levaševa. | [fs]Levasev60 | 454p | ||||
![]() | 222. | Dissolving monotonality: Expressive modulation in two works by C.P.E. Bach. | Integral | 27 | 53-105 | |||
![]() | 223. | Meine Begegnung mit Goethe und andern großen Zeitgenossen: Tagebuchblätter. | 192p | |||||
![]() | 224. | Nekotorye materialy zarubeznyh muzykantov v Otdele rukopisej Rossijskoj Nacional'noj Biblioteki. | NaucnyeTrudy | 31 | 211-216 | |||
![]() | 225. | J.S. Bach: Capriccio sopra la lontananza del suo fratello dilettissimo, BWV 992. | [cr]Milano2001 | 320 | ||||
![]() | 226. | J.S. Bach: Concerto italiano, BWV 971. | [cr]Milano2001 | 320-323 | ||||
![]() | 227. | J.S. Bach: Fantasia (con fuga incompiuta) in do minore, BWV 906. | [cr]Milano2001 | 327-328 | ||||
![]() | 228. | J.S. Bach: Fantasia cromatica e fuga, BWV 903. | [cr]Milano2001 | 323-325 | ||||
![]() | 229. | J.S. Bach: Fantasia e fuga in la minore, BWV 904. | [cr]Milano2001 | 325-327 | ||||
![]() | 230. | J.S. Bach: Suite inglese n. 6 in re minore, BWV 811. | [cr]Milano2001 | 318-320 | ||||
![]() | 231. | J.S. Bach: Toccate. | [cr]Milano2001 | 329-332 | ||||
![]() | 232. | Ritmo e forma nelle partite di J.S. Bach. | [cr]Milano2001 | 47-65 | ||||
![]() | 233. | Etcetera: L''Arte del canone'. Uno studio sul presiero canonico di J. S. Bach. | NRivistaMItali | 42 | 4 | 421-464 | ||
![]() | 234. | Enkele gegevens betreffende maatsoorten en tempo in de eerste helft van de 18de eeuw. | HetOrgel | 81 | 6 | 270-278 | ||
![]() | 235. | Maatsoorten en tempo in de eerste helft van de 18de eeuw, in het bijzonder in de orgelwerken van Johann Sebastian Bach. | KerkMLiturg | 1 | 191-239 | |||
![]() | 236. | The tempo in the first half of the 18th century, especially in the organ works of Johann Sebastian Bach. | ||||||
![]() | 237. | The Lutheran Chorales in the Organ Works of J. S. Bach. | diss. | 271p | ||||
![]() | 238. | The Suzuki Approach to Teaching a Bach Minuet. | Clavier | 19 | 10 | 34-35 | ||
![]() | 239. | De toonschildering in de Matthäus-Passion van Johann Sebastian Bach. | 48p | |||||
![]() | 240. | Johann Sebastian Bach. | vii, 101p | |||||
![]() | 241. | The Solo Cantatas for Bass Voice by J. S. Bach: Analyses for Performance. | diss. | x, 104p | ||||
![]() | 242. | L'arabesque musicale: Un non-sens? Étude de l'applicabilité d'un concept debussyste à la musique du XVIIIe siècle. | Musurgia | 17 | 2 | 21-39 | ||
![]() | 243. | The German Eighteenth Century: Marking Time. | HarvardPubM | 22 | 3-15 | |||
![]() | 244. | The Singing of Bach's Music. | MWorldBoston | 1 | 12 | 167 | ||
![]() | 245. | Some 'New' Bach Documents in Eighteenth-Century Printed Sources. | [p]BICB_Belfast | |||||
![]() | 246. | Mozart and the Practice of Sacred Music, 1781-91. | diss. | xi, 455p | ||||
![]() | 247. | The Baroque Oboe d'amore. | diss. | 677p | ||||
![]() | 248. | Ästhetische Anschauung an der Grenze zwischen Literatur und Musik des frühen 18. Jahrhunderts: Die Rezeption von Johann Sebastian Bachs Dichtern zwischen Bachs Tod und heute. | 295-324 | |||||
![]() | 249. | Bach's world. | 8p | |||||
![]() | 250. | Music's intellectual history. | [cr]NewYork2005 | ix, 881p | ||||
![]() | 251. | Die Amalien-Bibliothek: Musikbibliothek der Prinzessin Anna Amalia von Preussen (1723-1787). Historische Einordnung und Katalog mit Hinweisen auf die Schreiber der Handschriften. | BerlinerStMw | 8 | 364p | |||
![]() | 252. | Die Amalien-Bibliothek. Musikbibliothek der Prinzessin Anna Amalia von Preußen (1723-1787). Historische Einordnung und Katalog mit Hinweisen auf die Schreiber der Handschriften. | diss. | |||||
![]() | 253. | High Camp, Straight Bach & Stravinsky. | HiFiMAmer | 17 | 11 | 24f | ||
![]() | 254. | Casals and the art of interpretation. | xvi, 223p | |||||
![]() | 255. | Casals et l'art de l'interprétation. | 262p | |||||
![]() | 256. | Musical pictures to the Deity. | Strad | 104 | 1242 | 930-931, 933-934 | ||
![]() | 257. | Pablo Casals und die Kunst der Interpretation. | 320p | |||||
![]() | 258. | Bernd Alois Zimmermanns Nachlaß? | KölnBeitrMf | 155 | 97-105 | |||
![]() | 259. | O muzyke. Problemy analiza. [Cukkerman Festschrift] | [fs]Zuckermann70 | 392p | ||||
![]() | 260. | Bahovskij ucenik v rossijskih predelah. | StarinnajaMuzyka | 2 | 14-15 | |||
![]() | 261. | Francuzskaja uvertjura v muzyke epohi barokko | 148p | |||||
![]() | 262. | Uvertûra v epohu barokko: Issledovanie. | 280p | |||||
![]() | 263. | Anglijskie sûity I.S. Baha: Stranicy istorii. | StarinnajaMuzyka | 4:74 | 8-15 | |||
![]() | 264. | Sjuita vs sonata v èpohu barokko. | VestnikStPetersburgUArts | 10 | 2 | 210-229 | ||
![]() | 265. | Aufforderung zur Stiftung einer Bach-Gesellschaft. | NBerlinerMz | 4 | 31 | 241-242 | ||
![]() | 266. | Berlin. Musikalische Revue. | NBerlinerMz | 10 | 45 | 355-356 | ||
![]() | 267. | Berlin. Revue. | NBerlinerMz | 14 | 18 | 140 | ||
![]() | 268. | Berlin. Revue. | NBerlinerMz | 14 | 15 | 116 | ||
![]() | 269. | Berlin. Revue. | NBerlinerMz | 16 | 17 | 131-132 | ||
![]() | 270. | Praeludien und Etüden von J.S. Bach, Bertini, Clementi, J.B. Cramer, J.N. Hummel für den Klavierunterricht | ||||||
![]() | 271. | Nemeckaja organnaja muzyka XIX veka i tradicija romanticeskogo bahianstva. | diss. | 21p | ||||
![]() | 272. | Observations on Bach's Use of the Horn. | Bach | 11 | 2 | 21-28 | ||
![]() | 273. | Corrigenda to Some observations on Bach's use of the horn. | HornCallAnnual | 2 | 91-96 | |||
![]() | 274. | Justus Friedrich Wilhelm Zacharia's Die Pilgrime auf Golgotha: A Passion oratorio libretto. | ArsLyrica | 6 | 87-102 | |||
![]() | 275. | Observations on Bach's Use of the Horn. | Bach | 11 | 3 | 9-23 | ||
![]() | 276. | Some Observations on Bach's Use of the Horn. | HornCallAnnual | 1 | 59-83 | |||
![]() | 277. | Strum and Drang: A Reappraisal of Its Musical and Literary Roots. | [p]AMS_Vancouver | |||||
![]() | 278. | Arias and chamber cantatas / Carl Philipp Emanuel Bach | CPEBachCW | 6 | 4 | xxiv, 8, 160p | ||
![]() | 279. | Geschichte des Oberlausitzischen Adels und seiner Güter 1635-1815. | 961p, 1027p, 730p, 365p | |||||
![]() | 280. | Analiz nekotorych fug Bacha. | [ce]Bogatyrev | 29-52 | ||||
![]() | 281. | Brandenburgskij koncert Bacha Nr.2, I èast. | [ce]Bogatyrev | 23-28 | ||||
![]() | 282. | Issledovanija Stati Vospominanija. Sbornik Statej. | [ce]Bogatyrev | |||||
![]() | 283. | [Übersending einer Bach-Handschrift] | ||||||
![]() | 284. | Das Weimar Johann Sebastian Bachs. Zur Erinnerung an den 8. April 1703. Mit einem Bilde: Die Schlosskirche zur Zeit Bachs. | 50p | |||||
![]() | 285. | Žanr instrumentalnoij arii v klavirnych konzertach J. S. Bacha (k voprosu ob ispolnitelskoj traktovke). | MusitschneMisteztwo | 3 | 185-192 | |||
![]() | 286. | Regole del contrapunto, et compositione. | 71p | |||||
![]() | 287. | Bach and Handel in Elysium. | MBook | 7 | 285-287 | |||
![]() | 288. | Bach and the Organ. | MTimes | 92 | 1299 | 220-221 | ||
![]() | 289. | [article on Bach] | CourrierM | 37 | 3 | ![]() | ||
![]() | 290. | Selecting dots, connecting dots: The score anthology as history. | JMHistPedag | 1 | 2 | 77-91 | ||
![]() | 291. | Historia musica, nella quale si ha piena cognitione della teorica, e della pratica antica della musica harmonica, seconda la dottrina de Greci ... | ||||||
![]() | 292. | Aria aus der Pfingst-Cantate / Joh. Seb. Bach. | OeuvChoisiesPiano | 8 | 10p | |||
![]() | 293. | A proposito del 'violoncello piccolo' di Bach. | RivistaItaliMcol | 8 | 1 | 113-131 | ||
![]() | 294. | Master klavirnogo koncerta. | [cr]Moscow2014 | 99-114 | ||||
![]() | 295. | Principy orkestrovogo myslenija I.S. Baha. | diss. | 20p | ||||
![]() | 296. | O Largo iz koncerta fa minor dlâ klavira s orkestrom I.S. Baha. | Fortepiano | 3-4:65-66 | 33-39 | |||
![]() | 297. | Bah Petra Anderševskogo. | Fortepiano | 1-2: 59-60 | 26-30 | |||
![]() | 298. | Ferruèèo Buzoni i Leopol'd Godovskij: Èskiz dvojnogo portreta. | 105-132 | |||||
![]() | 299. | Jesu, joy of man's desiring: chorale from cantata no. 147 / J. S. Bach. | 5p | |||||
![]() | 300. | Stil'ova evolûcìâ simvolìki 'pasìonnostì': Baroko ta romantizm. | diss. | 267p | ||||
![]() | 301. | La famiglia et la scuola Bach. | 57-58 |
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