Bach Bibliography
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1. Rules for Chord Doubling (and Spacing): A Reply To Wibberley. Commentary. http://www.mtosmt.org/issues/mto.04.10.3/mto.04.10.3.aarden_hippel.html MTheoryOnline 10 3 Sep 2004
2. Rules for chord doubling (and spacing): Which ones do we need? http://www.mtosmt.org/issues/mto.04.10.2/mto.04.10.2.aarden_hippel.html MTheoryOnline 10 2 Jun 2004
3. Hartung et la musique. Royan: Centre d'Arts Plastiques, 1993. 72p. (= Catalogues du Centre d'Arts Plastiques) 1993 72p
4. Desâtye Bahovskie èteniâ v Sankt-Peterburge. [The 10th Bahovskie Èteniâ in St. Petersburg] Musicus(Russia) 4:13 2008 66-67 Latin 2
5. Iz pedagogièeskogo opyta Kazanskoj konservatorii: Prošloe i nastojašèee. [The pedagogical advancements at the Kazan' Conservatory: Past and present] Kazan': Gosudarstvennaâ Konservatoriâ, 2005. 376p. ISBN: 5-85401-061-5. [ce]KazanConservatory 2005 376p Latin 2
6. Johann Sebastian Bach gezinshoofd & kind van zijn tijd. Adem 38 4 2002 178-182
7. A Checklist of Music Manuscripts in Facsimile Edition. see also James Coover's 'supplement' in Notes xxxvii/ 3 (1981) 533-556 Notes 34 3 Mar 1978 557-570
8. A French overture revisited: another look at the two versions of BWV 831. EarlyM 25 1 Feb 1997 47-58, 60-61
9. Bach's tempo practices: tempo changes. A Paper read at the 11th Biennial International Conference on Baroque Music held at Royal Northern College of Music, 14-18 July 2004 [p]BICB_Manchester Jul 2004
10. Bach's tempo practices, the tempo theories of his time -- and ours. OrbisMusicae 13 2003 81-90
11. J.S. Bach's wedding quodlibet, BWV 524. MinAd 13 2016 51-61
12. On Bach's Rhythm and Tempo. Kassel [u.a.]: Bärenreiter, 2006. 232p. ISBN: 13: 978-3-7618-1602-8; ISBN: 10: 3-7618-1602-2. (= Bochumer Arbeiten zur Musikwissenschaft, 4) BochumArbMw 4 2006 232p
13. Studies of Rhythm and Tempo in the Music of J. S. Bach. PhD diss., Musicology, Tel Aviv University, 2000. xv, 318 p diss. 2000 xv, 318p
14. The Baroque upbeat: outline of its typology and evolution. IrishMStud 8 2004 17-28
15. Nekotorye voprosy tematizma i formy skripichnyh koncertov I. S. Baha. [Einige Probleme der thematischen Struktur und Form in den Violinkonzerten J. S. Bachs.] VoprosyTM 3 1975 237-271
16. Neapolitan Son. [Italian Son: fresh from committing the Bach sonatas and partitas to disc, Salvatore Accardo reveals his views on Baroque performance.] Strad 119 1414 Feb 2008 26-29
17. Post-Modern Concept of Bach in Slovakia: 250 Years After. CompostelaPrize 2 2002 245-252 [cr]Regensburg2000
18. 'Modern' Organ Style in Karl Straube's Reger Editions. PhD diss., Amsterdam: Vrije Universiteit, 2007. xiv, 222p. diss. 2007 xiv, 222p
19. 'Kak horoso, cto Bah opjat' stal zloboj dnja' Fortepiano 1 2000 16-17
20. Johann Theodor Roemhildt (1684-1756). Werkverzeichnis. JbBachWoche_Dillenburg 1998 17-127
21. The Well-Tempered Clavier I / BACH Urtext Edition in original Clefs from the autograph Manuscript. Edited by David Aijón. - Bologna: Ut Orpheus Edizioni, 2011. vi, 123p. Best.-Nr.: SET 16. ISMN: 979-0-2153-1897-7. (= Setticlavio: Collana di musiche nelle chiavi originali; No. 16 [Music in original Clefs]) [BWV 846-869] 2011 vi, 123p
22. 14 canons BWV 1087 sur la basse Goldberg / J. S. Bach ; version 3(a) en sextuor à cordes. réalisation, Olivier Alain. [Edited from a ms. in the Bibliothèque nationale de France, Paris, ms. 17669] Paris; New York: Salabert, 1976. 8p. 6 parts, facs. Pl.-Nr. E.A.S. 17.259 Salabert. [BWV 1087] 1976 8p
23. 14 canons BWV 1087 sur la basse Goldberg / J. S. Bach ; version 3(b) pour deux claviers. réalisation, Olivier Alain. [Edited from a ms. in the Bibliothèque nationale de France, Paris, ms. 17669] Paris; New York: Salabert, 1977. 2 partitions) 12p. facs. Pl.-Nr. E.A.S. 17.264 Salabert. [BWV 1087] 1977 12p
24. 14 canons BWV 1087 sur la basse Goldberg / J. S. Bach ; version 3(c) pour trio à cordes et clavier. réalisation, Olivier Alain. [Edited from a ms. in the Bibliothèque nationale de France, Paris, ms. 17669] Paris; New York: Salabert, 1977. 1 partition (8p) facs. Pl.-Nr. E.A.S. 17.266 Salabert. [BWV 1087] 1977 8p
25. 14 canons BWV 1087 sur la basse Goldberg / texte original J. S. Bach ; et réalisation Olivier Alain. [Edited from a ms. in the Bibliothèque nationale de France, Paris, ms. 17669] Paris; New York: Salabert, 1976. 9p. facs. Pl.-Nr. E.A.S. 17.253 Salabert. [BWV 1087] 1976 9p
26. 14 canons sur la basse Goldberg ; BWV 1087 / J. S. Bach. Réalisation Olivier Alain. - Paris [u.a.]: Salabert, c1976. 12p + Beil. Pl.-Nr. E.A.S.17264. [BWV 1087] 1976 12p
27. Bach. Trad. del francés. Madrid: Espaso Calpe 1974. 1976. 1977. 6/1985, 125p. (= Clássicos de la Música) 1974 125p
28. Bach. par Olivier Alain. - Paris: Hachette, 1970. 96p. (= Classiques Hachette de la musique) 1970 96p
29. Johann Sebastian Bach. Milano: Sugarco. 1979. 127p. (= I classici della musica, 4) 1979 127p
30. Un supplément inédit aux 'Variations Goldberg' de J. S. Bach. RevueMcol 61 2 1975 244-294
31. L'oeuvre d'orgue de Jean-Sébastien Bach. [in 2 vols.] Paris: Costallat 1967. 111, 19p. - Tours, Paris: Mame 1968. 112p. 1967 111, 19p
32. Musik in Antike und Neuzeit. Frankfurt am Main: Lang, 1987. 348p. (= Quellen und Studien zur Musikgeschichte von der Antike bis in die Gegenwart, 1) QuellenStMgesAntikeGegenw 1 1987 348p
33. Nekotorye osobennosti tematizma passakalii barokko. [The characteristics of a Baroque passacaglia] [ce]SemantikaStarinnogoUrteksta 2002 54-70
34. Basso-ostinato i ego rol' v tekstovoj organizacii instrumental'noj muzyki Zapadnoevropejskogo barokko. [Basso ostinato and its role in semantic organization of Western European Baroque instrumental music] - Ufa, Russian Federation: Gilem, 2013. ISBN: 5-88185-114-5; 978-5-88185-114-9. 2013
35. Formes cachées d'organisation rythmique dans le Contrapunctus iv (BWV 1080, 4) de L'Art de la Fugue. http://musicologie.org/15/formes_cachees_d_organisation_rythmique.html Musicologie 15 12 Oct 2015
36. Hidden Forms of Inversion (Mirror) inside the Contrapunctus 'in stylo francese' of The Art of Fugue of Johann Sebastian Bach (BWV 1080, 6). A Paper read at the 16th Biennial International Conference on Baroque Music held at University Mozarteum Salzburg, 9-13 July 2014. [p]BICB_Salzburg Jul 2014
37. L'Art de la fugue de Johann Sebastian Bach: la structure morpholo- gique du contrapunctus iv (BWV 1080, 4): une fugue postérieure. http://musicologie.org/15/l_art_de_la_fugue_de_johann_sebastian_bach.html Musicologie 15 21 Dec 2015
38. Le concept de matrice dans L'Art de la Fugue de Johann Sebastian Bach. PhD diss., Université Paris 4 Sorbonne, 2016. diss. 2016
39. Parameters of Stretto Use inside the Contrapunctus 5 of the Art of Fugue by Johann Sebastian Bach (BWV 1080, 5). RevueMO 6 1 2019 142-159
40. Re-ordering 'The Art of Fugue'? A new, analytical point of view. A paper read at the 17th Biennial International Conference on Baroque Music held at Canterbury Christ Church University, 13-17 July 2016. Abstract on p. 31. [p]BICB_Canterbury Jul 2016
41. The rhythmic segments in the Cp. iv in the Art of Fugue of Johann Sebastian Bach. A Paper read at the 15th Biennial International Conference on Baroque Music held at Southampton University, 11-15 July 2012. [p]BICB_Southampton Jul 2012
42. Prismas: Bach y el cine. Scherzo(Spain) 211 Sep 2006
43. On music and faith. SacredM 138 1 Spring 2011 32-42
44. Osobennosti fug v sonatah I.-S. Baha: Vzaimodejstvie polifonièeskih i gomofonièeskih principov formoobrazovanija. [Characteristics of the fugues in J.S. Bach's sonatas: The interaction of polyphonic and homophonic formal elements] - PhD diss., Music theory: Institut Teatra, Muzyki i Kinematografii, Leningrad, 1987. 23p. diss. 1987 23p Latin 2
45. Sonate, clavecin et flûte: 2e partie, Siciliano / J. S. Bach. Transcr. de concert pour piano seul, Ch. V. Alkan. - Paris: Costallat, [entre 1898 et 1905]. 3p. (= Oeuvres choisies pour piano / de Ch. V. Alkan ; nouv. éd. rev. par E. M. Delaborde & I. Philipp) [BWV 1031/2 (Anh. II)] c 1898 3p
46. Academy of Ancient Music's Bach at St John's. [Christopher Hogwood conducted Fourth Orchestral Suite, Gloria in Excelsis Deo BWV 191 at St John's, Smith Square, on 22 December.] MOpinion 125 1428 Mar 2002
47. J. S. Bach. - Passions in a Fashion... Organ 81 321 Aug-Oct 2002 8-9
48. St Matthew Passion at St John's. [Jeremy Jackson conducted English Baroque Choir, the Midlands Baroque Orchestra, the Farnham Youth Choir, St Matthew Passion at St John's, Smith Square on Palm Sunday, 13 April] MOpinion 126 1435 Jul-Aug 2003
49. Ideâ ravnomernosti i eë voplos^enie v Horošo temperirovannom klavire I.S. Baha: K probleme vybora tempa ispolneniâ. [The idea of ??uniformity and its embodiment in Bach's Das wohltemperirte Clavier: The problem of choosing the performance tempo] [cr]Moskva2010 2011 228-243
50. Igra form v bahovskoj fuge. [The play of forms in J.S. Bach's fugues] Muzykovedenie 10 2017 42-52
51. Convention in Eighteenth- and Nineteenth-Century Music: Essays in honor of Leonard G. Ratner. NY, Stuyvesant: Pendragon Press, 1992. xxi, 548p. ISBN: 0-945193-28-9. (= Festschrift series, 10) FestschriftSer 10 1992 xxi, 548p [fs]Ratner
52. A conspiracy of composers: J.C. Bach and C.F. Abel vs. Longman & Lukey. A paper read at International Musicological Society, 17th Congress, Lueven, 1-7 August 2002. [p]IMS_Leuven Aug 2002
53. Conspiracy of Composers: The Chancery Suits J. C. Bach and C. F. Abel Brought against Longman and Lukey. A paper read at the American Musicological Society Annual Meeting in Houston, 13-16 November 2003. [p]AMS_Houston Nov 2003
54. 'For instruments not intended': J. C. Bach resolves a point of orchestration. Paper read at the 33rd Royal Musical Association Research Students' Conference held in 6-9 January 2000 at Huddersfield University. [p]RMA_Huddersfield Jan 2000
55. 'For instruments not Intended': The Second J.C. Bach Lawsuit. In memory of Ernest Warburton. MLetters 83 1 Feb 2002 3-29
56. Wind Orchestration in the Music of Johann Christian Bach, 1762-1782: Studies in Structure, Texture and Form. PhD diss., Musicology, Goldsmiths College, University of London, 2004. 608p diss. 2004 608p
57. Lûtnâ v tvorcestve I.S. Baha: Na materiale rukopisej. [Lute in the works of J.S. Bach: The manuscripts] [BWV 198, 244a, 244b, 245, 247] Muzykovedenie 10 2013 26-35 Latin 2
58. Proizvedeniâ I.S. Baha dlâ lûtni solo: Istocnikovedceskij aspekt issledovaniâ. [J.S. Bach's works for solo lute: Source study] [BWV 995, 996, 997, 998, 999, 1006a] [cr]Moscow2012 2012 272-277 Latin 2
59. Sûita BWV 1006a I.S. Baha: Tekstologièeskij aspekt issledovaniâ [Suite BWV 1006a by J.S. Bach: Textological aspect of research] Muzykovedenie 7 2013 22-28 Latin 2
60. Corpos em tensão: feminino, masculino e barroco no espetáculo Bach. [Bodies and tension: feminine, masculine and baroque in Bach] http://www.scielo.br/scielo.php?script=sci_arttext&pid=S0104-026X2003000100008 RevistaEstudosFeministas 11 1 2003
61. Ueber die Idee dramatischen Fortgangs und Zusammenhangs im Oratorium. Bei Gelegenheit der Aufführung des 'Moses' von A. B. Marx. [in Breslau sowie am Beispiel verschiedener Oratorien von Graun, Haydn, Bach und Händel] [Musikalische Dramaturgie und Gemeinderepräsentation in der Mattäus-Passion] [BWV 244] NZsfM 16 17 25 Feb 1842 65-67
62. [Clavier-Sonaten / Carl Philipp Emanuel Bach.] A cura di Laura Alvini ... Beiheft. - Firenze: Studio Per Ed. Scelte, 1988. [14]p. (= Monumenta musicae revocata, 7,7) MonumentaMR 7 [7] 1988 14p
63. Zijn bliksem, zijn donder: over de Mattheus-Passie van Johann Sebastian Bach. Amsterdam: Ambo, 2007. 126p. ISBN: 90-263-1967-3, 978-90-263-1967-9. 2007 126p
64. Perspectives on Organ Playing and Musical Interpretation: pedagogical, historical, and instrumental studies: a festschrift for Heinrich Fleischer at 90. New Ulm, MN: Martin Luther College, 2002. 195p. ISBN: 1-89060-003-2; 978-1-890600-03-7 (= Veröffentlichungen der Gesellschaft der Orgelfreunde, 191) VeröffGOrgelfreunde 191 2002 x, 195p [fs]Fleischer90
65. J. Seb. Bach's Grand Mass In B Minor, For two Sopranos, Alto, Tenor, Bass, and full Orchestras. The admirers of the Great Seb. Bach's Sublime Compositions, are most respectfully informed that arrangements have been made with the Publishers for importing the above Work into England. The Full Score, Pianoforte Score, and the separate Vocal Parts, will be published by Subscription, and a list of Subscribers, previous to April, 1838, given with the second and last part of the Full Score. ... MWorld 8 97 (NS.1/3) 19 Jan 1838 47
66. Osobenosti na charmoniènija ezik v chorovoto tvorèestvo na J. S. Bach Šumen: Antos, 2003. 341p. ISBN: 954-8665-43-9. 2003 341p Latin 2
67. A csucspontok esztetikuma J.S. Bach passioiban. [The aesthetics of the climaxes in J.S. Bach's Passions] Iskolakultura 11-12 1994 2-18
68. Mir ètit Bacha. Bachovskie dni v Lejpcige. [Die Welt feiert Bach. Bach-Tage in Leipzig.] SovetskajaM 10 1950 91-97 Latin 2
69. Editionsrichtlinien Musik. Im Auftrag der Fachgruppe Freie Forschungsinstitute in der Gesellschaft für Musikforschung. Hrsg. von Bernhard R. Appel und Joachim Veit unter Mitarbeit von Annette Landgraf. - Kassel [u.a.]: Bärenreiter, 2000. x, 428p. ISBN: 3-7618-1487-9. (= Musikwissenschaftliche Arbeiten, 30) MwArb 30 2000 x, 428p
70. Hronoartikuljacionnye struktury v klavirnom tvorcestve I.S. Baha. [Structures of time articulation in the piano work of J.S. Bach] MuzykalnajaAkad 2 2000 2-13
71. Hronoartikulâcionnye struktury novoevropejskoj muzyki i fundamental'nye problemy ritma. [Temporal articulation in European post-Renaissance music and fundamental problems of rhythm] PhD diss., Iskusstvovedenie from Gosudarstvennyj Institut Iskusstvoznaniâ, Moskva, 2003. 360p. diss. 2003 360p Latin 2
72. Metroritm i artikulâciâ v tvorèestve Baha. [Meter, rhythm, and articulation in J.S. Bach's works] http://www.21israel-music.com/Ark2.htm Israel21 2 Feb 2007 Latin 2
73. The twenty Children of Johann Sebastian Bach. Los Angeles: The Ward Ritchie Press. (1968). 40p. 1968 40p
74. Lutry: Les Folles Journées Bach. [Discusses the Bach festival held in Lutry, 19-22 May 2016.] RevueMSuisseRomande 69 1 Mar 2016 56-57
75. Beiträge zur Geschichte der Kupferschmiedefamilie Schramm aus Ohrdruf. Leipzig, 1922. 1922 Tafel 13
76. Bahovedenie v Sankt-Peterburge. [J.S. Bach studies in Sankt-Peterburg] MuzykalnajaAkad 3 2003 84-88
77. A Pedagogical Edition and Performer's Guide to J. S. Bach's Cello Suites (BWV 1007--1010) transcribed for the violin. DM diss. The Florida State University, 2001, 92p. - Ann Arbor, MI: University Microfilms International, 2001. ISBN: 0-493-13495-6; 978-0-493-13495-6. Dissertation No: 3004416. diss. 2001 92p
78. Die zwei- und dreistimmigen Inventionen J. S. Bachs. Tbilissi: Staatsverlag Zodna 1964. 172p. 1964 172p
79. Principy formoobrazovanija fug I. S. Bacha. (Chorošo temperirovannyi klavir.) [Formungspinripien der Fugen J. S. Bachs (Wohltemp. Klavier)] Tbilissi: Verlag 'Chelovneba' 1975. 86p 1975 86p
80. A New Froberger Manuscript. http://sscm-jscm.press.illinois.edu/v13/no1/vanasperen.html J17cM 13 1 2007
81. Frobergeriana. Neue Erkenntnisse über die 'Allemande, faite en passant le Rhin'. Concerto 21 191, 192 Mar, Apr 2004 25-28; 27-30
82. Musique et Tempérament. Théorie et pratique de l'accord à l'ancienne. Préface de Marie Claire Alain. - Paris: Editions Costallat, 1984. 235p. ISBN: 2-905335-00-9. 1984 235p
83. Bach's Organ Music. MTimes 63 956 Oct 1922 685-689
84. CHORAL WEDDING POSTLUDE / JOHANN SEBASTIAN BACH. Arrangement for Organ by Ivor Atkins. - Glasgow: Peterson's Publications Ltd, c1926. 5p. Pl.-Nr.: C.W.P. [BWV 205/15] 1926 5p
85. COME, REDEEMER OF OUR RACE (Nun komm, der heiden Heiland) Erste Composition. CANTATA for soprano, tenor, and bass soli, chorus and orchestra by J. S. BACH. Edited for the Worcester Festival, 1905, by Ivor Atkins. The English version by B. M. Craster. - London: Novello; New York: H. W. Gray [c.1906]. 23p. Pl.-Nr.: 12166. (= Novello's Original Octavo Edition.) [BWV 61] c 1906 23p
86. Jesus Sleeps, What Hope Remaineth? = (Jesus schläft, was soll ich hoffen?): Cantata for alto, tenor and bass soli, chorus, and orchestra / by J. S. Bach. Edited for the Hereford Festoval, 1903, by Ivor Atkins. (English Version by M. E. Butler.). [Vocal Score] - London: Novello and Co. Ltd ; New York: Novello, Ewer and Co., [1903] 27p. Pl.-Nr.: 11741. (= Novello's Original Octavo Edition) [BWV 81] 1903 27p
87. Ready be, my soul, alway: cantata for the twenty-second Sunday after Trinity, for SATB soli, chorus and orchestra / by J. S. Bach. Edited by Ivor Atkins. English text by Charles Sanford Terry. - London: Novello, [1926] 27p. Pl.-Nr.: 15260. (= Novello's original octavo edition) [BWV 115] 1926 27p
88. The chorale preludes. Orgelbüchlein (Little organ book). Edited by Ivor Atkins. With an introduction by Ernest Newman. - London: Novello & Co., [1916]. xii, 123p. Pl.-Nr. 13884. (= The Organ Works of John Sebastian Bach, Book 15) [BWV 599-644] OrgWorks(Novello) 15 1916 xii, 123p
89. The chorales used in the organ works of Bach. Together with one or more verses of the originals and an English translation / the harmonizations mainly drawn from the cantatas of John Sebastian Bach. Edited by Ivor Atkins. - London: Novello, [1916, R?/1927]. [ii], 91p. Pl.-Nr.: 14400. (= The Organ Works of John Sebastian Bach, Book 20) [BWV 651-668] OrgWorks(Novello) 20 1916 91p
90. THE LORD IS A SUN AND SHIELD: CANTATA for soprano, alto and bass soli, chorus, and orchestra. Composed for the Leipzig Reformation Festival of 1735 by J. S. BACH. Edited for the Worcester Festival, 1902, by Ivor Atkins. - London: Novello; New York: H. W. Gray, [c.1902] 35p. Pl.-Nr.: 11496. (= Novello's Original Octavo Edition.) [BWV 79] c 1902 35p
91. The passion of our Lord according to Saint John / set to music by John Sebastian Bach. The verse numbers translated by T.A. Lacey, edited by Ivor Atkins. - London: Novello, c1929. [v], 149p. Pl.-Nr.: 15454. (= Novello's original octavo edition) [BWV 245] 1929 v, 149p
92. Psalm CXXI, for chorus and semi-chorus. Arranged by Ivor Atkins and J. Michael Diack. - Glasgow: Paterson's Publications, c1925. 30p. Pl.-Nr.: Psalm CXXI. (= Collection of Part Songs, No. 1578) [BWV 37] 1925 30p
93. The Hundredth Psalm: For semi-chorus, chorus and orchestra / Bach. Arranged by Ivor Atkins and J. Michael Diack. - Glasgow and London: Paterson Sons & Co., c1924. 32p. [BWV 195, 130, 30] 1924 32p
94. St. Matthew Passion. MTimes 52 824 Oct 1911 643-645
95. Orgelbüchlein (Little organ book) Edited by Ivor Atkins ; with an introduction by Ernest Newman ; revised by Walter Emery. - London: Novello, c.1957. xii,123p. Pl.-Nr.: 13884. (= Organ works of J.S. Bach, Book 15) [BWV 599-644] OrgWorks(Novello) 15 [rev] c 1957 xii, 123p
96. Romain Rolland musicologue: Célébration du cent cinquantième anniversaire de la naissance de Romain Rolland. Dijon: Éditions Universitaires de Dijon (EUD), 2017. 202p. ISBN: 978-2-36441-247-7; 2-36441-247-1. [fs]Rolland150 2017 202p
97. Johann Sebastian Bach: an Appreciation. MA diss., California State University, Dominguez Hills, 1993. 53p diss. 1993 53p
98. The neurosciences and music. II: From perception to performance. Annals of the New York Academy of Sciences. [... result of a Conference Entitled The Neurosciences and Music II: from perception to performance, ... held on May 5-8, 2005 in Leipzig, Germany] / ed. by Giuliano Avanzini, Luisa Lopez, Stefan Koelsch, and Maria Majno. [Conference in Leipzig 2005] - New York, NY: New York Acad. of Sciences, 2005. xii, 490p. ISBN: 1-57331-610-5; 1-57331-611. (= Annals of the New York Academy of Sciences, 1060) AnnNYAcadSci 1060 Dec 2005 xii, 490p
99. Breve introduzione al basso continuo [1]. Musicaaa 5 14 May-Aug 1999 9-14
100. Breve introduzione al basso continuo [2]. Musicaaa 5 15 Sep-Dec 1999 26-30
101. Breve introduzione al basso continuo [3]. Musicaaa 6 16 Jan-Apr 2000 25-30
102. The passion according to Saint Matthew by John Sebastian Bach. English version by Claude Aveling. The music of the chorales has been added to this book of words in order that the audience may join in the singing. It has been issued in this form at the request of Sir Henry J. Wood for his festival performances. [Chorales set in four part. 17.8 x 25.5 cm] - Leipzig: Breitkopf & Härtel [1927] 27p (= Breitkopf & Härtels Text-Books, No. 603: With music to the Chorales). [BWV 244] 1927 27p
103. The passion according to Saint Matthew by John Sebastian Bach. English version by Claude Aveling. [With the music of the chorale tunes. 10 x 16.3 cm] - Leipzig: Breitkopf & Härtel [c.1920] 38p (= Breitkopf & Härtels Text Books, No. 602). [BWV 244] c 1920 38p
104. The Passion according to St. Matthew / Joh. Seb. Bach. Book of words by Claude Aveling. Analytical notes by Hermann Kretzschmar. - London: Breitkopf & Härtel. 1907, 36p. [BWV 244] 1907 36p
105. Formal Structure of Psalms and Canticles in early Jewish and Christian Chant. MusicaDisciplina 7 1953 1-58
106. Leipzig--Mailand hin und zurück: Die internationalen Beziehungen zwischen Ricordi und Breitkopf & Härtel als Weg zur Geburt von Nationalismen. Internationales wissenschaftliches Symposium: Das Leipziger Musikverlagswesen im internationalen Kontext. 20.-22. Juni 2013. Sächsisches Staatsarchiv - Staatsarchiv Leipzig; Institut für Musikwissenschaft der Universität Leipzig. [p]IWS_Leipzig Jun 2013
107. Sicilienne / J. S. Bach. Orchestration pour harmonie par Jean Avignon - Mâcon: R. Martin, 1978. 3p. Pl.-Nr. R1597M. [BWV 1031/2 (Anh. II)] 1978 3p
108. An Essay on Musical Expression. London: Printed for C. Davis, 1752. [8], 138p; 2nd ed. with alterations and large additions / to which is added, a Letter to the author, concerning the music of the ancients, ... likewise, Mr. Avison's Reply to the author of Remarks on the Essay on musical expression, in a letter from Mr. Avison, to his friend in London. London: Printed for C. Davis, 1753. [8], 152, 43; [4], 53, [6] p; 3rd ed. With alterations and large additions. To which is added, a letter to the author, concerning the music of the ancients, ... Likewise, Mr. Avison's Reply to the author of Remarks on the Essay on musical expression. In a letter from Mr. Avison, to his friend in London. London: printed for Lockyer Davis, 1775. vii, 221, [3]p. 1752 138p
109. L'adaptation du folklore brésilien au style de J.S. Bach selon la thèse de Villa-Lobos. JIFolkMCouncil 9 1957 29-31
110. FIFTH SONATA in C major / J. S. BACH Arranged for Two Pianos - Four Hands by Victor Babin. - New York: Boosey & Hawkes, 1942. 39, 39p. Pl.-Nr.: 2 Pa.No.14-37. [BWV 529] 1942 39, 39p
111. FIRST SONATA in Eb major / J. S. BACH Arranged for Two Pianos - Four Hands by Victor Babin. - New York: Boosey & Hawkes, [1953] 15, 15p. Pl.-Nr.: B.& H. 17943. [BWV 525] c 1953 15, 15p
112. FOURTH SONATA in E minor / J. S. BACH Arranged for Two Pianos - Four Hands by Victor Babin. - New York: Boosey & Hawkes, 1942. 24, 24p. Pl.-Nr.: 2Pa.13-22. [BWV 528] 1942 24, 24p
113. SECOND SONATA in C minor / J. S. BACH Arranged for Two Pianos - Four Hands by Victor Babin. - New York: Boosey & Hawkes, [1953]. 24, 24p Pl.-Nr.: B.&.H.17944. [BWV 526] 1953 24, 24p
114. SIXTH SONATA in G major / J. S. BACH Arranged for Two Pianos - Four Hands by Victor Babin. - New York: Boosey & Hawkes, 1942. 32, 32p. [BWV 530] 1942 32, 32p
115. THIRD SONATA in D minor / J. S. BACH Arranged for Two Pianos - Four Hands by Victor Babin. - New York: Boosey & Hawkes, [1942] 28, 28p. Pl.-Nr.: 2Pa.No.15-26. (= Boosey & Hawkes Two Piano Series) [BWV 527] 1942 28, 28p
116. 'Nekrolog' di Johann Sebastian Bach e cantata funebre. [ce]MusicaPoetica 1986 227-240
117. Govert Jan Bach over Maarten Luther en Johann Sebastian Bach: Twee grensverleggers--Een hoorcollege vol muziekfragmenten. [Govert Jan Bach on Martin Luther and Johann Sebastian Bach: Two trailblazers--A listening course with many musical fragments] - Amsterdam: Rubinstein, 2017. 54p + 4 CDs. ISBN: 90-476-2297-9; 978-90-476-2297-0. [I. lectures on the life and works of Martin Luther; II. Luther's influence on Bach; III and IV. Lutheran Masses performed by the Collegium Vocale Gent.] 2017 54p
118. Govert Jan Bach über Martin Luther und Johann Sebastian Bach: zwei grenzüberschreitende Genies: ein Hörbuch mit Musikfragmenten. Übersetzung und theologische Beratung, gelesen von Dr. Andreas H. Wöhle. Erstauflage. - Amsterdam: Rubinstein, [Belgien]: Warner Music Benelux, [2017] 4 CDs (278 min): Digital, stereo + 1 Beiheft (55p). ISBN: 978-90-476-2354-0. 11 2017 4 CDs + 55p
119. Bach's Brandenburg Concerto No. 2: who can play the trumpet part? Instrumentalist 15 Sep 1960 94-96
120. Die 'recht schöne und große Orgel' von Johann Sebastian Bach. ArsOrgani 54 1 Mar 2006 22-24
121. Ein Zeitzeuge charakterisiert Bachs Orgelspiel. ArsOrgani 58 4 Dec 2010 260-261
122. Karl Straue und das Dritte Reich. [ce]800JThomana 2012 281-297
123. Wie sollte man Bachs Orgelwerke aufführen und wie mag Bach selbst gespielt haben? ArsOrgani 56 3 Sep 2008 161-164
124. Ein Zeitzeuge charakterisiert Bachs Orgelspiel. II. [on Bach and Schröter] ArsOrgani 59 2 Jun 2011 123
125. Bediente sich Bach einer 'Weichschuh-Tecknik'? ArsOrgani 57 3 Sep 2009 179-181
126. The Violoncello, Viola da spalla and Viola pomposa in theory and practice. GalpinSocJ 60 Apr 2007 121-145
127. Yomigaeru 'Katakake Cello'. Violoncello da Spalla. Kakucho suru Barokku Cello no Teigi. Revived 'Shouldered Cello'. Violoncello da Spalla. The definition of Baroque Cello extended. Trans. Kiyomi Suga. BCJ 71 Feb 2006 32-36
128. Aspects of Performance Practice. [Headings: Problems of Text and Notation; Tempo; Rhythm; Ornaments; Improvised Embellishments; Authenticity and 'Original' Sound; Early Use of the Cembalo con martelli; Good Execution: Music as Language and Rhetoric] [ce]18cKeyboardM 1994 33-67
129. C.P.E. Bach und der Hammerflügel. CPEBachKonzepteSR 2 1998 392-405
130. Did J. S. Bach Compose 'Pianoforte Concertos'? Bach 31 1 2000 1-16
131. Die 'Clavier'-Musik in Wien zwischen 1750 und 1770. StMw(BeihDTÖ) 35 1984 65-88
132. Kielflugel und Hammerflugel bei Bach und Mozart. JbBachWoche_Dillenburg 1998 143-152
133. Komponierte J. S. Bach 'Hammerklavier-Konzerte'? BachJb 77 1991 159-171
134. Nouvelle compréhension de l'histoire du piano de Domenico Scarlatti à Franz Schubert. [fs]Kastner 1992 127-139
135. Vom Pedalcembalo zum Fortepiano pedale. CöthenerBachH 8 1998 73-82
136. Über nötige und unnötige Auszierungen in Mozarts Klavierkonzerten. DokGewandhausGes 9 1993 47-49 [cr]Leipzig1991
137. BIS-Sha no 25-shunen Kinen ni atatte. Shacho Robert von Bahr shi kara no Message. [On the 25th Anniversary of the foundation of BIS. A message from the company's CEO Mr Robert von Bahr] BCJ 35 Sep 1998 26-27
138. O vyrazitel'nosti intermedij fugi (opyt mnogostorannego analiza intermedij v fuge nr. I 'Iskusstvo fugi' Bacha). [Über das Ausdrucksvolle des Fugenzwischenspiels. Versuch einer vielseitigen Analyse des Zwischenspiels in der Fuge Nr. 1 aus Bachs 'Kunst der Fuge'.] Muzykoznanie 4 1968 144-154
139. Barocnaja preljudija v istorii evoljucii žanra. [Das barocke Präludium in der Geschichte der Genreentwicklung] MusitschneMisteztwo 3 2003 140-148 [cr]Ukraine2000
140. Aus Köln. (From our Original Correspondent.) Cologne 24th April. [Sonata in E major (pian. and viol.) Bach] [BWV 1016] MWorld 47 18 1 May 1869 305
141. Aus Köln. (From our Original Correspondent.) Cologne 27th March. [Performance of Messiah, two Cantatas of Bach, Crucifixus of Lotti, and some airs of Bach and Händel] MWorld 47 14 3 Apr 1869 234
142. Aus Köln (From our own correspondent). [Gürzenich concert: Bach, 'St. Matthew Passion'; Schild, Fräulein Scheuerlein (soprano), Hill (baritone), Frau Hüfner-Harken (mezzo-soprano), Hiller. Public examinations at the Cologne Conservatory. Marchesi's singing method; list of promising young singers. Signor Marchesi's Italian translation of the libretto for Wagner's 'Lohengrin' (Cologne, the 7th of April)] MWorld 46 16 18 Apr 1868 269-270
143. To Henderson, Rait & Fenton, Esquires (Cologne, 18 june). Letters to well-known characters. [Niederrheinische Musikfest: roster. Handel, 'Judas Maccabæus'. Bach, Orchestral Suite in D. Beethoven, Symphony no. 5. Cherubini, Mass in D minor. Gluck, 'Orpheus' (selections)] MWorld 45 26 29 Jun 1867 432-433
144. To Jules Benedict, Esq. Letters to well-known characters. [Overview of concert and opera. Singakademie: Bach, 'Passionsmusik'; Betz. Royal Opera: Gounod, 'Faust'; Worworsky (tenor), Frau Harriers-Wippern, Salomon (bass) (Berlin, April 18)] MWorld 45 10 11 May 1867 303
145. 'La la la... Maistre Henri': Mélanges de musicologie offerts à Henri Vanhulst. Turnhout: Brepols, 2009. 496p. ISBN: 978-2-503-53072-7 [fs]Vanhulst 2009 496p
146. 'Castor et Pollux' - eine neuentdeckte Oper von Johannes Patzelt aus dem Jahre 1743. [cr]Leipzig1985 1988 361-366
147. Air in C minor: from French suites no. 2 / J. S. Bach. Edited by Granville Bantock. - London: Joseph Williams, [c.1934] 3p. Pl.-Nr.: J.W. 16945. (= Berners edition, 150) [BWV 813/4] c 1934 3p
148. Air on the G string. (Suite no. 3, D major) / J. S. Bach. Arranged [as piano solo] by Granville Bantock. - London: W. Paxton & Co., [c.1942, R/1971]. 4p. Pl.-Nr.: 2200. [BWV 1068/2] c 1942 4p
149. Aria from Suite (No.3) in D. Words by Helen F. Bantock ; Music by BACH. Arranged by Granville Bantock. [Title-page has extra info 'Sung by Astra Desmond' with her photograph] - London: W. Paxton & Co., c1943. 1-4p. Pl.-Nr.: 40579. [BWV 1068/ 2] 1943 4p
150. Aria from the Suite, No. 3. Piano Solo / Bach. Arranged by G. Bantock. - London: W. Paxton & Co, [1942]. 3p. Pl.-Nr.: 51065. [BWV 1068/2] 1942 3p
151. Choral-Variation Wachet auf, ruft uns die Stimme aus der Kantate Nr. 140 für Orchester / Joh. Seb. Bach arrangiert von Granville Bantock. [Partitur] - Leipzig: Breitkopf & Härtel, [1909] 1-8p. Pl.-Nr. Part.B.2136. (= Partitur-Bibliothek. kleinere Orchesterwerke) [BWV 140/4; 645] PartBib 2136 1909 8p
152. Chorus from Cantata 140: 'Wachet auf' = 'Sleepers wake' / J. S. Bach. For Harriet Cohen. Transcribed by Granville Bantock. [BWV 140/4] [ce]BachBookForCohen 1 1932 [1]-4
153. Sheep may safely graze. From cantata No. 208 by J.S. Bach. [Jagdkantate. Schafe können sicher weiden] arranged for string orchestra by Granville Bantock. - London: Goodwin and Tabb, [1953] 8p. Pl.-Nr.: 36074. (= String series ; no. 36074) [BWV 208/9] 1953 8p
154. Sheep may safely graze. Piano Solo. Aria from cantata No. 208 by Bach. [Schafe können sicher weiden] arranged by Granville Bantock. - London: W. Paxton & Co., [1946]. 5p. Pl.-Nr.: 51078. [BWV 208/9] 1946 5p
155. Sleepers wake ... Arr. Granville Bantock. [Brass band parts] - [London]: W. Paxton & Co, 1946. 1946
156. Toccata and Fugue in D minor. Piano solo / J. S. Bach. Simplified arrangement by Granville Bantock. - London: W. Paxton & Co., 1947. 11p. Pl.-Nr.: 51097. [BWV 565] 1947 11p
157. Donato musicologica. Petrozavodsk: Gosudarstvennaja Konservatorija, 1994. 145p. [ce]DonatoMusicologica 1994 145p
158. Kompozitorskaâ tehnika kak znak: Sbornik statej k 90-letiû so dnâ roždeniâ Ûzefa Gejmanovièa Kona—Materialy Ûbilejnoj nauènoj konferencii. [Compositional technique as a sign: Collection of articles on the 90th birthday of Ûzef Gejmanoviè Kon] - Petrozavodsk: Gosudarstvennaâ Konservatoriâ, 2010. 403p. ISBN: 5-904966-02-4; 978-5-904966-02-7. [fs]Kon90 2010 403p Latin 2
159. Iskusstvo fugi J. S. Bacha v ispolnenii organista S. Dižira. [Die Kunst der Fuge J. S. Bachs in der Darstellung des Organisten S. Dischir.] MuzykalnajaZizn 4 1970 5
160. Starinnaja muzyka v kontekste sovremennoj kultury: Problemy interpretacii i istocnikovedenija. [Early music in the context of contemporary culture: Problems of interpretation and source studies] - Moskva: Gosudarstvennaja konservatorija imeni P I. Cajkovskogo, 1989. 573p. [ce]StarinnajaMuzyka 1989 573p
161. Bach, Beethoven and the Boys: Music History As It Ought to be Taught. Toronto: Sound & Vision, 1988. 146p. 1988 146p
162. Bach at Oxford. The Concert Critics. MMusicians 11 12 Aug 1963 7-8
163. Johann Sebastian Bach életének kronikája. Budapest: Zenemûkiadó, 1974. 230p. (= Napról napra, 11) NaprolNapra 11 1974 230p Latin 2
164. Arcangelo Corelli fra mito e realtà storica: nuove prospettive d'indagine musicologica e interdisciplinare nel 350o anniversario della nascita atti del Congresso internazionale di studi, Fusignano, 11-14 settembre 2003, coord. by Gregory Barnett, Stefano la Via, Antonella de Ovidio, 2 vols. - Firenze, Italy: Leo S. Olschki, 2007, xxiv, 707p. ISBN: 88-222-5697-2; 978-88-222-5697-3. HistMCultores 111 2007 xxiv, 707p
165. El 'clavier', reflejado en la música para teclado de Carl Philipp Emanuel Bach. [fs]Kastner 1992 111-126
166. Bah--Šënberg: Dve horal'nye prelûdii I.S. Baha v orkestrovoj obrabotke A. Šënberga [Bach--Schoenberg: Two chorale preludes by J.S. Bach in orchestral arrangement by A. Schoenberg] NaucnyeTrudy 60 2007 167-197
167. Gustav Maler: Sûita iz orkestrovyh proizvedenij I. S. Baha. [Gustav Mahler: Suite from orchestral works of J. S. Bach] NaucnyeTrudy 44 2003 213-230 Latin 2
168. Orkestr bez granic: Materialy nauènoj konferencii pamâti Û.A. Fortunatova. [Orchestra without borders: Proceedings of the scholarly conference in memoriam Û.A. Forunatov] - Moskva: Gosudarstvennaâ Konservatoriâ imeni P.I. Èajkovskogo, 2009. 272p. ISBN: 5-89598-205-0; 978-5-89598-205-1. [fs]Forunatov 2009 272p Latin 2
169. Les enjeux de la modernité dans la musique orchestrale de J.S. Bach. Réflexions sur le Concertos Brandebourgeois. [The stakes of modernity in J.S. Bach's orchestral music: Reflections on the Brandenburg concertos] OstinatoRigore 16 2001 341-353
170. Jauchzet, frohlocket. Das Weihnachtsoratorium von Johann Sebastian Bach. mit einer Einführung von Albert Schweitzer; zusammengest. und hrsg. von Volker Bauch. Leipzig: St. Benno, 2002. 64p. ISBN: 3-7462-1549-8. 2002 64p
171. L'Interprétation rythmique des Ouvertures pour orchestre de J. S. Bach. SchweizerischeMz 84 5 1 May 1944 181-184
172. A maker's secrets revealed: restoration of a 1784 clavichord by C. G. Hoffmann. DeClavicordio 4 2000 187-201
173. Bah: Ego zizn i muzykalnaja dejatelnost. [Bach: His life and music.] In: Bah, Mocart, Bethoven, Suman, Vagner: Biograficeskie ocerki [J.S. Bach, Mozart, Beethoven, Schumann, Wagner: Biographical sketches] Moskva: Respublika, 1999. 336p. ISBN: 5-250-02569-2 (= Zizn zamecatelnyh ljudej: Biograficeskaja biblioteka Floretija Pavlenkova) [ce]ZiznZamecatelnyhLjudej 1999 Latin 2
174. I. S. Bach. Ego žizñ i muzykal'naja déjatel'nost'. Biogr. oèerk S[ergeja] A[lesandrovièa] Bazunova. S portretom Bacha [i] muzykal'nym pril., sostojašim iz vybova ego proizvedenij dl'ja fortepiano. [J. S. Bach. His life and musical activities. biographical scetch by S. A. Bazunov with musical examples compiled from his works for piano.] [J. S. Bach, sein Leben und seine Werke. Biographische Skizze (nebst einer kleinen Auswahl seiner Kompositionen)]. St. Petersburg, 1894. 78, 16p. (Žizñ zamìèatel'nych ljudey. Biogr. biblioteka F. Pavlenkova.) 1894 78, 16p Latin 2
175. Glenn Gould: The Performer in the Work: A Study in Performance Practice. Oxford: Clarendon Press, 1997. xxi, 297p. ISBN: 0-19-816656-7. 1997 xxi, 297p
176. Listening to Glenn Gould: Johann Sebastian Bach. GlennGould 6 1 Spring 2000 9-16
177. The Art of Strict Musical Composition / Johann Philipp Kirnberger. Translated by David Beach and Jurgen Thym; introduction and explanatory notes by David Beach. - New Haven; London: Yale University Press, 1982. xix, 423p. ISBN: 0300024835. (= Music theory translation series, 4) 1982 xix, 423p
178. Analyzing Bach and how Bach actually wrote. A response. JSchenkerStud 3 2008 211-221
179. Aspects of Unity in J. S. Bach's Partitas and Suites: An Analytical Study. Rochester, NY: University of Rochester Press, 2005. xiii, 92p. ISBN: 1-58046-202-2. (= Eastman studies in music, 33) EastmanStudM 33 2005 xiii, 92p
180. Bach's Partita No. 1 in Bb, BWV 825: Schenker's Unpublished Sketches with Commentary and Alternative Readings. MTheorySpec 30 1 Spring 2008 1-34
181. The Origins of Harmonic Analysis. JMTheory 18 2 Autumn 1974 274-306
182. The submediant as third divider: Its representation at different structural levels. In: Music theory in concept and practice. Rochester: U. of Rochester, 1997, p. 309-335 1997 309-335
183. Bach to Brahms: Essays on musical design and structure. Rochester, NY: University of Rochester, 2015. 326p. ISBN: 1-58046-515-3; 978-1-58046-515-1. (= Eastman studies in music, 122) EastmanStudM 122 2015 326p
184. Explorations in Schenkerian analysis. [Festschrift in memory of Edward Laufer (1938-2014)] - Rochester, NY: University of Rochester, 2016. xii, 359p. ISBN: 978-1-58046-559-5; 1-58046-559-5. (= Eastman studies in music, 136) EastmanStudM 136 2016 xii, 359p
185. The True Principles for the Practice of Harmony by Johann Philip Kirnberger. JMTheory 23 2 Autumn 1979 163-226
186. Une Misalliance dans la maison de Brunswick. Paris. 1884. 1884
187. Ernst August, Herzog von Sachsen-Weimar-Eisenach (1688 - 1748): kulturgeschichtlicher Versuch. Leipzig: Hirzel, 1872. vi, 303p. 1872 vi, 303p
188. J. S. Bach's 15 Two-Part Inventions with Harmonic Structure at Second Piano or Organ by Gustave L. Becker. Vol. 1: Nos. 1-5; Vol. 2: Nos. 6-10; Vol. 3: Nos. 11-15. - New York: Gustave L. Becker, [c.1925] 14, 15, 15p. Pl.-Nr.: S. & G. inc. 1161-15. [BWV 772-786] c 1925 14, 15, 15p
189. [Begeisterung über die geplante Herausgabe der Werke Bachs] Beethoven an Hoffmeister, 15. Jan. 1801. Zit. nach: Beethoven Briefe 1, Brief Nr. 54. 15 Jan 1801
190. [Bitte um Abschriften von der h-Moll-Messe und dem Wohltemperierten Klavier] Quelle: Ludwig van Beethoven an das Verlaghaus Breitkopf & Härtel in Leipzig, 15. Oktober 1810. Bonn, Beethoven-Haus. Sammlung H. C. Bodmer Br 92 und Br 91, Nachschrift. Zit. nach: Beethoven Briefe 2, Brief Nr. 474. [BWV 232, 846-893] 15 Oct 1810
191. [Bitte um eine Partitur der h-Moll-Messe] Quelle: Beethoven an Nägeli, 9. Sept. 1824. Zit. nach: Beethoven Briefe 5, Brief Nr. 1873. [BWV 232] 9 Sep 1824
192. [Danke für Erhalt der Motetten-Ausgabe] Quelle: Beethoven an Breitkopf & Härtel, 8. Apr. 1803. Zit. nach: Beethoven Briefe 1, Brief Nr. 133. 8 Apr 1803
193. [Pränumerant der Bach-Ausgabe] Quelle: Beethoven an Hoffmeister, 22. Apr 1801. Zit. nach: Beethoven Briefe 1, Brief Nr. 60. 22 Apr 1801
194. Resonant witness: Conversations between music and theology. Grand Rapids, MI: William B. Eerdmans, 2011. viii, 497p. ISBN: 0-8028-6277-2; 978-0-8028-6277-8. (= Calvin Institute of Christian Worship liturgical studies) [ce]ResonantWitness 2011 viii, 497p
195. 'Wir suchen Leute mit Ideen und Aussagekraft'. BachMag 27 2016 26-28
196. Actes du Colloque XVIIe, XIXe, XXIe siècles: Bruxelles--Carrefour européen de l'orgue. [actes du colloque international organisé à Bruxelles du 12 au 15 octobre 2000] édités par Jean Ferrard [Intro. by Claude Javeau]. - Bruxelles: Carrefour europeen de l'orgue. Bruxelles: Sic, 2003. x, 294p. ISBN: 2-960036-6-3. [cr]Brussels2000 2003 x, 294p
197. La Trente-Deuxième Cantate de Bach 'Liebster Jesu mein Verlangen'. Paris: Librairie Fischbacher, 1914. 52p. 1914 52p
198. Bach's Toccata and Fugue in D Minor, BWV 538: A Rhythmic/Metric Perspective. AmerOrganist(2) 25 3 Mar 1991 56-58
199. Buxtehude's passacaglia principle. RivistaAnalsiTeoriaM 20 1-2 2014 77–98
200. Musical-rhetorical figures in the 'Orgelbüchlein' of J.S. Bach. diss. 1985 diss. 1985
201. Musical-Rhetorical Figures in the Orgelbüchlein of J. S. Bach. [BWV 606, 614, 615, 625, 637, 644] Bach 18 1 Jan 1987 3-21
202. The treasons of image: Bach, irony, and Shostakovich's preludes and fugues, op. 87. PhD diss., Princeton University, 2004. 256p. - Ann Arbor, MI: University Microfilms International, 2004. ISBN: 0-496-70725-6. Dissertation No: 3123414. diss. 2004 256p
203. Music: A Mathematical Offering. Cambridge: Cambridge University Press, 2007. xiii, 411p. ISBN: 0521853877 (hardback);0521619998 (Paperback). 2007 xiii, 411p
204. Blomstrende vendinger. [Flourishing phrases] DanskMTidsskr 61 5 1987 224-228
205. Nogle tanker i relation til mit Tempererede Klaver bind I-XIII. [Thoughts in relation to my Tempererede Klaver, volumes I-XIII] DanskMTidsskr 73 2 Oct 1998 55-60
206. Žanr prinošenij v otecestvennoj muzyke konca XX veka. [cr]Moscow2014 2013 42-50
207. Bahovskij festival' v Lejpcige. [Bachfest in Leipzig] MuzykalnajaAkad 4 2004 210-213 Latin 2
208. B. L. Âborskij o 'Horošo temperirovannom klavire' I. S. Baha. [Boleslav Âvorskij on J. S. Bach's Das wohltemperirte Clavier] NaucnyeTrudy 56 2006 81-90 [ce]MuzykaIPropoved
209. Boleslav Javorskij o Horoso temperirovannom klavire. [Boleslav Yavorsky on the Das wohltemperirte Clavier] MuzykalnajaAkad 2 1993 117-124
210. Naši sovremenniki Bah i Gendel'. [Our contemporaries Bach and Handel] MuzykalnajaAkad 4 Winter 2006 202-205
211. Gomiletièeskie tradicii duhovnyh kantat I.S. Baha. [Homiletic traditions of J.S. Bach's sacred cantatas] Kand (Iskusstvovedenie), Nacional'na Muzycna Akademiâ Ukrajiny imeni P.I. Cajkovs'kogo, Kyjiv, 2000. 212p. - Ukraine: Muzyèna Ukrajina Kyjiv, 2008. 204p. ISBN: 978-966-8259-31-9. diss. 2000 212p Latin 2
212. Motety J. S. Bacha. [J.S.Bach's Motets] [ce]BachSovremennost 1985 111-123
213. Kak trubaèi naèispolnât' Baha: Opyt malen'koj lekcii [How trumpeters started to perform J.S. Bach: A short lecture] StarinnajaMuzyka 2:64 2014 22-31 Latin 2
214. Ingezonden: orgelmuziek voor en na Bach. HetOrgel 7 Apr 1930
215. Musicalia v pražském periodickém tisku 18. století. Výbìr aktuálních zpráv o hudbì. Zpracoval Jiøí Berkovec. - Praha: Státní knihovna ÈSR, nositelka Øádu republiky, 1989. c240p [Bach = p.134-5] 1989 c240p Latin 2
216. My a Bach. HudebniRozhledy 38 11 1985 513-514 Latin 2
217. Qvaestiones Ex Antithetica Theologia De Gemino Exinanitionis Et Exaltationis Statv Itemqve Tergemino Officio D. N. Iesv Christi Coll. Baieriano Theologiae Positivae Compendio ; Dispvtabvnt D. XI. Febrvar. A. Er. C. MDCCXXXIII. [Altdorf]: Meyerus, [1733]. [2] Bl., 32p. http://nbn-resolving.de/urn/resolver.pl?urn=urn:nbn:de:bvb:12-bsb00022453-7 1733 32p
218. Le trascrizioni per clavicembalo solo ed organo solo di Johann Sebastian Bach. [Johann Sebastian Bach's transcriptions for solo harpsichord and solo organ] HortusMusicus 2 8 2001 28-29
219. Etièeskoe muzykoznanie: Teatr bez kulis. [Ethical musicology: Theater without backstage--J.S. Bach's 'Coffee cantata' in artistic and historical context of its epoch] [fs]Levasev60 2009 Latin 2
220. V poiskah utraèennogo smysla: Boleslav Âvorskij o 'Horošo temperirovannom klavire' [In search of the lost content: Boleslav Âvorskij about Das wohltemperirte Clavier] - Moskva, izdatel'stvo 'Klassika-XXI', 2005. 372p. ISBN: 5-89817-126-6; 2nd ed. 2008. 371p. ISBN: 5-89817-198-3; 978-5-89817-198-8. 2005 372p Latin 2
221. Keldyševskie èteniâ--2005: Množestvennost' nauènyh koncepcij v muzykoznanii--K 60-letiû E.M. Levaševa. [Keldyševskie èteniâ--2005: The multiplicity of scholarly concepts in musicology--On the 60th birthday of E.M. Levašev] - Moskva: Kompozitor, 2009. 454p. ISBN: 5-85285-297-X; 978-5-85285-297-7. [fs]Levasev60 2009 454p Latin 2
222. Dissolving monotonality: Expressive modulation in two works by C.P.E. Bach. Integral 27 2013 53-105
223. Meine Begegnung mit Goethe und andern großen Zeitgenossen: Tagebuchblätter. Rudolf v. Beyer. Bearb. von Rudolf Schade - Berlin: Winckler, 1930. 192p. 1930 192p
224. Nekotorye materialy zarubeznyh muzykantov v Otdele rukopisej Rossijskoj Nacional'noj Biblioteki. [Materials of foreign musicians in the manuscript collection of the St. Petersburg Rossijskaja Nacional'naja Biblioteka] NaucnyeTrudy 31 2000 211-216
225. J.S. Bach: Capriccio sopra la lontananza del suo fratello dilettissimo, BWV 992. [J.S. Bach: Capriccio on the departure of his most beloved brother, BWV 992] [cr]Milano2001 2001 320
226. J.S. Bach: Concerto italiano, BWV 971. [cr]Milano2001 2001 320-323
227. J.S. Bach: Fantasia (con fuga incompiuta) in do minore, BWV 906. [cr]Milano2001 2001 327-328
228. J.S. Bach: Fantasia cromatica e fuga, BWV 903. [cr]Milano2001 2001 323-325
229. J.S. Bach: Fantasia e fuga in la minore, BWV 904. [cr]Milano2001 2001 325-327
230. J.S. Bach: Suite inglese n. 6 in re minore, BWV 811. [cr]Milano2001 2001 318-320
231. J.S. Bach: Toccate. [cr]Milano2001 2001 329-332
232. Ritmo e forma nelle partite di J.S. Bach. [Rhythm and form in the partitas of J.S. Bach] [cr]Milano2001 2001 47-65
233. Etcetera: L''Arte del canone'. Uno studio sul presiero canonico di J. S. Bach. [Et cetera: L''arte del canone': A study on J.S. Bach's concept of canon] NRivistaMItali 42 4 Oct-Dec 2008 421-464
234. Enkele gegevens betreffende maatsoorten en tempo in de eerste helft van de 18de eeuw. HetOrgel 81 6 Jun 1985 270-278
235. Maatsoorten en tempo in de eerste helft van de 18de eeuw, in het bijzonder in de orgelwerken van Johann Sebastian Bach. [Time signatures and tempo in the first half of the 18th century, especially in the organ works of Johann Sebastian Bach] KerkMLiturg 1 1988 191-239
236. The tempo in the first half of the 18th century, especially in the organ works of Johann Sebastian Bach. In: Jan van Biezen (ed.), Rhythm, metre and tempo in early music: Collected articles. Diemen: Uitgeverij AMB, 2013. 250p. ISBN: 978-90-79700-47-9. 2013
237. The Lutheran Chorales in the Organ Works of J. S. Bach. DMA diss., Arizona State Univ. 1985. 271p diss. 1985 271p
238. The Suzuki Approach to Teaching a Bach Minuet. Clavier 19 10 Dec 1980 34-35
239. De toonschildering in de Matthäus-Passion van Johann Sebastian Bach. Amsterdam: Stregholt: 1961, 48p. 1961 48p
240. Johann Sebastian Bach. (1685-1935). Amsterdam: Van Münster, 1935. vii, 101p. 1935 vii, 101p
241. The Solo Cantatas for Bass Voice by J. S. Bach: Analyses for Performance. PhD diss., Music Education. Faculty of George Peabody College for Teachers, Vanderbilt University, 1983. x, 104p diss. 1983 x, 104p
242. L'arabesque musicale: Un non-sens? Étude de l'applicabilité d'un concept debussyste à la musique du XVIIIe siècle. Musurgia 17 2 2010 21-39
243. The German Eighteenth Century: Marking Time. HarvardPubM 22 2008 3-15 [fs]CWolff
244. The Singing of Bach's Music. MWorldBoston 1 12 Jan 1902 167
245. Some 'New' Bach Documents in Eighteenth-Century Printed Sources. A Paper read at the 14th Biennial International Conference on Baroque Music held at Queen's University Belfast, 30 June-4 July 2010. [p]BICB_Belfast Jul 2010
246. Mozart and the Practice of Sacred Music, 1781-91. DPhil diss, Harvard University, 2007. xi, 455p. diss. 2007 xi, 455p
247. The Baroque Oboe d'amore. diss. - Los Angeles: University of California, 1981. 677p. diss. 1981 677p
248. Ästhetische Anschauung an der Grenze zwischen Literatur und Musik des frühen 18. Jahrhunderts: Die Rezeption von Johann Sebastian Bachs Dichtern zwischen Bachs Tod und heute. In: Dumiche, Béatrice; Baum, Richard; Haquette, Jean-Louis (eds.): Lectures françaises et allemandes du XVIIIe siècle/Deutsch-französische Interpretationen des 18. Jahrhunderts. Ed.; Bonn: Romanistischer, 2000. 324 pp. [pp. 295-324] 2000 295-324
249. Bach's world. Stony Brook: State University of New York. 1994, 8p. 1994 8p Latin 2
250. Music's intellectual history. [1st conference of the Répertoire International de Littérature Musicale; New York, NY; 2005] New York,NY: Répertoire International de Littérature Musicale, 2009. ix, 881p. ISBN: 1-932765-05-0; 978-1-932765-05-2. (= RILM perspectives, 1) [cr]NewYork2005 2009 ix, 881p Latin 2
251. Die Amalien-Bibliothek: Musikbibliothek der Prinzessin Anna Amalia von Preussen (1723-1787). Historische Einordnung und Katalog mit Hinweisen auf die Schreiber der Handschriften. Berlin: Verlag Merseburger, 1965. 364p (= Berliner Studien zur Musikwissenschaft, 8) BerlinerStMw 8 1965 364p
252. Die Amalien-Bibliothek. Musikbibliothek der Prinzessin Anna Amalia von Preußen (1723-1787). Historische Einordnung und Katalog mit Hinweisen auf die Schreiber der Handschriften. diss., Berlin, 1693. diss. 1963
253. High Camp, Straight Bach & Stravinsky. HiFiMAmer 17 11 Nov 1967 24f
254. Casals and the art of interpretation. Foreword by Antony Hopkins. London: Heinemann Educational, 1977. xvi, 223 p. 1977 xvi, 223p
255. Casals et l'art de l'interprétation. David Blum ; traduit de l'anglais par Christiane de Lisle ; préface de Paul Tortelier. - Paris: Buchet-Chastel, 1980. 262p. - repr. 2012 u.d.T.: Casals ou L'art de l'interprétation. 1980 262p
256. Musical pictures to the Deity. Music Matters: Bach. [referring to Albert Schweitzer's discussion of figures] Strad 104 1242 Oct 1993 930-931, 933-934
257. Pablo Casals und die Kunst der Interpretation. David Blum. Aus d. Engl. übertr. von Walter Kolneder und Peter J. Ammann; Foreword by Paul Tortelier. - Wilhelmshaven: Heinrichshofen, 1981. 320p. ISBN: 3-7959-0284-3; 978-3-7959-0284-1. 1981 320p
258. Bernd Alois Zimmermanns Nachlaß? [BWV 60] KölnBeitrMf 155 1989 97-105 [ce]Köln1987
259. O muzyke. Problemy analiza. [Cukkerman Festschrift] [On music. Problems of analysis.] Moskva: Sovetskij Kompozitor, 1974. 392p. (Festschrift zum 70. Geburtstag V. A. Zuckermanns) [fs]Zuckermann70 1974 392p
260. Bahovskij ucenik v rossijskih predelah. [The student of J.S. Bach in Russia] [Johann Gottfried Müthel] StarinnajaMuzyka 2 2002 14-15
261. Francuzskaja uvertjura v muzyke epohi barokko [French overture in Baroque music] Moskva: Prest, 1998. 148p. ISBN: 5-86203-074-3. 1998 148p
262. Uvertûra v epohu barokko: Issledovanie. [The Baroque overture: An examination] Moskva: Kompozitor, 2005. 280p. ISBN: 5-85285-821-8 2005 280p
263. Anglijskie sûity I.S. Baha: Stranicy istorii. [J.S. Bach’s English suites: Creation of the work] StarinnajaMuzyka 4:74 2016 8-15
264. Sjuita vs sonata v èpohu barokko. [Suite vs Sonata in the Baroque Era] VestnikStPetersburgUArts 10 2 2020 210-229
265. Aufforderung zur Stiftung einer Bach-Gesellschaft. NBerlinerMz 4 31 31 Jul 1850 241-242
266. Berlin. Musikalische Revue. [... am 30. October führte die Sing-Akademie die grosse H-moll-Messe von Seb. Bach, in ihrem Saale mit der Liebig'schen Kapelle vereint, auf. Dieses grossartige Tonwerk bietet auch für den geübtesten Gesangverein die grössten Schwierigkeiten dar, ohne dass man den Meister beschuldigen kann, er habe unpracticabel geschrieben. ...] NBerlinerMz 10 45 5 Nov 1856 355-356
267. Berlin. Revue. [Bach, J. S., Passion nach dem Evang. Johannis - Bachverein under Leitung des Vierling] NBerlinerMz 14 18 2 May 1860 140
268. Berlin. Revue. [Bach, J. S., Passion nach dem Evang. Matthäi] NBerlinerMz 14 15 11 Apr 1860 116
269. Berlin. Revue. [Bach, J. S., Passion nach dem Evang. Matthäi] NBerlinerMz 16 17 23 Apr 1862 131-132
270. Praeludien und Etüden von J.S. Bach, Bertini, Clementi, J.B. Cramer, J.N. Hummel für den Klavierunterricht an den oesterreich. Lehrerbildungs-Anstalten methodisch bearb., m. Fingersatz bezeichnet u. progressiv geordnet. 2 Hefte. - Wien: Gutmann [1883] à Mk 2 1883
271. Nemeckaja organnaja muzyka XIX veka i tradicija romanticeskogo bahianstva. [The 19th century German organ music and traditions of J.S. Bach's romanticism] Kand., Iskusstvov: Rossijskaja Akademija Muzyki im. Gnesinyh, Moskva, 2000. 21 p. diss. 2000 21p
272. Observations on Bach's Use of the Horn. Bach 11 2 Apr 1980 21-28
273. Corrigenda to Some observations on Bach's use of the horn. HornCallAnnual 2 1990 91-96
274. Justus Friedrich Wilhelm Zacharia's Die Pilgrime auf Golgotha: A Passion oratorio libretto. ArsLyrica 6 1992 87-102
275. Observations on Bach's Use of the Horn. Bach 11 3 Jul 1980 9-23
276. Some Observations on Bach's Use of the Horn. HornCallAnnual 1 1989 59-83
277. Strum and Drang: A Reappraisal of Its Musical and Literary Roots. A paper read at the AMS / CMS / SEM / SMT Vancouver Annual Meetings, 7-10 November 1985. [p]AMS_Vancouver Nov 1985
278. Arias and chamber cantatas / Carl Philipp Emanuel Bach Edited by Bertil van Boer. - Los Altos, CA: Packard Humanities Institute, 2010. xxiv, 8, 160p. ISBN: 978-1-933280-43-1. (= Carl Philipp Emanuel Bach: The Complete Works. Series VI: Songs and vocal chamber music, Volume 6) [Klopstocks Morgengesang am Schöpfungsfeste, Wq 239; Trauungs-Cantate, H 824a; Arias: Edle Freiheit, Götterglück (Wq 211/1), Himmels Tochter, Ruh der Seelen (Wq 211/2), Reiche bis zum Wolkensitze (Wq 211/3), D'amor per te languisco (Wq 213), Fürsten sind am Lebensziele (Wq 214); Chamber Cantatas: Phyllis und Thirsis (Wq 232); Der Frühling (Wq 237); Selma (Wq 236)] [Wq.239, H 824a, Wq 211/1, 211/2, 213, 214, 232, 237, 236] CPEBachCW 6 4 2010 xxiv, 8, 160p
279. Geschichte des Oberlausitzischen Adels und seiner Güter 1635-1815. Görlitz: Oberlausitzische Gesellschaft der Wissenschaften; Görlitz: Verlagsanstalt Görlitzer Nachrichten u. Anzeiger, 1912-23. (Bd. 1, 1912, 961p.; Bd. 2, 1913, 1027p.; Bd. 3, 1919, 730p.; Bd. 4, 1923, 365p.) 1912 961p, 1027p, 730p, 365p
280. Analiz nekotorych fug Bacha. [Analyse einiger Fugen von Bach.] [ce]Bogatyrev 1972 29-52
281. Brandenburgskij koncert Bacha Nr.2, I èast. [Das 2. Brandenburgische Konzert Bachs, 1. Satz.] [ce]Bogatyrev 1972 23-28 Latin 2
282. Issledovanija Stati Vospominanija. Sbornik Statej. Moskva: Sovetskij kompozitor 1972. [ce]Bogatyrev 1972
283. [Übersending einer Bach-Handschrift] Boineburg an Forkel. D-B, Mus.ms. autogr. Bach P 226. [BWV 831] 6 Dec 1799
284. Das Weimar Johann Sebastian Bachs. Zur Erinnerung an den 8. April 1703. Mit einem Bilde: Die Schlosskirche zur Zeit Bachs. Weimar: Hermann Böhlaus, 1903. 50p 1903 50p
285. Žanr instrumentalnoij arii v klavirnych konzertach J. S. Bacha (k voprosu ob ispolnitelskoj traktovke). [Das Genre der instrumentalen Arie in J. S. Bachs Klavierkonzerten (zur Frage der Interpretationsauffassung)] MusitschneMisteztwo 3 2003 185-192 [cr]Ukraine2000
286. Regole del contrapunto, et compositione. Casale, 1595. - Foromech. Nachdr. [der Ausg. 1595] Bologna, 1971. xiv, 71p. (= Antiquae musicae Italicae, monumenta Brixiensia,4) 1595 71p
287. Bach and Handel in Elysium. MBook 7 1952 285-287
288. Bach and the Organ. MTimes 92 1299 May 1951 220-221
289. [article on Bach] CourrierM 37 3 1 Feb 1935
290. Selecting dots, connecting dots: The score anthology as history. JMHistPedag 1 2 Spring 2011 77-91
291. Historia musica, nella quale si ha piena cognitione della teorica, e della pratica antica della musica harmonica, seconda la dottrina de Greci ... Gio. Andrea Angelini Bontempi - Perugia, 1695. 1695
292. Aria aus der Pfingst-Cantate / Joh. Seb. Bach. Publ. par Hans de Bülow. - Berlin & Posen: Ed. Bote & G. Bock, [1860] 3-10p. Pl.-Nr.: B.& B. 5453. (= Collection Oeuvres classiques. Joh. Seb. Bach. Oeuvres choisies pour le Piano avec doigté et indications sur l'Exécution publiées par van Boom, H. de Bulow, H. Krigar, Fr. Kullak, etc., No. 8) [BWV 68/2 arr., in Es dur] OeuvChoisiesPiano 8 c 1860 10p
293. A proposito del 'violoncello piccolo' di Bach. [Apropos of Bach's violoncello piccolo.] RivistaItaliMcol 8 1 1973 113-131
294. Master klavirnogo koncerta. [The master of keyboard concerto] [cr]Moscow2014 2017 99-114
295. Principy orkestrovogo myslenija I.S. Baha. [Principles of orchestral thinking of J.S. Bach] MA thesis, Nacional'na Muzycna Akademija Ukrajiny im Cajkovs'kogo, Kyjiv, 1998. 20 p. diss. 1998 20p
296. O Largo iz koncerta fa minor dlâ klavira s orkestrom I.S. Baha. [On Largo from J.S. Bach's concerto in F-Minor for keyboard and orchestra] [BWV 1056] Fortepiano 3-4:65-66 2014 33-39 Latin 2
297. Bah Petra Anderševskogo. [Bach according to Piotr Anderszewski] Fortepiano 1-2: 59-60 2013 26-30 Latin 2
298. Ferruèèo Buzoni i Leopol'd Godovskij: Èskiz dvojnogo portreta. [Ferruccio Busoni and Leopold Godowsky: The sketch to a double portrait] In: Nonna Pavlovna Tolstyh, Vladimir Petroviè Èinaev, and Dmitrij Nikolaeviè Èasovitin (eds.), Muzykal'no-ispolnitel'skoe i pedagogièeskoe iskusstvo XIX-XX vekov: Idei, liènosti, školy. II. - Moskva: Gosudarstvennaâ Konservatoriâ imeni P.I. Èajkovskogo, 2013. 480p. ISBN: 5-89598-291-3; 978-5-89598-291-4. pp.105-132. 2013 105-132 Latin 2
299. Jesu, joy of man's desiring: chorale from cantata no. 147 / J. S. Bach. Arranged for piano solo by Alexander Borovsky. - Kobenhavn: Hansen, c1958. 5p. Best.-Nr.: Wilhelm Hansen Ed. 4034. Pl.-Nr. 27655. [BWV 147/10] 1958 5p
300. Stil'ova evolûcìâ simvolìki 'pasìonnostì': Baroko ta romantizm. [Stylistic evolution of 'Passion' symbolism: Baroque and Romanticism] Kand, Iskusstvovedenie. Deržavna Akademìâ ìmenì A.V. Neždanovoï, Odesa, 2010. 267p. diss. 2010 267p
301. La famiglia et la scuola Bach. In: Storia dell'Organo. Construzione dell'Organo. Gli Organisti e la Musica per Organo (estratto dal Metodo teorico-pratico per Organo). Milano: A. & G. Carisch & C., n.d., 57-58 c 1940 57-58
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