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| Type | List | Author | Title [further info  ] | Series | Vol | No | Year | Pages | Status |
|---|---|---|---|---|---|---|---|---|---|
 | 1. | Aarden, Bret; Von Hippel, Paul | Rules for Chord Doubling (and Spacing): A Reply To Wibberley. | MTheoryOnline | 10 | 3 | |||
| | 2. | Aarden, Bret; Von Hippel, Paul | Rules for chord doubling (and spacing): Which ones do we need? | MTheoryOnline | 10 | 2 | |||
 | 3. | Abadie, Daniel; Georget, Maryvonne | Hartung et la musique. | 72p | |||||
 | 4. | Abdullina, Galina Vadimovna | Desātye Bahovskie čteniā v Sankt-Peterburge. | Musicus(Russia) | 4:13 | 66-67 | |||
| | 5. | Abdullin, Rubin Kabirovič (ed.) | Iz pedagogičeskogo opyta Kazanskoj konservatorii: Proloe i nastojačee. | [ce]KazanConservatory | 376p | ||||
 | 6. | Abeele, H. V. | Johann Sebastian Bach gezinshoofd & kind van zijn tijd. | Adem | 38 | 4 | 178-182 | ||
| | 7. | Abravanel, Claude | A Checklist of Music Manuscripts in Facsimile Edition. | Notes | 34 | 3 | 557-570 | ||
| | 8. | Abravaya, Ido | A French overture revisited: another look at the two versions of BWV 831. | EarlyM | 25 | 1 | 47-58, 60-61 | ||
 | 9. | Abravaya, Ido | Bach's tempo practices: tempo changes. | [p]BICB_Manchester | |||||
| | 10. | Abravaya, Ido | Bach's tempo practices, the tempo theories of his time -- and ours. | OrbisMusicae | 13 | 81-90 | |||
| | 11. | Abravaya, Ido | J.S. Bach's wedding quodlibet, BWV 524. | MinAd | 13 | 51-61 | |||
| | 12. | Abravaya, Ido | On Bach's Rhythm and Tempo. | BochumArbMw | 4 | 232p | |||
 | 13. | Abravaya, Ido | Studies of Rhythm and Tempo in the Music of J. S. Bach. | diss. | xv, 318p | ||||
| | 14. | Abravaya, Ido | The Baroque upbeat: outline of its typology and evolution. | IrishMStud | 8 | 17-28 | |||
| | 15. | Abyzova, Elena Nikolaevna | Nekotorye voprosy tematizma i formy skripichnyh koncertov I. S. Baha. | VoprosyTM | 3 | 237-271 | |||
| | 16. | [Accardo, Salvatore] | Neapolitan Son. | Strad | 119 | 1414 | 26-29 | ||
| | 17. | Adamov, Norbert | Post-Modern Concept of Bach in Slovakia: 250 Years After. | CompostelaPrize | 2 | 245-252 | |||
| | 18. | Adams, David William | 'Modern' Organ Style in Karl Straube's Reger Editions. | diss. | xiv, 222p | ||||
| | 19. | Agafonova, Tat'āna | 'Kak horoso, cto Bah opjat' stal zloboj dnja' | Fortepiano | 1 | 16-17 | |||
| | 20. | Ahrens, Christian; Diercke, Sven | Johann Theodor Roemhildt (1684-1756). Werkverzeichnis. | JbBachWoche_Dillenburg | 17-127 | ||||
 | 21. | Aijón, David Bruno (ed.) | The Well-Tempered Clavier I / BACH | vi, 123p | |||||
| | 22. | Alain, Olivier (ed.) | 14 canons BWV 1087 sur la basse Goldberg / J. S. Bach ; version 3(a) en sextuor ą cordes. | 8p | |||||
| | 23. | Alain, Olivier (ed.) | 14 canons BWV 1087 sur la basse Goldberg / J. S. Bach ; version 3(b) pour deux claviers. | 12p | |||||
| | 24. | Alain, Olivier (ed.) | 14 canons BWV 1087 sur la basse Goldberg / J. S. Bach ; version 3(c) pour trio ą cordes et clavier. | 8p | |||||
| | 25. | Alain, Olivier (ed.) | 14 canons BWV 1087 sur la basse Goldberg / texte original J. S. Bach ; et réalisation Olivier Alain. | 9p | |||||
| | 26. | Alain, Olivier (ed.) | 14 canons sur la basse Goldberg ; BWV 1087 / J. S. Bach. | 12p | |||||
| | 27. | Alain, Olivier | Bach. | 125p | |||||
| | 28. | Alain, Olivier | Bach. | 96p | |||||
| | 29. | Alain, Olivier | Johann Sebastian Bach. | 127p | |||||
| | 30. | Alain, Olivier | Un supplément inédit aux 'Variations Goldberg' de J. S. Bach. | RevueMcol | 61 | 2 | 244-294 | ||
| | 31. | Alain, Olivier; Alain, Marie-Claire, Schack, Hans | L'oeuvre d'orgue de Jean-Sébastien Bach. | 111, 19p | |||||
| | 32. | Albrecht, Michael von; Schubert, Werner (eds.) | Musik in Antike und Neuzeit. | QuellenStMgesAntikeGegenw | 1 | 348p | |||
| | 33. | Alekseeva, Irina | Nekotorye osobennosti tematizma passakalii barokko. | [ce]SemantikaStarinnogoUrteksta | 54-70 | ||||
| | 34. | Alekseeva, Irina Vasil'evna | Basso-ostinato i ego rol' v tekstovoj organizacii instrumental'noj muzyki Zapadnoevropejskogo barokko. | ||||||
| | 35. | Alevizos, Konstantinos | Formes cachées d'organisation rythmique dans le Contrapunctus iv (BWV 1080, 4) de L'Art de la Fugue. | Musicologie | 15 | ||||
| | 36. | Alevizos, Konstantinos | Hidden Forms of Inversion (Mirror) inside the Contrapunctus 'in stylo francese' of The Art of Fugue of Johann Sebastian Bach (BWV 1080, 6). | [p]BICB_Salzburg | |||||
| | 37. | Alevizos, Konstantinos | L'Art de la fugue de Johann Sebastian Bach: la structure morpholo- gique du contrapunctus iv (BWV 1080, 4): une fugue postérieure. | Musicologie | 15 | ||||
| | 38. | Alevizos, Konstantinos | Le concept de matrice dans L'Art de la Fugue de Johann Sebastian Bach. | diss. | |||||
| | 39. | Alevizos, Konstantinos | Parameters of Stretto Use inside the Contrapunctus 5 of the Art of Fugue by Johann Sebastian Bach (BWV 1080, 5). | RevueMO | 6 | 1 | 142-159 | ||
| | 40. | Alevizos, Konstantinos | Re-ordering 'The Art of Fugue'? A new, analytical point of view. | [p]BICB_Canterbury | |||||
| | 41. | Alevizos, Konstantinos | The rhythmic segments in the Cp. iv in the Art of Fugue of Johann Sebastian Bach. | [p]BICB_Southampton | |||||
| | 42. | Alfaya, Javier | Prismas: Bach y el cine. | Scherzo(Spain) | 211 | ||||
| | 43. | Alfeyev, Hilarion | On music and faith. | SacredM | 138 | 1 | 32-42 | ||
| | 44. | Alikova, Zoja | Osobennosti fug v sonatah I.-S. Baha: Vzaimodejstvie polifoničeskih i gomofoničeskih principov formoobrazovanija. | diss. | 23p | ||||
| | 45. | Alkan, Ch. V. (arr.) | Sonate, clavecin et flūte: 2e partie, Siciliano / J. S. Bach. | 3p | |||||
| | 46. | Alker, David | Academy of Ancient Music's Bach at St John's. | MOpinion | 125 | 1428 | |||
| | 47. | Alker, David | J. S. Bach. - Passions in a Fashion... | Organ | 81 | 321 | 8-9 | ||
| | 48. | Alker, David | St Matthew Passion at St John's. | MOpinion | 126 | 1435 | |||
| | 49. | Alkon, Elena Meerovna | Ideā ravnomernosti i eė voplos^enie v Horoo temperirovannom klavire I.S. Baha: K probleme vybora tempa ispolneniā. | [cr]Moskva2010 | 228-243 | ||||
| | 50. | Alkon, Elena Meerovna | Igra form v bahovskoj fuge. | Muzykovedenie | 10 | 42-52 | |||
| | 51. | Allanbrook, Wye J.; Levy, Janet M.; Mahrt, William P. (eds.) | Convention in Eighteenth- and Nineteenth-Century Music: Essays in honor of Leonard G. Ratner. | FestschriftSer | 10 | xxi, 548p | |||
| | 52. | Allen-Russell, Ann van | A conspiracy of composers: J.C. Bach and C.F. Abel vs. Longman & Lukey. | [p]IMS_Leuven | |||||
| | 53. | Allen-Russell, Ann van | Conspiracy of Composers: The Chancery Suits J. C. Bach and C. F. Abel Brought against Longman and Lukey. | [p]AMS_Houston | |||||
| | 54. | Allen-Russell, Ann van | 'For instruments not intended': J. C. Bach resolves a point of orchestration. | [p]RMA_Huddersfield | |||||
| | 55. | Allen-Russell, Ann van | 'For instruments not Intended': The Second J.C. Bach Lawsuit. | MLetters | 83 | 1 | 3-29 | ||
| | 56. | Allen-Russell, Ann van | Wind Orchestration in the Music of Johann Christian Bach, 1762-1782: Studies in Structure, Texture and Form. | diss. | 608p | ||||
| | 57. | Almazov, Pavel Valentinovič | Lūtnā v tvorcestve I.S. Baha: Na materiale rukopisej. | Muzykovedenie | 10 | 26-35 | |||
| | 58. | Almazov, Pavel Valentinovič | Proizvedeniā I.S. Baha dlā lūtni solo: Istocnikovedceskij aspekt issledovaniā. | [cr]Moscow2012 | 272-277 | ||||
| | 59. | Almazov, Pavel Valentinovič | Sūita BWV 1006a I.S. Baha: Tekstologičeskij aspekt issledovaniā | Muzykovedenie | 7 | 22-28 | |||
| | 60. | Almeida, Tereza Virginia de (ed.) | Corpos em tensćo: feminino, masculino e barroco no espetįculo Bach. | RevistaEstudosFeministas | 11 | 1 | |||
| | 61. | Alvensleben, Gebhard von | Ueber die Idee dramatischen Fortgangs und Zusammenhangs im Oratorium. Bei Gelegenheit der Aufführung des 'Moses' von A. B. Marx. | NZsfM | 16 | 17 | 65-67 | ||
| | 62. | Alvini, Laura | [Clavier-Sonaten / Carl Philipp Emanuel Bach.] | MonumentaMR | 7 | [7] | 14p | ||
| | 63. | Amerongen, Martin van | Zijn bliksem, zijn donder: over de Mattheus-Passie van Johann Sebastian Bach. | 126p | |||||
| | 64. | Anderson, Ames; Backer, Bruce; Backus, David; Luedtke, Charles (eds.) | Perspectives on Organ Playing and Musical Interpretation: pedagogical, historical, and instrumental studies: a festschrift for Heinrich Fleischer at 90. | VeröffGOrgelfreunde | 191 | x, 195p | |||
 | 65. | Andre, Gustavus | J. Seb. Bach's Grand Mass In B Minor, For two Sopranos, Alto, Tenor, Bass, and full Orchestras. | MWorld | 8 | 97 (NS.1/3) | 47 | ||
| | 66. | Andrijanov, Nikolaj | Osobenosti na charmoničnija ezik v chorovoto tvorčestvo na J. S. Bach | 341p | |||||
| | 67. | Angi, Istvan | A csucspontok esztetikuma J.S. Bach passioiban. | Iskolakultura | 11-12 | 2-18 | |||
| | 68. | Anisimov, A. | Mir čtit Bacha. Bachovskie dni v Lejpcige. | SovetskajaM | 10 | 91-97 | |||
| | 69. | Appel, Bernhard R.; Veit, Joachim (eds.) | Editionsrichtlinien Musik. | MwArb | 30 | x, 428p | |||
| | 70. | Arkad'ev, Mihail Aleksandrovič | Hronoartikuljacionnye struktury v klavirnom tvorcestve I.S. Baha. | MuzykalnajaAkad | 2 | 2-13 | |||
| | 71. | Arkad'ev, Mihail Aleksandrovič | Hronoartikulācionnye struktury novoevropejskoj muzyki i fundamental'nye problemy ritma. | diss. | 360p | ||||
| | 72. | Arkad'ev, Mihail Aleksandrovič | Metroritm i artikulāciā v tvorčestve Baha. | Israel21 | 2 | ||||
| | 73. | Arkin, David | The twenty Children of Johann Sebastian Bach. | 40p | |||||
| | 74. | Arlettaz, Vincent | Lutry: Les Folles Journées Bach. | RevueMSuisseRomande | 69 | 1 | 56-57 | ||
| | 75. | Arnswaldt, W. K. v. | Beiträge zur Geschichte der Kupferschmiedefamilie Schramm aus Ohrdruf. | Tafel 13 | |||||
| | 76. | Aronovskij, Mark | Bahovedenie v Sankt-Peterburge. | MuzykalnajaAkad | 3 | 84-88 | |||
| | 77. | Arsenault, Valerie Prebys | A Pedagogical Edition and Performer's Guide to J. S. Bach's Cello Suites (BWV 1007--1010) transcribed for the violin. | diss. | 92p | ||||
| | 78. | Aslanivili, alva S. | Die zwei- und dreistimmigen Inventionen J. S. Bachs. | 172p | |||||
| | 79. | Aslanivili, alva S. | Principy formoobrazovanija fug I. S. Bacha. (Choroo temperirovannyi klavir.) | 86p | |||||
| | 80. | Asperen, Bob van | A New Froberger Manuscript. | J17cM | 13 | 1 | |||
| | 81. | Asperen, Bob van | Frobergeriana. Neue Erkenntnisse über die 'Allemande, faite en passant le Rhin'. | Concerto | 21 | 191, 192 | 25-28; 27-30 | ||
| | 82. | Asselin, Pierre-Yuves | Musique et Tempérament. Théorie et pratique de l'accord ą l'ancienne. | 235p | |||||
| | 83. | Atkins, Ivor | Bach's Organ Music. | MTimes | 63 | 956 | 685-689 | ||
| | 84. | Atkins, Ivor (arr.) | CHORAL WEDDING POSTLUDE / JOHANN SEBASTIAN BACH. | 5p | |||||
| | 85. | Atkins, Ivor (ed.) | COME, REDEEMER OF OUR RACE (Nun komm, der heiden Heiland) Erste Composition. CANTATA for soprano, tenor, and bass soli, chorus and orchestra by J. S. BACH. | 23p | |||||
| | 86. | Atkins, Ivor (ed.) | Jesus Sleeps, What Hope Remaineth? = (Jesus schläft, was soll ich hoffen?): Cantata for alto, tenor and bass soli, chorus, and orchestra / by J. S. Bach. | 27p | |||||
| | 87. | Atkins, Ivor (ed.) | Ready be, my soul, alway: cantata for the twenty-second Sunday after Trinity, for SATB soli, chorus and orchestra / by J. S. Bach. | 27p | |||||
| | 88. | Atkins, Ivor (ed.) | The chorale preludes. Orgelbüchlein (Little organ book). | OrgWorks(Novello) | 15 | xii, 123p | |||
| | 89. | Atkins, Ivor (ed.) | The chorales used in the organ works of Bach. | OrgWorks(Novello) | 20 | 91p | |||
| | 90. | Atkins, Ivor (ed.) | THE LORD IS A SUN AND SHIELD: CANTATA for soprano, alto and bass soli, chorus, and orchestra. Composed for the Leipzig Reformation Festival of 1735 by J. S. BACH. | 35p | |||||
| | 91. | Atkins, Ivor (ed.) | The passion of our Lord according to Saint John / set to music by John Sebastian Bach. | v, 149p | |||||
| | 92. | Atkins, Ivor; Diack, John Michael (arr.) | Psalm CXXI, for chorus and semi-chorus. | 30p | |||||
| | 93. | Atkins, Ivor; Diack, John Michael (arr.) | The Hundredth Psalm: For semi-chorus, chorus and orchestra / Bach. | 32p | |||||
| | 94. | Atkins, Ivor; Elgar, Edward | St. Matthew Passion. | MTimes | 52 | 824 | 643-645 | ||
| | 95. | Atkins, Ivor; Emery, Walter (eds.) | Orgelbüchlein (Little organ book) | OrgWorks(Novello) | 15 | [rev] | xii, 123p | ||
| | 96. | Audéon, Hervé (ed.) | Romain Rolland musicologue: Célébration du cent cinquantičme anniversaire de la naissance de Romain Rolland. | [fs]Rolland150 | 202p | ||||
| | 97. | Austin, Jack Vosseller | Johann Sebastian Bach: an Appreciation. | diss. | 53p | ||||
| | 98. | Avanzini, Giuliano; Lopez, Luisa; Koelsch, Stefan; Majno, Maria (eds.) | The neurosciences and music. II: From perception to performance. Annals of the New York Academy of Sciences. | AnnNYAcadSci | 1060 | xii, 490p | |||
| | 99. | Avanzi, Pietro | Breve introduzione al basso continuo [1]. | Musicaaa | 5 | 14 | 9-14 | ||
| | 100. | Avanzi, Pietro | Breve introduzione al basso continuo [2]. | Musicaaa | 5 | 15 | 26-30 | ||
| | 101. | Avanzi, Pietro | Breve introduzione al basso continuo [3]. | Musicaaa | 6 | 16 | 25-30 | ||
| | 102. | Aveling, Claude (ed.) | The passion according to Saint Matthew by John Sebastian Bach. | 27p | |||||
| | 103. | Aveling, Claude (ed.) | The passion according to Saint Matthew by John Sebastian Bach. | 38p | |||||
| | 104. | Aveling, Claude; Kretzschmar, Hermann (eds.) | The Passion according to St. Matthew / Joh. Seb. Bach. | 36p | |||||
| | 105. | Avenary, Hanoch | Formal Structure of Psalms and Canticles in early Jewish and Christian Chant. | MusicaDisciplina | 7 | 1-58 | |||
| | 106. | Aversano, Luca | Leipzig--Mailand hin und zurück: Die internationalen Beziehungen zwischen Ricordi und Breitkopf & Härtel als Weg zur Geburt von Nationalismen. | [p]IWS_Leipzig | |||||
| | 107. | Avignon, Jean (arr.) | Sicilienne / J. S. Bach. | 3p | |||||
| | 108. | Avison, Charles | An Essay on Musical Expression. | 138p | |||||
| | 109. | Azevedo, Luiz Heitor Corrźa de; Cherbuliez, Antoine-Elisée | L'adaptation du folklore brésilien au style de J.S. Bach selon la thčse de Villa-Lobos. | JIFolkMCouncil | 9 | 29-31 | |||
| | 110. | Babin, Victor (arr.) | FIFTH SONATA in C major / J. S. BACH | 39, 39p | |||||
| | 111. | Babin, Victor (arr.) | FIRST SONATA in Eb major / J. S. BACH | 15, 15p | |||||
| | 112. | Babin, Victor (arr.) | FOURTH SONATA in E minor / J. S. BACH | 24, 24p | |||||
| | 113. | Babin, Victor (arr.) | SECOND SONATA in C minor / J. S. BACH | 24, 24p | |||||
| | 114. | Babin, Victor (arr.) | SIXTH SONATA in G major / J. S. BACH | 32, 32p | |||||
| | 115. | Babin, Victor (arr.) | THIRD SONATA in D minor / J. S. BACH | 28, 28p | |||||
| | 116. | Bach, Carl Philipp Emanuel; Agricola, Johann Friecrich; Mizler, Lorenz; Venzky, Georg | 'Nekrolog' di Johann Sebastian Bach e cantata funebre. | [ce]MusicaPoetica | 227-240 | ||||
| | 117. | Bach, Govert Jan | Govert Jan Bach over Maarten Luther en Johann Sebastian Bach: Twee grensverleggers--Een hoorcollege vol muziekfragmenten. | 54p | |||||
 | 118. | Bach, Govert Jan | Govert Jan Bach über Martin Luther und Johann Sebastian Bach: zwei grenzüberschreitende Genies: ein Hörbuch mit Musikfragmenten. | 11 | 4 CDs + 55p | ||||
| | 119. | Bach, Vincent | Bach's Brandenburg Concerto No. 2: who can play the trumpet part? | Instrumentalist | 15 | 94-96 | |||
| | 120. | Backus, David | Die 'recht schöne und große Orgel' von Johann Sebastian Bach. | ArsOrgani | 54 | 1 | 22-24 | ||
| | 121. | Backus, David | Ein Zeitzeuge charakterisiert Bachs Orgelspiel. | ArsOrgani | 58 | 4 | 260-261 | ||
| | 122. | Backus, David | Karl Straue und das Dritte Reich. | [ce]800JThomana | 281-297 | ||||
| | 123. | Backus, David | Wie sollte man Bachs Orgelwerke aufführen und wie mag Bach selbst gespielt haben? | ArsOrgani | 56 | 3 | 161-164 | ||
| | 124. | Backus, David; Holzapfel, Hubert; Arand, Andreas | Ein Zeitzeuge charakterisiert Bachs Orgelspiel. II. | ArsOrgani | 59 | 2 | 123 | ||
| | 125. | Backus, David; Kopf, Gudrun | Bediente sich Bach einer 'Weichschuh-Tecknik'? | ArsOrgani | 57 | 3 | 179-181 | ||
| | 126. | Badiarov, Dmitry | The Violoncello, Viola da spalla and Viola pomposa in theory and practice. | GalpinSocJ | 60 | 121-145 | |||
| | 127. | Badiarov, Dmitry | Yomigaeru 'Katakake Cello'. Violoncello da Spalla. Kakucho suru Barokku Cello no Teigi. | BCJ | 71 | 32-36 | |||
| | 128. | Badura-Skoda, Eva | Aspects of Performance Practice. | [ce]18cKeyboardM | 33-67 | ||||
| | 129. | Badura-Skoda, Eva | C.P.E. Bach und der Hammerflügel. | CPEBachKonzepteSR | 2 | 392-405 | |||
| | 130. | Badura-Skoda, Eva | Did J. S. Bach Compose 'Pianoforte Concertos'? | Bach | 31 | 1 | 1-16 | ||
| | 131. | Badura-Skoda, Eva | Die 'Clavier'-Musik in Wien zwischen 1750 und 1770. | StMw(BeihDTÖ) | 35 | 65-88 | |||
| | 132. | Badura-Skoda, Eva | Kielflugel und Hammerflugel bei Bach und Mozart. | JbBachWoche_Dillenburg | 143-152 | ||||
| | 133. | Badura-Skoda, Eva | Komponierte J. S. Bach 'Hammerklavier-Konzerte'? | BachJb | 77 | 159-171 | |||
| | 134. | Badura-Skoda, Eva | Nouvelle compréhension de l'histoire du piano de Domenico Scarlatti ą Franz Schubert. | [fs]Kastner | 127-139 | ||||
| | 135. | Badura-Skoda, Eva | Vom Pedalcembalo zum Fortepiano pedale. | CöthenerBachH | 8 | 73-82 | |||
| | 136. | Badura-Skoda, Eva | Über nötige und unnötige Auszierungen in Mozarts Klavierkonzerten. | DokGewandhausGes | 9 | 47-49 | |||
| | 137. | Bahr, Robert von | BIS-Sha no 25-shunen Kinen ni atatte. Shacho Robert von Bahr shi kara no Message. | BCJ | 35 | 26-27 | |||
| | 138. | Bajahunov, B. Ja. | O vyrazitel'nosti intermedij fugi (opyt mnogostorannego analiza intermedij v fuge nr. I 'Iskusstvo fugi' Bacha). | Muzykoznanie | 4 | 144-154 | |||
| | 139. | Balaova, I. | Barocnaja preljudija v istorii evoljucii anra. | MusitschneMisteztwo | 3 | 140-148 | |||
| | 140. | Baldassare, Salvatore Saverio | Aus Köln. (From our Original Correspondent.) | MWorld | 47 | 18 | 305 | ||
| | 141. | Baldassare, Salvatore Saverio | Aus Köln. (From our Original Correspondent.) | MWorld | 47 | 14 | 234 | ||
| | 142. | Baldassare, Salvatore Saverio | Aus Köln (From our own correspondent). | MWorld | 46 | 16 | 269-270 | ||
| | 143. | Baldassare, Salvatore Saverio | To Henderson, Rait & Fenton, Esquires (Cologne, 18 june). | MWorld | 45 | 26 | 432-433 | ||
| | 144. | Baldassare, Salvatore Saverio | To Jules Benedict, Esq. | MWorld | 45 | 10 | 303 | ||
| | 145. | Ballman, Christine; Dufour, Valérie (eds.) | 'La la la... Maistre Henri': Mélanges de musicologie offerts ą Henri Vanhulst. | [fs]Vanhulst | 496p | ||||
| | 146. | Ballovį, Luba | 'Castor et Pollux' - eine neuentdeckte Oper von Johannes Patzelt aus dem Jahre 1743. | [cr]Leipzig1985 | 361-366 | ||||
| | 147. | Bantock, Granville (ed.) | Air in C minor: from French suites no. 2 / J. S. Bach. | 3p | |||||
| | 148. | Bantock, Granville (arr.) | Air on the G string. (Suite no. 3, D major) / J. S. Bach. | 4p | |||||
| | 149. | Bantock, Granville (arr.) | Aria from Suite (No.3) in D. Words by Helen F. Bantock ; Music by BACH. | 4p | |||||
| | 150. | Bantock, Granville (arr.) | Aria from the Suite, No. 3. Piano Solo / Bach. | 3p | |||||
| | 151. | Bantock, Granville (arr.) | Choral-Variation Wachet auf, ruft uns die Stimme aus der Kantate Nr. 140 für Orchester / Joh. Seb. Bach | PartBib | 2136 | 8p | |||
| | 152. | Bantock, Granville (arr.) | Chorus from Cantata 140: 'Wachet auf' = 'Sleepers wake' / J. S. Bach. | [ce]BachBookForCohen | 1 | [1]-4 | |||
| | 153. | Bantock, Granville (arr.) | Sheep may safely graze. From cantata No. 208 by J.S. Bach. | 8p | |||||
| | 154. | Bantock, Granville (arr.) | Sheep may safely graze. Piano Solo. Aria from cantata No. 208 by Bach. | 5p | |||||
| | 155. | Bantock, Granville (arr.) | Sleepers wake ... | ||||||
| | 156. | Bantock, Granville (arr.) | Toccata and Fugue in D minor. Piano solo / J. S. Bach. | 11p | |||||
| | 157. | Baranova, Irina (ed.) | Donato musicologica. | [ce]DonatoMusicologica | 145p | ||||
| | 158. | Baranova, Irina Nikolaevna | Kompozitorskaā tehnika kak znak: Sbornik statej k 90-letiū so dnā rodeniā Ūzefa Gejmanoviča KonaMaterialy Ūbilejnoj naučnoj konferencii. | [fs]Kon90 | 403p | ||||
| | 159. | Baranova, Tatjana | Iskusstvo fugi J. S. Bacha v ispolnenii organista S. Diira. | MuzykalnajaZizn | 4 | 5 | |||
| | 160. | Baranova, Tatjana (ed.) | Starinnaja muzyka v kontekste sovremennoj kultury: Problemy interpretacii i istocnikovedenija. | [ce]StarinnajaMuzyka | 573p | ||||
| | 161. | Barber, David W. | Bach, Beethoven and the Boys: Music History As It Ought to be Taught. | 146p | |||||
| | 162. | Barker, Frank Granville | Bach at Oxford. | MMusicians | 11 | 12 | 7-8 | ||
| | 163. | Barna, Istvįn | Johann Sebastian Bach életének kronikįja. | NaprolNapra | 11 | 230p | |||
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| | 166. | Barsova, Inna Alekseevna | Bah--ėnberg: Dve horal'nye prelūdii I.S. Baha v orkestrovoj obrabotke A. ėnberga | NaucnyeTrudy | 60 | 167-197 | |||
| | 167. | Barsova, Inna Alekseevna | Gustav Maler: Sūita iz orkestrovyh proizvedenij I. S. Baha. | NaucnyeTrudy | 44 | 213-230 | |||
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| | 169. | Barthe, Vincent | Les enjeux de la modernité dans la musique orchestrale de J.S. Bach. Réflexions sur le Concertos Brandebourgeois. | OstinatoRigore | 16 | 341-353 | |||
| | 170. | Bauch, Volker (ed.) | Jauchzet, frohlocket. Das Weihnachtsoratorium von Johann Sebastian Bach. | 64p | |||||
| | 171. | Baud-Bovy, Samuel | L'Interprétation rythmique des Ouvertures pour orchestre de J. S. Bach. | SchweizerischeMz | 84 | 5 | 181-184 | ||
| | 172. | Bavington, Peter | A maker's secrets revealed: restoration of a 1784 clavichord by C. G. Hoffmann. | DeClavicordio | 4 | 187-201 | |||
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| | 175. | Bazzana, Kevin | Glenn Gould: The Performer in the Work: A Study in Performance Practice. | xxi, 297p | |||||
| | 176. | Bazzana, Kevin | Listening to Glenn Gould: Johann Sebastian Bach. | GlennGould | 6 | 1 | 9-16 | ||
| | 177. | Beach, David; Thym, Jurgen (trans.) | The Art of Strict Musical Composition / Johann Philipp Kirnberger. | xix, 423p | |||||
| | 178. | Beach, David W. | Analyzing Bach and how Bach actually wrote. | JSchenkerStud | 3 | 211-221 | |||
| | 179. | Beach, David W. | Aspects of Unity in J. S. Bach's Partitas and Suites: An Analytical Study. | EastmanStudM | 33 | xiii, 92p | |||
| | 180. | Beach, David W. | Bach's Partita No. 1 in Bb, BWV 825: Schenker's Unpublished Sketches with Commentary and Alternative Readings. | MTheorySpec | 30 | 1 | 1-34 | ||
| | 181. | Beach, David W. | The Origins of Harmonic Analysis. | JMTheory | 18 | 2 | 274-306 | ||
| | 182. | Beach, David W. | The submediant as third divider: Its representation at different structural levels. | 309-335 | |||||
| | 183. | Beach, David W.; Goldenberg, Yosef (eds.) | Bach to Brahms: Essays on musical design and structure. | EastmanStudM | 122 | 326p | |||
| | 184. | Beach, David W.; Mak, Su-yin (eds.) | Explorations in Schenkerian analysis. | EastmanStudM | 136 | xii, 359p | |||
| | 185. | Beach, David W.; Thym, Jurgen | The True Principles for the Practice of Harmony by Johann Philip Kirnberger. | JMTheory | 23 | 2 | 163-226 | ||
| | 186. | Beaucaire, Vicomte H de | Une Misalliance dans la maison de Brunswick. | ||||||
| | 187. | Beaulieu-Marconnay, Carl Freiherrn von | Ernst August, Herzog von Sachsen-Weimar-Eisenach (1688 - 1748): kulturgeschichtlicher Versuch. | vi, 303p | |||||
| | 188. | Becker, Gustave L. (ed.) | J. S. Bach's 15 Two-Part Inventions with Harmonic Structure at Second Piano or Organ | 14, 15, 15p | |||||
| | 189. | Beethoven, Ludwig van | [Begeisterung über die geplante Herausgabe der Werke Bachs] | ||||||
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| | 197. | Belval, Maurice (pseudonyme: Maubel, Henri) | La Trente-Deuxičme Cantate de Bach 'Liebster Jesu mein Verlangen'. | 52p | |||||
| | 198. | Benitez, Vincent P. | Bach's Toccata and Fugue in D Minor, BWV 538: A Rhythmic/Metric Perspective. | AmerOrganist(2) | 25 | 3 | 56-58 | ||
| | 199. | Benitez, Vincent P. | Buxtehude's passacaglia principle. | RivistaAnalsiTeoriaM | 20 | 1-2 | 7798 | ||
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| | 202. | Bennett, Evan | The treasons of image: Bach, irony, and Shostakovich's preludes and fugues, op. 87. | diss. | 256p | ||||
| | 203. | Benson, David J. | Music: A Mathematical Offering. | xiii, 411p | |||||
| | 204. | Bentzon, Niels Viggo | Blomstrende vendinger. | DanskMTidsskr | 61 | 5 | 224-228 | ||
| | 205. | Bentzon, Niels Viggo | Nogle tanker i relation til mit Tempererede Klaver bind I-XIII. | DanskMTidsskr | 73 | 2 | 55-60 | ||
| | 206. | Berak, Olga Leonidovna | anr prinoenij v otecestvennoj muzyke konca XX veka. | [cr]Moscow2014 | 42-50 | ||||
| | 207. | Bercenko, Roman Eduardovic | Bahovskij festival' v Lejpcige. | MuzykalnajaAkad | 4 | 210-213 | |||
| | 208. | Bercenko, Roman Eduardovic | B. L. Āborskij o 'Horoo temperirovannom klavire' I. S. Baha. | NaucnyeTrudy | 56 | 81-90 | |||
| | 209. | Bercenko, Roman Eduardovic | Boleslav Javorskij o Horoso temperirovannom klavire. | MuzykalnajaAkad | 2 | 117-124 | |||
| | 210. | Bercenko, Roman Eduardovic | Nai sovremenniki Bah i Gendel'. | MuzykalnajaAkad | 4 | 202-205 | |||
| | 211. | Berdennikova, Ekaterina Mihajlovna | Gomiletičeskie tradicii duhovnyh kantat I.S. Baha. | diss. | 212p | ||||
| | 212. | Berdennikov, M. | Motety J. S. Bacha. | [ce]BachSovremennost | 111-123 | ||||
| | 213. | Berezin, Valerij Vladimirovič | Kak trubači načispolnāt' Baha: Opyt malen'koj lekcii | StarinnajaMuzyka | 2:64 | 22-31 | |||
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| | 215. | Berkovec, Jiųķ | Musicalia v praském periodickém tisku 18. stoletķ. | c240p | |||||
| | 216. | Berkovec, Jiųķ | My a Bach. | HudebniRozhledy | 38 | 11 | 513-514 | ||
| | 217. | Bernhold, Johann Balthasar; Mizler von Kolof, Lorenz Christoph | Qvaestiones Ex Antithetica Theologia De Gemino Exinanitionis Et Exaltationis Statv Itemqve Tergemino Officio D. N. Iesv Christi Coll. Baieriano Theologiae Positivae Compendio ; Dispvtabvnt D. XI. Febrvar. A. Er. C. MDCCXXXIII. | 32p | |||||
| | 218. | Bertolini, Vittorio | Le trascrizioni per clavicembalo solo ed organo solo di Johann Sebastian Bach. | HortusMusicus | 2 | 8 | 28-29 | ||
| | 219. | Berčenko, Roman Eduardovič | Etičeskoe muzykoznanie: Teatr bez kulis. | [fs]Levasev60 | |||||
| | 220. | Berčenko, Roman Eduardovič | V poiskah utračennogo smysla: Boleslav Āvorskij o 'Horoo temperirovannom klavire' | 372p | |||||
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| | 222. | Beverburg Reale, Haley | Dissolving monotonality: Expressive modulation in two works by C.P.E. Bach. | Integral | 27 | 53-105 | |||
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| | 224. | Bezuglova, Irina Fedotovna | Nekotorye materialy zarubeznyh muzykantov v Otdele rukopisej Rossijskoj Nacional'noj Biblioteki. | NaucnyeTrudy | 31 | 211-216 | |||
| | 225. | Bietti, Giovanni | J.S. Bach: Capriccio sopra la lontananza del suo fratello dilettissimo, BWV 992. | [cr]Milano2001 | 320 | ||||
| | 226. | Bietti, Giovanni | J.S. Bach: Concerto italiano, BWV 971. | [cr]Milano2001 | 320-323 | ||||
| | 227. | Bietti, Giovanni | J.S. Bach: Fantasia (con fuga incompiuta) in do minore, BWV 906. | [cr]Milano2001 | 327-328 | ||||
| | 228. | Bietti, Giovanni | J.S. Bach: Fantasia cromatica e fuga, BWV 903. | [cr]Milano2001 | 323-325 | ||||
| | 229. | Bietti, Giovanni | J.S. Bach: Fantasia e fuga in la minore, BWV 904. | [cr]Milano2001 | 325-327 | ||||
| | 230. | Bietti, Giovanni | J.S. Bach: Suite inglese n. 6 in re minore, BWV 811. | [cr]Milano2001 | 318-320 | ||||
| | 231. | Bietti, Giovanni | J.S. Bach: Toccate. | [cr]Milano2001 | 329-332 | ||||
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| | 233. | Bietti, Giovanni; Bizzi, Giacarlo | Etcetera: L''Arte del canone'. Uno studio sul presiero canonico di J. S. Bach. | NRivistaMItali | 42 | 4 | 421-464 | ||
| | 234. | Biezen, Jan van | Enkele gegevens betreffende maatsoorten en tempo in de eerste helft van de 18de eeuw. | HetOrgel | 81 | 6 | 270-278 | ||
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| | 236. | Biezen, Jan van | The tempo in the first half of the 18th century, especially in the organ works of Johann Sebastian Bach. | ||||||
| | 237. | Bighley, Mark Steven | The Lutheran Chorales in the Organ Works of J. S. Bach. | diss. | 271p | ||||
| | 238. | Bigler, Carol; Valery, Lloyd-Watts | The Suzuki Approach to Teaching a Bach Minuet. | Clavier | 19 | 10 | 34-35 | ||
| | 239. | Bijl, Theo van der | De toonschildering in de Matthäus-Passion van Johann Sebastian Bach. | 48p | |||||
| | 240. | Bijl, Theo van der | Johann Sebastian Bach. | vii, 101p | |||||
| | 241. | Bingham, Davis Blair | The Solo Cantatas for Bass Voice by J. S. Bach: Analyses for Performance. | diss. | x, 104p | ||||
| | 242. | Bisaro, Xavier | L'arabesque musicale: Un non-sens? Étude de l'applicabilité d'un concept debussyste ą la musique du XVIIIe sičcle. | Musurgia | 17 | 2 | 21-39 | ||
| | 243. | Blackbourn, David | The German Eighteenth Century: Marking Time. | HarvardPubM | 22 | 3-15 | |||
| | 244. | Blackburn, Vernon | The Singing of Bach's Music. | MWorldBoston | 1 | 12 | 167 | ||
| | 245. | Black, David | Some 'New' Bach Documents in Eighteenth-Century Printed Sources. | [p]BICB_Belfast | |||||
| | 246. | Black, David Ian | Mozart and the Practice of Sacred Music, 1781-91. | diss. | xi, 455p | ||||
| | 247. | Blake, Cevedra Marc | The Baroque Oboe d'amore. | diss. | 677p | ||||
| | 248. | Blanchard, Olivier | Ästhetische Anschauung an der Grenze zwischen Literatur und Musik des frühen 18. Jahrhunderts: Die Rezeption von Johann Sebastian Bachs Dichtern zwischen Bachs Tod und heute. | 295-324 | |||||
| | 249. | Blazekovic, Zdravko; [Blaekovię] | Bach's world. | 8p | |||||
| | 250. | Blaekovię, Zdravko; Mackenzie, Barbara Dobbs (eds.) | Music's intellectual history. | [cr]NewYork2005 | ix, 881p | ||||
| | 251. | Blechschmidt, Eva Renate | Die Amalien-Bibliothek: Musikbibliothek der Prinzessin Anna Amalia von Preussen (1723-1787). Historische Einordnung und Katalog mit Hinweisen auf die Schreiber der Handschriften. | BerlinerStMw | 8 | 364p | |||
| | 252. | Blechschmidt, Eva Renate | Die Amalien-Bibliothek. Musikbibliothek der Prinzessin Anna Amalia von Preußen (1723-1787). Historische Einordnung und Katalog mit Hinweisen auf die Schreiber der Handschriften. | diss. | |||||
| | 253. | Blevens, Winfred | High Camp, Straight Bach & Stravinsky. | HiFiMAmer | 17 | 11 | 24f | ||
| | 254. | Blum, David | Casals and the art of interpretation. | xvi, 223p | |||||
| | 255. | Blum, David | Casals et l'art de l'interprétation. | 262p | |||||
| | 256. | Blum, David | Musical pictures to the Deity. | Strad | 104 | 1242 | 930-931, 933-934 | ||
| | 257. | Blum, David | Pablo Casals und die Kunst der Interpretation. | 320p | |||||
| | 258. | Blumröder, Christoph von | Bernd Alois Zimmermanns Nachlaß? | KölnBeitrMf | 155 | 97-105 | |||
| | 259. | Bobrovskij, Viktor; Golovinskij, Grigorij L. (eds.) | O muzyke. Problemy analiza. [Cukkerman Festschrift] | [fs]Zuckermann70 | 392p | ||||
| | 260. | Bocarov, Jurij | Bahovskij ucenik v rossijskih predelah. | StarinnajaMuzyka | 2 | 14-15 | |||
| | 261. | Bocarov, Jurij | Francuzskaja uvertjura v muzyke epohi barokko | 148p | |||||
| | 262. | Bocarov, Urij Semenovic | Uvertūra v epohu barokko: Issledovanie. | 280p | |||||
| | 263. | Bocarov, Ūrij Semenovic | Anglijskie sūity I.S. Baha: Stranicy istorii. | StarinnajaMuzyka | 4:74 | 8-15 | |||
| | 264. | Bocharov, Yuri S. | Sjuita vs sonata v čpohu barokko. | VestnikStPetersburgUArts | 10 | 2 | 210-229 | ||
| | 265. | [Bock, Gustav] | Aufforderung zur Stiftung einer Bach-Gesellschaft. | NBerlinerMz | 4 | 31 | 241-242 | ||
| | 266. | [Bock, Gustav] | Berlin. Musikalische Revue. | NBerlinerMz | 10 | 45 | 355-356 | ||
| | 267. | [Bock, Gustav] | Berlin. Revue. | NBerlinerMz | 14 | 18 | 140 | ||
| | 268. | [Bock, Gustav] | Berlin. Revue. | NBerlinerMz | 14 | 15 | 116 | ||
| | 269. | [Bock, Gustav] | Berlin. Revue. | NBerlinerMz | 16 | 17 | 131-132 | ||
| | 270. | Bocklet, Heinrich von | Praeludien und Etüden von J.S. Bach, Bertini, Clementi, J.B. Cramer, J.N. Hummel für den Klavierunterricht | ||||||
| | 271. | Bockova, Tat'jana | Nemeckaja organnaja muzyka XIX veka i tradicija romanticeskogo bahianstva. | diss. | 21p | ||||
| | 272. | Boer, Bertil Herman van Jr. | Observations on Bach's Use of the Horn. | Bach | 11 | 2 | 21-28 | ||
| | 273. | Boer, Bertil H. van, Jr. | Corrigenda to Some observations on Bach's use of the horn. | HornCallAnnual | 2 | 91-96 | |||
| | 274. | Boer, Bertil H. van, Jr. | Justus Friedrich Wilhelm Zacharia's Die Pilgrime auf Golgotha: A Passion oratorio libretto. | ArsLyrica | 6 | 87-102 | |||
| | 275. | Boer, Bertil H. van, Jr. | Observations on Bach's Use of the Horn. | Bach | 11 | 3 | 9-23 | ||
| | 276. | Boer, Bertil H. van, Jr. | Some Observations on Bach's Use of the Horn. | HornCallAnnual | 1 | 59-83 | |||
| | 277. | Boer, Bertil H. van, Jr. | Strum and Drang: A Reappraisal of Its Musical and Literary Roots. | [p]AMS_Vancouver | |||||
| | 278. | Boer, Bertil van (ed.) | Arias and chamber cantatas / Carl Philipp Emanuel Bach | CPEBachCW | 6 | 4 | xxiv, 8, 160p | ||
| | 279. | Boetticher, Walter von | Geschichte des Oberlausitzischen Adels und seiner Güter 1635-1815. | 961p, 1027p, 730p, 365p | |||||
| | 280. | Bogatyrėv, Semėn S. | Analiz nekotorych fug Bacha. | [ce]Bogatyrev | 29-52 | ||||
| | 281. | Bogatyrėv, Semėn S. | Brandenburgskij koncert Bacha Nr.2, I čast. | [ce]Bogatyrev | 23-28 | ||||
| | 282. | Bogatyrėv, Semėn S. | Issledovanija Stati Vospominanija. Sbornik Statej. | [ce]Bogatyrev | |||||
| | 283. | Boineburg, Christoph Ernst Abraham von | [Übersending einer Bach-Handschrift] | ||||||
| | 284. | Bojanowski, Paul von | Das Weimar Johann Sebastian Bachs. Zur Erinnerung an den 8. April 1703. Mit einem Bilde: Die Schlosskirche zur Zeit Bachs. | 50p | |||||
| | 285. | Bojkov, V.; Rjazanceva, L. | anr instrumentalnoij arii v klavirnych konzertach J. S. Bacha (k voprosu ob ispolnitelskoj traktovke). | MusitschneMisteztwo | 3 | 185-192 | |||
| | 286. | Bona, Valerio | Regole del contrapunto, et compositione. | 71p | |||||
| | 287. | Bonavia, Ferruccio | Bach and Handel in Elysium. | MBook | 7 | 285-287 | |||
| | 288. | Bonavia-Hunt, N. A. | Bach and the Organ. | MTimes | 92 | 1299 | 220-221 | ||
| | 289. | Bondeville, Emmanuel | [article on Bach] | CourrierM | 37 | 3 | 
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| | 290. | Bonds, Mark Evan | Selecting dots, connecting dots: The score anthology as history. | JMHistPedag | 1 | 2 | 77-91 | ||
| | 291. | Bontempi, Giovanni Angelini | Historia musica, nella quale si ha piena cognitione della teorica, e della pratica antica della musica harmonica, seconda la dottrina de Greci ... | ||||||
| | 292. | Boom, Jan van (arr.) | Aria aus der Pfingst-Cantate / Joh. Seb. Bach. | OeuvChoisiesPiano | 8 | 10p | |||
| | 293. | Boringhieri, Gustavo | A proposito del 'violoncello piccolo' di Bach. | RivistaItaliMcol | 8 | 1 | 113-131 | ||
| | 294. | Borkovskaā, Dar'ā Aleksandrovna | Master klavirnogo koncerta. | [cr]Moscow2014 | 99-114 | ||||
| | 295. | Borodavkin, Sergej | Principy orkestrovogo myslenija I.S. Baha. | diss. | 20p | ||||
| | 296. | Borodin, Anton Borisovič | O Largo iz koncerta fa minor dlā klavira s orkestrom I.S. Baha. | Fortepiano | 3-4:65-66 | 33-39 | |||
| | 297. | Borodin, Boris Borisovič | Bah Petra Anderevskogo. | Fortepiano | 1-2: 59-60 | 26-30 | |||
| | 298. | Borodin, Boris Borisovič | Ferruččo Buzoni i Leopol'd Godovskij: Čskiz dvojnogo portreta. | 105-132 | |||||
| | 299. | Borovsky, Alexander (arr.) | Jesu, joy of man's desiring: chorale from cantata no. 147 / J. S. Bach. | 5p | |||||
| | 300. | Borulāk, Al'ona Miroslavģvna | Stil'ova evolūcģā simvolģki 'pasģonnostģ': Baroko ta romantizm. | diss. | 267p | ||||
| | 301. | Bossi, Enrico; Tebaldini, Giovanni | La famiglia et la scuola Bach. | 57-58 |
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