Bach Bibliography Search Result

Author : Tatlow, Ruth
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Type	List	Title [further info]	Series	Vol	No	Year	Pages	Status
		[]
	1.	Bach & Friends: Three Reviews of Muchael Lawrence's New Film. http://www.americanbachsociety.org/Newsletters/BachNotes13.pdf	BachNotesABS		13	Fall 2010	1-4
	2.	Report of the 14th Biennial Conference on Baroque Music. http://www.bachnetwork.co.uk/ub5/report.pdf	UnderstandingBach	5		2010	99-103
	3.	Bach Network UK -- latest report: New Directions in Bach Studies: Second J S Bach Dialogue Meeting [9-10 December 2006 in Oxford]	BachNotesLBS			Mar 2007	[5]
	4.	Bach: Advent Cantatas BWV 61, 36, 62. John Eliot Gardiner/Monteverdi/English Baroque Soloists: Deutsche Grammophon 463 588-2(5) (October 2000)				2000
	5.	Bach and Numbers.	BachCantataPilgrimage	2		2000	97-102
	6.	Bach and the Riddle of the Number Alphabet. Cambridge University Press, 1991. 186p				1991	186p
	7.	Bach: Ascension Cantatas BWV 11, 128, 37, 43. John Eliot Gardiner/Monteverdi/English Baroque Soloists: Deutsche Grammophon 463 583-2(0) (May 2000)				2000
	8.	Bach: Cantatas 3rd Sunday after Epiphany BWV 72, 73, 111, 156. John Eliot Gardiner/Monteverdi/English Baroque Soloists: Deutsche Grammophon 463 582-2(2) (April 2000)				2000
	9.	Bach: Cantatas for 11th Sunday after Trinity BWV 113, 179, 199. John Eliot Gardiner/Monteverdi/English Baroque Soloists: Deutsche Grammophon 463 591-2(9) (November 2000)				2000
	10.	Bach: Cantatas for 9th Sunday after Trinity BWV 105, 94, 168. John Eliot Gardiner/Monteverdi/English Baroque Soloists: Deutsche Grammophon 463 590-2() (November 2000)				2000
	11.	Bach: Cantatas for the New Year and for 21st and 23rd Sundays after Trinity BWV 16, 98, 139. John Eliot Gardiner/Monteverdi/English Baroque Soloists: Deutsche Grammophon 463 586-2(7) (September 2000)				2000
	12.	Bach: Cantatas for the Visitation of Mary and 27the Sunday after Trinity BWV 140, 147. John Eliot Gardiner/Monteverdi/English Baroque Soloists: Deutsche Grammophon 463 587-2(6) (September 2000)				2000
	13.	Bach: Christmas Cantatas BWV 63, 64, 121, 133. John Eliot Gardiner/Monteverdi/English Baroque Soloists: Deutsche Grammophon 463 589-2(4) (October 2000)				2000
	14.	Bach: Easter Cantatas BWV 6 and 66. John Eliot Gardiner/Monteverdi/English Baroque Soloists: Deutsche Grammophon 463 580-2(3) (February 2000).				2000
	15.	Bach: Feast of the Purification of the Blessed Virgin Mary BWV 82, 83, 125, 200. John Eliot Gardiner/Monteverdi/English Baroque Soloists: Deutsche Grammophon 463 585-2(8) (July 2000)				2000
	16.	Bach: Funeral Cantatas BWV 106, 118, 198. John Eliot Gardiner/Monteverdi/English Baroque Soloists: Deutsche Grammophon 463 581-2(2) (March 2000)				2000
	17.	Bach no Ango: Kazu to Sozo no Himitsu. [Bach's Secret Codes: Secret of Number and Creation] Trans. (of 'Bach and the Riddle of the Number Alphabet') by Natsuki Mori. - Tokyo: Seidosha, 2011. 311, 63p. ISBN 978-4-7917-6587-4.				2011	311, 63p
	18.	Bach's Numbers? Proportional parallelism and its implications for musicology. A paper read at the Annual meetings of American Musicological Society and the Society for Music Theory in Nashville, 6-9 November 2008.	[p]AMS_Nashville			Nov 2008		AbstractsPapersAMSoc pp.155-6
	19.	Bach's parallel proportions and their implications, illustrated by the Six solos for violin, the Leipzig organ chorales and the Musical Offering. A Paper read at the Biennial Meeting of the American Bach Society 'BACH AND THE ORATORIO TRADITION', May 8-11, 2008, Lehigh University, Bethlehem, Pennsylvania	[p]ABS_Bethlehem			May 2008
	20.	Bach's Parallel Proportions and the Qualities of the Authentic Bachian Collection.	DortmundBachF	8		2009	135-156	[cr]Dortmund2004
	21.	Bach: Whitsun Cantatas BWV 34, 59, 74, 172. John Eliot Gardiner/Monteverdi/English Baroque Soloists: Deutsche Grammophon 463 584-2(9) (June 2000)				2000
	22.	Buttstett-Mattheson dispute and its implication for Bach Studies. A paper read at the Fourth International J. S. Bach Dialogue Meeting 'New Directions in Bach Studies' at Faculty of Music, University of Oxford, 3-4 January 2009.	[p]BNUK_Oxford			Jan 2009
	23.	Challenging Virtuality: A Personal Reflection.	BachNotesABS		16	Spring 2012	5-6
	24.	Collections, bars and numbers: Analytical coincidence or Bach's design? http://www.bachnetwork.co.uk/ub2/tatlow.pdf	UnderstandingBach	2		2007	37-58
	25.	Collections, bars and numbers: Analytical coincidence or Bach's design? A paper read at the Second J. S. Bach Dialogue Meeting 'New Directions in Bach Studies' at Faculty of Music, University of Oxford, 9-10 December 2006.	[p]BNUK_Oxford			Dec 2006
	26.	Demystifying Myths: Bach and his Use of Numbers. A paper read at the 13th biennial international conference on Baroque music, held at University of Leeds from 2 to 6 July 2008.	[p]BICB_Leeds			Jul 2008
	27.	Discovering New and Recovering Old Methods for Bach Studies. A paper read at the Fifth Johann Sebastian Bach Dialogue Meeting at Loretto and Edinburgh, 12-14 August 2011.	[p]BNUK_Edinburgh			Aug 2011
	28.	J. S. Bach and the Baroque Paragram: A Reappraisal of Friedrich Smend's Number-Alphabet Theory. (c) Oxford University Press 1989. With amendments from Music and Letters, Vol.70, No. 2 (May 1989), pp. 191-205.	Bach	20	3	Fall 1989	15-33
	29.	J. S. Bach and the Baroque Paragram: A Reappraisal of Friedrich Smend's Number Alphabet Theory.	MLetters	70	2	Apr 1989	191-205
	30.	Narratives of Number in the Neumeister Chorales. A Paper read at the 15th Biennial International Conference on Baroque Music held at Southampton University, 11-15 July 2012.	[p]BICB_Southampton			Jul 2012
	31.	N för Numerologi.	TidigMusik		3	2007	18-19
	32.	N is for 'Numerology'. http://www.bbc.co.uk/radio3/bach/bachatozn.shtml				2005
	33.	Numerical Ordering in Bach's B-minor Mass. Unpublished and revised paper given at the colloquium 'Bach's B Minor Mass: Perspectives on its music and history' in Oxford on 19 December 2000, with author's postscript.	[cr]Belfast2007	2		2007	435-445
	34.	Numerical ordering in Bach's church cantatas. Papers read at 'Musical Intersections': American Musicological Society at University of Toronto on 3 November 2000.	[p]AMS_Toronto			Nov 2000
	35.	Parallel Proportions, Final Revisions and the Status of Manuscript P 180.	[cr]Belfast2007	1		2007	118-136
	36.	Pre-compositional ordering in Bach's B Minor Mass. a paper given at the colloquium 'Bach's B Minor Mass: Perspectives on its music and history' in the Holywell Music Room, Oxford, 19 December 2000	[p]IS_Oxford			Dec 2000
	37.	Report on the Fifth Johann Sebastian Bach Dialogue Meeting. Reports. http://www.bachnetwork.co.uk/ub6/DM5-Report%20UB6.pdf	UnderstandingBach	6		2011	61-65
	38.	Report on the Third J. S. Bach Dialogue Meeting: New Directions in Bach Studies. http://www.bachnetwork.co.uk/ub3/DIALOGUE REPORT.pdf	UnderstandingBach	3		2008	109-111
	39.	Text, the Number Alphabet and Numerical Ordering in Bach's Church Cantatas.	DortmundBachF	3		2002	121-133
	40.	The Goblet of Anise: A Case Study. A Paper read at the 14th Biennial International Conference on Baroque Music held at Queen's University Belfast, 30 June-4 July 2010.	[p]BICB_Belfast			Jul 2010
	41.	The Use and Abuse of Fibonacci Numbers and the Golden Section in Baroque Music. A paper read at the 12th biennial international conference on Baroque music, held at Warsaw University from 26 to 30 July 2006.	[p]BICB_Warsaw			Jul 2006
	42.	The Use and Abuse of Fibonacci Numbers and the Golden Section in Musicology Today. http://www.bachnetwork.co.uk/ub1/tatlow.pdf	UnderstandingBach	1		2006	69-85
	43.	The Use and Abuse of the Fibonacci Sequence, The Golden Section and The Divine Proportion in Musicology Today: With particular application to Bach Studies. A paper read at Fifth International Symposium 'Understanding Bach through Science, Art and Criticism', Oxford, 17-18 December 2001 organised by Tureck Bach Research Foundation, Faculty of Music, Oxford University.	[p]IS_Oxford			Dec 2001
	44.	Towards a theory of Bach's Pre-compositional Style. Paper read at the 2nd Dortmunder Bach-Symposions, 21-24 January 1998.	[p]BS_Dortmund			Jan 1998
	45.	When the Theorists are Silent: Mattheson, Bach and the Development of Historically Informed Analytical Techniques. In: What kind of theory is music theory? Epistemological Exercises in Music Theory and Analysis. (= Acta Universitatis Stockholmiensis. Stockholm; Studies in Musicology, 1). Stockholm: Stockholm University, 2007, pp.203-216.				2007	203-216
	46.	Der literarische Gebrauch der Alphabetzahlen zur Zeit Bachs.	BulTheolBachF	1		1988	157-180
	47.	LUSUS POETICUS VEL MUSICUS. Johann Sebastian Bach. The Baroque Paragram and Frederich Smend's theory of a musical Number Alphabet. PhD diss., London U., King's Col. 1987.	diss.			1987
	48.	Towards a Theory of Bach's Pre-compositional Style.	DortmundBachF	2		1999	19-36