Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Abramowitz, Jonathan | A Performance Edition of the 'Drei Sonaten für Clavier und Viola da Gamba' of J. S. Bach. |
diss. |
| | 1973 |
|
|
| 2. | Alberti, J. (ed.) | Geist des Musikalischen Kunstmagazins von Johann Friederich Reichardt. |
|
| | 1791 |
xxi, 195p |
|
| 3. | Barnett, Joan | Wilhelm Friedemann Bach: An analytical study of selected solo keyboard works. |
diss. |
| | 1990 |
136p |
|
| 4. | Barnett, John Francis | Musical reminiscences and impressions. |
|
| | 1906 |
xvi, 341p |
|
| 5. | Barnett, John Francis; Potter, Cipriani (eds.) | The Student's Edition of Forty-eight Preludes and Fugues, by J. Sebastian Bach. |
|
| | c 1860 |
231p |
|
| 6. | Beckwith, J. | The Toronto Bach Society. |
CanadianMJ |
4 | | Herbst 1959 |
34-37 |
|
| 7. | Benedicto, José Feito | Entrevista con Mischa Maisky: Bach, amor y fantasía. |
CDCompact |
17 | 171 | Dec 2003 |
|
|
| 8. | Bennett, Joseph | Sonnets to the Masters: Bach. |
MTimes |
32 | 576 | 1 Feb 1891 |
85 |
|
| 9. | Bennett, Joseph | The great composers. No. XVII. Sebastian Bach (Concluded from page 646) [VII] |
MTimes |
26 | 514 | 1 Dec 1885 |
706-709 |
|
| 10. | Bennett, Joseph | The great composers. No. XVII. Sebastian Bach (Continued from page 325) [II] |
MTimes |
26 | 509 | 1 Jul 1885 |
390-393 |
|
| 11. | Bennett, Joseph | The great composers. No. XVII. Sebastian Bach (Continued from page 393). [III] |
MTimes |
26 | 510 | 1 Aug 1885 |
461-465 |
|
| 12. | Bennett, Joseph | The great composers. No. XVII. Sebastian Bach (Continued from page 465). [IV] |
MTimes |
26 | 511 | 1 Sep 1885 |
519-522 |
|
| 13. | Bennett, Joseph | The great composers. No. XVII. Sebastian Bach (Continued from page 522). [V] |
MTimes |
26 | 512 | 1 Oct 1885 |
581-584 |
|
| 14. | Bennett, Joseph | The great composers. No. XVII. Sebastian Bach. [VI] |
MTimes |
26 | 513 | 1 Nov 1885 |
642-646 |
|
| 15. | Bennett, Joseph | The great composers. No. XVI. Sebastian Bach. [I] |
MTimes |
26 | 508 | 1 Jun 1885 |
322-325 |
|
| 16. | Bennett, Joseph | The great composers, sketched by themselves. No. VI. Mendelssohn (Concluded from page 167). [XIII] |
MTimes |
21 | 447 | 1 May 1880 |
222-225 |
|
| 17. | Bennett, Joseph | The great composers, sketched by themselves. No. VI. Mendelssohn (Continued from page 121). [XII] |
MTimes |
21 | 446 | 1 Apr 1880 |
164-167 |
|
| 18. | Bennett, Joseph | The great composers, sketched by themselves. No. VI. Mendelssohn (Continued from page 15). [X] |
MTimes |
21 | 444 | 1 Feb 1880 |
62-64 |
|
| 19. | Bennett, Joseph | The great composers, sketched by themselves. No. VI. Mendelssohn (Continued from page 257). [II] |
MTimes |
20 | 436 | 1 Jun 1879 |
302-305 |
|
| 20. | Bennett, Joseph | The great composers, sketched by themselves. No. VI. Mendelssohn (Continued from page 305). [III] |
MTimes |
20 | 437 | 1 Jul 1879 |
359-362 |
|
| 21. | Bennett, Joseph | The great composers, sketched by themselves. No. VI. Mendelssohn (Continued from page 362). [IV] |
MTimes |
20 | 438 | 1 Aug 1879 |
415-418 |
|
| 22. | Bennett, Joseph | The great composers, sketched by themselves. No. VI. Mendelssohn (Continued from page 418). [V] |
MTimes |
20 | 439 | 1 Sep 1879 |
474-477 |
|
| 23. | Bennett, Joseph | The great composers, sketched by themselves. No. VI. Mendelssohn (Continued from page 477). [VI] |
MTimes |
20 | 440 | 1 Oct 1879 |
517-520 |
|
| 24. | Bennett, Joseph | The great composers, sketched by themselves. No. VI. Mendelssohn (Continued from page 520). [VII] |
MTimes |
20 | 441 | 1 Nov 1879 |
574-577 |
|
| 25. | Bennett, Joseph | The great composers, sketched by themselves. No. VI. Mendelssohn (Continued from page 577). [VIII] |
MTimes |
20 | 442 | 1 Dec 1879 |
635-638 |
|
| 26. | Bennett, Joseph | The great composers, sketched by themselves. No. VI. Mendelssohn (Continued from page 638). [IX] |
MTimes |
21 | 443 | 1 Jan 1880 |
11-15 |
|
| 27. | Bennett, Joseph | The great composers, sketched by themselves. No. VI. Mendelssohn (Continued from page 64). [XI] |
MTimes |
21 | 445 | 1 Mar 1880 |
118-121 |
|
| 28. | Bennett, Joseph | The great composers, sketched by themselves. No. VI. Mendelssohn. [I] |
MTimes |
20 | 435 | 1 May 1879 |
254-257 |
|
| 29. | Bennett, Joseph | To Dr. Ggibbillett. |
MWorld |
45 | 21 | 25 May 1867 |
344-345 |
|
| 30. | Bolte, Johannes | Zu Goethes Legende vom Hufeisen. |
|
| | 1925-26 |
|
|
| 31. | Butt, John | 'A mind unconscious that it is calculating'? Bach and the rationalist philosophy of Wolff, Leibniz and Spinoza. |
[ce]CambridgeCompanion_Bach |
| | 1997 |
60-71 |
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| 32. | Butt, John | Bach and the dance of humankind. |
[ce]MusicologyDance |
| | 2020 |
19-48 |
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| 33. | Butt, John | Bach: cantatas and a passion. |
EarlyM |
34 | 1 | Feb 2006 |
168-171 |
|
| 34. | Butt, John | Bach Interpretation. Articulation Marks in Primary Sources of J. S. Bach. |
|
| | 1990 |
xiii, 278p |
|
| 35. | Butt, John | Bach in the 21st Century: Re-evaluating him from the perspective of performance. |
[p]BCB_Dublin |
| | Jul 2000 |
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| 36. | Butt, John | Bach in the twenty-first century: re-evaluating him from the perspective of performance. |
IrishMStud |
8 | | 2004 |
191-204 |
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| 37. | Butt, John | Bach in the twenty-first century: re-evaluating him from the perspective of performance. |
BachNachwelt |
4 | | 2005 |
169-181 |
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| 38. | Butt, John | Bach: 'Mass in B Minor'. |
CambridgeMHandb |
| | 1991 |
126p |
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| 39. | Butt, John | Bach Passions and the Concepts of Time. |
[p]CWolff_Harvard |
| | Sep 2005 |
|
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| 40. | Butt, John | Bach Recordings since 1980: A Mirror of Historical Performance. |
BachPerspectives |
4 | | 1999 |
181-198 |
|
| 41. | Butt, John | Bach's Dialogue with Modernity: Perspectives on the Passions. |
|
| | 2010 |
336p |
|
| 42. | Butt, John | Bach's Mass in B Minor: Considerations of its Early Performance and Use. |
JMcol |
9 | 1 | Winter 1991 |
109-123 |
|
| 43. | Butt, John | Bach's metaphysics of music. |
[ce]CambridgeCompanion_Bach |
| | 1997 |
46-59 |
|
| 44. | Butt, John | Bach's organ sonatas BWV 525-530: Compilation and Recomposition. |
OrganYb |
19 | | 1988 |
80-90 |
|
| 45. | Butt, John | Bach's Passions and the Textures of Time. |
HarvardPubM |
22 | | 2008 |
111-120 |
|
| 46. | Butt, John | Bach's vocal scoring: what can it mean? |
EarlyM |
26 | 1 | Feb 1998 |
99-107 |
|
| 47. | Butt, John | Bach the heretic? |
[p]BCB_Edinburgh |
| | Jul 1994 |
|
|
| 48. | Butt, John | Bach, the Postmodern Mindset and Scholarship Today. |
[p]IS_Oxford |
| | Dec 2001 |
|
|
| 49. | Butt, John | Between rhetoric and dialectic - Bach's inventive stance in the Passions. |
[p]SMA_Glasgow |
| | Apr 2009 |
|
|
| 50. | Butt, John | Bringing Christ to the Concert Hall -- Mendelssohn and the Reshaping of the St Matthew Passion. |
[p]MendelssohnL19C_Dublin |
| | Jul 2005 |
|
|
| 51. | Butt, John | Canonische Veränderungen über Vom Himmel hoch. |
BachHandb |
4 | 2 | 2008 |
949-961 |
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| 52. | Butt, John | Choral culture and the regeneration of the organ. |
[ce]CambridgeHist19cM |
| | 2002 |
522-543 |
|
| 53. | Butt, John | Choral music. |
[ce]CambridgeHist19cM |
| | 2002 |
213-236 |
|
| 54. | Butt, John | Choralpartiten. |
BachHandb |
4 | 1 | 2007 |
494-510 |
|
| 55. | Butt, John | Clavier Übung III. |
BachHandb |
4 | 2 | 2008 |
906-929 |
|
| 56. | Butt, John | Die 'Schübler-Choräle'. |
BachHandb |
4 | 2 | 2008 |
996-1006 |
|
| 57. | Butt, John | Emotion in the German Lutheran Baroque and the development of subjective time consciousness. |
MAnalysis |
29 | 1-3 | Mar-Oct 2010 |
19-36 |
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| 58. | Butt, John | Figuring out Bach. |
[fs]Elliott |
| | 2005 |
211-219 |
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| 59. | Butt, John | Historical instruments and the embodiment of music. |
PubSchweizerischMfG |
| 46 | 2006 |
9-16 |
|
| 60. | Butt, John | Historical Performance of Bach in the Late-Twentieth Century: Meaningless, Desirable, or Unavoidable? |
[p]AMS_NorthernCalifornia |
| | Fall 1992 |
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| 61. | Butt, John | Historical Perspective & Introduction. |
[ce]SacredChoralMusicJSB |
| | 1997 |
1-4 |
|
| 62. | Butt, John | Improvised Vocal Ornamentation and German Baroque Compositional Theory - An Approach to 'Historical' Performance Practice. |
JRMA |
116 | 1 | 1991 |
41-62 |
|
| 63. | Butt, John | J. S. Bach and G. F. Kauffmann: reflections on Bach's later style. |
BachStud |
2 | | 1995 |
47-61 |
|
| 64. | Butt, John | Leonhardt's Role in the Invention of Historically Informed Performance. |
Bach |
48 | 2 and 49/1 | 2018 |
9-12 |
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| 65. | Butt, John | Los signos de articulacion de la música para cuerda en la epoca de J.S. Bach. |
Quodlibet |
| 11 | Jun 1998 |
3-15 |
|
| 66. | Butt, John | Music education and the art of performance in the German Baroque. |
CambridgeMlTextsMonographs |
| | 1994 |
xix, 237p |
|
| 67. | Butt, John | Organs and universities—A universal association? |
[cr]Harvard2012 |
| | 2013 |
1-10 |
|
| 68. | Butt, John | Ornamentation. |
[ce]SacredChoralMusicJSB |
| | 1997 |
48-54 |
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| 69. | Butt, John | Perfectly infinite. |
BBCMMag |
| | 1997 |
38-40 |
|
| 70. | Butt, John | Performer's View: Bach and the Performance of Meaning. |
AmerBachSocNL |
| | Fall 2001 |
5, 10 |
|
| 71. | Butt, John | Playing with History: The Historical Approach to Musical Performance. |
|
| | 2002 |
xv, 265p |
|
| 72. | Butt, John | Recordings: Altbachisches Archiv: Works by Johann Bach (1604-1673), Johann Christoph Bach (1642-1703), Georg Christoph Bach (1642-1697), Johann Michael Bach (1648-1694), Johann Sebastian Bach (1685-1750). |
18cM |
1 | 1 | Mar 2004 |
109-111 |
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| 73. | Butt, John (ed.) | The Cambridge Companion to Bach. |
[ce]CambridgeCompanion_Bach |
| | 1997 |
xv, 326p |
|
| 74. | Butt, John | The historical performance movement; Bach and the organ in 2000. |
[ce]IAOMillenniumBook |
| | 2000 |
15-19 |
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| 75. | Butt, John | The Postmodern Mindset, Musicology and the Future of Bach Scholarship. |
UnderstandingBach |
1 | | 2006 |
9-18 |
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| 76. | Butt, John (ed.) | The Sacred Choral Music of J. S. Bach: A Handbook. |
[ce]SacredChoralMusicJSB |
| | 1997 |
66p |
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| 77. | Butt, John | The universal musician. |
Guardian |
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16-19 |
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| 78. | Butt, John | Towards a genealogy of the keyboard concerto. |
[ce]KeyboardInBaroqueEurope |
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93-110 |
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| 79. | Butt, John | Vida de Bach. |
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| | 2000 |
384p |
|
| 80. | Butt, John | Who is speaking in the Bach passions? |
[cr]Weimar2004 |
2 | | 2012 |
428-433 |
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| 81. | Butt, John Anthony | The Significance and Incidence of Articulation Marks in the Primary Sources of J. S. Bach. |
diss. |
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336, 79, 31p |
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| 82. | Butt, John; Tomita, Yo; Marissen, Michael; Varwig, Bettina | Principles of Performance Lost and Gained: John Butt on Bach-related subjects in conversation with Yo Tomita, Michael Marissen and Bettina Varwig. |
[p]BNUK_Cambridge |
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176p |
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| 84. | Callcott, John Wall | A musical grammar in four parts. |
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xxii, 308p |
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| 85. | Crotty, John E. | Bach's Two-Part Inventions: A Pedagogy of a Musical Dialectic. |
[p]AMS_Allegheny |
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| 86. | Dahl, Ingolf; Szigeti, Joseph (eds.) | Violin Concerto in D minor / J. S. Bach. Reconstructed after the original sources |
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| 87. | Date, Jun; Kobayashi, Hitoshi | Bach Heikinritsu no Kenkyu. 2. |
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286p |
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| 88. | Didion, Robert; Schlichte, Joachim (eds.) | Thematischer Katalog der Opernsammlung in der Stadt- und Universitätsbibliothek Frankfurt am Main (Signaturengruppe Mus Hs Opern) |
KatFrankfurt |
9 | | 1990 |
84, 40, 441p |
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| 89. | Elliott, J. H. | Berlioz. |
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243p |
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| 90. | Ernesti, Johann August | Clavis Ciceroniana sive indices rerum et verborum philologico-critici in opera Ciceronis accedunt Graeca Ciceronis necessariis observationibus illustrata. |
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400 Bl |
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| 91. | Ernesti, Johann August | Elementary Principles of Interpretation. |
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142p |
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| 92. | Ernesti, Johann August | Elogium Caspari Borneri, Grammatici Philosophi Mathematici Et Theologi Lipsiensis Clarissimi. |
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| | 1740 |
xvi p |
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| 93. | Ernesti, Johann August | Initia doctrinae solidioris. |
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690p |
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| 94. | Ernesti, Johann August | Initia rhetorica. |
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204p |
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| 95. | Fidom, Hans; Luth, Jan R.; Wolff, Christoph (eds.) | Pro Organo Pleno: Essays in Honor of Ewald Kooiman for his 70th birthday. |
[fs]Kooiman70 |
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135p |
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| 96. | Garratt, James | Britain and Ireland. |
[ce]19cChoralM |
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335-367 |
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| 97. | Garratt, James | Mendelssohn's Babel: Romanticism and the Poetics of Translation. |
MLetters |
80 | 1 | Feb 1999 |
23-49 |
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| 98. | Garratt, James | Palestrina and the German Romantic Imagination: Interpreting Historicism in Nineteenth-Century Music. |
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xiv, 318p |
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| 99. | Garratt, James | Prophets Looking Backwards: German Romantic Historicism and the Representation of Renaissance Music. |
JRMA |
125 | 2 | 2000 |
164-204 |
|
| 100. | Gillette, James R. (arr.) | O love of God: anthem for mixed voices, melody: 'Komm, süsser Tod' / Johann Sebastian Bach. |
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| | 1942 |
4p |
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| 101. | Goetz, Julius | 750 Jahre Leipziger Thomanerchor. |
DBachfest |
38 | [Leipzig] | 1962 |
113-114 |
|
| 102. | Goetz, Julius | Bach im deutschen Schrifttum. Zum 200. Todestag des Meisters. |
BörsenBlDBuchhandel |
117 | 30 | 1950 |
326-328 |
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| 103. | Goetz, Julius | Die Leipziger Thomaner. |
UraniaUniversum |
5 | | 1962 |
23-32 |
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| 104. | Goetz, Julius | Nordlandreise der Leipziger Thomaner. Musikberichte. |
ZsfM |
107 | 1 | Jan 1940 |
46-48 |
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| 105. | Goetz, Julius | Wandlungen der Bach-Auffassung. Zu Karl Straubes neuer Gesamtausgabe von Bachs Orgelwerken. |
MusikBl |
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1-6 |
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| 106. | Hammitt, Jackson Lewis, III | Sacred music in Berlin, 1740 to 1786. |
diss. |
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xvii, 280p |
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| 107. | Hashimoto, Jun; Yoshino, Hideyuki | J.S. Bach no Sakuhin ni mirareru Gengosei to sono Hyogen: Gendai ni okeru Bach no Enso ni tsunageru tame ni. |
MemoirsOsakaKyoikuU |
53 | 2 | Feb 2005 |
15-39 |
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| 108. | Holtz, John | An Approach to Playing Bach's Organ Music. |
AmerOrganist(2) |
15 | 4 | Apr 1981 |
38-41 |
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| 109. | Horlitz, Julia | Zur Bach-Interpretation auf dem Klavier, dargestellt an Teilen der c-moll-Partita, BWV 826. |
[ce]20JahreEPTA |
| | 2001 |
217-220 |
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| 110. | Horowitz, Jerome | Bach's Canonic Variations on Vom Himmel hoch as an extension of the Goldberg Variations. |
Diapason |
85 | 10:1019 | Oct 1994 |
11 |
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| 111. | Howitz, Jürgen | Bach-Tage in Kassel. |
MKirche |
55 | 6 | 1985 |
312-313 |
|
| 112. | Huray, Peter Le; Butt, John | In Search of Bach the Organist. |
[ce]BHSTercentenaryEssays |
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185-206 |
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| 113. | Impett, Jonathan | Situating the invention in interactive music. |
OrganisedSound |
5 | 1 | Apr 2000 |
27-34 |
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| 114. | Kalckreuth, Johannes von | Bach regiert in Ansbach. |
Bayerland |
56 | | 1954 |
382-383 |
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| 115. | Kawabata, Junshiro | 3.11 Go o ikiru Kirisutokyo: Bultmann, Marx, Bach kara mananda Koto. |
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| | 2013 |
94p |
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| 116. | Kawabata, Junshiro | Anna Magdalena no Rogo: Leipzig no Kyuhin Seisaku (1). |
ReihaiToOngaku |
| 153 | Spring 2012 |
54-58 |
|
| 117. | Kawabata, Junshiro | Anna Magdalena no Rogo: Leipzig no Kyuhin Seisaku (2). |
ReihaiToOngaku |
| 156 | Winter 2013 |
54-58 |
|
| 118. | Kawabata, Junshiro | Anna Magdalena no Rogo: Leipzig no Kyuhin Seisaku (3). |
ReihaiToOngaku |
| 157 | Spring 2013 |
42-46 |
|
| 119. | Kawabata, Junshiro | Bach Mangekyo: Jidai no Gekiryu ni ikita Kyokai Ongakuka. |
|
| | 2013 |
208p |
|
| 120. | Kawabata, Junshiro | Bach no Gakko Kyoiku. |
ReihaiToOngaku |
| 151 | Autumn 2011 |
54-58 |
|
| 121. | Kawabata, Junshiro | Bach no Ongaku to Shoshukyokan no Taiwa no Mondai. |
GekkanHodanren |
| 999 | May 2009 |
61-64 |
|
| 122. | Kawabata, Junshiro | Bach no Orugan Kyoku no Shiyo Mokuteki (1). |
ReihaiToOngaku |
| 149 | Spring 2011 |
60-64 |
|
| 123. | Kawabata, Junshiro | Bach no Orugan Kyoku no Shiyo Mokuteki (2). |
ReihaiToOngaku |
| 150 | Summer 2011 |
58-62 |
|
| 124. | Kawabata, Junshiro | Bach no Shunyu to Izokikin. |
ReihaiToOngaku |
| 137 | Spring 2008 |
60-64 |
|
| 125. | Kawabata, Junshiro | Bach no tsukatta Sanbikashu. |
ReihaiToOngaku |
| 136 | Winter 2008 |
64-68 |
|
| 126. | Kawabata, Junshiro | Bach to Gendai--Shukyoshin naki Jidai no Shukyo Ongaku. |
BunkaHyoron |
| 308 | Nov 1986 |
167-182 |
|
| 127. | Kawabata, Junshiro | Bach to Kantoru. |
ReihaiToOngaku |
| 142 | Summer 2009 |
62-66 |
|
| 128. | Kawabata, Junshiro | Bach to Keikenshugi (1) |
ReihaiToOngaku |
| 146 | Summer 2010 |
56-60 |
|
| 129. | Kawabata, Junshiro | Bach to Keiken Shugi - Buxtehude Taiken. |
ReihaiToOngaku |
| 148 | Winter 2011 |
60-64 |
|
| 130. | Kawabata, Junshiro | Bach to Keikenshugi -- Eisenach kara Mühlhausen (1). |
ReihaiToOngaku |
| 146 | Summer 2010 |
56-60 |
|
| 131. | Kawabata, Junshiro | Bach to Keikenshugi -- Eisenach kara Mühlhausen e (2). |
ReihaiToOngaku |
| 147 | Autumn 2010 |
60-64 |
|
| 132. | Kawabata, Junshiro | Bach to Kenetsu. |
ReihaiToOngaku |
| 152 | Winter 2012 |
54-58 |
|
| 133. | Kawabata, Junshiro | Bach to Orugan. |
ReihaiToOngaku |
| 143 | Autumn 2009 |
58-62 |
|
| 134. | Kawabata, Junshiro | Bultmann, Marx, Bach kara mananda Koto (10): Seisho Kisha no Zen-Rikai. |
FukuinToSekai |
67 | 7 | Jul 2012 |
54-57 |
|
| 135. | Kawabata, Junshiro | Bultmann, Marx, Bach kara mananda Koto (11): Sozo no Chitsujo: Rikai Kano no Konkyo. |
FukuinToSekai |
67 | 12 | Dec 2012 |
64-67 |
|
| 136. | Kawabata, Junshiro | Bultmann, Marx, Bach kara mananda Koto (12 Saishukai): 3.11 Igo ni Ikiru. |
FukuinToSekai |
68 | 1 | Jan 2013 |
52-55 |
|
| 137. | Kawabata, Junshiro | Bultmann, Marx, Bach kara mananda Koto (2): Marx to no Deai. |
FukuinToSekai |
66 | 11 | Nov 2011 |
58-61 |
|
| 138. | Kawabata, Junshiro | Bultmann, Marx, Bach kara mananda Koto (3): Bultmann kara mananda Mono. |
FukuinToSekai |
66 | 12 | Dec 2011 |
50-53 |
|
| 139. | Kawabata, Junshiro | Bultmann, Marx, Bach kara mananda Koto (4): Barth to Bultmann |
FukuinToSekai |
67 | 1 | Jan 2012 |
52-55 |
|
| 140. | Kawabata, Junshiro | Bultmann, Marx, Bach kara mananda Koto (5): Bach no Ongaku kara kikoete kuru Mono. |
FukuinToSekai |
67 | 2 | Feb 2012 |
60-63 |
|
| 141. | Kawabata, Junshiro | Bultmann, Marx, Bach kara mananda Koto (6): Seisho wa Kami no Kotoba ka. |
FukuinToSekai |
67 | 3 | Mar 2012 |
60-63 |
|
| 142. | Kawabata, Junshiro | Bultmann, Marx, Bach kara mananda Koto (7): Seisho wa Kami no Kotoba ka (2). |
FukuinToSekai |
67 | 4 | Apr 2012 |
54-57 |
|
| 143. | Kawabata, Junshiro | Bultmann, Marx, Bach kara mananda Koto (8): Iesu to Kirisuto. |
FukuinToSekai |
67 | 5 | May 2012 |
52-55 |
|
| 144. | Kawabata, Junshiro | Bultmann, Marx, Bach kara mananda Koto (9): Iesu to Kirisuto (2). |
FukuinToSekai |
67 | 6 | Jun 2012 |
56-59 |
|
| 145. | Kawabata, Junshiro | Bultmann, Marx, Bach kara mananda Koto (Shin Rensai 1): '3.11 Igo no Sekai' o ikiru. |
FukuinToSekai |
66 | 10 | Oct 2011 |
66-69 |
|
| 146. | Kawabata, Junshiro | Gendaiteki Kadai to shite no Bach no Ongaku. |
Compax |
| 4 | 2006 |
|
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| 147. | Kawabata, Junshiro | J.S. Bach. Jidai o koeta Kantoru. |
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| 150. | Kawabata, Junshiro | Koethen no Nazo (1). |
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| 151. | Kawabata, Junshiro | Koethen no Nazo (2). |
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| 152. | Kawabata, Junshiro | Luther to Kantoru. |
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| 153. | Kawabata, Junshiro | Matai Junankyoku ni tsuite. |
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| 154. | Kawabata, Junshiro | Matai Junankyoku o megutte. |
BCJ |
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6-7 |
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| 155. | Kawabata, Junshiro | Parodii ga tsukurenai Jidai. |
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| 139 | Autumn 2008 |
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| 156. | Kawabata, Junshiro | Program Notes. 'Matai Junankyoku' to Koraru. |
BCJ |
| 97 | Apr 2012 |
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| 157. | Kawabata, Junshiro | Tabigeinin kara Machigakushi e. |
ReihaiToOngaku |
| 140 | Winter 2009 |
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| 158. | Kawabata, Junshiro | Thomas Kyokai ga Calvin-ha datta toki. |
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| 138 | Summer 2008 |
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| 159. | Kawabata, Junshiro | Yohane Fukuinsho no Ko. |
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| 160. | Kawabata, Junshiro | 'Yohane Junankyoku' Seiritsu no Haikei. 'Gakucho-gata Kantoru' ga Jitsugen saseta Hatsu no Junankyoku. |
BCJ |
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48-51 |
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| 161. | Kawabata, Junshiro; Sekiya, Naoto (eds.) | Bach no Koraru o utau. Meikyoku 50 sen. |
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| 162. | Keilberth, Joseph | Bachinterpretation. |
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| 163. | Klotz, J. C. G. | Orgelbau, Orgelspiel und kirchliche Musik an der neumärkisch-pommerschen Grenze. |
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| 166. | Kroesbergen, Willem; Wentz, Jed | Utilia, non subtilia: Ausdruck und Leidenschaft in der Musik des 18. Jahrhunderts (Teil II und Schluss). |
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| 167. | Kuckertz, Josef (ed.) | Neue Musik und Tradition. Festschrift Rudolf Stephan zum 65. Geburtstag. |
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| 168. | Kárpáti, János | Egy jellegzetes bartóki tématípus: A skála. |
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| 169. | Lairitz, Johann Georg | Schuldiges Lob Gottes, Oder: Geistreiches Gesang-Buch, Ausgebreitet, durch Hrn. D. M. Luthern, und andere vornehme Evangelische Lehrer, So in Kirchen und Schulen des Fürstenthums Weimar, wie auch in der Hennebergischen Landes-Portion zu gebrauchen, |
|
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705p |
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| 170. | Landsbergyte, Júrate | Carl Philipp Emanuel Bachs Beziehungen nach Litauen. |
CPEBachKonzepteSR |
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| 171. | Luth, Jan R. | Bach en de rhetorica. |
[ce]BachOrgelDordrecht |
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| 172. | Luth, Jan R. | Blut und Versöhnung im Orgel-Büchlein. |
[cr]Amsterdam1993 |
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| 173. | Luth, Jan R. | 'Jesus Christus, unser Heiland, der von uns den Gotteszorn wandt'. |
IAHBul |
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| 174. | Luth, Jan R. | Johane Junankyoku to Koraru. |
BCJ |
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| 175. | Luth, Jan R. | Johann Sebastian Bachs trio over 'Allein Gott in der höh sei Ehr' BWV 676. |
MdInstLiturgWRUnivGroningen |
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35-39 |
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| 176. | Luth, Jan R. | Johann Sebastian Bachs trio over 'Allein Gott in der Höh sei Ehr' BWV 676. |
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| 177. | Luth, Jan R. | Komm, du süsse Todesstunde: Eschatologie in de door Johann Sebastian Bach gebruikte teksten. |
[fs]Vernooij |
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| 178. | Luth, Jan R. | Liedtekst en compositie bij Joh. Seb. Bach. |
HetOrgel |
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| 179. | Luth, Jan R. | Rutsu Hakushi no Koraru Dangi. Dai-1-Wa: Koraru towa Nani ka. |
BCJ |
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| 180. | Luth, Jan R. | Rutsu Hakushi no Koraru Dangi. Dai-2-Wa: Magnificat ni tsuite. |
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| 181. | Luth, Jan R. | Rutsu Hakushi no Koraru Dangi. Dai-3-Wa: Yohane Junankyoku to Koraru. |
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| 182. | Luth, Jan R. | Rutsu Hakushi no Koraru Dangi. Dai-4-Wa [BWV 94, 138, 97 no Koraru ni tsuite]. |
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| 183. | Luth, Jan R. | Rutsu Hakushi no Koraru Dangi. Dai-5-Wa: Kaishuka to Orugan Banso. |
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| 184. | Luth, Jan R. | Rutsu Hakushi no Koraru Dangi. Dai-6-Wa: 'Banka (Vespers)' |
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| 185. | Luth, Jan R. | Rutsu Hakushi no Koraru Dangi. Dai-7-Wa: 'Kyokaireki'. |
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| 186. | Luth, Jan R. | Rutsu Hakushi no Koraru Dangi. Dai-9-Wa. |
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| 187. | Luth, Jan R. | Transposer toujours: Bach in middentoon. |
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| 188. | Mendelssohn Bartholdy, Paul; Mendelssohn Bartholdy, Carl; Rietz, Julius (eds.) | Briefe aus den Jahren 1833 bis 1847 [von Felix Mendelssohn Bartholdy]. |
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vi, 520p |
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| 189. | Mendelssohn Bartholdy, Paul; Mendelssohn Bartholdy, Carl; Rietz, Julius (eds.) | Letters of Felix Mendelssohn Bartholdy from 1833 to 1847. |
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| | 1863 |
vi, 468p |
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| 190. | Moser, Hans Joachim; Schuberth, Johannes; Tell, Werner | Zur Notierung der rhythmischen Choräle. |
MKirche |
11 | 2 | Mar-Apr 1939 |
79-82 |
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| 191. | Motta, José Vianna da | Ein Werk des Altmeister J. S. Bach in neuer Bearbeitung. |
KlavLehrer |
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| 192. | Motta, José Vianna da | Fer. Busoni's Ausgabe der chromatischen Fantasie J. S. Bach's (N. Simrock, Berlin) |
KlavLehrer |
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97-99 |
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| 193. | Motta, José Vianna da | Ferruccio Busoni's Cyclus von vier Clavier-Orchester-Abenden. |
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| | 1898 |
87p |
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| 194. | Motta, José Vianna da | Neue Ausgaben älterer Klavierwerke. |
KlavLehrer |
25 | 25, 26, 27 | 1, 20 Aug, 1 Sep 1902 |
228-230, 243-245, 261-264 |
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| 195. | Motta, José Vianna da | Um novo livro sobre J. Sebastian Bach. |
ArteMusical(3) |
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184 |
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| 196. | Motta, José Vianna da | Zum Studium J. S. Bachs. |
KlavLehrer |
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| 197. | Motta, José Vianna da | Zur Pflege der Bachschen Klavierwerke. |
NZsfM |
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| 198. | Motta, José Vianna da (arr.) | Zwei Menuette für Pianoforte (aus dem Klavierbüchlein Friedemann Bach's) / Joh. Seb. Bach. |
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EdBreitkopf |
7473 | | 1985 |
24p |
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| 200. | Muret, Marc-Antoine; Ernesti, Johann August; Ruhnken, David; Matthiae, August H. | Eloquentiae Latinae exempla, e M. A. Mureti, I. A. Ernesti, D. Ruhnkenii scriptis. Sumpta et inventuti litterarum studiosae. |
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xii, 420p |
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| 201. | Nelle, Wilhelm; Plath, Johannes (eds.) | Chorbuch 1917: 27 Lieder D. Martin Luthers in Chorsätzen alter Meister, Johann Sebastian Bachs und in neuen dreistimmigen Tonsätzen |
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| | 1917 |
xii, 144p |
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| 202. | Nemeti, J. (arr.) | Arie: 'Erbarme dich, mein Gott' aus Matthäuspassion |
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| 203. | Parada y Barreto, José | El arte desde el siglo XVIII hasta nuestros días. |
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| 204. | Porte, Jacques (ed.) | Traditions chrétiennes des premiers siècles aux cultes révolutionnaires. |
EncyclopMSacree |
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573p |
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| 205. | Poth, Johannes | XI. Aachener Bachtage 1984. |
MKirche |
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201-202 |
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| 206. | Pranata, Julianto | New transcriptions for viola: Works by J. S. Bach, Frank Bridge, Clara Schumann, and Rebecca Clarke. |
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105p |
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| 207. | Pruett, James W. | J. S. Bach's chaconne in D minor: An examination of three arrangements for piano solo. |
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89p |
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| 208. | Pruett, James W. (ed.) | Studies in musicology. Essays in the history, style, and bibliography of music in memory of Glen Haydon. |
[gs]Haydon |
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xiii, 286p |
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| 209. | Pruett, Jeffrey Mark | J. S. Bach's Chaconne in D Minor: an Examination of Three Arrangements for Piano Solo. |
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89p |
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| 210. | Quantz, Johann Joachim | Easy and Fundamental Instructions whereby either vocal or instrumental Performers ... may ... learn how to introduce Extempore Embellishments or Variations as also Ornamental Cadences [1752]. |
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32p |
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| 211. | Quantz, Johann Joachim | Essai d'une methode pour apprendre à jouer de la flute traversiere: avec plusieurs remarques pour servir au bon gout dans la musique le tout eclairci par des exemples et par XXIV. tailles douces. |
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| | 1752 |
336p |
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| 212. | Quantz, Johann Joachim | Furuto Sohoshiron [1752]. |
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310p |
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| 213. | Quantz, Johann Joachim | Grondig onderwys van den aardt en de regte behandeling der dwarsfluit: verzeld met eenen treffelyken regelenschat van de compositie en van de uitvoering der voornaamste muzyk-stukken, op de gebruikelykste instrumenten; door lange ondervinding en schrandere opmerking, in de groote muzykaale ... |
|
| | 1754 |
240p |
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| 214. | Quantz, Johann Joachim | Johann Joachim Quantzens, königl. preussischen Kammermusikus, Versuch einer Anweisung, die Flöte traversiere zu spielen: mit verschiedenen, zur Beförderung des guten Geschmackes in der praktischen Musik dienlichen Anmerkungen begleitet, und mit Exempeln erläutert: nebst XXIV. Kupfertafeln. |
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| | 1752 |
334, 24p |
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| 215. | Quantz, Johann Joachim | On Playing the Flute [1752]. |
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365p |
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| 216. | Quantz, Johann Joachim | Versuch einer Anweisung die Flöte traversiere zu spielen [1752]. |
DocumentaMcol |
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| 217. | Quantz, Johann Joachim | Versuch einer Anweisung die Flöte traversiere zu spielen [1752] |
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xiv, 277p |
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| 218. | Radowitz, Joseph Maria von | Catalog v. Radowitz. |
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16p |
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| 219. | [Radowitz, Joseph Maria von] | Verzeichniss der von dem verstorbenen Preußischen General-Lieutenant J. von Radowitz hinterlassenen Autographen-Sammlung, nunmehr Eigentum der Königl. Bibliothek in Berlin. Dritter Theil. Berlin 1864. |
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| 220. | [Rietz, Julius] | Auction zu Dresden der von Generalmusikdirector Dr. Julius Rietz, Hofrath Dr. A von Zahn in Dresden hinterlassenen Bibliotheken und Musikalien-Sammlung, sowie einiger werthvollen Kupferstiche in Glas und Rahmen am 29. April und den folgenden Tagen |
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| | 1877 |
104p |
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| 221. | Rietz, Julius (ed.) | Joh. Seb. Bach's Messe H moll. |
BG |
6 | | 1856 |
xxvii, 306p |
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| 222. | Rietz, Julius (ed.) | Joh. Seb. Bach's Messe H moll. [Neue Redaktion] |
BG |
6 | [rev] | c 1857 |
xxvi, 306p |
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| 223. | Rietz, Julius (ed.) | Joh. Seb. Bach's Messe H moll. Zweite Hälfte. |
BG |
6 | 2 | 1857 |
v, 155-306p |
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| 224. | Rietz, Julius (ed.) | Joh. Seb. Bach's Passionsmusik nach dem Evangelisten Matthäus. |
BG |
4 | 13 | 1854 |
xxxvi, 289p |
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| 225. | [Rietz, Julius] | Katalog einer hervorragenden Sammlung von Musiker-Autographen ... Zum grössten Theil aus dem Nachlass des ... Julius Rietz, Dresden ; Versteigerung 17. Oktober 1806. |
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| | 1896 |
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| 226. | [Rietz, Julius] (ed.) | Messe in h moll (Sopr.-, Alt-, Te.-, Bass-Solo und gemischten Chor) / Joh. Seb. Bach. |
PartBib |
3065 | | c 1890 |
304p |
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| 227. | [Rietz, Julius] | Verzeichnis einer kostbaren Sammlung von Autographen der berühmtesten Tonkünstler, Sänger, Schauspieler etc. aller Nationen älterer und neuerer Zeit, zum Teil aus dem Nachlasse des Kgl. General-Musikdirektors Hofkapellmeisters Julius Rietz ... Zu beziehen von Otto Aug. Schulz in Leipzig. |
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| | 1884 |
35p |
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| 228. | Rietz, Julius (ed.) | Verzeichniß der sämmtlichen musikalischen Compositionen von Felix Mendelssohn Bartholdy. |
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| | 1863 |
499-520 |
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| 229. | Roberts, John | Souvenirs De Florence: Additions to the Handel Canon. |
[p]IWK_Halle |
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| 230. | Rochlitz, Johann Friedrich | Anekdoten aus Mozarts Leben. |
AllgMlZ |
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113-117 |
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| 231. | Rochlitz, Johann Friedrich | Anekdoten aus Mozarts Leben. |
AllgMlZ |
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81-86 |
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| 232. | Rochlitz, Johann Friedrich | Auf Veranlassung des Werkes: Große Passionsmusik nach dem Evangelisten Johannes, von S. Bach. Einleitung und I: Aus welchen Ursachen sucht unsere Zeit die ernstesten, ja gelehrtesten Werke der Vorzeit? II: Geschichte der Bachschen Passions-Oratorien und der ursprünglich deutschen Passions-Oratorien überhaupt. III: Über dieses Bachsche Passionswerk selbst. |
AllgMlZ |
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| 233. | Rochlitz, Johann Friedrich | Bach's piano compositions. A letter to a friend (From the German of Rochlitz. Translated for this journal). |
DwightJM |
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| 234. | [Rochlitz, Johann Friedrich] | Bach's piano compositions. Letter to a friend (From the German of Rochlitz). |
MWorld |
35 | 44 | 31 Oct 1857 |
697-700 |
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| 235. | Rochlitz, Johann Friedrich | Bitte [um Spenden für Regina Susanna Bach] |
AllgMlZ |
2 | Intel 13 | May 1800 |
56 |
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| 236. | Rochlitz, Johann Friedrich | Charaktere interessanter Menschen: in moralischen Erzählungen dargestellt zur Unterhaltung in einsamen ruhigen Stunden. Zweyter Theil. |
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| | 1800 |
xii, 393p |
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| 237. | Rochlitz, Johann Friedrich | [C. P. E. Bachs Urteil über W. F. Bach - Doles als Gast im Bachschen Hause.] |
AllgMlZ |
2 | 48 | 27 Aug 1800 |
829-830 |
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| 238. | Rochlitz, Johann Friedrich | Eine feste Burg ist unser Gott. Cantate für vier Singstimmen mit Begleitung des Orchesters, in Musik gesetzt von Joh. Seb. Bach. Partitur. Nach Joh. Seb. Bachs Original-Hand-Schrift. Leipzig, bey Breitkopf und Härtel. (Pr. 1 Thlr. 8 Gr.) |
AllgMlZ |
24 | 30 | 24 Jul 1822 |
485-493 |
|
| 239. | Rochlitz, Johann Friedrich | Ein feste Burg ist unser Gott für vier Singstimmen mit Begleitung des Orchesters. |
[ce]Rochlitz |
| | 1926 |
19-26 |
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| 240. | Rochlitz, Johann Friedrich | Geschmack an Sebastian Bachs Compositionen besonders für das Klavier: Brief an einen Freund. |
[ce]Rochlitz |
| | 1926 |
9-18 |
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| 241. | Rochlitz, Johann Friedrich | Geschmack an Sebastian Bachs Kompositionen, besonders für das Clavier. Brief an einen Freund. |
FürFreundeTonkunst |
2 | | 1825 |
205-229 |
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| 242. | Rochlitz, Johann Friedrich | Geschmack an Sebastian Bachs Kompositionen besonders für das Klavier. Brief an einen Freund. |
ReclamUBib |
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| 243. | Rochlitz, Johann Friedrich | Johann Sebastian Bachs Cantate: Ein' feste Burg ist unser Gott - für vier Singstimmen, mit Begleitung des Orchesters. Partitur. Leipzig, bei Breitkopf und Härtel. |
FürFreundeTonkunst |
3 | | 1830 |
361-381 |
|
| 244. | [Rochlitz, Johann Friedrich] | Johann Sebastian Bachs Motetten, in Partitur. Erstes Heft enthaltend: Drey achtstimmige Motetten. 1. Singet dem herrn ein neues Lied. 2. Fürchte dich nicht, ich bin bey dir. 3. Ich lasse dich nicht, du segnest mich. Leipzig bey Breitkopf und Härtel. (Preis I Thlr. 8 Gr) |
AllgMlZ |
5 | 20 | 9 Feb 1803 |
333-335 |
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| 245. | [Rochlitz, Johann Friedrich] | J. S. Bachs Choralvorspiele für die Orgel, mit einem und zwey Klavieren und Pedal. Leipzig, bey Breitkopf und Härtel. Erstes und zweytes Heft. (Jedes 16 Gr.) |
AllgMlZ |
8 | 2 | 9 Oct 1805 |
29-32 |
|
| 246. | Rochlitz, Johann Friedrich | Karl Philipp Emanuel Bach. |
SchrSchleswigHosteinLBib |
4 | | 1988 |
10-17 |
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| 247. | Rochlitz, Johann Friedrich | Karl Philipp Emanuel Bach. |
FürFreundeTonkunst |
4 | | 1832 |
271-316 |
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| 248. | [Rochlitz, Johann Friedrich] | Konzert und Oper in Leipzig (Fortsetzung). |
AllgMlZ |
9 | 14 | 31 Dec 1806 |
213-220 |
|
| 249. | [Rochlitz, Johann Friedrich] | Konzert und Oper in Leipzig. Michael bis Weihnacht. |
AllgMlZ |
9 | 13 | 24 Dec 1806 |
204-208 |
|
| 250. | Rochlitz, Johann Friedrich | Missa à 4 Voci, 2 Flauti, 2 Violini, Viola ed Organo. di Giov. Sebast. Bach. No 1, dopo Partitura autografa dell' autore. Bonna e Colonia, presso N.Simrock (Pr. 6 Fr.). |
AllgMlZ |
21 | 9 | 3 May 1819 |
133-140 |
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| 251. | Rochlitz, Johann Friedrich | Monumente deutscher Tonkünstler. |
AllgMlZ |
2 | 24 | 12 Mar 1800 |
417-423 |
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| 252. | Rochlitz, Johann Friedrich | [Motettenaufführung des Thomanerchores in Gegenwart Mozarts 1789] |
ReclamUBib |
8832 | | 1992 |
48-49 |
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| 253. | Rochlitz, Johann Friedrich | Motetto: Nach einer Prüfung kurzer Tage, von Gellert; in Musik ges. von J. G. Schicht, Cantor an der Thomasschule etc. zu Leipzig. Partitur. Leipzig, bey Breitkopf u. Härtel. (Pr. 1 hlr. 8. Gr.). |
AllgMlZ |
20 | 34 | 26 Aug 1818 |
601-612 |
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| 254. | [Rochlitz, Johann Friedrich] | Musik in Leipzig. Michael bis Neujahr. |
AllgMlZ |
5 | 15 | 5 Jan 1803 |
241-258 |
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| 255. | Rochlitz, Johann Friedrich | Raphael und Mozart. |
AllgMlZ |
2 | 37 | 11 Jun 1800 |
641-651 |
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| 256. | Rochlitz, Johann Friedrich (ed.) | Sammlung vorzüglicher Gesangstücke der anerkannt-größten, zugleich für die Geschichte der Tonkunst wichtigsten, die eigene höhere Ausbildung für diese Kunst und den würdigsten Genuß an derselben förderndsten Meister der für Musik entscheidendsten Nationen. Bd.3: Vom Jahr 1700 bis um das Jahr 1760. |
|
| | 1842 |
37, 247p |
|
| 257. | Rochlitz, Johann Friedrich | Sebastian Bachs große Passionsmusik nach dem Evangelisten Johannes. |
[ce]Rochlitz |
| | 1926 |
27-47 |
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| 258. | Rochlitz, Johann Friedrich | Sebastian Bachs große Passionsmusik, nach dem Evangelisten Johannes. |
FürFreundeTonkunst |
4 | | 1832 |
399-448 |
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| 259. | Rochlitz, Johann Friedrich | Ueber den Geschmack an Sebastian Bachs Compositionen, besonders für das Klavier. |
AllgMlZ |
5 | 31 | 27 Apr 1803 |
509-522 |
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| 260. | Rochlitz, Johann Friedrich | Ueber den zweckmässigen Gebrauch der Mittel der Tonkunst. |
AllgMlZ |
8 | 1, 4, 13, 16 | 2, 23 Oct, 25 Dec 1805, 16 Jan 1806 |
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| 261. | [Rochlitz, Johann Friedrich] | Ueber die musikalische Beylage, No.1 [Fuge von J. S. Bach.] |
AllgMlZ |
28 | 6 | 8 Feb 1826 |
104 u. Beilage 4p |
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| 262. | [Rochlitz, Johann Friedrich] | Uebersicht dessen, was in Leipzig von Neujahr bis Ostern für Musik gethan worden. |
AllgMlZ |
4 | 31 | 28 Apr 1802 |
497-507 |
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| 263. | Rochlitz, Johann Friedrich | Vom zweckmäßigen Gebrauch der Mittel der Tonkunst. |
FürFreundeTonkunst |
2 | | 1825 |
139-204 |
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| 264. | Rochlitz, Johann Friedrich | Vorschläge zu Betrachtungen über die neueste Geschichte der Musik. |
AllgMlZ |
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625-629 |
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| 265. | Rochlitz, Johann Friedrich; Breitkopf & Härtel; Bach, Regina Susanna | [Über Spenden für die jüngste Tochter J. S. Bachs. Beethoven plant, eine seiner Kompositionen zum Besten von Regina Susanna Bach herauszugeben] |
AllgMlZ |
3 | Intel 9 | Jun 1801 |
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