Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Abramowitz, Jonathan | A Performance Edition of the 'Drei Sonaten für Clavier und Viola da Gamba' of J. S. Bach. N. Y.: The Juilliard School 1973. [BWV 1027-1029] |
diss. |
| | 1973 |
|
|
| 2. | Alberti, J. (ed.) | Geist des Musikalischen Kunstmagazins von Johann Friederich Reichardt. hrsg. von J. A[lberti]. - Berlin: Unger, 1791. xxi, 195p; 2. Aufl. 1793. [Ungenügender Gebrauch der Orgel bei Kirchenmusiken = p.88] |
|
| | 1791 |
xxi, 195p |
|
| 3. | Barnett, Joan | Wilhelm Friedemann Bach: An analytical study of selected solo keyboard works. MA diss, Music: Brigham Young University, 1990. 136p. |
diss. |
| | 1990 |
136p |
|
| 4. | Barnett, John Francis | Musical reminiscences and impressions. London: Hodder and Stoughton, 1906. xvi, 341p., [8] leaves of plates |
|
| | 1906 |
xvi, 341p |
|
| 5. | Barnett, John Francis; Potter, Cipriani (eds.) | The Student's Edition of Forty-eight Preludes and Fugues, by J. Sebastian Bach. Edited by John Francis Barnett and Cipriani Potter. Ent. Sta. Hall. -- Price 12s /= nett. - London: Hutchings & Romer, 9, Conduit St. Regent St. W. [1860?] [p.1 'Address to students'] 2-231p [p.232 contents] Pl.-Nr.: (H & R. 1756) ... (H & R. 1803). [BWV 846-893, based on the revised Lavenu plate by Potter; fugue analysis through to the end of WTC I; but this is continuously paginated; no gap between WTC I (pp.2-109) and II (pp.110-231)] |
|
| | c 1860 |
231p |
|
| 6. | Beckwith, J. | The Toronto Bach Society. |
CanadianMJ |
4 | | Herbst 1959 |
34-37 |
|
| 7. | Benedicto, José Feito | Entrevista con Mischa Maisky: Bach, amor y fantasía. |
CDCompact |
17 | 171 | Dec 2003 |
|
|
| 8. | Bennett, Joseph | Sonnets to the Masters: Bach. |
MTimes |
32 | 576 | 1 Feb 1891 |
85 |
|
| 9. | Bennett, Joseph | The great composers. No. XVII. Sebastian Bach (Concluded from page 646) [VII] [Visit to Berlin; dedication of 'The Musical Offering' to Frederic the Great; quarrel with rector Biedermann; illness and death; inventory of goods and chattels; German indifference to his music] |
MTimes |
26 | 514 | 1 Dec 1885 |
706-709 |
|
| 10. | Bennett, Joseph | The great composers. No. XVII. Sebastian Bach (Continued from page 325) [II] [Marriage to Maria Barbara; position as organist at St. Blasius; Weimar appointment; friendship with Walther (To be continued)] |
MTimes |
26 | 509 | 1 Jul 1885 |
390-393 |
|
| 11. | Bennett, Joseph | The great composers. No. XVII. Sebastian Bach (Continued from page 393). [III] [Visit to Leipzig; composition of sacred and secular cantatas at Weimar; capellmeister at Cöthen; death of Maria Barbara; elected cantor of the Thomaskirche, Leipzig (To be continued)] |
MTimes |
26 | 510 | 1 Aug 1885 |
461-465 |
|
| 12. | Bennett, Joseph | The great composers. No. XVII. Sebastian Bach (Continued from page 465). [IV] [Leipzig appointment; duties as cantor of the Thomaskirche; disputes over salary and responsibilities (To be continued)] |
MTimes |
26 | 511 | 1 Sep 1885 |
519-522 |
|
| 13. | Bennett, Joseph | The great composers. No. XVII. Sebastian Bach (Continued from page 522). [V] [Gesner, new rector of the Thomaskirche; dispute with prefects Ernesti and Krause (To be continued)] |
MTimes |
26 | 512 | 1 Oct 1885 |
581-584 |
|
| 14. | Bennett, Joseph | The great composers. No. XVII. Sebastian Bach. [VI] [Dispute with prefects Ernesti and Krause; domestic life (To be continued)] |
MTimes |
26 | 513 | 1 Nov 1885 |
642-646 |
|
| 15. | Bennett, Joseph | The great composers. No. XVI. Sebastian Bach. [I] [Ancestry; childhood and education; Spitta's remarks on programme music; position at Arnstadt (To be continued)] [No. XVI in the original; from next article, No. XVII.] |
MTimes |
26 | 508 | 1 Jun 1885 |
322-325 |
|
| 16. | Bennett, Joseph | The great composers, sketched by themselves. No. VI. Mendelssohn (Concluded from page 167). [XIII] [Composer's bereavement for his mother and sister; attitude to his family and homeland as illustrated in the correspondence] |
MTimes |
21 | 447 | 1 May 1880 |
222-225 |
|
| 17. | Bennett, Joseph | The great composers, sketched by themselves. No. VI. Mendelssohn (Continued from page 121). [XII] [Composer's opinions on music criticism, musicianship, and the meaning of music as illustrated in his correspondence (To be continued)] |
MTimes |
21 | 446 | 1 Apr 1880 |
164-167 |
|
| 18. | Bennett, Joseph | The great composers, sketched by themselves. No. VI. Mendelssohn (Continued from page 15). [X] [Composer's opinions on his ability as a teacher and the patriotic song Rheinlied (To be continued)] |
MTimes |
21 | 444 | 1 Feb 1880 |
62-64 |
|
| 19. | Bennett, Joseph | The great composers, sketched by themselves. No. VI. Mendelssohn (Continued from page 257). [II] [Composer's character and personality as illustrated by his correspondence from Italy (To be continued)] |
MTimes |
20 | 436 | 1 Jun 1879 |
302-305 |
|
| 20. | Bennett, Joseph | The great composers, sketched by themselves. No. VI. Mendelssohn (Continued from page 305). [III] [Composer's character and personality as illustrated by letters to Devrient and Taubert (To be continued)] |
MTimes |
20 | 437 | 1 Jul 1879 |
359-362 |
|
| 21. | Bennett, Joseph | The great composers, sketched by themselves. No. VI. Mendelssohn (Continued from page 362). [IV] [Composer's personality and character as illustrated by letters from Switzerland (To be continued)] |
MTimes |
20 | 438 | 1 Aug 1879 |
415-418 |
|
| 22. | Bennett, Joseph | The great composers, sketched by themselves. No. VI. Mendelssohn (Continued from page 418). [V] [Composer's character and personality as illustrated by letters from Paris (1831-32)] |
MTimes |
20 | 439 | 1 Sep 1879 |
474-477 |
|
| 23. | Bennett, Joseph | The great composers, sketched by themselves. No. VI. Mendelssohn (Continued from page 477). [VI] [Three unpublished letters; correspondence from London (1832) (To be continued)] |
MTimes |
20 | 440 | 1 Oct 1879 |
517-520 |
|
| 24. | Bennett, Joseph | The great composers, sketched by themselves. No. VI. Mendelssohn (Continued from page 520). [VII] [Letters from Düsseldorf: composition of St. Paul; position of intendant for music at the theatre (To be continued)] |
MTimes |
20 | 441 | 1 Nov 1879 |
574-577 |
|
| 25. | Bennett, Joseph | The great composers, sketched by themselves. No. VI. Mendelssohn (Continued from page 577). [VIII] [Composer's opinions on musical taste and aesthetics illustrated in his correspondence (To be continued)] |
MTimes |
20 | 442 | 1 Dec 1879 |
635-638 |
|
| 26. | Bennett, Joseph | The great composers, sketched by themselves. No. VI. Mendelssohn (Continued from page 638). [IX] [Composer's views on popularity and fame, sense of duty, Bach and Handel, and the theme of 'Elijah' as illustrated in his correspondence (To be continued)] |
MTimes |
21 | 443 | 1 Jan 1880 |
11-15 |
|
| 27. | Bennett, Joseph | The great composers, sketched by themselves. No. VI. Mendelssohn (Continued from page 64). [XI] [Composer's reaction to years employed by Friedrich Wilhelm IV in Berlin (1841-42) (To be continued)] |
MTimes |
21 | 445 | 1 Mar 1880 |
118-121 |
|
| 28. | Bennett, Joseph | The great composers, sketched by themselves. No. VI. Mendelssohn. [I] [Composer's personality; reaction to music and art as illustrated in his correspondence (To be continued)] |
MTimes |
20 | 435 | 1 May 1879 |
254-257 |
|
| 29. | Bennett, Joseph | To Dr. Ggibbillett. Letters to well-known characters. [Bach, 'The Well-Tempered Clavier'; Charles and Arthur Le Jeune (May 24)]. |
MWorld |
45 | 21 | 25 May 1867 |
344-345 |
|
| 30. | Bolte, Johannes | Zu Goethes Legende vom Hufeisen. Aus: Zeitschrift des Vereins für Volkskunde in Berlin ; (1925/26), 3. |
|
| | 1925-26 |
|
|
| 31. | Butt, John | 'A mind unconscious that it is calculating'? Bach and the rationalist philosophy of Wolff, Leibniz and Spinoza. |
[ce]CambridgeCompanion_Bach |
| | 1997 |
60-71 |
|
| 32. | Butt, John | Bach and the dance of humankind. |
[ce]MusicologyDance |
| | 2020 |
19-48 |
|
| 33. | Butt, John | Bach: cantatas and a passion. Recording Reviews. |
EarlyM |
34 | 1 | Feb 2006 |
168-171 |
|
| 34. | Butt, John | Bach Interpretation. Articulation Marks in Primary Sources of J. S. Bach. Cambridge; N.Y.; Port Chester; Melbourne; Sydney: Cambridge University Press, 1990. xiii, 278p. |
|
| | 1990 |
xiii, 278p |
|
| 35. | Butt, John | Bach in the 21st Century: Re-evaluating him from the perspective of performance. A Keynote Paper read at Ninth Biennial Conference on Baroque Music, Trinity College Dublin, 12-16 July 2000. |
[p]BCB_Dublin |
| | Jul 2000 |
|
|
| 36. | Butt, John | Bach in the twenty-first century: re-evaluating him from the perspective of performance. |
IrishMStud |
8 | | 2004 |
191-204 |
|
| 37. | Butt, John | Bach in the twenty-first century: re-evaluating him from the perspective of performance. [Repr. from Anne Leahy / Yo Tomita (Hrsg.), Bach Studies from Dublin, Dublin 2004, S. 191-204 (= Irish Musical Studies 8)] |
BachNachwelt |
4 | | 2005 |
169-181 |
|
| 38. | Butt, John | Bach: 'Mass in B Minor'. Cambridge Univ. Press, 1991. 126p. (= Cambridge Music Handbooks) |
CambridgeMHandb |
| | 1991 |
126p |
|
| 39. | Butt, John | Bach Passions and the Concepts of Time. A Paper read at the 'The Century of Bach and Mozart Perspectives on Historiography, Composition, Theory & Performance', a conference dedicated to Christoph Wolff, held on September 23-25, 2005 at John Knowles Paine Concert Hall, Harvard University. |
[p]CWolff_Harvard |
| | Sep 2005 |
|
|
| 40. | Butt, John | Bach Recordings since 1980: A Mirror of Historical Performance. |
BachPerspectives |
4 | | 1999 |
181-198 |
|
| 41. | Butt, John | Bach's Dialogue with Modernity: Perspectives on the Passions. Cambridge: Cambridge University Press, 2010. 336p. ISBN-13: 978-0521883566. - Paperback edn. 2012. ISBN 978-1107404601. |
|
| | 2010 |
336p |
|
| 42. | Butt, John | Bach's Mass in B Minor: Considerations of its Early Performance and Use. |
JMcol |
9 | 1 | Winter 1991 |
109-123 |
|
| 43. | Butt, John | Bach's metaphysics of music. |
[ce]CambridgeCompanion_Bach |
| | 1997 |
46-59 |
|
| 44. | Butt, John | Bach's organ sonatas BWV 525-530: Compilation and Recomposition. |
OrganYb |
19 | | 1988 |
80-90 |
|
| 45. | Butt, John | Bach's Passions and the Textures of Time. |
HarvardPubM |
22 | | 2008 |
111-120 |
[fs]CWolff |
| 46. | Butt, John | Bach's vocal scoring: what can it mean? |
EarlyM |
26 | 1 | Feb 1998 |
99-107 |
|
| 47. | Butt, John | Bach the heretic? A paper read at the Sixth Biennial Conference on Baroque Music, University of Edinburgh, Scotland, 7-10 July 1994. |
[p]BCB_Edinburgh |
| | Jul 1994 |
|
|
| 48. | Butt, John | Bach, the Postmodern Mindset and Scholarship Today. A paper read at Fifth International Symposium 'Understanding Bach through Science, Art and Criticism', Oxford, 17-18 December 2001 organised by Tureck Bach Research Foundation, Faculty of Music, Oxford University. |
[p]IS_Oxford |
| | Dec 2001 |
|
|
| 49. | Butt, John | Between rhetoric and dialectic - Bach's inventive stance in the Passions. A keynote paper read at SMA Spring Study Day 'Bach's Passions' held on 24-25 April 2009 at University of Glasgow. |
[p]SMA_Glasgow |
| | Apr 2009 |
|
|
| 50. | Butt, John | Bringing Christ to the Concert Hall -- Mendelssohn and the Reshaping of the St Matthew Passion. A key-note paper read at conference 'Mendelssohn in the Long Nineteenth Century' held at Trinity College Dublin, 15-17 July 2005. |
[p]MendelssohnL19C_Dublin |
| | Jul 2005 |
|
|
| 51. | Butt, John | Canonische Veränderungen über Vom Himmel hoch. [BWV 769 (769a)] |
BachHandb |
4 | 2 | 2008 |
949-961 |
|
| 52. | Butt, John | Choral culture and the regeneration of the organ. |
[ce]CambridgeHist19cM |
| | 2002 |
522-543 |
|
| 53. | Butt, John | Choral music. |
[ce]CambridgeHist19cM |
| | 2002 |
213-236 |
|
| 54. | Butt, John | Choralpartiten. [BWV 758, 767-768, 770, Anh. 77, 78] |
BachHandb |
4 | 1 | 2007 |
494-510 |
|
| 55. | Butt, John | Clavier Übung III. Quellen, Hintergründe und Intentionen; Praeludium Es-Dur BWV 552/1; Musik für die Messe; Musik für den Katechismus; Fuga Es-Dur BWV 552/2. |
BachHandb |
4 | 2 | 2008 |
906-929 |
|
| 56. | Butt, John | Die 'Schübler-Choräle'. [BWV 645-650] |
BachHandb |
4 | 2 | 2008 |
996-1006 |
|
| 57. | Butt, John | Emotion in the German Lutheran Baroque and the development of subjective time consciousness. [BWV 32/1] |
MAnalysis |
29 | 1-3 | Mar-Oct 2010 |
19-36 |
|
| 58. | Butt, John | Figuring out Bach. |
[fs]Elliott |
| | 2005 |
211-219 |
|
| 59. | Butt, John | Historical instruments and the embodiment of music. |
PubSchweizerischMfG |
| 46 | 2006 |
9-16 |
[cr]Lausanne2004 |
| 60. | Butt, John | Historical Performance of Bach in the Late-Twentieth Century: Meaningless, Desirable, or Unavoidable? A paper read at the Northern California Chapter of the American Musicological Society in Fall 1992 at University of California, Davis. |
[p]AMS_NorthernCalifornia |
| | Fall 1992 |
|
|
| 61. | Butt, John | Historical Perspective & Introduction. |
[ce]SacredChoralMusicJSB |
| | 1997 |
1-4 |
|
| 62. | Butt, John | Improvised Vocal Ornamentation and German Baroque Compositional Theory - An Approach to 'Historical' Performance Practice. |
JRMA |
116 | 1 | 1991 |
41-62 |
|
| 63. | Butt, John | J. S. Bach and G. F. Kauffmann: reflections on Bach's later style. |
BachStud |
2 | | 1995 |
47-61 |
|
| 64. | Butt, John | Leonhardt's Role in the Invention of Historically Informed Performance. |
Bach |
48 | 2 and 49/1 | 2018 |
9-12 |
|
| 65. | Butt, John | Los signos de articulacion de la música para cuerda en la epoca de J.S. Bach. Trans. by Ramon Silles. |
Quodlibet |
| 11 | Jun 1998 |
3-15 |
|
| 66. | Butt, John | Music education and the art of performance in the German Baroque. Cambridge: Cambridge Univ. Press, 1994. xix, 237p. (= Cambridge Musical Texts and Monographs) |
CambridgeMlTextsMonographs |
| | 1994 |
xix, 237p |
|
| 67. | Butt, John | Organs and universities—A universal association? |
[cr]Harvard2012 |
| | 2013 |
1-10 |
|
| 68. | Butt, John | Ornamentation. |
[ce]SacredChoralMusicJSB |
| | 1997 |
48-54 |
|
| 69. | Butt, John | Perfectly infinite. In: BBC music magazine special issue 1997 p. 38-40. ISSN: 0966-7180 |
BBCMMag |
| | 1997 |
38-40 |
|
| 70. | Butt, John | Performer's View: Bach and the Performance of Meaning. |
AmerBachSocNL |
| | Fall 2001 |
5, 10 |
|
| 71. | Butt, John | Playing with History: The Historical Approach to Musical Performance. Cambridge: Cambridge University Press, 2002. xv, 265p. ISBN: 0-521-81352-2 (hardback); 0-521-01358-5 (paperback); 0-511-03020-7 (eBook). |
|
| | 2002 |
xv, 265p |
|
| 72. | Butt, John | Recordings: Altbachisches Archiv: Works by Johann Bach (1604-1673), Johann Christoph Bach (1642-1703), Georg Christoph Bach (1642-1697), Johann Michael Bach (1648-1694), Johann Sebastian Bach (1685-1750). Cantus Cölln / Concerto Paladino / Konrad Junghänel. Harmonia Mundi HMC901783/84, 2003; two disks, 2' 33''. |
18cM |
1 | 1 | Mar 2004 |
109-111 |
|
| 73. | Butt, John (ed.) | The Cambridge Companion to Bach. Cambridge Univ. Press, 1997. xv, 326p. ISBN: 0-521-45350-X; 0-521-58780-8; 0-521-45962-1. (= Cambridge Companions to Music) |
[ce]CambridgeCompanion_Bach |
| | 1997 |
xv, 326p |
|
| 74. | Butt, John | The historical performance movement; Bach and the organ in 2000. |
[ce]IAOMillenniumBook |
| | 2000 |
15-19 |
|
| 75. | Butt, John | The Postmodern Mindset, Musicology and the Future of Bach Scholarship. http://www.bachnetwork.co.uk/ub1/butt.pdf |
UnderstandingBach |
1 | | 2006 |
9-18 |
|
| 76. | Butt, John (ed.) | The Sacred Choral Music of J. S. Bach: A Handbook. Brewster, Mass.: Paraclete Press, 1997. 66p. ISBN: 1-55725-197-5. |
[ce]SacredChoralMusicJSB |
| | 1997 |
66p |
|
| 77. | Butt, John | The universal musician. Bach has been borrowed by innumerable causes, from religion to modernism. John Butt examines a life with many meanings. |
Guardian |
| | 12 Dec 2005 |
16-19 |
section G2. |
| 78. | Butt, John | Towards a genealogy of the keyboard concerto. |
[ce]KeyboardInBaroqueEurope |
| | 2003 |
93-110 |
|
| 79. | Butt, John | Vida de Bach. [Bach's Life] Trad. María Condor. Madrid: Cambridge University Press, 2000. 384p. - Madrid: Akal Cambridge, 2003. 324p |
|
| | 2000 |
384p |
|
| 80. | Butt, John | Who is speaking in the Bach passions? |
[cr]Weimar2004 |
2 | | 2012 |
428-433 |
|
| 81. | Butt, John Anthony | The Significance and Incidence of Articulation Marks in the Primary Sources of J. S. Bach. PhD diss., Cambridge Univ., 1987. 336, 79, 31p. |
diss. |
| | 1987 |
336, 79, 31p |
|
| 82. | Butt, John; Tomita, Yo; Marissen, Michael; Varwig, Bettina | Principles of Performance Lost and Gained: John Butt on Bach-related subjects in conversation with Yo Tomita, Michael Marissen and Bettina Varwig. A session presented at the Seventh J. S. Bach Dialogue Meeting at Madingley Hall, Cambridge, 8-10 July 2015. |
[p]BNUK_Cambridge |
| | Jul 2015 |
|
|
| 83. | Buttstett, Johann Heinrich (ed.) | Ut, Mi, Sol, Re, Fa, La, Tota Musica et Harmonia Æeterna, Oder Neu-eröffnetes, altes, wahres, eintziges und ewiges Fundamentum Musices, entgegen gesetzt Dem neu-eröffneten Orchestre und in zweene Partes eingetheilt. ... von Johann Heinrich Buttstett. - Erfurt: Werther, 1716. 176p |
|
| | 1716 |
176p |
|
| 84. | Callcott, John Wall | A musical grammar in four parts. I. Notation, II. Melody, III. Harmony, IV. Rhythm. By Dr. Callcott. ... - London: Robert Birchall, 1806. xxii, 308p [BWV 846/2] - 2nd edn. London: R. Birchall, 1817. xvii, 334p; 3rd edn. London: R. Birchall, 1817. xix, 327p; 3rd edn. James Loring, 1833. 267p. |
|
| | 1806 |
xxii, 308p |
|
| 85. | Crotty, John E. | Bach's Two-Part Inventions: A Pedagogy of a Musical Dialectic. A paper read at the Allegheny Chapter of the American Musicological Society on 20 April 1996 at Geneva College. |
[p]AMS_Allegheny |
| | Apr 1996 |
|
|
| 86. | Dahl, Ingolf; Szigeti, Joseph (eds.) | Violin Concerto in D minor / J. S. Bach. Reconstructed after the original sources by Ingolf Dahl. Editorial collaboration and editing of the violin part by Joseph Szigetí. Reduction for violin and piano. [Score and part]. - London: Boosey & Hawkes, 1961. [BWV 1052] |
|
| | 1961 |
|
|
| 87. | Date, Jun; Kobayashi, Hitoshi | Bach Heikinritsu no Kenkyu. 2. [Studies on WTC] vol.2. Tokyo: Musica nova, 1993. 286p. ISBN: 4943945295. (= Musica Nova Sosho, 19) |
|
| | 1993 |
286p |
|
| 88. | Didion, Robert; Schlichte, Joachim (eds.) | Thematischer Katalog der Opernsammlung in der Stadt- und Universitätsbibliothek Frankfurt am Main (Signaturengruppe Mus Hs Opern) bearb. und beschrieben von Robert Didion und Joachim Schlichte. - Frankfurt am Main: Klostermann, 1990: 84, [40], 441p. ISBN: 3-465-01898-2 (kart.); 3-465-01897-4 (Gewebe). (= Kataloge der Stadt- und Universitätsbibliothek Frankfurt am Main / hrsg. vom Direktor der Bibliothek, 9) |
KatFrankfurt |
9 | | 1990 |
84, 40, 441p |
|
| 89. | Elliott, J. H. | Berlioz. London: J. M: Dent, 1938. 243p. (= The Master Musicians series) |
|
| | 1938 |
243p |
|
| 90. | Ernesti, Johann August | Clavis Ciceroniana sive indices rerum et verborum philologico-critici in opera Ciceronis accedunt Graeca Ciceronis necessariis observationibus illustrata. Avctore Io. Avg. Ernesti. - Lipsiae, Martin, 1739. [440] Bl. |
|
| | 1739 |
400 Bl |
|
| 91. | Ernesti, Johann August | Elementary Principles of Interpretation. Trans. by Moses Stuart, 4th ed.: Andover, Mass.: Allen, Morill, and Wardwell, 1842. 142p. |
|
| | 1842 |
142p |
|
| 92. | Ernesti, Johann August | Elogium Caspari Borneri, Grammatici Philosophi Mathematici Et Theologi Lipsiensis Clarissimi. Orativncvlis V. Schola Thomana ipsis kalendis ivnii MDCCXL. Hor. IX. Habendis praemissvm a Io. Avg. Ernesti. Rectore. [1740] xvi p. |
|
| | 1740 |
xvi p |
|
| 93. | Ernesti, Johann August | Initia doctrinae solidioris. Auctore Io. Augusto Ernesti. - Editio Altera. Lipsiae Apud Ioannem Wendlerum, 1746. [18] Bl., 690p, [18] Bl., [6] gef. Bl.; Editio Tertia. Lipsiae Apvd Ioannem Wendlervm, 1750. [18] Bl., 892p, vi Bl.; Editio Quarta. Lipsiae: Wendler, 1758. [25] Bl., 892p, vi Bl.; Editio Qvinta. Lipsiae Impensis Caspari Fritsch, 1769. xlii, 732, 207p, vi gef. Bl.; Editio 5. Lipsiae: Fritsch, 1776. 660, 205p; Lipsiae: Fritsch, 1783. 50, 736, 206p; Lipsiae: Fritsch, 1796. l, 736, 206p, [6] Bl. |
|
| | 1746 |
690p |
|
| 94. | Ernesti, Johann August | Initia rhetorica. Leipzig: 1730. - Editio secunda. Leipzig: J. Wendler, 1758. 204p. |
|
| | 1730 |
204p |
|
| 95. | Fidom, Hans; Luth, Jan R.; Wolff, Christoph (eds.) | Pro Organo Pleno: Essays in Honor of Ewald Kooiman for his 70th birthday. Veenhuizen, Netherlands: Boeijenga, 2008. 135p. ISBN: 978-90-70425-51-7. |
[fs]Kooiman70 |
| | 2008 |
135p |
|
| 96. | Garratt, James | Britain and Ireland. [Handel and Bach serve as models for oratorios such as William Crotch's Palestine (1811), Frederick Arthur Gore Ouseley's The martyrdom of St. Polycarp (1854), and William Sterndale Bennett's The woman of Samario (1867)] |
[ce]19cChoralM |
| | 2012 |
335-367 |
|
| 97. | Garratt, James | Mendelssohn's Babel: Romanticism and the Poetics of Translation. |
MLetters |
80 | 1 | Feb 1999 |
23-49 |
|
| 98. | Garratt, James | Palestrina and the German Romantic Imagination: Interpreting Historicism in Nineteenth-Century Music. Cambridge: Cambridge University Press, 2002. xiv, 318p. ISBN: 0-511-02917-9 (e-book); 0-521-80737-9 (hardback) (= Musical Performance and Reception) |
|
| | 2002 |
xiv, 318p |
|
| 99. | Garratt, James | Prophets Looking Backwards: German Romantic Historicism and the Representation of Renaissance Music. [Spitta's view on Bach] |
JRMA |
125 | 2 | 2000 |
164-204 |
|
| 100. | Gillette, James R. (arr.) | O love of God: anthem for mixed voices, melody: 'Komm, süsser Tod' / Johann Sebastian Bach. Text adapted from Rev. Oscar Clute, arr. by James R. Gillette. [score] - [Philadelphia]: Oliver Ditson Co., c1942. 4p. (= Anthems for mixed voices, 15117) [BWV 478] |
|
| | 1942 |
4p |
|
| 101. | Goetz, Julius | 750 Jahre Leipziger Thomanerchor. |
DBachfest |
38 | [Leipzig] | 1962 |
113-114 |
|
| 102. | Goetz, Julius | Bach im deutschen Schrifttum. Zum 200. Todestag des Meisters. |
BörsenBlDBuchhandel |
117 | 30 | 1950 |
326-328 |
|
| 103. | Goetz, Julius | Die Leipziger Thomaner. |
UraniaUniversum |
5 | | 1962 |
23-32 |
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| 104. | Goetz, Julius | Nordlandreise der Leipziger Thomaner. Musikberichte. |
ZsfM |
107 | 1 | Jan 1940 |
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| 105. | Goetz, Julius | Wandlungen der Bach-Auffassung. Zu Karl Straubes neuer Gesamtausgabe von Bachs Orgelwerken. |
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| 106. | Hammitt, Jackson Lewis, III | Sacred music in Berlin, 1740 to 1786. PhD diss., Musicology: University of Michigan, 1970. xvii, 280p. - Dissertation Abstracts International, 32-03A, p. 1549, AAF7123769 |
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xvii, 280p |
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| 107. | Hashimoto, Jun; Yoshino, Hideyuki | J.S. Bach no Sakuhin ni mirareru Gengosei to sono Hyogen: Gendai ni okeru Bach no Enso ni tsunageru tame ni. [Die sprachlich erscheinende Ausdrucksweise in den Werken von J. S. Bach: Für die Aufführung von Bach'schen Werken in der Gegenwart] |
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| 110. | Horowitz, Jerome | Bach's Canonic Variations on Vom Himmel hoch as an extension of the Goldberg Variations. |
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| 111. | Howitz, Jürgen | Bach-Tage in Kassel. Berichte. |
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| 112. | Huray, Peter Le; Butt, John | In Search of Bach the Organist. |
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| 113. | Impett, Jonathan | Situating the invention in interactive music. |
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| 114. | Kalckreuth, Johannes von | Bach regiert in Ansbach. |
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56 | | 1954 |
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| 115. | Kawabata, Junshiro | 3.11 Go o ikiru Kirisutokyo: Bultmann, Marx, Bach kara mananda Koto. [Christianity that lives after 3.11: what I learned from Bultmann, Marx and Bach] Tokyo: Shinkyo Publishing Co, 2013. 94p. ISBN:978-4-400-52725-1. |
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| | 2013 |
94p |
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| 116. | Kawabata, Junshiro | Anna Magdalena no Rogo: Leipzig no Kyuhin Seisaku (1). Bach Koborebanashi 23. [Late years of Anna Magdalena: Welfare service in Leipzig (1)] |
ReihaiToOngaku |
| 153 | Spring 2012 |
54-58 |
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| 117. | Kawabata, Junshiro | Anna Magdalena no Rogo: Leipzig no Kyuhin Seisaku (2). Bach Koborebanashi 24. [Late years of Anna Magdalena: Welfare service in Leipzig (2)] |
ReihaiToOngaku |
| 156 | Winter 2013 |
54-58 |
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| 118. | Kawabata, Junshiro | Anna Magdalena no Rogo: Leipzig no Kyuhin Seisaku (3). Bach Koborebanashi 25. [Late years of Anna Magdalena: Welfare service in Leipzig (3)] |
ReihaiToOngaku |
| 157 | Spring 2013 |
42-46 |
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| 119. | Kawabata, Junshiro | Bach Mangekyo: Jidai no Gekiryu ni ikita Kyokai Ongakuka. [Bach Kaleidoscope: Church musician who lived in the torrent of time] Tokyo: Nihon Kirisuto Kyodan Shuppankyoku [The Board of Publications, The United Church of Christ in Japan], 2013. 208p. ISBN 978-4-8184-0863-0. |
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| | 2013 |
208p |
|
| 120. | Kawabata, Junshiro | Bach no Gakko Kyoiku. Bach Koborebanashi 21. [Bach's school education] |
ReihaiToOngaku |
| 151 | Autumn 2011 |
54-58 |
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| 121. | Kawabata, Junshiro | Bach no Ongaku to Shoshukyokan no Taiwa no Mondai. Bunka. [Culture: Problem of Bach's music and the dialogue among various religions] |
GekkanHodanren |
| 999 | May 2009 |
61-64 |
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| 122. | Kawabata, Junshiro | Bach no Orugan Kyoku no Shiyo Mokuteki (1). Bach Koborebanashi 19. [The purpose of using Bach's organ music (1)] |
ReihaiToOngaku |
| 149 | Spring 2011 |
60-64 |
|
| 123. | Kawabata, Junshiro | Bach no Orugan Kyoku no Shiyo Mokuteki (2). Bach Koborebanashi 20. [The purpose of using Bach's organ music (2)] |
ReihaiToOngaku |
| 150 | Summer 2011 |
58-62 |
|
| 124. | Kawabata, Junshiro | Bach no Shunyu to Izokikin. Bach Koborebanashi 7 [Bach's income and bequest fund] |
ReihaiToOngaku |
| 137 | Spring 2008 |
60-64 |
|
| 125. | Kawabata, Junshiro | Bach no tsukatta Sanbikashu. Bach Koborebanashi 6. [The Choralbuch that Bach used] |
ReihaiToOngaku |
| 136 | Winter 2008 |
64-68 |
|
| 126. | Kawabata, Junshiro | Bach to Gendai--Shukyoshin naki Jidai no Shukyo Ongaku. [Bach and present time--religious music in the era without religeous heart] Also available online at http://www.jade.dti.ne.jp/~jak2000/page002.html#%98_%95%B62 |
BunkaHyoron |
| 308 | Nov 1986 |
167-182 |
|
| 127. | Kawabata, Junshiro | Bach to Kantoru. Bach Koborebanashi 12. [Bach and Cantor] |
ReihaiToOngaku |
| 142 | Summer 2009 |
62-66 |
|
| 128. | Kawabata, Junshiro | Bach to Keikenshugi (1) [Bach and pietism] |
ReihaiToOngaku |
| 146 | Summer 2010 |
56-60 |
|
| 129. | Kawabata, Junshiro | Bach to Keiken Shugi - Buxtehude Taiken. Bach Koborebanashi 18. [Bach and pietism -- experiencing Buxtehude] |
ReihaiToOngaku |
| 148 | Winter 2011 |
60-64 |
|
| 130. | Kawabata, Junshiro | Bach to Keikenshugi -- Eisenach kara Mühlhausen (1). Bach Koborebanashi 16. [Bach and pietism -- From Eisenach to Mühlhausen (1)] |
ReihaiToOngaku |
| 146 | Summer 2010 |
56-60 |
|
| 131. | Kawabata, Junshiro | Bach to Keikenshugi -- Eisenach kara Mühlhausen e (2). Bach Koborebanashi 17. [Bach and pietism -- From Eisenach to Mühlhausen (2)] |
ReihaiToOngaku |
| 147 | Autumn 2010 |
60-64 |
|
| 132. | Kawabata, Junshiro | Bach to Kenetsu. Bach Koborebanashi 22. [Bach and censorship] |
ReihaiToOngaku |
| 152 | Winter 2012 |
54-58 |
|
| 133. | Kawabata, Junshiro | Bach to Orugan. Bach Koborebanashi 13. [Bach and Organ] |
ReihaiToOngaku |
| 143 | Autumn 2009 |
58-62 |
|
| 134. | Kawabata, Junshiro | Bultmann, Marx, Bach kara mananda Koto (10): Seisho Kisha no Zen-Rikai. [What I learned from Bultmann, Marx and Bach (10): Pre-understanding of the Gospel reporters] |
FukuinToSekai |
67 | 7 | Jul 2012 |
54-57 |
|
| 135. | Kawabata, Junshiro | Bultmann, Marx, Bach kara mananda Koto (11): Sozo no Chitsujo: Rikai Kano no Konkyo. [What I learned from Bultmann, Marx and Bach (11): The order of Creation: The evidence for the understandability] |
FukuinToSekai |
67 | 12 | Dec 2012 |
64-67 |
|
| 136. | Kawabata, Junshiro | Bultmann, Marx, Bach kara mananda Koto (12 Saishukai): 3.11 Igo ni Ikiru. [What I learned from Bultmann, Marx and Bach (12, the closing): To live after 3.11] |
FukuinToSekai |
68 | 1 | Jan 2013 |
52-55 |
|
| 137. | Kawabata, Junshiro | Bultmann, Marx, Bach kara mananda Koto (2): Marx to no Deai. [What I learned from Bultmann, Marx and Bach (2): meeting with Marx] |
FukuinToSekai |
66 | 11 | Nov 2011 |
58-61 |
|
| 138. | Kawabata, Junshiro | Bultmann, Marx, Bach kara mananda Koto (3): Bultmann kara mananda Mono. [What I learned from Bultmann, Marx and Bach (3): What I learned from Bultmann] |
FukuinToSekai |
66 | 12 | Dec 2011 |
50-53 |
|
| 139. | Kawabata, Junshiro | Bultmann, Marx, Bach kara mananda Koto (4): Barth to Bultmann [What I learned from Bultmann, Marx and Bach (4): Barth and Bultmann] |
FukuinToSekai |
67 | 1 | Jan 2012 |
52-55 |
|
| 140. | Kawabata, Junshiro | Bultmann, Marx, Bach kara mananda Koto (5): Bach no Ongaku kara kikoete kuru Mono. [What I learned from Bultmann, Marx and Bach (5): What one can hear from Bach's music] |
FukuinToSekai |
67 | 2 | Feb 2012 |
60-63 |
|
| 141. | Kawabata, Junshiro | Bultmann, Marx, Bach kara mananda Koto (6): Seisho wa Kami no Kotoba ka. [What I learned from Bultmann, Marx and Bach (6): Is the Bible the word of God?] |
FukuinToSekai |
67 | 3 | Mar 2012 |
60-63 |
|
| 142. | Kawabata, Junshiro | Bultmann, Marx, Bach kara mananda Koto (7): Seisho wa Kami no Kotoba ka (2). [What I learned from Bultmann, Marx and Bach (7): Is the Bible the word of God? (2)] |
FukuinToSekai |
67 | 4 | Apr 2012 |
54-57 |
|
| 143. | Kawabata, Junshiro | Bultmann, Marx, Bach kara mananda Koto (8): Iesu to Kirisuto. [What I learned from Bultmann, Marx and Bach (8): Jesus and Christ] |
FukuinToSekai |
67 | 5 | May 2012 |
52-55 |
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| 144. | Kawabata, Junshiro | Bultmann, Marx, Bach kara mananda Koto (9): Iesu to Kirisuto (2). [What I learned from Bultmann, Marx and Bach (9): Jesus and Christ (2)] |
FukuinToSekai |
67 | 6 | Jun 2012 |
56-59 |
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| 145. | Kawabata, Junshiro | Bultmann, Marx, Bach kara mananda Koto (Shin Rensai 1): '3.11 Igo no Sekai' o ikiru. [What I learned from Bultmann, Marx and Bach (New series, 1): to live the world after 3.11] |
FukuinToSekai |
66 | 10 | Oct 2011 |
66-69 |
|
| 146. | Kawabata, Junshiro | Gendaiteki Kadai to shite no Bach no Ongaku. [Bach's music as a modern subject] Also available online at http://www.jade.dti.ne.jp/~jak2000/page002.html#%98_%95%B63 |
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| 147. | Kawabata, Junshiro | J.S. Bach. Jidai o koeta Kantoru. [J.S. Bach. The Cantor who transcended his age] Tokyo: Nihon Kirisuto Kyodan Shuppankyoku, 2006. 302p. ISBN: 4-8184-0629-5. |
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| | 2006 |
302p |
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| 148. | Kawabata, Junshiro | J. S. Bach no Ongaku ga Gendai ni tsutaeru mono. Tokubetsu Koen. [Special Lecture: What J. S. Bach's music tells the present time. (23rd lecture: Hodanren Iryo Kenkyu Shukai: Life -- its weight and venerableness; life--its joy and hope)] |
GekkanHodanren |
| 993 | Mar 2009 |
13-22 |
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| 149. | Kawabata, Junshiro | J. S. Bach to sono Jidai--Seitan 300-nen ni yosete. [J. S. Bach and his time--a reflection on his 300th birthday] |
BunkaHyoron |
| 294 | Sep 1985 |
169-181 |
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| 150. | Kawabata, Junshiro | Koethen no Nazo (1). Bach Koborebanashi 14. [Mysteries in Köthen (1)] |
ReihaiToOngaku |
| 144 | Winter 2010 |
58-62 |
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| 151. | Kawabata, Junshiro | Koethen no Nazo (2). Bach Koborebanashi 15. [Mysteries in Köthen (2)] |
ReihaiToOngaku |
| 145 | Spring 2010 |
58-62 |
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| 152. | Kawabata, Junshiro | Luther to Kantoru. Bach Koborebanashi 11. [Luther and Cantor] |
ReihaiToOngaku |
| 141 | Spring 2009 |
60-64 |
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| 153. | Kawabata, Junshiro | Matai Junankyoku ni tsuite. [On Bach's St Matthew Passion] Lecture given at 50th anniversary Greenwood Harmony Concert on 7 July 2002. Also online at http://www.jade.dti.ne.jp/~jak2000/page002.html#%98_%95%B61[as of 25 October 2006] |
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| 154. | Kawabata, Junshiro | Matai Junankyoku o megutte. [On St Matthew Passion] |
BCJ |
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6-7 |
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| 155. | Kawabata, Junshiro | Parodii ga tsukurenai Jidai. Bach Koborebanashi 9 [The era that cannot make use of parodies] |
ReihaiToOngaku |
| 139 | Autumn 2008 |
60-64 |
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| 156. | Kawabata, Junshiro | Program Notes. 'Matai Junankyoku' to Koraru. [St Matthew Passion and Chorales] |
BCJ |
| 97 | Apr 2012 |
10-14 |
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| 157. | Kawabata, Junshiro | Tabigeinin kara Machigakushi e. Bach Koborebanashi 10. [From a travelling musicians to a town musician] |
ReihaiToOngaku |
| 140 | Winter 2009 |
60-64 |
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| 158. | Kawabata, Junshiro | Thomas Kyokai ga Calvin-ha datta toki. [When Thomaskirche was under the Calvin school] |
ReihaiToOngaku |
| 138 | Summer 2008 |
60-64 |
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| 159. | Kawabata, Junshiro | Yohane Fukuinsho no Ko. Bach Koborebanashi 5. [The version of St John's Gospel] |
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| 160. | Kawabata, Junshiro | 'Yohane Junankyoku' Seiritsu no Haikei. 'Gakucho-gata Kantoru' ga Jitsugen saseta Hatsu no Junankyoku. [The background of the development of 'Johannespassion' -- The first Passion realized by 'Capellmeister-type Cantor']. |
BCJ |
| 76 | Apr 2007 |
48-51 |
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| 161. | Kawabata, Junshiro; Sekiya, Naoto (eds.) | Bach no Koraru o utau. Meikyoku 50 sen. [Singing Bach's chorales. A select collection of 50 pieces] With CD performance by Naoko Imai. Tokyo: Kirisuto Shinbunsha, 2007. 267p. ISBN: 978-4-87395-502-5. |
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| 166. | Kroesbergen, Willem; Wentz, Jed | Utilia, non subtilia: Ausdruck und Leidenschaft in der Musik des 18. Jahrhunderts (Teil II und Schluss). |
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| 168. | Kárpáti, János | Egy jellegzetes bartóki tématípus: A skála. [A characteristic theme type of Bartok: The scale] |
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| 170. | Landsbergyte, Júrate | Carl Philipp Emanuel Bachs Beziehungen nach Litauen. |
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| 175. | Luth, Jan R. | Johann Sebastian Bachs trio over 'Allein Gott in der höh sei Ehr' BWV 676. |
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| 180. | Luth, Jan R. | Rutsu Hakushi no Koraru Dangi. Dai-2-Wa: Magnificat ni tsuite. [Dr Jan R. Luth's Lecture on Chorales (2): on Magnificat] |
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| 182. | Luth, Jan R. | Rutsu Hakushi no Koraru Dangi. Dai-4-Wa [BWV 94, 138, 97 no Koraru ni tsuite]. [Dr Jan R. Luth's Lecture on Chorales (4): on the chorales in BWV 94, 138 and 97] |
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| 183. | Luth, Jan R. | Rutsu Hakushi no Koraru Dangi. Dai-5-Wa: Kaishuka to Orugan Banso. [Dr Jan R. Luth's Lecture on Chorales (5): Congregational singing and organ accompaniment] |
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| 185. | Luth, Jan R. | Rutsu Hakushi no Koraru Dangi. Dai-7-Wa: 'Kyokaireki'. [Dr Jan R. Luth's Lecture on Chorales (7): Church Calendar] |
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vi, 468p |
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| 191. | Motta, José Vianna da | Ein Werk des Altmeister J. S. Bach in neuer Bearbeitung. [Aria mit 30 Veränderungen, für den Konzertvortrag bearbeitet von K. Klindworth.] |
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| 192. | Motta, José Vianna da | Fer. Busoni's Ausgabe der chromatischen Fantasie J. S. Bach's (N. Simrock, Berlin) |
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| 193. | Motta, José Vianna da | Ferruccio Busoni's Cyclus von vier Clavier-Orchester-Abenden. Die Haupterscheinungen auf dem Gebiet des Clavier-Concertes von J. S. Bach bis Fr. Liszt; Saal der Sing-Academie, Berlin, Sonnabend den 29. October 1898, Sonnabend den 5. November 1898, Sonnabend den 12. November 1898, Sonnabend den 19. November 1898, abends 8 Uhr; mit historisch-kritischen Erläuterungen von José Vianna da Motta und einer thematischen Uebersicht der zum Vortrag gelangenden Clavier-Concerte. - Berlin: Concert-Direction Hermann Wolff, 1898. 87p. |
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| 195. | Motta, José Vianna da | Um novo livro sobre J. Sebastian Bach. |
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7473 | | 1985 |
24p |
|
| 200. | Muret, Marc-Antoine; Ernesti, Johann August; Ruhnken, David; Matthiae, August H. | Eloquentiae Latinae exempla, e M. A. Mureti, I. A. Ernesti, D. Ruhnkenii scriptis. Sumpta et inventuti litterarum studiosae. Accedit Dav. Ruhnkenii praefatio lexico Schelleriano praemissa / proposita ab Aug. Matthiae. Altenburg: Hahn, 1821. xii, 420p; Editio Secunda. Lipsiae, Sumtibus Augusti Lehnholdi, 1832. iv, 408, [8]p |
|
| | 1821 |
xii, 420p |
|
| 201. | Nelle, Wilhelm; Plath, Johannes (eds.) | Chorbuch 1917: 27 Lieder D. Martin Luthers in Chorsätzen alter Meister, Johann Sebastian Bachs und in neuen dreistimmigen Tonsätzen im Auftr. der evang. Kirchengesangsvereine für Rheinland und Westfalen hrsg. von Wilhelm Nelle und Johannes Plath. Ausg. A und B für den Chorleiter. - Gütersloh: Bertelsmann, [1917] xxii, 144p. [BWV 153/1, 38/6, 4/8, 7/7, 298, 80/8, 302, 6/6, 69/6, 64/2, 91/6, 322, 364, 226, 125/6, 382, 383, 197/5, 388, 126/6, 0248 I/9, 248 II/17, 14/5, 437, 121/6] |
|
| | 1917 |
xii, 144p |
|
| 202. | Nemeti, J. (arr.) | Arie: 'Erbarme dich, mein Gott' aus Matthäuspassion für Salonorchester bearb. v. J. Nemeti. - Köln: Gerdes [1923] [BWV 244/39] |
|
| | 1923 |
|
|
| 203. | Parada y Barreto, José | El arte desde el siglo XVIII hasta nuestros días. [Sobre los orígenes del oratorio (congregación de San Felipe Neri) y de la ópera bufa en el siglo XVII. J. S. Bach, fundador de la escuela de organistas en el siglo XVIII. Influencia de la música italiana en los grandes genios: Mozart, Haydn, Beethoven, Weber y Rossini. Del escaso adelanto de la música, con la excepción de Verdi, durante el siglo XIX. Repaso a la literatura musical] |
RevistaGacM |
1 | 24 | 16 Jun 1867 |
121-122 |
|
| 204. | Porte, Jacques (ed.) | Traditions chrétiennes des premiers siècles aux cultes révolutionnaires. Paris: Ed. Labergerie, 1969. 573p. |
EncyclopMSacree |
2 | | 1969 |
573p |
|
| 205. | Poth, Johannes | XI. Aachener Bachtage 1984. Berichte. |
MKirche |
55 | 4 | 1985 |
201-202 |
|
| 206. | Pranata, Julianto | New transcriptions for viola: Works by J. S. Bach, Frank Bridge, Clara Schumann, and Rebecca Clarke. DMA diss., University of Memphis, 2004. 105p. - Ann Arbor, MI: University Microfilms International (UMI). ISBN: 0-496-74611-1. |
diss. |
| | 2004 |
105p |
|
| 207. | Pruett, James W. | J. S. Bach's chaconne in D minor: An examination of three arrangements for piano solo. DMA doc.: Louisiana State Univ, 1991. 89p. DA 9200085. [BWV 1004/5] |
diss. |
| | 1991 |
89p |
|
| 208. | Pruett, James W. (ed.) | Studies in musicology. Essays in the history, style, and bibliography of music in memory of Glen Haydon. Chapel Hill, North Carolina 1969. - Reprint. Westport, Conn. 1976. xiii, 286 p |
[gs]Haydon |
| | 1969 |
xiii, 286p |
|
| 209. | Pruett, Jeffrey Mark | J. S. Bach's Chaconne in D Minor: an Examination of Three Arrangements for Piano Solo. Dissertation. The Louisiana State University And Agricultural And Mechanical Col., 1991. 89p. [BWV 1004/5] |
diss. |
| | 1991 |
89p |
|
| 210. | Quantz, Johann Joachim | Easy and Fundamental Instructions whereby either vocal or instrumental Performers ... may ... learn how to introduce Extempore Embellishments or Variations as also Ornamental Cadences [1752]. Translated from a famous Treatise on Music [i.e. from chapters 13 and 15 of 'Versuch einer Anweisung die Flöte traversiere zu spielen']. London: Longman and Broderip, [1790?] 32p. |
|
| | 1996 |
32p |
|
| 211. | Quantz, Johann Joachim | Essai d'une methode pour apprendre à jouer de la flute traversiere: avec plusieurs remarques pour servir au bon gout dans la musique le tout eclairci par des exemples et par XXIV. tailles douces. par Jean Joachim Quantz ... - Berlin: Chez Chrétien Frédéric Voss, 1752. 336p. pl.xxiv. |
|
| | 1752 |
336p |
|
| 212. | Quantz, Johann Joachim | Furuto Sohoshiron [1752]. [Versuch einer Anweisung die Flöte traversiere zu spielen] Trans. by Toshinori Ishihara and Joji Imoto. Tokyo: Sinfonia, 1976. 310p. ISBN: 4883953602. |
|
| | 1976 |
310p |
|
| 213. | Quantz, Johann Joachim | Grondig onderwys van den aardt en de regte behandeling der dwarsfluit: verzeld met eenen treffelyken regelenschat van de compositie en van de uitvoering der voornaamste muzyk-stukken, op de gebruikelykste instrumenten; door lange ondervinding en schrandere opmerking, in de groote muzykaale ... Amsterdam: A. Olofsen, 1754. 240p. |
|
| | 1754 |
240p |
|
| 214. | Quantz, Johann Joachim | Johann Joachim Quantzens, königl. preussischen Kammermusikus, Versuch einer Anweisung, die Flöte traversiere zu spielen: mit verschiedenen, zur Beförderung des guten Geschmackes in der praktischen Musik dienlichen Anmerkungen begleitet, und mit Exempeln erläutert: nebst XXIV. Kupfertafeln. Berlin: Bey Johann Friedrich Voss, 1752. [13], 334, [22] p., 24p - Zweyte Auflage. Breslau, 1780. pp. 334. pl. xxiv. - Dritte Auflage. Breslau: Bey J. F. Korn dem ältern, 1789. |
|
| | 1752 |
334, 24p |
|
| 215. | Quantz, Johann Joachim | On Playing the Flute [1752]. Translated with notes and an introduction by Edward R. Reilly. London: Faber & Faber, 1966. 365p. - R/1976. xxxix, 368p. ISBN: 0571110339. - 2nd edn. London: Faber, 1985. xliii, 412p. ISBN: 0571180469; New York: Schirmer Books, 1985. xliii, 412p. ISBN: 0028701607 (Paperback); 002872920X. |
|
| | 1966 |
365p |
|
| 216. | Quantz, Johann Joachim | Versuch einer Anweisung die Flöte traversiere zu spielen [1752]. Facs. mit einem Vorwort von Hans-Peter Schmitz, mit einem Nachwort, Bemerkungen, Ergänzungen und Register von Horst Augsbach, Kassel [u.a.]: Bärenreiter, 1953, 7 p.l., 334, [20], 24, [2]p; R/1983. ix, 3, 419p. ISBN: 3761807112. (= Documenta Musicologica, i/2); [S.l.]: VEB Deutscher Verlag für Musik, c1983. - München: Deutscher Taschenbuch Verlag; Kassel [u.a.]: Bärenreiter, 1992. x, 424p. |
DocumentaMcol |
1 | 2 | 1953 |
334, [20], 24, [2] p |
|
| 217. | Quantz, Johann Joachim | Versuch einer Anweisung die Flöte traversiere zu spielen [1752] kritische revidierter Neudruck nach dem original Berlin 1752 / mit einem Vorwoirt und erläuternden Anmerkungen versehen von Dr. Arnold Schering. Leipzig: C.F. Kahnt Nachfolger, 1906. xiv, 277p. - 2. Aufl. Leipzig, 1926. xiv, 277, 3p |
|
| | 1906 |
xiv, 277p |
|
| 218. | Radowitz, Joseph Maria von | Catalog v. Radowitz. [Entwurf eines Bach-Werke-Verzeichnises geschr. v. Josef Fischhof. D-B, Mus. ms. theor. Kat. 425] [nach 1845]. 16p. |
|
| | after 1845 |
16p |
|
| 219. | [Radowitz, Joseph Maria von] | Verzeichniss der von dem verstorbenen Preußischen General-Lieutenant J. von Radowitz hinterlassenen Autographen-Sammlung, nunmehr Eigentum der Königl. Bibliothek in Berlin. Dritter Theil. Berlin 1864. Nennt von J. S. Bach nur die Autographen zu BWV 1030 und 188 (Nr. 8354 f.) |
|
| | 1864 |
|
|
| 220. | [Rietz, Julius] | Auction zu Dresden der von Generalmusikdirector Dr. Julius Rietz, Hofrath Dr. A von Zahn in Dresden hinterlassenen Bibliotheken und Musikalien-Sammlung, sowie einiger werthvollen Kupferstiche in Glas und Rahmen am 29. April und den folgenden Tagen R. v. Zahn's Antiquariat ; Nr. 22 Schloss-Strasse Nr. 22. Aufträge nehmen alle Antiquariats-, Buch- & Musikalienhandlungen entgegen. - Dresden: Reichel, [1877] 104p. |
|
| | 1877 |
104p |
RietzCat-1 |
| 221. | Rietz, Julius (ed.) | Joh. Seb. Bach's Messe H moll. Herausgegeben von der Bach-Gesellschaft zu Leipzig: Breitkopf & Härtel. 1856. xxvii, 306p. Pl.-Nr.: B.W. VI. [BWV 232] |
BG |
6 | | 1856 |
xxvii, 306p |
|
| 222. | Rietz, Julius (ed.) | Joh. Seb. Bach's Messe H moll. [Neue Redaktion] Herausgegeben von der Bach-Gesellschaft zu Leipzig: Breitkopf & Härtel. [1857]. xxvi, 306p. Pl.-Nr.: B.W.VI. [Part I], B.W.VI.+ [Parts II-IV]. - Photolithographischer Neudruck - J. W. Edwards, Ann Arbor, Michigan, 1947. [BWV 232] |
BG |
6 | [rev] | c 1857 |
xxvi, 306p |
|
| 223. | Rietz, Julius (ed.) | Joh. Seb. Bach's Messe H moll. Zweite Hälfte. Neue Redaktion. Herausgegeben von der Bach-Gesellschaft zu Leipzig: Breitkopf & Härtel. 1857. v, 155-306p. Pl.-Nr.: B.W.VI.+. [BWV 232/II-IV] |
BG |
6 | 2 | 1857 |
v, 155-306p |
|
| 224. | Rietz, Julius (ed.) | Joh. Seb. Bach's Passionsmusik nach dem Evangelisten Matthäus. Herausgegeben von der Bach-Gesellschaft zu Leipzig: Breitkopf & Härtel. 1854. xxxvi, 289p. Pl.-Nr.: B.W.IV. - Photolithographischer Neudruck - J. W. Edwards, Ann Arbor, Michigan, 1947. Rev. edn. Max Seiffert, 1935. [BWV 244] |
BG |
4 | 13 | 1854 |
xxxvi, 289p |
|
| 225. | [Rietz, Julius] | Katalog einer hervorragenden Sammlung von Musiker-Autographen ... Zum grössten Theil aus dem Nachlass des ... Julius Rietz, Dresden ; Versteigerung 17. Oktober 1806. Berlin, 1896. (= Autographen-Versteigerung / Antiquariat Leo Liepmannsohn, 18) |
|
| | 1896 |
|
RietzCat-3 |
| 226. | [Rietz, Julius] (ed.) | Messe in h moll (Sopr.-, Alt-, Te.-, Bass-Solo und gemischten Chor) / Joh. Seb. Bach. Hrsg. von der Bach-Gesellschaft. [Einzel-Ausgabe] - Leipzig: Breitkopf & Härtel, [c.1890] 304p. Pl.-Nr.: B.W.VI. (= Joh. Seb. Bachs Werke ; Breitkopf und Härtels Partitur-Bibliothek, Nr. 3065) [BWV 232] |
PartBib |
3065 | | c 1890 |
304p |
|
| 227. | [Rietz, Julius] | Verzeichnis einer kostbaren Sammlung von Autographen der berühmtesten Tonkünstler, Sänger, Schauspieler etc. aller Nationen älterer und neuerer Zeit, zum Teil aus dem Nachlasse des Kgl. General-Musikdirektors Hofkapellmeisters Julius Rietz ... Zu beziehen von Otto Aug. Schulz in Leipzig. Leipzig-Reudnitz, 1884. 35p. (= Autographen-Katalog von Otto Aug. Schulz in Leipzig. no. 15.) |
|
| | 1884 |
35p |
RietzCat-2 |
| 228. | Rietz, Julius (ed.) | Verzeichniß der sämmtlichen musikalischen Compositionen von Felix Mendelssohn Bartholdy. 1. Die im Druck erschienenen Werke in chronologischer Ordnung; 2. Die nicht veröffentlichten Werke nach Kategorieen. Hauptsächlich nach des Autors Originalhandschriften zusammengestellt und mit einem Vorwort begleitet von Julius Rietz. - in: Mendelssohn Bartholdy, Paul; Mendelssohn Bartholdy, Carl; Briefe aus den Jahren 1833 bis 1847 [von Felix Mendelssohn Bartholdy], pp.499-520. |
|
| | 1863 |
499-520 |
|
| 229. | Roberts, John | Souvenirs De Florence: Additions to the Handel Canon. Paper read at »Wilhelm Friedemann Bach und die protestantische Kirchenkantate nach 1750«. Internationale wissenschaftliche Konferenz zu Wilhelm Friedemann Bachs 300. Geburtstag (Teil 1), held at Händel-Haus Halle, 7-8 June 2010. |
[p]IWK_Halle |
| | Jun 2010 |
|
|
| 230. | Rochlitz, Johann Friedrich | Anekdoten aus Mozarts Leben. Biographieen. [sections 13 and 14 of a long series of articles] |
AllgMlZ |
1 | 8 | 21 Nov 1798 |
113-117 |
|
| 231. | Rochlitz, Johann Friedrich | Anekdoten aus Mozarts Leben. Biographieen. [sections 9-12 of a long series of articles, touching on Mozart's Leipzig visit] |
AllgMlZ |
1 | 6 | 7 Nov 1798 |
81-86 |
|
| 232. | Rochlitz, Johann Friedrich | Auf Veranlassung des Werkes: Große Passionsmusik nach dem Evangelisten Johannes, von S. Bach. Einleitung und I: Aus welchen Ursachen sucht unsere Zeit die ernstesten, ja gelehrtesten Werke der Vorzeit? II: Geschichte der Bachschen Passions-Oratorien und der ursprünglich deutschen Passions-Oratorien überhaupt. III: Über dieses Bachsche Passionswerk selbst. [BWV 245] |
AllgMlZ |
33 | 17, 18, 19 | 27 Apr; 4, 11 May 1831 |
265-271; 285-298; 301-311 |
|
| 233. | Rochlitz, Johann Friedrich | Bach's piano compositions. A letter to a friend (From the German of Rochlitz. Translated for this journal). |
DwightJM |
12 | 1, 2 | 3, 10 Oct 1857 |
209-210, 217-218 |
|
| 234. | [Rochlitz, Johann Friedrich] | Bach's piano compositions. Letter to a friend (From the German of Rochlitz). [Chorales; 'Well-Tempered Keyboard' (Translated for 'Dwight's Journal of Music')] |
MWorld |
35 | 44 | 31 Oct 1857 |
697-700 |
|
| 235. | Rochlitz, Johann Friedrich | Bitte [um Spenden für Regina Susanna Bach] |
AllgMlZ |
2 | Intel 13 | May 1800 |
56 |
|
| 236. | Rochlitz, Johann Friedrich | Charaktere interessanter Menschen: in moralischen Erzählungen dargestellt zur Unterhaltung in einsamen ruhigen Stunden. Zweyter Theil. Züllichau ; Freystadt: Darnmann, 1800. xii, 393p. [Bach = pp.9, 32] |
|
| | 1800 |
xii, 393p |
|
| 237. | Rochlitz, Johann Friedrich | [C. P. E. Bachs Urteil über W. F. Bach - Doles als Gast im Bachschen Hause.] Anekdoten. |
AllgMlZ |
2 | 48 | 27 Aug 1800 |
829-830 |
|
| 238. | Rochlitz, Johann Friedrich | Eine feste Burg ist unser Gott. Cantate für vier Singstimmen mit Begleitung des Orchesters, in Musik gesetzt von Joh. Seb. Bach. Partitur. Nach Joh. Seb. Bachs Original-Hand-Schrift. Leipzig, bey Breitkopf und Härtel. (Pr. 1 Thlr. 8 Gr.) Recension. [Analyse der Kantate 'Ein feste Burg ist unser Gott'] [BWV 80] |
AllgMlZ |
24 | 30 | 24 Jul 1822 |
485-493 |
|
| 239. | Rochlitz, Johann Friedrich | Ein feste Burg ist unser Gott für vier Singstimmen mit Begleitung des Orchesters. |
[ce]Rochlitz |
| | 1926 |
19-26 |
|
| 240. | Rochlitz, Johann Friedrich | Geschmack an Sebastian Bachs Compositionen besonders für das Klavier: Brief an einen Freund. |
[ce]Rochlitz |
| | 1926 |
9-18 |
|
| 241. | Rochlitz, Johann Friedrich | Geschmack an Sebastian Bachs Kompositionen, besonders für das Clavier. Brief an einen Freund. Also in 3. Aufl. (Leipzig, 1868) Bd. 2, S. 130-145. |
FürFreundeTonkunst |
2 | | 1825 |
205-229 |
|
| 242. | Rochlitz, Johann Friedrich | Geschmack an Sebastian Bachs Kompositionen besonders für das Klavier. Brief an einen Freund. Nachdr. aus Müller-Blattau, J.: Wege zu Bach. - Augsburg, 1926. - S. 9-18. (originally in: AllgMlZ v/31 (27 Apr 1803), 509-522.) |
ReclamUBib |
8832 | | 1992 |
62-78 |
|
| 243. | Rochlitz, Johann Friedrich | Johann Sebastian Bachs Cantate: Ein' feste Burg ist unser Gott - für vier Singstimmen, mit Begleitung des Orchesters. Partitur. Leipzig, bei Breitkopf und Härtel. Also in: 3. Aufl. (Leipzig, 1868) Bd. 3, S. 229-241. [BWV 80] |
FürFreundeTonkunst |
3 | | 1830 |
361-381 |
|
| 244. | [Rochlitz, Johann Friedrich] | Johann Sebastian Bachs Motetten, in Partitur. Erstes Heft enthaltend: Drey achtstimmige Motetten. 1. Singet dem herrn ein neues Lied. 2. Fürchte dich nicht, ich bin bey dir. 3. Ich lasse dich nicht, du segnest mich. Leipzig bey Breitkopf und Härtel. (Preis I Thlr. 8 Gr) Recensionen. [der Motetten-Ausgabe, Breitkopf & Härtel 1802] [BWV 225] |
AllgMlZ |
5 | 20 | 9 Feb 1803 |
333-335 |
|
| 245. | [Rochlitz, Johann Friedrich] | J. S. Bachs Choralvorspiele für die Orgel, mit einem und zwey Klavieren und Pedal. Leipzig, bey Breitkopf und Härtel. Erstes und zweytes Heft. (Jedes 16 Gr.) Recension [der Choralvorspiele (Breitkopf 1803-, (hrsg.: Schicht)] |
AllgMlZ |
8 | 2 | 9 Oct 1805 |
29-32 |
|
| 246. | Rochlitz, Johann Friedrich | Karl Philipp Emanuel Bach. |
SchrSchleswigHosteinLBib |
4 | | 1988 |
10-17 |
|
| 247. | Rochlitz, Johann Friedrich | Karl Philipp Emanuel Bach. Also in 3. Aufl. (Leipzig, 1868) Bd. 4, S. 177-206. |
FürFreundeTonkunst |
4 | | 1832 |
271-316 |
|
| 248. | [Rochlitz, Johann Friedrich] | Konzert und Oper in Leipzig (Fortsetzung). [Forts.: C. Ph. E. Bach, 'Magnificat', Sp.213-215] |
AllgMlZ |
9 | 14 | 31 Dec 1806 |
213-220 |
|
| 249. | [Rochlitz, Johann Friedrich] | Konzert und Oper in Leipzig. Michael bis Weihnacht. [C.P.E. Bach performed his Magnificat in 1755 (Sp.208)] |
AllgMlZ |
9 | 13 | 24 Dec 1806 |
204-208 |
|
| 250. | Rochlitz, Johann Friedrich | Missa à 4 Voci, 2 Flauti, 2 Violini, Viola ed Organo. di Giov. Sebast. Bach. No 1, dopo Partitura autografa dell' autore. Bonna e Colonia, presso N.Simrock (Pr. 6 Fr.). [Recension.] [Analyse der Messe in A-Dur] [BWV 234] |
AllgMlZ |
21 | 9 | 3 May 1819 |
133-140 |
|
| 251. | Rochlitz, Johann Friedrich | Monumente deutscher Tonkünstler. Nachricht. [erwähnt: Unauffindbarkeit von J. S. Bachs Ruhestätte, zitiert F. G. Klopstocks Grabinschriften für C. Ph. E. Bach] |
AllgMlZ |
2 | 24 | 12 Mar 1800 |
417-423 |
|
| 252. | Rochlitz, Johann Friedrich | [Motettenaufführung des Thomanerchores in Gegenwart Mozarts 1789] Nachdr. aus Bach-Dokumente III, p.558. |
ReclamUBib |
8832 | | 1992 |
48-49 |
|
| 253. | Rochlitz, Johann Friedrich | Motetto: Nach einer Prüfung kurzer Tage, von Gellert; in Musik ges. von J. G. Schicht, Cantor an der Thomasschule etc. zu Leipzig. Partitur. Leipzig, bey Breitkopf u. Härtel. (Pr. 1 hlr. 8. Gr.). [Recension] |
AllgMlZ |
20 | 34 | 26 Aug 1818 |
601-612 |
|
| 254. | [Rochlitz, Johann Friedrich] | Musik in Leipzig. Michael bis Neujahr. Nachrichten. [Kirchen Kantaten aus der Verborgenheit hervorgerufen (Sp.241, 246-247)] [BWV 20, 115] |
AllgMlZ |
5 | 15 | 5 Jan 1803 |
241-258 |
|
| 255. | Rochlitz, Johann Friedrich | Raphael und Mozart. Abhandlung. [enth. Vgl. zwischen Michelangelo und Bach (Sp.641-644)] |
AllgMlZ |
2 | 37 | 11 Jun 1800 |
641-651 |
|
| 256. | Rochlitz, Johann Friedrich (ed.) | Sammlung vorzüglicher Gesangstücke der anerkannt-größten, zugleich für die Geschichte der Tonkunst wichtigsten, die eigene höhere Ausbildung für diese Kunst und den würdigsten Genuß an derselben förderndsten Meister der für Musik entscheidendsten Nationen. Bd.3: Vom Jahr 1700 bis um das Jahr 1760. = Collection de morceaux de chant, tirés des maîtres qui ont le plus contribué aux progrès de la m. Quatrième période de 1700 à 1760 / gewählt, nach der Zeitfolge geordnet und ... hrsg. von F. Rochlitz. - Mainz, Paris u. Antwerpen: Schott [u.a.], [1842]. 37, 247p. Pl.-Nr.: 6062.1, 6062.2, 6062.3. [Enth: Figurirter Choral aus BWV Anh.159 von J.Christoph Bach (pp.32-33); BWV 101/1 (pp.34-38); BWV 115/1 (pp. 39-44), 244/68 (pp.45-48), BWV 225 from upbeat of bar 152 to the end (pp. 49-58)] |
|
| | 1842 |
37, 247p |
|
| 257. | Rochlitz, Johann Friedrich | Sebastian Bachs große Passionsmusik nach dem Evangelisten Johannes. |
[ce]Rochlitz |
| | 1926 |
27-47 |
|
| 258. | Rochlitz, Johann Friedrich | Sebastian Bachs große Passionsmusik, nach dem Evangelisten Johannes. Also in 3. Aufl. (Leipzig, 1868) Bd. 4, S. 261-296. [Ueber Seb. Bachs große Passionsmusik nach dem Evangelisten Johannes] [BWV 245] |
FürFreundeTonkunst |
4 | | 1832 |
399-448 |
|
| 259. | Rochlitz, Johann Friedrich | Ueber den Geschmack an Sebastian Bachs Compositionen, besonders für das Klavier. Brief an einen Freund. |
AllgMlZ |
5 | 31 | 27 Apr 1803 |
509-522 |
|
| 260. | Rochlitz, Johann Friedrich | Ueber den zweckmässigen Gebrauch der Mittel der Tonkunst. [S.199-200: 'Hier wird wol Niemand dem Albrecht Dürer der Musik, dem unsterblichen Johann Sebastian Bach, die erste Stelle streitig machen -- Niemand, der seine Kirchenmusik kennet. Seine grosse zweychörige Messe, die nun jezt endlich offentlich bekannt gemacht worden, und in seinen Kantaten die Chöre, meistens nach Chorälen unbeschreiblich gross, reich und kunstvoll bearbeitet, haben, in dieser ihrer Art, nichts neben, geschweige über sich. ...'] |
AllgMlZ |
8 | 1, 4, 13, 16 | 2, 23 Oct, 25 Dec 1805, 16 Jan 1806 |
3-10, 49-59, 193-201, 241-249 |
|
| 261. | [Rochlitz, Johann Friedrich] | Ueber die musikalische Beylage, No.1 [Fuge von J. S. Bach.] [Breitkopf, BWV 914/4] mit 'No.1 Beilage zur allgem. musikal. Zeitung 1826 No.6. 'Fuge von J.S.Bach', S.1-4. |
AllgMlZ |
28 | 6 | 8 Feb 1826 |
104 u. Beilage 4p |
|
| 262. | [Rochlitz, Johann Friedrich] | Uebersicht dessen, was in Leipzig von Neujahr bis Ostern für Musik gethan worden. Nachrichten. [Doppelchörige Motetten mit dem Leipziger Thomanerchor (Sp.506f)] |
AllgMlZ |
4 | 31 | 28 Apr 1802 |
497-507 |
|
| 263. | Rochlitz, Johann Friedrich | Vom zweckmäßigen Gebrauch der Mittel der Tonkunst. [Bach als exemplarischer Meister der schwer zugänglichen älteren Musikrichtung = p.173f] |
FürFreundeTonkunst |
2 | | 1825 |
139-204 |
|
| 264. | Rochlitz, Johann Friedrich | Vorschläge zu Betrachtungen über die neueste Geschichte der Musik. Abhandlung. [Wandel im Musikgeschmack des 18. Jahrhunderts (Sp.627-628)] |
AllgMlZ |
1 | 40 | 3 Jul 1799 |
625-629 |
|
| 265. | Rochlitz, Johann Friedrich; Breitkopf & Härtel; Bach, Regina Susanna | [Über Spenden für die jüngste Tochter J. S. Bachs. Beethoven plant, eine seiner Kompositionen zum Besten von Regina Susanna Bach herauszugeben] [Schluß:] Leipzig, den 19ten May 1801. Friedrich Rochlitz. Breitkopf und Härtel. (Sp.33) Leipzig, den 20sten May 1801. Regina Susanna Bach. (Sp.34) |
AllgMlZ |
3 | Intel 9 | Jun 1801 |
[33-34] |
|
| 266. | Schlichte, Joachim | Der automatische Vergleich von 83 243 Musikincipits aus der RISM-Datenbank. Ergebnisse, Nutzen, Perspektiven. |
StAI |
42 | | 1990 |
65-75 |
|
| 267. | Schlichte, Joachim | Thematischer Katalog der Kirchlichen Musikhandschriften des 17. und 18.Jahrhunderts in der Stadt und Universitätsbibliothek Frankfurt am Main. bearb. u. beschrieben von Joachim Schlichte. [Zugl.: Frankfurt am Main, Univ., Diss., 1979 (erm.)] [Hrsg. von d. Stadt- u. Univ.-Bibliothek Frankfurt am Main] - Frankfurt am Main: Klostermann, 1979. 500p. ISBN: 3-465-01372-7; 3-465-01373-5. (= Kataloge der Stadt- und Universitätsbibliothek Frankfurt am Main / Stadt- und Universitätsbibliothek (Frankfurt, Main), 8) |
KatFrankfurt |
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| 268. | Schmoll-Eisenwerth, Josef A. | 'Hommage à J. S. Bach': ein Thema der Bildenden Kunst des 20. Jahrhunderts (1988). |
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| 269. | Schultz, John Ahern | The soli-tutti concept in the choral works of Johann Sebastian Bach. DMA diss., Urbana, Ill., Univ. of Illinois at Urbana-Champaign, 1979. 161p |
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| 270. | Smith, Jane | In Search of Bach: Clare Brigstocke and her partner set out on a modern-day pilgrimage. Their aim - to hear Bach's church choir sing the Christmas Oratorio in the Thomaskirche in Leipzig in his birthplace and churches on the way. |
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| 271. | Smith, Johannes (ed.) | Sonate für Violoncell und Piano / Joh. Chr. Fr. Bach. Neuausg. von Johannes Smith. [Klavierpartitur, Stimme, nach D-Dur transponiert] - Braunschweig: Litolff [1905] 16p + 1 St. Best.-Nr. 2375. Pl.-Nr. Collection Litolff No. 2375. [Wf X/ 4 - BR JCFB B 36] |
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| 272. | Sposato, Jeffrey S. | Leipzig After Bach: Church & Concert Life in a German City. New York: Oxford University Press, 2018. xix, 313p. ISBN: 978-0-19-061695-3; 978-0-19-061696-0. |
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| 273. | Sposato, Jeffrey S. | Mendelssohn's Oratorios and the Bach Tradition. A Paper read at the Biennial Meeting of the American Bach Society 'BACH AND THE ORATORIO TRADITION', May 8-11, 2008, Lehigh University, Bethlehem, Pennsylvania |
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| 274. | Sposato, Jeffrey S. | Saint Elsewhere: German and English reactions to Mendelssohn's Paulus. |
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| 275. | Sposato, Jeffrey S. | The price of assimilation: Felix Mendelssohn and the nineteenth- century anti-Semitic tradition. Oxford [u.a.]: Oxford Univ. Press, 2006. xi, 228p. ISBN: 0-19-514974-2. - Revised verson of the author's PhD diss., 'The price of assimilation: The oratorios of Felix Mendelssohn and the nineteenth-century anti-Semitic tradition' (PhD: Brandeis University, 2000. 977p.) |
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xi, 228p |
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| 276. | Sterndale Bennett, J. R. | The Life of Sterndale Bennett. Cambridge: University Press, c1907. xiii, 471p [Bach = p.202f, 232f] |
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| 277. | Strohm, Reinhard; Butt, John; Dreyfus, Laurence; Tatlow, Ruth | Bach Network UK -- latest report: New Directions in Bach Studies: Second J S Bach Dialogue Meeting [9-10 December 2006 in Oxford] |
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| 278. | Szigeti, Joseph | Bachs Sonaten und Partiten für Violine 'senza Basso accompagnato'. (BWV 1001-1006) |
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| 279. | Szigeti, Joseph | [Differing Interpretations of the Opening and Closing Bars] |
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| 280. | Szigeti, Joseph | Solo Bach. [BWV 1001-1006] |
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| 281. | Szigeti, Joseph | The Rediscovered 'Violin' Concerto in G minor (BWV 1056a), based on the researches of Gustav Schreck. |
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| 282. | Szigeti, Joseph | The Unaccompanied Sonates and Partitas Of Bach. |
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| 283. | Szigeti, Joseph | The unaccompanied Sonates and Partitas of Bach. |
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| 284. | T. E. [Bennett, Joseph] | Mr. Henry Leslie's concerts. [Bach, 'I wrestle and pray' (cantata). Mendelssohn, Violin Concerto; Joachim. Mendelssohn, 'Judge me, O God' (motet)] |
MWorld |
48 | 14 | 2 Apr 1870 |
236 |
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| 285. | T. E. [Bennett, Joseph] | Our contemporaries. Bach's 'Passion Music'. [Oratorio Concerts: Bach, 'St. Matthew Passion'; Barnby ('Athenæum')] |
MWorld |
48 | 17 | 23 Apr 1870 |
281 |
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| 286. | T. E. [Bennett, Joseph] | ['The Student's Edition of Forty-eight Preludes and Fugues' by John Sebastian Bach, edited by John F. Barnett and Cipriani Potter ('Hutchings and Romer')] New music. |
MWorld |
47 | 34 | 21 Aug 1869 |
588 |
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| 287. | Thaddeus Egg [Bennett, Joseph] | Gluck, Haydn, P. E. Bach, Weber, Mendelssohn. Translated from the German by Lady Wallace (London, Longmans, Green & Co.). Letters of Distinguished Musicians: |
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| 288. | Thaddeus Egg [Bennett, Joseph] | Things old and new. ['Bachiana' published by Messrs. Duncan Davison & Co.: Fuga scherzando in A minor; Prelude and Fugue on the name BACH; Fantasia con fughetta in D major; Fantasia con fuga in B flat; Prelude and Fugue in A minor. T. M. Mudie, 'Melodies for the Pianoforte'] |
MWorld |
47 | 3 | 16 Jan 1869 |
37 |
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| 289. | T., J. | Notes of a Musical Tourist. To the Editor of the Harmonicon. Edinburgh, Nov. 23, 1829. [... I heard likewise a MS. Mass by Seb. Bach, in the severe style that characterises the works of that great man. Some of the choruses are wonderfully fine,--abounding in superb crashes of harmony, or in the intricacies of strict fugue. The solos, trios, and quartetts, likewise, partook of the same elevated character. I was so struck with the exquisite beauty and pathos of one of the quartetts, a Crucifixus, that I procured a copy of it; and I now send it to you for the pages of the Harmonicon, if at all within the design of the work, as affording at once a specimen of Bach's wonderful powers of harmony (the whole movement being written on four bars), and of what the students are capable of performing. ...] |
Harmonicon |
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5-7 |
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| 290. | Trinkewitz, Jürgen | Clavier- und Kompositionsunterricht im 18. Jahrhundert oder: Was man aus alten Instrumentalschulen lernen kann. Teil I. |
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| 292. | Wentz, Jed | Bach: Quick Tempi and Passionate Expression. |
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| 295. | Wentz, Jed | On the Protestant Roots of Gustav Leonhardt's Performance Style. |
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| 296. | White, John | Bach and rock, Ulysses and Telemachus. A response to Don Ihde's article 'Bach to rock, a musical odyssey'. |
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| 297. | White, Joseph Addison Jr. | The Concerted Symphonies of John Christian Bach. PhD diss., Musicology, University of Michigan, 1957 (1958). 2 vols., 576p. - Vol. 1: Analytical Study of First Movements; Vol. 2: Three Symphonies in Score (edited by Joseph A. White, Jr.) |
diss. |
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576p |
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| 298. | Wohlmuth, Josef | Hans Blumenbergs Interpretation der Matthäuspassion Bachs. |
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| 299. | Šebesta, Josef | Die lutherische Musik in Prag von Rudolfs Majestätsbrief bis zur Schlacht am Weißen Berg. |
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