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Bach Bibliography Search Result |
Author : Schubert, EmeryYour search has generated the following results ...
Max number of results shown : 300
Output sorted : chronologically (table)
| Type | List | Author | Title [further info  ] | Series | Vol | No | Year | Pages | Status |
|---|---|---|---|---|---|---|---|---|---|
 | 1. | Bangert, Daniel; Fabian, Dorottya; Schubert, Emery | Doing without thinking? Aspects of musical decision-making revisited. | [cr]Vienna2013 | 201 | ||||
| | 2. | Bangert, Daniel; Fabian, Dorottya; Schubert, Emery; Yeadon, Daniel | Performing solo Bach: a case study of musical decision-making. | MScientiae | 18 | 1 | 35-52 | ||
| | 3. | Fabian, Dorottya; Schubert, Emery | An experimental investigation of musical character portrayed by piano versus harpsichord performances of a J.S. Bach excerpt | 70-84 | |||||
| | 4. | Fabian, Dorottya; Schubert, Emery | Expressive devices and perceived musical character in 34 performances of Variation 7 from Bach's Goldberg Variations. | MScientiae | Special Issue | 49-71 | |||
| | 5. | Fabian, Dorottya; Schubert, Emery | Musical character and the performance and perception of dotting, articulation and tempo in 34 recordings of Variation 7 from J.S. Bach's Goldberg variations (BWV 988). | MScientiae | 12 | 2 | 177-206 | ||
| | 6. | Fabian, Dorottya; Schubert, Emery | Performed and perceived dotting are different: Implications for performance practice and pedagogy. | [cr]CIM04_Graz | 74-75 | ||||
 | 7. | Fabian, Dorottya; Timmers, Renee; Schubert, Emery (eds.) | Expressiveness in music performance: Empirical approaches across styles and cultures. | [ce]ExpressivenessMPerform | 416p | ||||
| | 8. | Fabian Somorjay, Dorottya; Schubert, Emery | The multidimensional perception space of Baroque music. | [cr]ESCOM_Keele | |||||
| | 9. | Fábián, Dorottya; Schubert, Emery | A new perspective on the performance of dotted rhythms. | EarlyM | 38 | 4 | 585-588 | ||
| | 10. | Fábián, Dorottya; Schubert, Emery | Baroque expressiveness and stylishness in three recordings of the D minor sarabanda for solo violin (BWV 1004) by J.S. Bach. | MPerformResearch | 3 | 36-55 | |||
| | 11. | Schubert, Emery; Fabian, Dorottya | A Taxonomy of Listeners' Judgements of Expressiveness in Music Performance. | [ce]ExpressivenessMPerform | 283-303 | ||||
| | 12. | Schubert, Emery; Fabian, Dorottya | The dimensions of baroque music performance: a semantic differential study. | PsycholM | 34 | 4 | 537-587 | ||
| | 13. | Schubert, Emery; Fabian Somorjay, Dorottya | The perception of dotted rhythms and the kerning illusion. | [cr]ESCOM_Keele |