Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Andraschke, Peter; Loos, Helmut (eds.) | Ideen und Ideale: Johann Gottfried Herder in Ost und West. |
RombachWiss(Litterae) |
103 | | 2002 |
339p |
|
| 2. | Anson, Hugo (arr.) | Süsser Trost, mein Jesus kömmt (Blessèd hope, a saviour is born) / J. S. Bach |
|
| | 1939 |
8p |
|
| 3. | Audéon, Hervé (ed.) | Romain Rolland musicologue: Célébration du cent cinquantième anniversaire de la naissance de Romain Rolland. |
[fs]Rolland150 |
| | 2017 |
202p |
|
| 4. | [Berlioz, Hector] | Die diesjährigen Concerte des Conservatoriums zu Paris. |
NZsfM |
13 | 12 | 8 Aug 1840 |
46-47 |
|
| 5. | Bishop, Henry R. (arr.) | Twelve corales: composed and harmonized by Martin Luther, Schop, Eccard, Graun, Osiander, Homilious and Sebastian Bach, |
|
| | 1844 |
64p |
|
| 6. | Brandenburg, Sieghard; Loos, Helmut (eds.) | Beiträge zu Beethovens Kammermusik: Symposion, Bonn 1984. |
VeröffBeethovenHausBonn |
4 | 10 | 1987 |
352p |
|
| 7. | Brandon, Hugh | Bach Festival in Australia. |
MTimes |
71 | 1048 | Jun 1930 |
543 |
|
| 8. | Bulow, Hans von (ed.) | Anthology of Piano Classics. Twenty-eight selected compositions by Bach, Beethoven, Chopin, Field, Handel, Haydn, Mendelssohn, Mozart, Schubert, Schumann [and] Weber. |
SchirmerLib |
1263 | | 1904 |
163p |
|
| 9. | Burton, Humphrey | Gespräche mit Glenn Gould. I. Über Bach und Schallplattenaufnahmen. |
NZsfM(2) |
134 | 2 | 1973 |
74-79 |
|
| 10. | Button, H. Elliot (ed.) | Chorales harmonized by Johann Sebastian Bach. |
|
| | c 1920 |
xiv, 181p |
|
| 11. | Bülow, Hans von (ed.) | 2 Gavotten. No. 1. D-moll. No. 2. G-moll. [Deux gavottes en Ré-mineur et Sol-mineur (d-Moll und g-Moll)] |
OeuvChoisiesPiano |
4 | | 1861 |
8p |
|
| 12. | Bülow, Hans von (ed.) | 60 ausgewählte Klavier-Etüden von J. B. Cramer. |
|
| | c 1900 |
141, 63p |
|
| 13. | Bülow, Hans von (ed.) | Andante e Rondò (Sarabande Passepied) estratti dalla Suite Anglaise in Mi minore / di Bach. |
SceltaOpere(Bülow) |
2 | | c 1881 |
10p |
|
| 14. | Bülow, Hans von (ed.) | Andante et rondo (sarabande et passepied) extraits de la suite anglaise en Mi-mineur (e-Moll) / Joh. Séb. Bach. |
OeuvChoisiesPiano |
2 | | 1862 |
12p |
|
| 15. | Bülow, Hans von (ed.) | Andante u. Rondo (Sarabande und Passepied aus der englischen Suite No. V.) |
OeuvChoisiesPiano |
2 | | 1862 |
12p |
|
| 16. | Bülow, Hans von (ed.) | Chromatic fantasia and fugue in D minor / J.S. Bach |
|
| | c 1860 |
24p |
|
| 17. | Bülow, Hans von (ed.) | Chromatische Fantasie und Fuge für Pianoforte. |
|
| | 1925 |
|
|
| 18. | Bülow, Hans von (ed.) | Chromatische Fantasie und Fuge / Joh. Seb. Bach. |
|
| | 1948 |
25p |
|
| 19. | Bülow, Hans von (ed.) | Concert dans le style italien en Fa-Majeur / Joh. Seb Bach. |
OeuvChoisiesPiano |
1 | | 1860 |
18p |
|
| 20. | Bülow, Hans von (ed.) | Concerto nello stile italiano in fa maggiore e Fantasia cromatica e fuga in re minore per pianoforte / G. S. Bach. |
|
| | 1926 |
38p |
|
| 21. | Bülow, Hans von (ed.) | Concerto nello stile Italiano in Fa maggiore / G. S. Bach |
SceltaOpere(Bülow) |
1 | | c 1880 |
20p |
|
| 22. | Bülow, Hans von (ed.) | Concerto nello stile Italiano per pianoforte / G. S. Bach |
|
| | 1934 |
19p |
|
| 23. | Bülow, Hans von (ed.) | Concerto nello stilo italiano in Fa maggiore / G. S. Bach |
|
| | c 1870 |
20p |
|
| 24. | Bülow, Hans von (ed.) | Deux Bourrèes extraites de la suite anglaise en La-majeur et La-mineur (A-dur und A-moll) / Joh. Séb. Bach. |
OeuvChoisiesPiano |
3 | | 1863 |
15p |
|
| 25. | Bülow, Hans von (ed.) | Deux Gavottes en Ré-mneur et Sol-mineur (D-moll und G moll) / Joh. Seb. Bach. |
OeuvChoisiesPiano |
4 | | 1861 |
8p |
|
| 26. | Bülow, Hans von (ed.) | Due Bourrées estratte dalla Suite Anglaise in La maggiore e La minore / di Bach |
SceltaOpere(Bülow) |
3 | | c 1881 |
13p |
|
| 27. | Bülow, Hans von (ed.) | Due Gavotte in Re minore e Sol minore / Gio. Seb. Bach |
SceltaOpere(Bülow) |
4 | | c 1881 |
6p |
|
| 28. | Bülow, Hans von (ed.) | Due gavotte in re minore e sol minore / G. S. Bach. |
|
| | c 1890 |
6p |
|
| 29. | Bülow, Hans von (ed.) | Fantaisie chromatique en Ré-mineur (d-Moll) / Joh. Séb. Bach. |
OeuvChoisiesPiano |
5 | | 1863 |
27p |
|
| 30. | Bülow, Hans von (ed.) | Fantasia Cromatica e fuga in Re minore / G. S. Bach. |
SceltaOpere(Bülow) |
5 | | c 1881 |
23p |
|
| 31. | Bülow, Hans von (ed.) | Fantasia cromatica e fuga in re minore / G. S. Bach. |
|
| | c 1890 |
23p |
|
| 32. | Bülow, Hans von (ed.) | Fantasia in Do minore / Johann Sebastian Bach. |
|
| | c 1875 |
4p |
|
| 33. | Bülow, Hans von (ed.) | Fantasie c-moll = Fantasia, c minor, piano by Joh. Seb. Bach |
|
| | 1948 |
6p |
|
| 34. | Bülow, Hans von (ed.) | Fantasie c-Moll von Joh. Seb. Bach. |
|
| | 1873 |
17-20 |
|
| 35. | Bülow, Hans von (ed.) | Fantasie, C moll / von Joh. Seb. Bach |
|
| | c 1900 |
6p |
|
| 36. | Bülow, Hans von | Felix Mendelssohn. |
[ce]MendelssohnHisWorld |
| | 1991 |
390-394 |
|
| 37. | Bülow, Hans von (ed.) | Fifteen Two-Voiced Inventions. |
|
| | c 1897 |
31p |
|
| 38. | Bülow, Hans von (ed.) | Grande fantaisie et fugue en La-mineur (a-moll) / Joh. Séb. Bach. |
OeuvChoisiesPiano |
6 | | 1866 |
13p |
|
| 39. | Bülow, Hans von (ed.) | Grande Fantasia e Fuga in La minore / Gio. Seb. Bach. |
SceltaOpere(Bülow) |
6 | | c 1881 |
13p |
|
| 40. | Bülow, Hans von (ed.) | Gran fantasia e fuga in la minore / G. Seb. Bach |
|
| | c 1890 |
13p |
|
| 41. | Bülow, Hans von (ed.) | Grosse Fantasie und Fuge [A-moll] von Joh. Seb. Bach. |
OeuvChoisiesPiano |
6 | | 1866 |
13p |
|
| 42. | Bülow, Hans von (ed.) | Heureux celui qui meurt fidèle!: Choeur à quatre voix seules / par G. S. Bach. |
|
| | c 1901 |
8p |
|
| 43. | Bülow, Hans von | H. von Bülow's Vorbemerkung zu G. F. Händel's Chaconne in F-dur. |
NBerlinerMz |
16 | 26 | 25 Jun 1862 |
205-206 |
|
| 44. | Bülow, Hans von (ed.) | Invenzioni a due e tre parti per Pianoforte: Quindici Invenzioni a due parti: Quindici Invenzioni a tre parti / di G.S.Bach |
|
| | c 1884 |
37p |
|
| 45. | Bülow, Hans von (ed.) | Konzert im italienischen Stil / Joh. Seb. Bach. |
OeuvChoisiesPiano |
1 | | 1860 |
16p |
|
| 46. | Bülow, Hans von (ed.) | Präludium und Fuge über den Namen Bach. |
OeuvChoisiesPiano |
13 | | c 1880 |
7p |
|
| 47. | Bülow, Hans von (ed.) | Quatre pieces de la partita en si mineur / Joh. Seb. Bach. |
SceltaOpere(Bülow) |
7 | | c 1881 |
111p |
|
| 48. | Bülow, Hans von (ed.) | Quatro pezzi della partita in Si minore / G. S. Bach. |
|
| | c 1880 |
11p |
|
| 49. | Bülow, Hans von (ed.) | Rondo (h moll) 1779 comp. von Philipp Emanuel Bach. |
AntholClassique(Schlesinger1) |
9 | [?] | 1860 |
3p |
|
| 50. | Bülow, Hans von (ed.) | Rondo (h-Moll) / Ph. Em. Bach. |
AntholClassique(Schlesinger2) |
11 | | c 1860 |
3p |
|
| 51. | Bülow, Hans von (ed.) | Sarabanda: estratta dalla Suite Inglese in Mi minore / G. S. Bach. |
|
| | c 1890 |
10p |
|
| 52. | Bülow, Hans von (ed.) | Sechs ausgewählte Sonaten für Klavier allein von Carl Philipp Emanuel Bach. |
|
| | 1863 |
15, 11, 15, 15, 11, 11p |
|
| 53. | Bülow, Hans von (ed.) | Sechs Klavier-Sonaten von C. Ph. Em. Bach. |
EdPeters |
276 | | 1926 |
75p |
|
| 54. | Bülow, Hans von (ed.) | Sei sonate per clavicordo / K. Ph. Em. Bach |
|
| | c 1920 |
67p |
|
| 55. | Bülow, Hans von (ed.) | Sonate e partite per violino solo / J. S. Bach. |
|
| | 1921 |
3, 59p |
|
| 56. | Bülow, Hans von (ed.) | Suite anglaise No. 4; Fantaisie (C) / Bach. |
|
| | 1883 |
|
|
| 57. | Bülow, Hans von (ed.) | Suite in F-dur (No. 4 der englischen Suiten) / Joh. Seb. Bach. |
|
| | 1873 |
16p |
|
| 58. | Bülow, Hans von (arr.) | Suite in H moll für Flöte und Streich-Orchester / Joh. Seb. Bach |
|
| | 1885 |
17p + St |
|
| 59. | Bülow, Hans von (ed.) | [Two Gavottes, D min. and G. min. / J. S. Bach] |
|
| | c 1880 |
|
|
| 60. | Bülow, Hans von | Ueber neue Bearbeitung älterer Clavierwerke. |
NBerlinerMz |
17 | 29 | 15 Jul 1863 |
225-226 |
|
| 61. | Bülow, Hans von (ed.) | Vier Stücke aus der Partita H moll von Joh. Seb. Bach. |
OeuvChoisiesPiano |
7 | | 1866 |
13p |
|
| 62. | Bülow, Hans von; Leeuwen, Arý van (arr.) | Suite in h moll für Flöte und Streich Orchester / von Joh, Seb. Bach |
|
| | 1909 |
17p + St |
|
| 63. | Bülow, Hans von; Montani, Pietro (eds.) | Concerto italiano per pianoforte / Bach. |
|
| | 1959 |
17p |
|
| 64. | Bülow, Hans von; Montani, Pietro (eds.) | Fantasia cromatica e fuga per pianoforte = Fantasie chromatique et fugue pour piano = Chromatic fantasy and fugue for piano / Bach. |
|
| | 1960 |
18p |
|
| 65. | Bülow, Hans von; Morgan, Orlando (eds.) | Chromatic fantasia and fugue / J.S. Bach |
|
| | c 1917 |
23p |
|
| 66. | Bülow, Hans von; Morgan, Orlando (eds.) | Italian concerto / J. S. Bach |
|
| | 1915 |
16p |
|
| 67. | Bülow, Hans von; Vogrich, Max (eds.) | Chromatic Fantasy and Fugue. Concerto in the Italian Style. Fantasy in C minor. Prelude and Fugue in A minor. |
SchirmerLib |
22 | | 1896 |
55p |
|
| 68. | Cadenbach, Rainer; Loos, Heimut (eds.) | Beiträge zur Geschichte des Oratoriums seit Händel. Festschrift Günther Massenkeil zum 60. Geburtstag. |
[fs]Massenkeil60 |
| | 1986 |
595p |
|
| 69. | Cinnamon, Howard | Durational reduction and Bach's C-major invention: an alternative view. |
InTheoryOnly |
7 | 4 | Nov 1983 |
25-35 |
|
| 70. | [Cox, Howard H.] | A Literary Analysis of the Intelligible Entries from the Total Sample. |
StudMcol |
92 | | 1985 |
12-30 |
|
| 71. | Cox, Howard H. | Bach's Conception of His Office. |
Bach |
20 | 1 | Spring 1989 |
22-30 |
|
| 72. | Cox, Howard H. | Bach's Knowledge of the Bible. |
[fs]Scheide |
| | 1993 |
87-99 |
|
| 73. | Cox, Howard H. | Bach, the Bible, and the Cyclotron. |
Proteus |
2 | 1 | 1985 |
8/13 |
|
| 74. | [Cox, Howard H.] | The Authentification of the Hand-Penned Material in Bach's Calov Bible. |
StudMcol |
92 | | 1985 |
3-11 |
|
| 75. | Cox, Howard H. (ed.) | The Calov Bible of J. S. Bach. |
StudMcol |
92 | | 1985 |
x, 460p |
|
| 76. | Cox, Howard H. | The Scholarly Detective: Investigating Bach's Personal Bible. |
Bach |
25 | 1 | Spring-Summer 1994 |
28-45 |
|
| 77. | Cox, Howard H. | The Text Selection Process in Handel's Chandos Anthems. |
Bach |
24 | 1 | Spring-Summer 1993 |
21-34 |
|
| 78. | Cox, Howard H. | Tintenanalyse als neues Mittel der Bachforschung. Schrieb Bach alles, was an Eintragungen in der Calov-Bibel enthalten ist? |
[cr]Leipzig1985 |
| | 1988 |
291-294 |
|
| 79. | Craxton, Harold (ed.) | Fugue in A minor / Bach. |
|
| | c 1950 |
7p |
|
| 80. | Craxton, Harold (arr.) | LARGO from Concerto in F minor for Clavier and Orchestra by J. S. BACH. |
|
| | 1928 |
3p |
|
| 81. | Craxton, Harold; Russell, Sheridan (arr.) | Largo by Johann Sebastian Bach. |
|
| | 1932 |
4p + St |
|
| 82. | Curson, Henry | The Theory of Sciences Illustrated; or the Grounds and Principles of the Seven Liberal Arts |
|
| | 1702 |
399p |
|
| 83. | Curzon, Henri de | Bach et sa Famille. |
Musica(Paris) |
6 | 61 | Oct 1907 |
151-152 |
|
| 84. | Davidsson, Hans | Mendelssohn's sonatas, op. 65, and the Craighead-Saunders organ at the Eastman School of Music: Aspects of performance practice and context. |
EastmanStudM |
118 | | 2014 |
141-210 |
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| 85. | Ferguson, Howard | Bach's 'Lauten Werck'. |
MLetters |
48 | 3 | Jul 1967 |
259-264 |
|
| 86. | Ferguson, Howard (ed.) | Early German Keyboard Music (including Austria & the Netherlands). An anthology. |
|
| | 1970 |
114p |
|
| 87. | Ferguson, Howard (arr.) | FUGA RICERCATA [a6] from 'Das Musikalisches Opfer' / J. S. BACH |
|
| | 1939 |
12p |
|
| 88. | Ferguson, Howard (arr.) | Fugue in G minor for violin and continuo / J.S. Bach. |
|
| | 1951 |
12p + St |
|
| 89. | Ferguson, Howard | Keyboard Interpretation from the 14th to the 19th Century: an Introduction. |
|
| | 1975 |
ix, 211p |
|
| 90. | Ferguson, Howard (arr.) | Lute suite, in C minor / J. S. Bach. |
EdSchott |
10126 | | 1950 |
iii, 23p |
|
| 91. | Ferguson, Howard (ed.) | Selected keyboard works. Book III: Five sonatas / C. P. E. Bach |
|
| | 1983 |
48p |
|
| 92. | Ferguson, Howard (ed.) | Selected keyboard works. Book II: Miscellaneous pieces / C. P. E. Bach |
|
| | 1983 |
47p |
|
| 93. | Ferguson, Howard (ed.) | Selected keyboard works. Book I: Short & easy pieces / C. P. E. Bach |
|
| | 1983 |
40p |
|
| 94. | Ferguson, Howard (ed.) | Selected keyboard works. Book IV: Six sonatas from the 'Versuch' / C. P. E. Bach |
|
| | 1983 |
51p |
|
| 95. | Ferguson, Howard (arr.) | Sonata in E minor: for violin and continuo / J. S. Bach |
EdSchott |
10277 | | 1954 |
15p + St |
|
| 96. | Ferguson, Howard (ed.) | Style and interpretation; an anthology of 16th-19th century keyboard music. Vol. 2, Early keyboard music (II): Germany and Italy. |
|
| | 1963 |
64p |
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| 97. | Ferguson, Howard (ed.) | Style and interpretation: an anthology of keyboard music. Vol.5, I , Keyboard duets. 17th-18th century. |
|
| | 1971 |
78p |
|
| 98. | Fidom, Hans | Bach-concours NCRV. |
Orgelkrant |
4 | 3 | 2000 |
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|
| 99. | Fidom, Hans | Bach en Messiaen zijn de rode draden in mijn carièrre geweest - Gepassioneerd en nuchter: Charles de Wolff. |
Timbres |
| 1 | 2008 |
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| 100. | Fidom, Hans | Bach rond de speeltafel: Serie concerten met Kees van Houten. |
Orgelkrant |
7 | 1 | 2003 |
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| 101. | Fidom, Hans | Orgelkunst@internet: Nieuwe initiatieven Grote kerk Dordrecht www.bachorgel.nl. |
Orgelkrant |
10 | 3 | 2006 |
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| 102. | Fidom, Hans | orgelkunst@Internet: orgelsculptuur in Alpirsbach. |
Orgelkrant |
8 | 2 | 2004 |
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| 103. | Fidom, Hans | Orgelkunst@Internet: Scriptie Peter van Kranenburg over computermatiege analyse van orgelwerken van Bach op het internet. |
Orgelkrant |
9 | 4 | 2005 |
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| 104. | Fidom, Hans | Orgelkunst internet: www.bach.de en www.bach.nl. |
Orgelkrant |
4 | 2 | 2000 |
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| 105. | Fidom, Hans; Luth, Jan R.; Wolff, Christoph (eds.) | Pro Organo Pleno: Essays in Honor of Ewald Kooiman for his 70th birthday. |
[fs]Kooiman70 |
| | 2008 |
135p |
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| 106. | Glaeson, Harold | Organ Instruction before Bach. |
BulAMSoc |
| 4 | Sep 1940 |
14-16 |
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| 107. | Glaeson, Harold | The Scheibe-Bach Controversy. |
BulAMSoc |
| 4 | Sep 1940 |
24-25 |
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| 108. | Gleason, Harold | A Seventeenth-Century Organ Instruction Book. |
Bach |
3 | 1 | Jan 1972 |
3-12 |
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| 109. | Gleason, Harold | A Seventeenth-Century Organ Instruction Book. [Wegweiser die Kunst die Orgel] |
Bach |
12 | 3 | Jul 1981 |
11-20 |
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| 110. | Gleason, Harold | A seventeenth-century Organ Instruction Book. [Wegweiser die Kunst die Orgel recht zu schlagen] |
Bach |
27 | 2 | Fall-Winter 1996 |
60-83 |
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| 111. | Gleason, Harold | Ornamentation. |
OrganInstQ |
7 | 4 | 1957-8 |
7-12 |
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| 112. | Goos, Herta | 20 Jahre Bach-Chor in Neumünster. |
MKirche |
24 | 3 | 1954 |
130 |
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| 113. | Heinemann, Michael; Poos, Heinrich (eds.) | Pepping-Studien. I: Analysen zum Schaffen der Jahre 1926-1949. |
PeppingSt |
1 | | 1996 |
208p |
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| 114. | Hespos, Hans-Joachim | Musik, die mich weiterträgt. |
[ce]BegegnungenMitBach |
| | 2002 |
121 |
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| 115. | Hitron, Haggai | Striking the right tone. |
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| | Feb 2007 |
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| 116. | Johnston, Helen F. H. (trans.) | Passions Musik according to the Evangelist St. Matthew, chap. xxvi. & xxvii., composed by John Sebastian Bach. |
|
| | 1853 |
23p |
|
| 117. | Johnston, Helen F. H. (ed.) | The Passion according to St. Matthew the Evangelist; an oratorio. |
|
| | 1873 |
27p |
|
| 118. | Judd, Gwendolen; Craxton, Harold (arr.) | Fuga alla giga / J. S. Bach |
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| | 1930 |
10p |
|
| 119. | Junghanns, Herbert; Herzog, Hans Kurt (ed.) | Der Piano- und Flügelbau. |
SchrRMInstr |
4 | | 1991 |
254p |
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| 120. | Krogh, Ingeborg; Erikson, Hans Tomas; Bøggild, K. (eds.) | Festskrift til Finn Viderø: 1906 - 15 August 1986. |
[fs]Videro80 |
| | 1986 |
148p |
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| 121. | Landon, H. C. Robbins; Chapman, Roger E. (eds.) | Studies in eighteenth-century music. A tribute to Karl Geiringer on his seventieth birthday. |
[fs]Geiringer70 |
| | 1970 |
425p |
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| 122. | Leech-Wilkinson, Daniel; Prior, Helen M. | Heuristics for Expressive Performance. |
[ce]ExpressivenessMPerform |
| | 2014 |
34-57 |
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| 123. | LeRoy, Henri Léon (arr.) | Fifteen concert etudes for Clarinet in Bb with piano / Johann Sebastian Bach. |
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| | 1931 |
31p |
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| 124. | Loon, Hendrik Willem van | J. S. Bach élete és kora. |
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| | 1945 |
169p |
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| 125. | Loon, Hendrik Willem van | La vita e i tempi di J. S. Bach. |
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| | 1950 |
142p |
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| 126. | Loon, Hendrik Willem van | Questa volta Erasmo ha una sorpresa per noi e facciamo la conoscenza dei Bach e dei Breughel. |
|
| | 1947 |
93-108 |
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| 127. | Loon, Hendrik Willem van | The Life and Times of Johann Sebastian Bach. |
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| | 1940 |
68p |
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| 128. | Loos, Helmut | Beethoven und Bach, eine historische Legende. |
[cr]Cracow2003 |
| | 2006 |
17-30 |
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| 129. | Loos, Helmut | Der Komponist als Gott musikalischer Kunstreligion: Die Sakralisierung der Tonkunst. |
[ce]MRaumKirche |
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98-138 |
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| 130. | Loos, Helmut | Die 'Leipziger Schule': Zur Geschichte der Kirchenmusik im 20. Jahrhundert. |
Muzikologija |
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147-168 |
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| 131. | Loos, Helmut | Die Rolle der Orgel in den Messen der Breslauer Domkapellmeister des 19. Jahrhunderts und die Arrangementpraxis der Zeit. |
KmlSt |
4 | | 1999 |
103-116 |
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| 132. | Loos, Helmut | Kontroverse um Mozart: die Kirchenmusik. |
[fs]Krummacher65 |
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133-142 |
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| 133. | Loos, Helmut (ed.) | Musikgeschichte zwischen Ost- und Westeuropa: Symphonik--Musiksammlungen. |
DMOsten |
10 | | 1997 |
xi, 565p |
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| 134. | Loos, Helmut | Musikpflege und Bach-Rezeption im Riga des 19. Jahrhunderts. |
BeitrGesBachRezeption |
1 | | 2007 |
367-377 |
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| 135. | Loos, Helmut | Sankt-Bach-Passion von Mauricio Kagel: Auch ein musikalisches Theater. |
[cr]Ljubljana2002 |
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132-140 |
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| 136. | Loos, Helmut | Untersuchungen zum Repertoire des Leipziger Thomanerchores zwischen 1808 und 2008 auf der Grundlage EDV-gestützter statistischer Erhebungen. |
[ce]800JThomana |
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219-233 |
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| 137. | Loos, Helmut | Weihnachtsmusiken Leipziger Thomaskantoren des 17. Jahrhunderts. |
JbKonfMittDBarockM |
2002 | | 2004 |
264-271 |
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| 138. | Loos, Helmut | Wilhelm Friedemann Bachs Kirchenkantaten und die musikalisch-rhetorische Tradition. |
ForumMittDBarockM |
1 | | 2012 |
79-84 |
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| 139. | Loos, Helmut | Zu den Kirchenkantaten Wilhelm Friedemann Bachs. |
[p]IWK_Leipzig |
| | Nov 2010 |
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| 145. | Müller von Asow, Hedwig; Müller von Asow, Erich Hermann (eds.) | Georg Friedrich Händel / Biographie von John Mainwaring; Briefe und Schriften. |
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| 146. | Müller von Asow, Hedwig; Müller von Asow, Erich Hermann | Johann Sebastian Bach. Briefe. Gesamtausgabe. |
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| 154. | Poos, Heinrich | Carl Philipp Emanuel Bach. Beiträge zu Leben und Werk. |
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| 155. | Poos, Heinrich | Carl Philipp Emanuel Bachs Rondo a-Moll aus der Zweiten Sammlung...für Kenner und Liebhaber: Protokoll einer Annaherung |
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| 157. | Poos, Heinrich | 'Christus coronabit crucigeros': Hermeneutischer Versuch über einen Kanon Johann Sebastian Bachs. |
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| 159. | Poos, Heinrich | 'Es ist genug'. Versuch über einen Bachchoral (BWV 60,5). |
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| 160. | Poos, Heinrich (ed.) | Festschrift Ernst Pepping zu seinem 70. Geburtstag am 12. September 1971. |
[fs]Pepping70 |
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410p |
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| 161. | Poos, Heinrich | Harmoniestruktur und Hermeneutik in C. Ph. E. Bachs fis-Moll-Fantasie. |
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| 162. | Poos, Heinrich | Henrik Neugeborens Entwurf zu einem Bach-Monument (1928): Dokumentation und Kritik. |
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| 163. | Poos, Heinrich | Johann Sebastian Bach. Der Choralsatz als musikalisches Kunstwerk. |
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112p |
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| 164. | Poos, Heinrich | J. S. Bachs Chaconne für Violine solo aus der Partita d-Moll, BWV 1004. Ein hermeneutischer Versuch. |
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| 173. | Renaudin, Sophie; Audéon, Hervé | Dans la bibliothèque musicale de Romain Rolland: Un recueil de chorals de J. S. Bach annoté par R. Schumann. |
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5p |
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| 175. | Sassoon, Humphrey F. | Royal peculiar: JS Bach's Musical Offering and the source of its theme. |
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19p |
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| 188. | Wood, Henry Joseph (ed.) | Brandenburg Concerto No.3 in G major / Johann Sebastian Bach. |
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70p |
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| 190. | Wood, Henry Joseph (ed.) | Brandenburg concerto, no.5 in D: for solo pianoforte, flute and violin with accompaniment of strings / by Johann Sebastian Bach. |
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| 191. | Wood, Henry Joseph (ed.) | Brandenburg concerto, no.6 in B flat / Bach-Wood. |
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| 192. | Wood, Henry Joseph (ed.) | Brandenburg concerto, no.6 in B flat: for 2 violas da braccio, 2 violas da gamba, violoncello, violone and cembalo by Johann Sebastian Bach. |
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| 193. | Wood, Henry Joseph (ed.) | Motet No. 1: 'Sing ye to the Lord': for double chorus / Joh. Seb. Bach. |
[BG(Motette)] |
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42p |
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| 194. | Wood, Henry Joseph (ed.) | Motet No. 4: 'Be Not Afraid,' for Eight-Part Chorus / Joh. Seb. Bach. |
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26p |
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| 195. | Wood, Henry Joseph (ed.) | Motet No. 5: 'Come, Jesu, come,' for Eight-Part Chorus / Joh. Seb. Bach. |
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24p |
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| 196. | Wood, Henry Joseph (ed.) | Motet No. 5: 'Come, Jesu, come,' for Eight-Part Chorus / Joh. Seb. Bach. |
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24p |
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| 197. | Wood, Henry Joseph (ed.) | Motet No. 6: 'Praise the Lord All Ye Heathen' / Joh. Seb. Bach. |
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| 198. | Wood, Henry Joseph (arr.) | Organ Toccata and Fugue in D minor, For Orchestra / Bach-Klenovsky. |
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44p |
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| 199. | Wood, Henry Joseph (arr.) | SUITE No.6 For Full Orchestra / Johann Sebastian Bach |
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51p |
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| 200. | Wood, Hugh | Arthur Somervell: Two Conversations about Bach (2 vns & pf) (score & parts 3s 6d). Joseph Williams. |
MTimes |
101 | 1414 | Dec 1960 |
776 |
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