Bach Bibliography
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Author : Neumann, Frederick
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TypeListTitle [further info]SeriesVolNoYearPagesStatus
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1. An Answer to Donington's Critique. StudMcol 58 1982 55-58
2. A New Look at Bach's Ornamentation. StudMcol 58 1982 197-215, 304-305
3. A New Look at Bach's Ornamentation. MLetters 46 1, 2 Jan; Apr 1965 4-15; 126-133
4. Bach: Progressive or Conservative and the Authorship of the Goldberg Aria. Repr. from Musical Quarterly, lxxi/3 (1985), pp. 281-294. [ce]BaroqueComposers 2011 445-458
5. Bach: Progressive or Conservative and the Authorship of the Goldberg Aria. StudMcol 108 1989 195-208
6. Bach: Progressive or Conservative and the Authorship of the Goldberg Aria. MQ 71 3 1985 281-294
7. Conflicting Binary and Ternary Rhythms: From the Theory of Mensural notation to the Music of J. S. Bach. StudMcol 108 1989 35-64
8. Couperin and the Downbeat Doctrine for Appoggiaturas. StudMcol 58 1982 227-241, 306-309
9. Couperin and the Downbeat Doctrine for Appoggiaturas. ActaMcol 41 1-2 Jan-Jun 1969 71-85
10. Donington's 'A Performer's Guide to Baroque Music' -- A Review. StudMcol 58 1982 11-15, 274
11. Essays in Performance Practice. Ann Arbor: UMI Research Press; Epping: Bowker, 1982. xii, 321p. ISBN: 0835715108. (= Studies in Musicology, 58) StudMcol 58 1982 xii, 321p
12. External Evidence and Uneven Notes. StudMcol 58 1982 59-72, 285-288
13. External Evidence and Uneven Notes. MQ 52 4 Oct 1966 448-464
14. Facts and Fiction about Overdotting. MQ 63 2 Apr 1977 155-185
15. Facts and Fiction about Overdotting (FN3). StudMcol 58 1982 111-135, 291-294
16. Graham Pont's 'Paradigm of Inconsistency' and the Interpretation of Handel's Overtures. StudMcol 108 1989 77-84
17. Interpretation Problems of Ornament Symbols and Two Recent Case Histories: Hans Klotz on Bach, Faye Ferguson on Mozart. StudMcol 108 1989 121-153
18. Interpretation Problems of Ornament Symbols and Two Recent Case Histories: Hans Klotz on Bach, Faye Ferguson on Mozart. A Scholar's Response to Two Critics. PerformPractReview 1 1 Spring-Fall 1988 71-106
19. La note pointée et la soi-disant 'manière française'. RevueMcol 51 1 1965 66-92
20. Misconceptions About the French Trill in the 17th and 18th Centuries. StudMcol 58 1982 183-196, 300-304
21. Misconceptions about the French Trill in the 17th and 18th Centuries. MQ 50 2 Apr 1964 188-206
22. New Essays on Performance Practice. Ann Arbor: UMI Research Press, 1989. x, 257p. ISBN: 0-8357-1951-0. (= Studies in musicology, 108); Rochester, NY: University of Rochester Press, 1992. x, 257p. ISBN: 1878822128; 1878822136. StudMcol 108 1989 x, 257p
23. Notes Inégales for Bach, Overdotting for Everybody? A Commentary on an Attempt to Revive Dolmetsch's 'Rhythmic Alterations'. HistPerformance 7 1 1994 13-26
24. Notes on Bach and Handel Sonatas. Chamber Music Forum. AmerStringTeacher 32 3 Summer 1982 26-27
25. Notes on 'Melodic' and 'Harmonic' Ornaments. MReview 29 4 1968 249-256
26. Notes on 'Melodic' and 'Harmonic' Ornaments. StudMcol 58 1982 217-225, 305-306
27. Notes on the Violin Sonatas of Bach and Handel. StudMcol 108 1989 221-225
28. Once more: the 'French overture style'. [BWV 1066] EarlyM 7 1 Jan 1979 39-43, 45
29. Once More: The 'French Overture Style' (FN4). StudMcol 58 1982 137-150, 295
30. Ornament and Structure. StudMcol 58 1982 243-250, 309-310
31. Ornament and Structure. MQ 56 2 Apr 1970 153-161
32. Ornamentation in Baroque and Post-Baroque Music with Special Emphasis on J. S. Bach. Princeton, New Jerey: Princeton University Press 1978. 1983. xiv, 630p. 1978 630p
33. Problems of Interpretation in the Music of Bach: I. The Pitfalls of Historical Sources. AmerMTeacher 12 5 May-Jun 1963 20-21
34. Problems of Interpretation in the Music of Bach, Part II. AmerMTeacher 13 2 Nov-Dec 1963
35. Rhythm in the Two Versions of Bach's French Overture, BWV 831 (FN2). StudMcol 58 1982 99-110, 289-291
36. Some Controversial Aspects of the Authenticity School. StudMcol 108 1989 17-31
37. Some Performance Problems of Bach's Unaccompanied Violin and Cello Works. FestschriftSer 13 1994 19-46 [fs]Mann
38. Some Performance Problems of Bach's Unaccompanied Violin and Cello Works. Repr. from Mary Ann Parker (ed.), Eighteenth-Century Music in Theory and Practice: Essays in Honor of Alfred Mann, Stuyvesant: Pendragon Press (1994), pp. 19-46. [ce]BaroqueComposers 2011 529-558
39. Tadashii Soshokuon Soho. [Translation of 'Essays in performance practice'] Trans. by Akiko Tamemoto. Tokyo: Ongaku no Tomo sha, 1992. 414p. ISBN: 4276131154. 1992 414p
40. The dotted note and the so-called French style. Translated from the French by Raymond Harris and Edmund Shay. [= RevueMcol LI (1965)] EarlyM 5 3 Jul 1977 310-324
41. The Dotted Note and the So-Called French Style (FN1) StudMcol 58 1982 73-98, 288-289
42. The French 'Inégales', Quantz, and Bach. StudMcol 58 1982 17-54, 274-285
43. The French 'Inégeles', Quantz, and Bach. JAMSoc 18 3 Autumn 1965 313-358
44. The 'Notes Inégales' Revisited. StudMcol 108 1989 65-76
45. The Overdotting Syndrome: Anatomy of a Delusion. MQ 67 3 Jul 1981 305-347
46. The Overdotting Syndrome: Anatomy of a Delusion (FN5). StudMcol 58 1982 151-182, 296-300
47. The Question of Rhythm in the Two Versions of Bach's French Ouverture, BWV 831. [fs]Mendel 1974 183-194
48. The Rhythm in 'Behold the Lamb of God'. AmerChoralReview 28 4 Oct 1986 18-22
49. The Rise of the Early Music Movement. Scholarly Interest; Sacred Music; Secular Songs and Dances; The Changing Attitude towards Old Music; The Striving for 'Authenticity' StudMcol 108 1989 3-16
50. The Use of Baroque Treatises on Musical Performance. StudMcol 58 1982 1-9, 173-174
51. The Use of Baroque Treatises on Musical Performance. MLetters 48 4 Oct 1967 315-324
52. Una nueva aproximación a la ornamentación de Bach. [A new approach to Bach's ornamentation] Trans. by Gago, Luis Carlos. [original in MLetters xlvi/1 (1965)] Quodlibet 2; 3 1995 19-33; 19-28

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