Bach Bibliography
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Author : Marshall, Robert L.
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TypeListAuthorTitle [further info]SeriesVolNoYearPagesStatus
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1. Curry, Robert; Gable, David; Marshall, Robert L. (eds.)Variations on the canon: Essays on music from Bach to Boulez in honor of Charles Rosen on his eightieth birthday. EastmanStudM 58 2008 x, 375p
2. Emery, Walter; Marshall, Robert L.Bach, Johann Sebastian. NEncyclBritannica 2 1979 556-561
3. Marshall, Robert L.A Lutheran Composer's Challenge: The Genesis of Bach's Magnificat. [p]AMS_NewEngland Sep 1987
4. Marshall, Robert L.Anmerkungen zur späteren Geschichte der alten Bach-Ausgabe: ein kleines bibliographisches Rätsel. BachJb 64 1978 229-231
5. Marshall, Robert L.'Authentic' Performance: Musical Text, Performing Forces, Performance Style (A Review Essay). [ce]Marshall 1989 229-239, 328-331
6. Marshall, Robert L.Bach 2000: Tue Rechung! [p]ABS_Washington Apr 2000
7. Marshall, Robert L.Bach and Luther. [ce]AstonMagnaAcademy 2009 229-241
8. Marshall, Robert L.Bach and Mozart's Artistic Maturity. BachPerspectives 3 1998 47-79
9. Marshall, Robert L.Bach and Mozart: Styles of Musical Genius. Bach 22 1 Spring-Summer 1991 16-32
10. Marshall, Robert L.Bach and Mozart: Styles of musical genius. [ce]PsychoanalyticExplorations 2 1993 153-169
11. Marshall, Robert L.Bach at Mid-Life: The Christmas Oratorio and the Search for New Paths. Bach 43 1 2012 1-28
12. Marshall, Robert L.Bach, Johann Sebastian. [ce]Marshall 1989 3-20
13. Marshall, Robert L.Bach's Chorus: A preliminary reply to Joshua Rifkin. MTimes 124 1679 Jan 1983 19-22
14. Marshall, Robert L.Bach's 'choruses' reconstituted. HiFi 32 10 1982 64-66, 94
15. Marshall, Robert L.Bachs h-Moll-Messe. Zur Quellensituation und Überlieferung. SchrRIBachAkadStuttgart 3 1990 48-67
16. Marshall, Robert L.Bachs h-moll-Messe. Zur Quellensituation und Überlieferung. SommerAkadJSBach 1981 2-12
17. Marshall, Robert L.Bach's 'Orchestre'. EarlyM 13 2 May 1985 176-179
18. Marshall, Robert L.Bach's Orchestre. [ce]Marshall 1989 59-63, 303
19. Marshall, Robert L.Bachs Skizzenarbeit und Kompositionsprozeß. Fest-Vortrag, geh. zum 48. Bachfest der NBG Nürnberg 1973. 1973 31p
20. Marshall, Robert L.Bach's 'tempo ordinario:' A Plaine and Easie Introduction to the System. [fs]Brainard 1996 249-278
21. Marshall, Robert L.Bach's Tempo ordinario: A Plaine and Easie Introduction to the System. [p]AMS_NewEngland Apr 1993
22. Marshall, Robert L.Bach's Tempo ordinario: A Plaine and Easie Introduction to the System. PerformPractReview 13 1 2008 1-33
23. Marshall, Robert L.Bach the Progressive: Observations on His Later Works. [ce]Marshall 1989 23-58, 295-303
24. Marshall, Robert L.Bach the Progressive: Observations on His Later Works. [ce]BaroqueComposers 2011 399-443
25. Marshall, Robert L.Bach the progressive: Observations on his later works. GarlandLibHistWestM 6 1985
26. Marshall, Robert L.Bach the Progressive: Observations on His Later Works. MQ 62 3 Jul 1976 313-357
27. Marshall, Robert L.Beobachtungen am Autograph der h-moll-Messe zum Kompositionsprozeß J. S. Bachs. SommerAkadJSBach 1981 13-21
28. Marshall, Robert L.Beobachtungen am Autograph der h-moll-Messe: Zum Kompositionsprozeß J. S. Bachs. MKirche 50 5 1980 230-239
29. Marshall, Robert L.Beobachtungen am Autograph der h-Moll-Messe. Zum Kompositionsprozeß J. S. Bachs. SchrRIBachAkadStuttgart 3 1990 68-82
30. Marshall, Robert L.'Composing Scores' and 'Fair Copies'. [ce]Marshall 1989 83-110, 304-305
31. Marshall, Robert L.Editore traditore: Ein weiterer 'Fall Rust'? [fs]Dürr65 1983 183-191
32. Marshall, Robert L.'Editore traditore': Suspicious Performance Indications in the Bach Sources. [ce]Marshall 1989 241-254, 331-333
33. Marshall, Robert L. (ed.)Eighteenth-Century Keyboard Music. [ce]18cKeyboardM 1994 xvi, 443p
34. Marshall, Robert L.How J. S. Bach composed four-part Chorales. MQ 56 2 Apr 1970 198-221
35. Marshall, Robert L.Johann Sebastian Bach. [ce]18cKeyboardM 1994 68-123
36. Marshall, Robert L.Johann Sebastian Bach. Neue Ausgabe Sämtlicher Werke. Serie I · Band 19. Kantaten zum 9. und 10. Sonntag Nach Trinitatis. Kritischer Bericht. NBA 1 19 1989 255p
37. Marshall, Robert L.J. S. Bach's Compositions for Solo Flute: A Reconsideration of their Authenticity and Chronology. JAMSoc 32 3 Autumn 1979 463-498
38. Marshall, Robert L. (ed.)Kantaten zum 9. und 10. Sonntag Nach Trinitatis / Johann Sebastian Bach. NBA 1 19 1985 xii (6p facs), 276p
39. Marshall, Robert L.Luther, Bach, and the early reformation chorale. 1995 iv, 15p
40. Marshall, Robert L.Musical sketches in J. S. Bachs cantata autographs. [fs]Strunk 1968 405-427
41. Marshall, Robert L.On Bach's Universality. [ce]Marshall 1989 65-79, 303-304
42. Marshall, Robert L.On Bach's Universality. [cr]Philadelphia1985 1986 50-81
43. Marshall, Robert L.On the origin of Bach's Magnificat: a Lutheran composer's challenge. BachStud 1 1989 3-17
44. Marshall, Robert L.Organ or 'Klavier'? Instrumental Prescriptions in the Early Sources of Bach's Keyboard Music. [p]AMS_Vancouver Nov 1985
45. Marshall, Robert L.Organ or 'Klavier'? Instrumental Prescriptions in the Sources of Bach's Keyboard Works. [ce]JSBOrganist 1986 212-239
46. Marshall, Robert L.Organ or 'Klavier'? Instrumental Prescriptions in the Sources of the Keyboard Works. [ce]Marshall 1989 271-293, 337-339
47. Marshall, Robert L.Orgel oder 'Klavier'? Instrumentenangaben in den frühen Quellen der Bachschen Tastenmusik. [cr]Leipzig1985 1988 303-314
48. Marshall, Robert L.Postscript [to 'Bach the Progressive'] [ce]BaroqueComposers 2011 459-463
49. Marshall, Robert L. (ed.)Studies in Renaissance and Baroque music in Honor of Arthur Mendel. [fs]Mendel 1974 392p
50. Marshall, Robert L.Tempo and Dynamic Indications in the Bach Sources: A Review of the Terminology. [ce]BHSTercentenaryEssays 1985 259-276
51. Marshall, Robert L.Tempo and Dynamics: The Original Terminology. [ce]Marshall 1989 255-269, 333-337
52. Marshall, Robert L.The Autograph Fair Copies of the Fantasia per il Cembalo, BWV 906. [ce]Marshall 1989 193-200, 314-316
53. Marshall, Robert L.The Autograph Score of Herr, gehe nicht ins Gericht, BWV 105. [ce]Marshall 1989 131-142
54. Marshall, Robert L.The Compositions for Solo Flute: A Reconsideration of Their Authenticity and Chronology. [ce]Marshall 1989 201-225, 316-328
55. Marshall, Robert L.The Genesis of an Aria Ritornello: Observations on the Autograph Score of J. S. Bach's 'Wie zittern and Wanken', BWV 105/3. [p]AMS_GreaterNewYork Oct 1971
56. Marshall, Robert L.The Genesis of an Aria Ritornello: Observations on the Autograph Score of 'Wie zittern und wanken,' BWV 105/3. [ce]Marshall 1989 143-159, 308-312
57. Marshall, Robert L.The Genesis of an Aria Ritornello: Observations on the Autograph Score of 'Wie zittern und wanken' BWV 105/3. [fs]Mendel 1974 165-182
58. Marshall, Robert L.The Mass in B Minor: The Autograph Scores and the Compositional Process. [ce]Marshall 1989 175-189, 313-314
59. Marshall, Robert L.The Music of Johann Sebastian Bach. The Sources, The Style, The Significance. [ce]Marshall 1989 xxiii, 375p
60. Marshall, Robert L.The Nathan bequest: Payment receipts in the hand of Johann Sebastian Bach, 1746 to 1748 (with a fragment for the year 1749 in the hand of his son). [gs]Moldenhauer 2000 81-85
61. Marshall, Robert L.The Notebooks for Wilhelm Friedemann and Anna Magdalena Bach: Some Biographical Lessons. [fs]AlvinJohnson 1990 192-200
62. Marshall, Robert L.The Origin of the Magnificat: A Lutheran Composer's Challenge. [ce]Marshall 1989 161-173, 312-313
63. Marshall, Robert L.The Sketches. [ce]Marshall 1989 111-129, 305-308
64. Marshall, Robert L.Toward a Twenty-First-Century Bach Biography. MQ 84 3 Fall 2000 497-525
65. Marshall, Robert L.Towards a Chronology of J. S. Bach's Sonatas and Partitas for Solo Flute. [p]AMS_Midwest Nov 1977
66. Marshall, Robert L.Truth and Beauty: J. S. Bach at the Crossroads of Cultural History. [fs]Scheide 1993 179-188
67. Marshall, Robert L.Truth and Beauty: J. S. Bach at the Crossroads of Cultural History. Bach 21 2 Summer 1990 3-14
68. Marshall, Robert L.Wenn Mozart länger gelebt hätte. Eine wissenschaftliche Fantasie. [fs]Schulze65 1999 270-281
69. Marshall, Robert L.Zur Echtheit und Chronologie der Bachschen Flötensonaten: Biographische und stilistische Erwägungen. [cr]Marburg1978 1981 48-71
70. Marshall, Robert L.Zur Vollständigkeit der Arie 'Mein Jesus soll mein alles sein' aus Kantate BWV 75. BachJb 51 1965 144-147
71. Marshall, Robert LewisThe Compositional Process of J. S. Bach. A study of the Autograph Scores of the Vocal works. PrincetonStudM 4 1972 xv, 271p; 189p
72. Marshall, Robert LewisThe Compositional Process of J. S. Bach. A study of the Autograph Scores of the Vocal Works. diss. 1968 660p
73. Marshall, Robert L.; Rifkin, JoshuaIn Memoriam: Alfred Dürr (March 3, 1918-April 7, 2011). BachNotesABS 15 Fall 2011 1-4
74. Scheide, William H.; Marshall, Robert L.; Marissen, Michael; Wolff, ChristophArthur Mendel and the World of J. S. Bach. [p]Mendel60BR Nov 2005

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