Bach Bibliography Search Result

Author : Lutterman, John
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Type	List	Author	Title [further info]	Series	Vol	No	Year	Pages	Status
			[]
	1.	Lutterman, John	'Alles, was man unter der Methode zu spielen verstehet, druckt er mit eigentlichen Noten aus'. Changing attitudes toward notation in the Eighteenth Century: The Scheibe-Birnbaum controversy and Bach's notational practice. A Paper read at the 14th Biennial International Conference on Baroque Music held at Queen's University Belfast, 30 June-4 July 2010.	[p]BICB_Belfast			Jul 2010
	2.	Lutterman, John	'Cet art est la perfection du talent': Chordal Thoroughbass Realization, the Accompaniment of Recitative, and Improvised Solo Performance on the Viol and Cello in the Eighteenth Century. A paper read at the Annual meeting of American Musicological Society in Philadelphia, 12-15 November 2009.	[p]AMS_Philadelphia			Nov 2009		AbstractsPapersAMSoc p.43
	3.	Lutterman, John	'Cet art est la perfection du talent': Improvised Solo Performance, the Accompaniment of Recitative, and Chordal Thoroughbass Realization on the Viol and Cello A paper read at the 12th biennial international conference on Baroque music, held at Warsaw University from 26 to 30 July 2006.	[p]BICB_Warsaw			Jul 2006
	4.	Lutterman, John	Composition, Improvisation and the Text: The Scheibe — Birnbaum Controversy and Bach's Notational Practice.	[cr]Krakow2008			2008	535-541
	5.	Lutterman, John	Frozen Improvisations. In Conclusion.	EarlyMAmer	15	2	Summer 2009	61-62
	6.	Lutterman, John	Jakob Adlung on Fantasieren: Further Evidence of a Bach Family Tradition in Jena. A Paper read at the 15th Biennial International Conference on Baroque Music held at Southampton University, 11-15 July 2012.	[p]BICB_Southampton			Jul 2012
	7.	Lutterman, John	Works in progress: Bach's Suites for Solo Cello as artifacts of improvisational practices. A Paper read at the 11th Biennial International Conference on Baroque Music held at Royal Northern College of Music, 14-18 July 2004	[p]BICB_Manchester			Jul 2004
	8.	Lutterman, John	Works in Progress: The Scheibe-Birmbaum Controversy and Bach's Notational Practice. A paper read at the Northern California Chapter meeting of AMS, 6-7 May 2006 at University of California, Berkeley.	[p]AMS_NorthCalifornia			May 2006
	9.	Lutterman, John Kenneth	Works in progress: J. S. Bach's Suites for Solo Cello as artifacts of improvisatory practices. PhD diss., University of California, Davis, 2006. 598p	diss.			2006	598p