Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Lester, Joel | Bach's Works for Solo Violin: Style, Structure, Performance. |
|
| | 1999 |
x, 186p |
|
| 2. | Lester, Joel | Between Modes and Keys: German Theory, 1592-1802. |
HarmonolSer |
3 | | 1989 |
xxv, 240p |
|
| 3. | Lester, Joel | Compositional Theory in the Eighteenth Century. |
|
| | 1992 |
355p |
|
| 4. | Lester, Joel | Heightening Levels of Activity and J. S. Bach's Parallel-Section Constructions. |
JAMSoc |
54 | 1 | Spring 2001 |
49-96 |
|
| 5. | Lester, Joel | J. S. Bach nos enseņa a componer: cuatro preludios modelo de El Clave Bien Temperado. |
Quodlibet |
| 18 | Oct 2000 |
85-99 |
|
| 6. | Lester, Joel | J. S. Bach teaches us how to compose: four pattern Preludes of the Well-Tempered Clavier. |
ColMSymposium |
38 | | 1998 |
33-46 |
|
| 7. | Lester, Joel | Major-Minor Concepts and Modal Theory in Germany, 1592-1680. |
JAMSoc |
30 | 2 | Summer 1977 |
208-253 |
|
| 8. | Lester, Joel | Problems in the Neue Bach Ausgabe of the E major Partita for Violin Alone. |
CurMcol |
| 13 | 1972 |
64-67 |
|
| 9. | Lester, Joel | Reading and Misreading Bach's Sonatas and Partitas for Solo Violin: Schumann's Accompaniments in Eighteenth-Century and Twentieth-Century Contexts. |
[p]AMS_Montreal |
| | Nov 1993 |
|
|
| 10. | Lester, Joel | Reading and Misreading: Schumann's Accompaniments to Bach's Sonatas and Partitas for Solo Violin. |
CurMcol |
| 56 | 1994 |
24-53 |
|
| 11. | Lester, Joel | Simultaneity structures and harmonic functions in tonal music. |
InTheoryOnly |
5 | 5 | Jun 1981 |
3-28 |
|
| 12. | Lester, Joel | The Fux-Mattheson Correspondence: An Annotated Translation. |
CurMcol |
| 24 | 1977 |
37-62 |
|
| 13. | Lester, Joel | The Presto from Bach's G-Minor Sonata for Violin Solo: Style, Rhythm, and Form in a Baroque Moto Perpetuo. |
[ce]EngagingMusic |
| | 2004 |
167-179 |
|
| 14. | Lester, Joel | The Recognition of Major and Minor Keys in German Theory: 1680-1730. |
JMTheory |
22 | 1 | Spring 1978 |
65-103 |
|
| 15. | Lester, Joel | The Rhythms of Tonal Music. |
|
| | 1986 |
vii, 284p |
|
| 16. | Lester, Joel | Tone-painting the Mysterious: The 'Et expecto' from J. S. Bach's Mass in B Minor. |
Bach |
51 | 1 | 2020 |
5-43 |
|
| 17. | Lester, Joel | What Beethoven might have learned from J. S. Bach. |
BonnBeethovenSt |
11 | | 2014 |
111-132 |
|