Bach Bibliography Search Result

Author : Grant, Jason
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Type	List	Author	Title [further info]	Series	Vol	No	Year	Pages	Status
			[]
	1.	Grant, Jason	Representations of the city of Hamburg in the occasional choral works of Carl Philipp Emanuel Bach.	[cr]Hamburg2009			2012	689-702
	2.	Grant, Jason	Representations of the city of Hamburg in the occasional choral works of Carl Philipp Emanuel Bach.	[fs]Wolff			2010	119-129
	3.	Grant, Jason B.	Chorale arrangements in the late liturgical passions of Georg Philipp Telemann.	[cr]Williamsburg2006			2008	228-255
	4.	Grant, Jason B.	Die Choralbearbeitungen in den späten liturgischen Passionen von Georg Philipp Telemann.	TelemannKonfBer	16		2011	390-415
	5.	Grant, Jason B.	Die Herkunft des Chors 'Triumph! Triumph! Des Herrn Gesalbter sieget' aus dem Oratorium 'Die Auferstehung und Himmelfahrt Jesu' von C. P. E. Bach.	BachJb	97		2011	273-286
	6.	Grant, Jason B. (ed.)	Einführungsmusiken II / Carl Philipp Emanuel Bach.	CPEBachCW	5	3.2	2013	xlii, 198p
	7.	Grant, Jason B. (ed.)	Quartalstücke VI / Carl Philipp Emanuel Bach.	CPEBachCW	5	2.6	2017	xxxii, 176p
	8.	Grant, Jason B.	The Origins of the Aria 'Ich folge dir, verklärter Held' and the Recurring Chorus 'Triumph!' from the Oratorio Die Auferstehung und Himmelfahrt Jesu by Carl Philipp Emanuel Bach.	Bach	44	2	2013	6-24
	9.	Grant, Jason B.	The Rise of Lyricism and the Decline of Biblical Narration in Georg Philipp Telemann's Lukaspassion (1764).	WolfenbüttelArbBarockF	43		2005	ii: 625-637
	10.	Grant, Jason B.	The Vocal Music of the Bach Family in Carl Philipp Emanuel Bach: The Complete Works.	ContextBachStud	8		2018	261-279
	11.	Grant, Jason Benjamin	A borrowing identified in Carl Philipp Emanuel Bach's 1784 St. John Passion and a sketch explained.	[ce]SonsOfBach			2016	47-55
	12.	Grant, Jason B.; Kulukundis, Elias N. (eds.)	Keyboard Concertos from Manuscript Sources XI / Carl Philipp Emanuel Bach.	CPEBachCW	3	9.11	2017	xxvi, 134p