Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Garratt, James | Britain and Ireland. [Handel and Bach serve as models for oratorios such as William Crotch's Palestine (1811), Frederick Arthur Gore Ouseley's The martyrdom of St. Polycarp (1854), and William Sterndale Bennett's The woman of Samario (1867)] |
[ce]19cChoralM |
| | 2012 |
335-367 |
|
| 2. | Garratt, James | Mendelssohn's Babel: Romanticism and the Poetics of Translation. |
MLetters |
80 | 1 | Feb 1999 |
23-49 |
|
| 3. | Garratt, James | Palestrina and the German Romantic Imagination: Interpreting Historicism in Nineteenth-Century Music. Cambridge: Cambridge University Press, 2002. xiv, 318p. ISBN: 0-511-02917-9 (e-book); 0-521-80737-9 (hardback) (= Musical Performance and Reception) |
|
| | 2002 |
xiv, 318p |
|
| 4. | Garratt, James | Prophets Looking Backwards: German Romantic Historicism and the Representation of Renaissance Music. [Spitta's view on Bach] |
JRMA |
125 | 2 | 2000 |
164-204 |
|