Bach Bibliography Search Result

Author : G., J.
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Type	List	Author	Title [further info]	Series	Vol	No	Year	Pages	Status
			[]
	1.	Bridge, J. Frederick	Double Counterpoint and Canon.				1881	ix, 124p
	2.	Bridge, J. Frederick; Higgs, James (eds.)	Eight Short Preludes and Fugues.	OrgWorks(Novello)	1		1881	1-25
	3.	Bridge, J. Frederick; Higgs, James (eds.)	Fantasias, preludes and fugues.	OrgWorks(Novello)	3		1884	57-87
	4.	Bridge, J. Frederick; Higgs, James (eds.)	Four concertos.	OrgWorks(Novello)	11		1894	54p
	5.	Bridge, J. Frederick; Higgs, James (ed.)	Fugue in E flat major: pro organo pleno / [J.S. Bach]				c 1900	83-88
	6.	Bridge, J. Frederick; Higgs, James (eds.)	Prelude and Fugue in B minor.	OrgWorks(Novello)	7	2	1887	52-63
	7.	Bridge, J. Frederick; Higgs, James (eds.)	Preludes and fugues [1].	OrgWorks(Novello)	7		1887	42-87
	8.	Bridge, J. Frederick; Higgs, James (eds.)	Preludes and fugues [2].	OrgWorks(Novello)	8		1888	88-135
	9.	Bridge, J. Frederick; Higgs, James (eds.)	Preludes and fugues [3].	OrgWorks(Novello)	9		1890	137-195
	10.	Bridge, J. Frederick; Higgs, James (eds.)	Preludes, fantasias, fugues, trios, &c.	OrgWorks(Novello)	12		1895	55-114
	11.	Bridge, J. Frederick; Higgs, James (eds.)	Preludes, fugues and trio.	OrgWorks(Novello)	2		c 1881	26-56
	12.	Bridge, J. Frederick; Higgs, James (eds.)	Sonatas or trios for two manuals and pedal (I-III).	OrgWorks(Novello)	4		1884	88-123
	13.	Bridge, J. Frederick; Higgs, James (eds.)	Sonatas or trios for two manuals and pedal (IV-VI).	OrgWorks(Novello)	5		1885	124-162
	14.	Bridge, J. Frederick; Higgs, James (eds.)	Toccata, preludes and fugues.	OrgWorks(Novello)	6		1886	41p
	15.	Bridge, J. Frederick; Higgs, James (eds.)	Toccata, preludes and fugues.	OrgWorks(Novello)	10		1891	196-243
	16.	Bridge, J. Frederick; Higgs, James; Emery, Walter (eds.)	Fantasia, toccata, preludes & fugues / Bach	OrgWorks(Novello)	8	[rev]	c 1940	88-135
	17.	Bridge, J. Frederick; Higgs, James; Emery, Walter (eds.)	Six sonatas for two manuals and pedal, I-III.	OrgWorks(Novello)	4	[rev1]	c 1940	88-123
	18.	Bridge, J. Frederick; Higgs, James; Emery, Walter (eds.)	Toccatas, preludes, and fugues.	OrgWorks(Novello)	6	[rev]	c 1948	v, 41p
	19.	Bridge, J. Frederick; Higgs, James, West, John Ebenezer (eds.)	The six 'Schübler' chorale prelude and the 'Clavierübung', pt. 3.	OrgWorks(Novello)	16		1916	xi, 88p
	20.	Brombaugh, John	Bach and the Organs of his Time: their influence in America.	MTimes	126	1705	Mar 1985	171-173, 175-176
	21.	Brombaugh, John	Bach's Influence on Late Twentieth-Century. American Organ Building.	[ce]JSBOrganist			1986	41-47
	22.	Brombaugh, John	Influence of Johann Sebastian Bach and His Times on Organbuilding in America in the Late 20th Century.	AmerOrganist(2)	19	3	Mar 1985	113-117
	23.	Brügge, Joachim	Ausgewählte Aspekte zur Diskussion der Sonatensatzformen im 18. und frühen 19. Jahrhundert.	[cr]Halle1998	2		2000	404-410
	24.	Brügge, Joachim	Johann Sebastian Bach, Musikalisches Opfer (BWV 1079): Bemerkungen zum 'Canon a 2 per Tonos'	BachJb	78		1992	91-100
	25.	Brügge, Joachim	KV 574: 'Kleine Gigue in G-Dur' - Bach-oder Händel-Einfluß.	MtIStiftMozarteum	49	1-4	1992	111-115
	26.	Brügge, Joachim	Zum Problem der 'Mehrfachlösungen' in den Kanons der Musikalischen Opfers: eine kritische Studie zu Reinhard Böß, Die Kunst des Rätselkanons im Musikalischen Opfer.	NMwJb	3		1994	81-101
	27.	Brügge, Joachim	Über András Schiff und die 'Goldberg-Variationen'				2020	139p
	28.	Brügge, Joachim; Födermayr, Franz; Gratzer, Wolfgang; Hochradner, Thomas; Mauser, Siegfried	Musikgeschichte als Verstehensgeschichte: Festschrift für Gernot Gruber zum 65. Geburtstag.	[fs]Gruber65			2004	748p
	29.	Butler, Margaret R.; Page, Janet K. (eds.)	SECM in Brooklyn 2010 : Topics in Eighteenth-Century Music I.	[cr]Brooklyn2010			2014	xv, 241p
	30.	Bužga, Jaroslav	Bachovská konference v Lipsku 1985.	HudebniVeda	22	3	1985	285-286
	31.	Bužga, Jaroslav	Bach, Zelenka a Èeská hudba 19. století.	HudebniVeda	19	1	1982	49-60
	32.	Bužga, Jaroslav	Die Kirchenkompositionen Dresdner Komponisten in Böhmen.	JbKonfMittDBarockM	2001		2002	203-213
	33.	Bužga, Jaroslav	Die Quellen des stille antico in der Dresdner Musiksammlung um 1730.	BachSt	9		1986	67-71
	34.	Bužga, Jaroslav	Jan Dismas Zelenka.	Bachfest	53	[Marburg]	1978	89-94
	35.	Bužga, Jaroslav	Jan Dismas Zelenka.	Musica	36	2	Mar-Apr 1982	191-193
	36.	Bužga, Jaroslav	Jan Dismas Zelenka na královském dvoøe v Drážðanech.	HudebniVeda	23	4	1986	312-329
	37.	Bužga, Jaroslav	O vztahu Jana Dismase Zelenky k Johannu Sebastianu Bachovi.	HudebniVeda	29	2	1992	91-102
	38.	Bužga, Jaroslav	Pøíspìvky k životopisu Jana Dismase Zelenky.	HudebniVeda	21	2	1984	137-145
	39.	Bužga, Jaroslav	Zelenka und Bach im 19. und 18. Jahrhundert.	[cr]Leipzig1985			1988	367-372
	40.	Bužga, Jaroslav	Zittauer Ausblicke nach Böhmen.	JbKonfMittDBarockM	2006		2007	163-166
	41.	Cage, John	Composition as process: Indeterminacy.				2004	176-186
	42.	Detheridge, Joseph	Chronology of music composers.				1936-37
	43.	Domingo, José Ramos	Juan Sebastian Bach. Cantatas.				1988	120p
	44.	Domingo, José Ramos	Juan Sebastián Bach: (las cantatas y la pastoral del canto).				2000	150p
	45.	Fairleigh, James P.	Italian Prototypes of the Baroque Ritornello.	Bach	14	3	Jul 1983	2-11
	46.	Fairleigh, James P.	Pachelbel's Magnificat-Fugues Models for J. S. Bach.	AmerOrganist(2)	14	6	Jun 1980	34-37
	47.	G., J.	On the Clavichord.	Harmonicon	8	1	Jan 1830	13
	48.	Goodenough, J. P.	Annual Bach Festival. [Winter Park/Florida.]	MAmer	81	5	May 1961	26
	49.	Hennings, Johann	Neues über Franz Tunder und Dietrich Buxtehude.	DMkultur	6		1941-42	157-166
	50.	Hennings, Johann	'Tunderiana'.	LübeckBl	75		1933	826-830
	51.	Hennings, Johann; Stahl, Wilhelm	Musikgeschichte Lübecks. Band 1: Weltliche Musik.				1961	212p
	52.	Hennings, Johann; Stahl, Wilhelm	Musikgeschichte Lübecks. Band 2: Geistliche Welt.				1952	212p
	53.	Higgs, James	Bach's 'Art of Fugue'.	ProceedRMA	3		1876-77	45-73
	54.	Higgs, James	C. P. E. Bach.	MStandard	8	196	2 May 1868	186
	55.	Higgs, James	Dr. F. K. Griepenkerl's Metronomic Marks for J. S. Bach's Organ Works.	MonMRec	6	72	Dec 1876	185
	56.	Higgs, James	Fugue.				1878	113p
	57.	Higgs, James (ed.)	Inventions in two and three parts for the clavier by John Sebastian Bach.				1893	6, 63p
	58.	Higgs, James	On the treatment of Bach's organ music.	DwightJM	36	10	19 Aug 1876	282-284
	59.	Higgs, James	On the treatment of Bach's organ music (Concluded from page 284).	DwightJM	36	11	2 Sep 1875	290-292
	60.	Higgs, James (ed.)	Short Preludes and Other Pieces for the Clavier by John Sebastian Bach.				1893	49p
	61.	Kaegi, Jean-Claude	Unzeitgemäße Betrachtungen zu Bach: organ im Gespräch mit Martin Lücker.	Organ(Mainz)	3	4	2000	32f
	62.	Kraege, Jean-Denis	La Theologie de Jean-Sébastien Bach.	EtudesTheolRelig	60	4	1985	553-572
	63.	La Fage, Juste Adrien de	Inauguration de l'orgue de Sainte-Clotilde.	RevueGazMParis	27	1	1 Jan 1860	4-5
	64.	Lange, Johann K.	Methodus Nova & Perspicua in artem Musicam, Das ist Recht gründtliche Anweisung wie die Edle Music mit allen zugehörigen Stücken auffs allerleichteste und gewisseste nach heutiger neuesten Art fähigen Subjectis in kurtzer Zeit beyzubringen sey.				1688
	65.	Owens, Samantha; Reul, Barbara M.; Stockigt, Janice B. (eds.)	Music at German courts, 1715-1760: Changing artistic priorities.	[ce]MusicGermanCourts			2011	xx, 484p
	66.	Page, Janet K. (ed.)	Oboe Concertos / Carl Philipp Emanuel Bach.	CPEBachCW	3	5	2006	xxi, 85p
	67.	Page, Janet. K.	'To soften the sound of the hoboy': The muted oboe in the 18th and early 19th centuries.	EarlyM	21	1	Feb 1993	65-76, 78-80
	68.	Shuckburgh, Julian	Harmony & Discord: The Real Life of Johann Sebastian Bach.				2009	x, 390p
	69.	Stockigt, Janice B.	A Te Deum performance in Bautzen by members of Dresden's Hofkapelle: 19 May 1733.	[p]BNUK_Warsaw			Jul 2013
	70.	Stockigt, Janice B.	Bach's Missa BWV 232I in the context of Catholic Mass settings in Dresden, 1729-1733.	[ce]ExploringBMM			2013	39-53
	71.	Stockigt, Janice B.	Consideration of Bach's Kyrie e Gloria BWV 232I within the Context of Dresden Catholic Mass Settings, 1729-1733	[cr]Belfast2007	1		2007	52-92
	72.	Stockigt, Janice B.	Die 'Annuae Literae' der Leipziger Jesuiten 1719-1740: Ein Bach-Dokument?	BachJb	78		1992	77-80
	73.	Stockigt, Janice B.	Fasch Visits Dresden: c.1726-1728.	FaschSt	8		2001	29-56
	74.	Stockigt, Janice B.	Italian Influences Observed in the Vespers Psalm Settings of Johann Friedrich Fasch.	FaschSt	9		2003	175-202
	75.	Stockigt, Janice B.	Jan Dismas Zelenka (1679-1745): a Bohemian musician at the Court of Dresden.	OxfordMonographsM			2000	xxiii, 352p
	76.	Stockigt, Janice B.	Liturgical Music for a New Elector: Origins of Bach's 1733 Missa Revisited.	BachPerspectives	12		2018	63-83
	77.	Stockigt, Janice B.	Methodische Fragen zur Identifikation von Incerta aus dem Dresdner Instrumentalrepertoire.	[p]Dresden			Jun 2010
	78.	Stockigt, Janice B.	'Nobody rose or joined in these hymns': Premiere Australian performances of J.S. Bach's St. Matthew Passion (1875-76).	AustralianMResearch	17		2018	11-28
	79.	Stockigt, Janice B.	Organists of Leipzig's royal Catholic chapel 1719-1740 (and beyond).	[p]BNUK_Cambridge			Jul 2015
	80.	Stockigt, Janice B.	Performance Practice of the Electoral Saxon and Royal Polish Hofkapelle: Evidence from the Performance Materials of Gesù al Calvario, Jan Dismas Zelenka, 1735.	[p]AMS_Kansas			Nov 1999
	81.	Stockigt, Janice B.	Pisendel's Contributions to the Performance of Liturgical Music in the Dresden Catholic Court Church.	DresdnBeitrMf	3		2010	551-560
	82.	Stockigt, Janice B.	The Court of Saxony-Dresden.	[ce]MusicGermanCourts			2011	17-49
	83.	Stockigt, Janice B.	The Music of Leipzig's Royal Catholic Chapel during the Reign of August II.	UnderstandingBach	11		2016	57-66
	84.	Stockigt, Janice B.	The Other Side of the Coin: Catholic Liturgical Music in Lutheran Saxony During Bach's Era.	Context		21	Autumn 2001	79-84
	85.	Stockigt, Janice B.	The royal Polish and electoral Saxon court and state calendars, 1728-50.	IrishMStud	8		2004	49-64
	86.	Stockigt, Janice B.	The Visit of Members of the Dresden Hofkapelle to Bautzen: May 1733.	UnderstandingBach	9		2014	89-92
	87.	Stockigt, Janice B.	Two Zelenka masses in J. S. Bach's Nachlaß.	[p]BCB_Exeter			Jul 1998
	88.	Stockigt, Janice B.; Owens, Samantha; Szuster, Jula; Maddox, Alan	'Bach the Sublime': Australasian Reception of the St. Matthew Passion, 1875-1950.	[p]BNUK_Warsaw			Jul 2013
	89.	Trego, J. Stafford (arr.)	BOUREÉE from J. S. BACH'S THIRD SONATA for the VIOLONCELLO				c 1876	5p
	90.	Trego, J. Stafford (arr.)	Gavotte (LA MUSETTE) from J. S. BACH'S SIXTH SONATA for the VIOLONCELLO				c 1876	5p
	91.	Vegt, J. van der	Bach-Händel-Tour in de DDR.	Orgelvriend	24	8	1982
	92.	Vogt, Jean	12 melodische Inventionen zur Uebung des polyphonen Klavierspiels u. als Vorbereitung f. das Studium der Joh. Seb. Bach'schen Inventionen. Op. 150.				1882	27p
	93.	Voigt, Johann Carl	Gespräch von der Musik, zwischen einem Organisten und Adjuvanten, darinnen nicht nur von verschiedenen Missbräuchen, so bey der Musik eingerissen, gehandelt, sondern auch eines und das andere beym Clavier- und Orgel-Spielen angemerket wird, etc.				1742	140p