Bach Bibliography
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1. Bridge, J. FrederickDouble Counterpoint and Canon. N.Y.: H.W.Gray Co., Inc.; London, Novello, Ewer and Co., 1881. ix, 124p. 1881 ix, 124p
2. Bridge, J. Frederick; Higgs, James (eds.)Eight Short Preludes and Fugues. Edited by J. F. Bridge, ... & James Higgs, ... - London: Novello & Co., [1881]. [ii] + 25p. Pl.-Nr. 6201. (= The Organ Works of John Sebastian Bach, Book 1) [BWV 553-560 (Anh. II)] OrgWorks(Novello) 1 1881 1-25
3. Bridge, J. Frederick; Higgs, James (eds.)Fantasias, preludes and fugues. Edited by J. F. Bridge, ... & James Higgs, ... - London: Novello & Co., [1884]. pp.57-87. Pl.-Nr. 6654. (= The Organ Works of John Sebastian Bach, Book 3) [BWV 536, 545, 579, 578, 562, 537] OrgWorks(Novello) 3 1884 57-87
4. Bridge, J. Frederick; Higgs, James (eds.)Four concertos. Edited by J. F. Bridge, ... & James Higgs, ... - London: Novello & Co., [1894]. 54p. Pl.-Nr. 9664. (= The Organ Works of John Sebastian Bach, Book 11) [BWV 592-596] OrgWorks(Novello) 11 1894 54p
5. Bridge, J. Frederick; Higgs, James (ed.)Fugue in E flat major: pro organo pleno / [J.S. Bach] Edited by J.F. Bridge and James Higgs. - London: Novello, [c.1900]. pp.83-88 [6p]. Pl.-Nr. 13885. [BWV 552] c 1900 83-88
6. Bridge, J. Frederick; Higgs, James (eds.)Prelude and Fugue in B minor. London & New York: Novello, Ewer and Co., [1887] pp. 52-63. Pl.-Nr.: 7472. (= The Organ Works of John Sebastian Bach. Edited by J. F. Bridge,... & James Higgs, ..., Book 7, No. 2) [BWV 544] OrgWorks(Novello) 7 2 1887 52-63
7. Bridge, J. Frederick; Higgs, James (eds.)Preludes and fugues [1]. Edited by J. F. Bridge, ... & James Higgs, .... - London: Novello & Co., [1887]. pp.42-87. Pl.-Nr. 7472. (= The Organ Works of John Sebastian Bach, Book 7) [Prelude & fugue in A minor (BWV 543); Prelude & fugue in B minor (BWV 544); Prelude & fugue in C minor (BWV 546); Prelude & fugue in C major (BWV 531); Prelude & fugue in G major (BWV 550)] OrgWorks(Novello) 7 1887 42-87
8. Bridge, J. Frederick; Higgs, James (eds.)Preludes and fugues [2]. Edited by J. F. Bridge, ... & James Higgs, ... - London: Novello & Co., [1888]. [ii] + pp.88-135. Pl.-Nr. 7635. (= The Organ Works of John Sebastian Bach, Book 8) [Toccata in C (or E) (BWV 566); Prelude and fugue in E minor (BWV 548); Prelude and fugue in G (BWV 541); Prelude and fugue in G minor (BWV 535); Fantasia and fugue in G minor (BWV 542)] OrgWorks(Novello) 8 1888 88-135
9. Bridge, J. Frederick; Higgs, James (eds.)Preludes and fugues [3]. Edited by J. F. Bridge, ... & James Higgs, ... - London: Novello & Co., [1890]. [ii] + pp.137-195. Pl.-Nr. 7847. (= The Organ Works of John Sebastian Bach, Book 9) [Toccata and Fugue in C major (BWV 564); Prelude and Fugue in D minor (BWV 539); Prelude and Fugue in C major (BWV 547), Fantasia in G major (BWV 572); Toccata and Fugue in F major (BWV 540)] OrgWorks(Novello) 9 1890 137-195
10. Bridge, J. Frederick; Higgs, James (eds.)Preludes, fantasias, fugues, trios, &c. Edited by J. F. Bridge, ... & James Higgs, .... - London: Novello & Co., [1895]. pp.55-114 Pl.-Nr. 9935. (= The Organ Works of John Sebastian Bach, Book 12) [Fugue in G major (BWV 577 (Anh. II)); Fantasia and fugue in A minor (BWV 561 (Anh. II)); Fantasia with imitation (BWV 563); Fantasia in G major (BWV 571 (Anh. II)); Fugue in D major (BWV 580 (Anh. II)); Fugue in G major (BWV 576 (Anh. II)); Prelude in C major (BWV 567); Fantasia C major (BWV 570); Prelude in C major (BWV 943); Fugue in C minor (BWV 575); Fugue in C major (BWV 946); Pastorale (BWV 590); Trio (BWV 585); Aria (BWV 587)] OrgWorks(Novello) 12 1895 55-114
11. Bridge, J. Frederick; Higgs, James (eds.)Preludes, fugues and trio. Edited by J. F. Bridge, ... & James Higgs, .... - London: Novello & Co., [c.1881]. pp.26-56. Pl.-Nr. 6366. (= The Organ Works of John Sebastian Bach, Book 2); later edn. 56p. Pl.-Nr. 26001. [BWV 589, 568, 588, 680, 131a, 533, 549, 583] OrgWorks(Novello) 2 c 1881 26-56
12. Bridge, J. Frederick; Higgs, James (eds.)Sonatas or trios for two manuals and pedal (I-III). Edited by J. F. Bridge, ... & James Higgs, .... - London: Novello & Co., [1884]. vii p, pp. 88-123. Pl.-Nr. 6872. (= The Organ Works of John Sebastian Bach, Book 4) [BWV 525, 526, 527] OrgWorks(Novello) 4 1884 88-123
13. Bridge, J. Frederick; Higgs, James (eds.)Sonatas or trios for two manuals and pedal (IV-VI). Edited by J. F. Bridge, ... & James Higgs, .... - London: Novello & Co., [1885]. pp.124-162. Pl.-Nr. 7008. (= The Organ Works of John Sebastian Bach, Book 5) [BWV 528, 529, 530] OrgWorks(Novello) 5 1885 124-162
14. Bridge, J. Frederick; Higgs, James (eds.)Toccata, preludes and fugues. Edited by J. F. Bridge, ... & James Higgs, .... - London: Novello & Co., [1886]. 41p. Pl.-Nr. 7212. (= The Organ Works of John Sebastian Bach, Book 6) [Toccata & fugue in D minor (BWV 565); Prelude & fugue in D major (BWV 532); Prelude & fugue in F minor (BWV 534); Prelude & fugue 'St Anne' in E flat (BWV 552)] OrgWorks(Novello) 6 1886 41p
15. Bridge, J. Frederick; Higgs, James (eds.)Toccata, preludes and fugues. Edited by J. F. Bridge, ... & James Higgs, .... - London: Novello & Co., [1891]. [ii]p, pp.196-243. Pl.-Nr. 9158. (= The Organ Works of John Sebastian Bach, Book 10) [Toccata and fugue, d minor (BWV 538, 'Dorian'); Prelude and fugue, a minor (BWV 551); Passacaglia and fugue, c minor (BWV 582); Fugue, c minor (BWV 574); Prelude, a minor (BWV 569)] OrgWorks(Novello) 10 1891 196-243
16. Bridge, J. Frederick; Higgs, James; Emery, Walter (eds.)Fantasia, toccata, preludes & fugues / Bach Edited by Frederick Bridge and James Higgs, revised by Walter Emery. - London: Novello, [c.1940, R/1964]. 48p ([ii], pp. 88-135). Pl.-Nr.: 7635. (= Organ music (Novello). 8 ; Organ works / J.S. Bach, Book 8) [BWV 541, 535, 548, 542, 566] OrgWorks(Novello) 8 [rev] c 1940 88-135
17. Bridge, J. Frederick; Higgs, James; Emery, Walter (eds.)Six sonatas for two manuals and pedal, I-III. Edited by Frederick Bridge and James Higgs, revised by Walter Emery. - London: Novello, c.1940. vii p., pp. [88]-123. Pl.-Nr.: 6872 (= The organ works of John Sebastian Bach, Book 4) [BWV 525-527] OrgWorks(Novello) 4 [rev1] c 1940 88-123
18. Bridge, J. Frederick; Higgs, James; Emery, Walter (eds.)Toccatas, preludes, and fugues. Edited by Frederick Bridge and James Higgs, revised by Walter Emery. - London: Novello, [1948]. v, 41p. Pl.-Nr.: 7212. (= The organ works of Bach, Book 6) [BWV 553-560 (Anh. II)] OrgWorks(Novello) 6 [rev] c 1948 v, 41p
19. Bridge, J. Frederick; Higgs, James, West, John Ebenezer (eds.)The six 'Schübler' chorale prelude and the 'Clavierübung', pt. 3. Edited by J. F. Bridge, James Higgs, J.E. West and John Pointer. With an introduction by Ernest Newman. 'Explanation of the various ornament signs' by John E. West. - London: Novello & Co., [1916]. xi, 88p. Pl.-Nr. 11633, 13885. (= The Organ Works of John Sebastian Bach, Book 16) [BWV 645-650, 669-689, 552] OrgWorks(Novello) 16 1916 xi, 88p
20. Brombaugh, JohnBach and the Organs of his Time: their influence in America. MTimes 126 1705 Mar 1985 171-173, 175-176
21. Brombaugh, JohnBach's Influence on Late Twentieth-Century. American Organ Building. [ce]JSBOrganist 1986 41-47
22. Brombaugh, JohnInfluence of Johann Sebastian Bach and His Times on Organbuilding in America in the Late 20th Century. AmerOrganist(2) 19 3 Mar 1985 113-117
23. Brügge, JoachimAusgewählte Aspekte zur Diskussion der Sonatensatzformen im 18. und frühen 19. Jahrhundert. [cr]Halle1998 2 2000 404-410
24. Brügge, JoachimJohann Sebastian Bach, Musikalisches Opfer (BWV 1079): Bemerkungen zum 'Canon a 2 per Tonos' Kleine Beiträge. BachJb 78 1992 91-100
25. Brügge, JoachimKV 574: 'Kleine Gigue in G-Dur' - Bach-oder Händel-Einfluß. MtIStiftMozarteum 49 1-4 1992 111-115
26. Brügge, JoachimZum Problem der 'Mehrfachlösungen' in den Kanons der Musikalischen Opfers: eine kritische Studie zu Reinhard Böß, Die Kunst des Rätselkanons im Musikalischen Opfer. NMwJb 3 1994 81-101
27. Brügge, JoachimÜber András Schiff und die 'Goldberg-Variationen' Baden-Baden: rombach wissenschaft, 2020. 139p. ISBN: 978-3-96821-012-4. 2020 139p
28. Brügge, Joachim; Födermayr, Franz; Gratzer, Wolfgang; Hochradner, Thomas; Mauser, SiegfriedMusikgeschichte als Verstehensgeschichte: Festschrift für Gernot Gruber zum 65. Geburtstag. hrsg. von Joachim Brügge, Franz Födermayr, Wolfgang Gratzer, Thomas Hochradner und Siegfried Mauser. - Tutzing: Schneider, 2004. 748p. ISBN: 3-7952-1173-5; 978-3-7952-1173-8. [fs]Gruber65 2004 748p
29. Butler, Margaret R.; Page, Janet K. (eds.)SECM in Brooklyn 2010 : Topics in Eighteenth-Century Music I. Edited by Margaret R. Butler and Janet K. Page. [Selected papers from the 4th biennial conference of the Society for Eighteenth-Century Music was held at St. Francis College in Brooklyn Heights, New York, April 8-11, 2010] - Ann Arbor, MI: Steglein Publishing, 2014. xv, 241p. ISBN: 978-0-9819850-5-3. [cr]Brooklyn2010 2014 xv, 241p
30. Bužga, JaroslavBachovská konference v Lipsku 1985. HudebniVeda 22 3 1985 285-286
31. Bužga, JaroslavBach, Zelenka a Èeská hudba 19. století. [Bach, Zelenka und die tschechische Musik im 19. Jahrhundert.] HudebniVeda 19 1 1982 49-60 Latin 2
32. Bužga, JaroslavDie Kirchenkompositionen Dresdner Komponisten in Böhmen. [Zelenka] JbKonfMittDBarockM 2001 2002 203-213
33. Bužga, JaroslavDie Quellen des stille antico in der Dresdner Musiksammlung um 1730. BachSt 9 1986 67-71
34. Bužga, JaroslavJan Dismas Zelenka. Bachfest 53 [Marburg] 1978 89-94
35. Bužga, JaroslavJan Dismas Zelenka. Musica aktuell. Musica 36 2 Mar-Apr 1982 191-193
36. Bužga, JaroslavJan Dismas Zelenka na královském dvoøe v Drážðanech. [J. D. Zelenka am Königshofe in Dresden] HudebniVeda 23 4 1986 312-329 Latin 2
37. Bužga, JaroslavO vztahu Jana Dismase Zelenky k Johannu Sebastianu Bachovi. [About relationship of Jan Dismas Zelenka to Johann Sebastian Bach.] HudebniVeda 29 2 1992 91-102
38. Bužga, JaroslavPøíspìvky k životopisu Jana Dismase Zelenky. [J. D. Zelenka, Beiträge zur Biographie.] HudebniVeda 21 2 1984 137-145 Latin 2
39. Bužga, JaroslavZelenka und Bach im 19. und 18. Jahrhundert. [cr]Leipzig1985 1988 367-372
40. Bužga, JaroslavZittauer Ausblicke nach Böhmen. JbKonfMittDBarockM 2006 2007 163-166
41. Cage, JohnComposition as process: Indeterminacy. In: Audio culture: Readings in modern music, eds. Christoph Cox and Daniel Warner. - New York: Continuum, 2004. xvii, 454p. ISBN: 0-8264-1614-4; 0-8264-1615-2; pp.176-186. 2004 176-186
42. Detheridge, JosephChronology of music composers. compiled by Joseph Detheridge. - Birmingham, England: J. Detheridge, c1936-1937. [1. 820 to 1810 -- 2. 1810 to 1937] 1936-37
43. Domingo, José RamosJuan Sebastian Bach. Cantatas. Aranjuez: J. Ramos, D.L. 1988. 120p. ISBN: 84-404-2902-9. 1988 120p
44. Domingo, José RamosJuan Sebastián Bach: (las cantatas y la pastoral del canto). Universidad Pontificia de Salamanca, 2000. 150p. ISBN: 84-7299-476-7. 2000 150p
45. Fairleigh, James P.Italian Prototypes of the Baroque Ritornello. Bach 14 3 Jul 1983 2-11
46. Fairleigh, James P.Pachelbel's Magnificat-Fugues Models for J. S. Bach. AmerOrganist(2) 14 6 Jun 1980 34-37
47. G., J.On the Clavichord. To the Editor of the Harmonicon. Soho Square, Dec. 17th. Harmonicon 8 1 Jan 1830 13
48. Goodenough, J. P.Annual Bach Festival. [Winter Park/Florida.] National. MAmer 81 5 May 1961 26
49. Hennings, JohannNeues über Franz Tunder und Dietrich Buxtehude. DMkultur 6 1941-42 157-166
50. Hennings, Johann'Tunderiana'. LübeckBl 75 1933 826-830
51. Hennings, Johann; Stahl, WilhelmMusikgeschichte Lübecks. Band 1: Weltliche Musik. Kassel: Bärenreiter, 1951. 305p. [BDok2/102 = p.118] 1961 212p
52. Hennings, Johann; Stahl, WilhelmMusikgeschichte Lübecks. Band 2: Geistliche Welt. Kassel [u.a.]: Bärenreiter-Verlag, 1952. 212p. 1952 212p
53. Higgs, JamesBach's 'Art of Fugue'. ProceedRMA 3 1876-77 45-73
54. Higgs, JamesC. P. E. Bach. Correspondence. [Clementi's 'Practical Harmony' (See 68:198). April 28th] MStandard 8 196 2 May 1868 186
55. Higgs, JamesDr. F. K. Griepenkerl's Metronomic Marks for J. S. Bach's Organ Works. MonMRec 6 72 Dec 1876 185
56. Higgs, JamesFugue. New York: H. W. Gray, 1878. 113p. R/1955, iv, 115p. 1878 113p
57. Higgs, James (ed.)Inventions in two and three parts for the clavier by John Sebastian Bach. Edited, with a preface, and short analyses of the several pieces, by James Higgs. - London: Novello, Ewer & Co., [1893]. 6, 63p. Pl.-Nr.: 9543. [BWV 772-801] 1893 6, 63p
58. Higgs, JamesOn the treatment of Bach's organ music. [Paper read at a meeting of the London College of Organists. To be continued] DwightJM 36 10 19 Aug 1876 282-284
59. Higgs, JamesOn the treatment of Bach's organ music (Concluded from page 284). DwightJM 36 11 2 Sep 1875 290-292
60. Higgs, James (ed.)Short Preludes and Other Pieces for the Clavier by John Sebastian Bach. Edited, with a short preface, by James Higgs. This book also includes an appendix containing twenty short and easy pieces from the Clavier Book of Anna Magdalena Bach. - London, New York: Novello, Ewer [1893]. 49p. Pl.-Nr.: 9549. 1893 49p
61. Kaegi, Jean-ClaudeUnzeitgemäße Betrachtungen zu Bach: organ im Gespräch mit Martin Lücker. Organ(Mainz) 3 4 2000 32f
62. Kraege, Jean-DenisLa Theologie de Jean-Sébastien Bach. EtudesTheolRelig 60 4 1985 553-572
63. La Fage, Juste Adrien deInauguration de l'orgue de Sainte-Clotilde. [Cavaillé-Coll. J. S. Bach, Fugue en 'mi' mineur; César Franck. Lefébure-Wély, improvisation sur des cantiques de Noël] RevueGazMParis 27 1 1 Jan 1860 4-5
64. Lange, Johann K.Methodus Nova & Perspicua in artem Musicam, Das ist Recht gründtliche Anweisung wie die Edle Music mit allen zugehörigen Stücken auffs allerleichteste und gewisseste nach heutiger neuesten Art fähigen Subjectis in kurtzer Zeit beyzubringen sey. Nebst einem Anhange derer jetzo gebräuchlichsten Musicalischen Wörter ... zusammen getragen und auffgesetzet Von Johann Caspar Langen Cantore daselbsten. - Hildesheim: Auctor, 1688. [IX S., S. 46 - 55] - [Mikrofiche-Ausg.] München,Saur, 1999. 1688
65. Owens, Samantha; Reul, Barbara M.; Stockigt, Janice B. (eds.)Music at German courts, 1715-1760: Changing artistic priorities. Woodbridge: Boydell, 2011. xx, 484p. ISBN: 1-84383-598-3; 978-1-84383-598-1. [ce]MusicGermanCourts 2011 xx, 484p
66. Page, Janet K. (ed.)Oboe Concertos / Carl Philipp Emanuel Bach. Edited by Janet K. Page. - Los Altos, CA: Packard Humanities Institute, 2006. xxi, 85p. ISBN: 1-933280-17-4; 978-1-933280-17-2. (= Carl Philipp Emanuel Bach: The Complete Works. Series III: Orchestral music, Volume 5) [Wq 164, 165 - H. 466, 468] CPEBachCW 3 5 2006 xxi, 85p
67. Page, Janet. K.'To soften the sound of the hoboy': The muted oboe in the 18th and early 19th centuries. [BWV 246 (Anh. II)] EarlyM 21 1 Feb 1993 65-76, 78-80
68. Shuckburgh, JulianHarmony & Discord: The Real Life of Johann Sebastian Bach. London: Old Street Publishing, 2009. x, 390p. ISBN-13: 978-1-905847-85-3. 2009 x, 390p
69. Stockigt, Janice B.A Te Deum performance in Bautzen by members of Dresden's Hofkapelle: 19 May 1733. A paper read in the session 'burning issues: Bach Looking East' at the Sixth J. S. Bach Dialogue Meeting at University of Warsaw, 3-7 July 2013. [p]BNUK_Warsaw Jul 2013
70. Stockigt, Janice B.Bach's Missa BWV 232I in the context of Catholic Mass settings in Dresden, 1729-1733. Part I: historical background and contexts. [ce]ExploringBMM 2013 39-53
71. Stockigt, Janice B.Consideration of Bach's Kyrie e Gloria BWV 232I within the Context of Dresden Catholic Mass Settings, 1729-1733 [cr]Belfast2007 1 2007 52-92
72. Stockigt, Janice B.Die 'Annuae Literae' der Leipziger Jesuiten 1719-1740: Ein Bach-Dokument? Kleine Beiträge. BachJb 78 1992 77-80
73. Stockigt, Janice B.Fasch Visits Dresden: c.1726-1728. FaschSt 8 2001 29-56
74. Stockigt, Janice B.Italian Influences Observed in the Vespers Psalm Settings of Johann Friedrich Fasch. FaschSt 9 2003 175-202
75. Stockigt, Janice B.Jan Dismas Zelenka (1679-1745): a Bohemian musician at the Court of Dresden. Oxford [u.a.]: Oxford Univ. Press, 2000. xxiii, 352p. ISBN: 0-19-816622-2. (= Oxford monographs on music) OxfordMonographsM 2000 xxiii, 352p
76. Stockigt, Janice B.Liturgical Music for a New Elector: Origins of Bach's 1733 Missa Revisited. BachPerspectives 12 2018 63-83
77. Stockigt, Janice B.Methodische Fragen zur Identifikation von Incerta aus dem Dresdner Instrumentalrepertoire. A paper read at the colloquium 'Das Instrumentalrepertoire der Dresdner Hofkapelle in den ersten beiden Dritteln des 18. Jahrhunderts – Überlieferung und Notisten' held at Sächsische Landesbibliothek - Staats- und Universitätsbibliothek, Dresden, 23-25 June 2010. [p]Dresden Jun 2010
78. Stockigt, Janice B. 'Nobody rose or joined in these hymns': Premiere Australian performances of J.S. Bach's St. Matthew Passion (1875-76). Chapter 1. AustralianMResearch 17 2018 11-28
79. Stockigt, Janice B.Organists of Leipzig's royal Catholic chapel 1719-1740 (and beyond). A paper presented at the dialogue session 'Music, Musicians and Patronage in Saxon during the reign of August the Strong' at the Seventh J. S. Bach Dialogue Meeting at Madingley Hall, Cambridge, 8-10 July 2015. [p]BNUK_Cambridge Jul 2015
80. Stockigt, Janice B.Performance Practice of the Electoral Saxon and Royal Polish Hofkapelle: Evidence from the Performance Materials of Gesù al Calvario, Jan Dismas Zelenka, 1735. A paper read at American Musicological Society National Meeting in Kansas City, Missouri, November 4- 7, 1999: A session on 'Bach, Telemann, and Performing Forces' chaired by Joshua Rifkin. [p]AMS_Kansas Nov 1999
81. Stockigt, Janice B.Pisendel's Contributions to the Performance of Liturgical Music in the Dresden Catholic Court Church. DresdnBeitrMf 3 2010 551-560
82. Stockigt, Janice B.The Court of Saxony-Dresden. [ce]MusicGermanCourts 2011 17-49
83. Stockigt, Janice B.The Music of Leipzig's Royal Catholic Chapel during the Reign of August II. http://bachnetwork.co.uk/ub11/ub11-stockigt.pdf UnderstandingBach 11 2016 57-66
84. Stockigt, Janice B.The Other Side of the Coin: Catholic Liturgical Music in Lutheran Saxony During Bach's Era. Research Report. Context 21 Autumn 2001 79-84
85. Stockigt, Janice B.The royal Polish and electoral Saxon court and state calendars, 1728-50. IrishMStud 8 2004 49-64
86. Stockigt, Janice B.The Visit of Members of the Dresden Hofkapelle to Bautzen: May 1733. Reports. http://www.bachnetwork.co.uk/ub9/UB9-Stockigt.pdf UnderstandingBach 9 2014 89-92
87. Stockigt, Janice B.Two Zelenka masses in J. S. Bach's Nachlaß. A Paper read at Eighth Biennial Conference on Baroque Music, Univ. of Exeter, 9-12 July 1998. [p]BCB_Exeter Jul 1998
88. Stockigt, Janice B.; Owens, Samantha; Szuster, Jula; Maddox, Alan'Bach the Sublime': Australasian Reception of the St. Matthew Passion, 1875-1950. A dialogue session presented at the Sixth J. S. Bach Dialogue Meeting at University of Warsaw, 3-7 July 2013. [p]BNUK_Warsaw Jul 2013
89. Trego, J. Stafford (arr.)BOUREÉE from J. S. BACH'S THIRD SONATA for the VIOLONCELLO Arranged for the Piano BY STAFFORD TREGO. - London: E. Donajowski, [c.1876] 5p. Pl.-Nr.: Bouree, Bach. Price 3/- [BWV 1009/5-6] c 1876 5p
90. Trego, J. Stafford (arr.)Gavotte (LA MUSETTE) from J. S. BACH'S SIXTH SONATA for the VIOLONCELLO Arranged for the Piano BY STAFFORD TREGO. - London: E. Donajowski, [c.1876] 5p. Pl.-Nr.: Gavotte Bach. Price 3/- [BWV 1012/5-6] c 1876 5p
91. Vegt, J. van derBach-Händel-Tour in de DDR. Orgelvriend 24 8 1982
92. Vogt, Jean12 melodische Inventionen zur Uebung des polyphonen Klavierspiels u. als Vorbereitung f. das Studium der Joh. Seb. Bach'schen Inventionen. Op. 150. componirt von Jean Vogt. - Berlin: Schlesinger, [1882] 27p. Pl.-Nr.: S. 7440. Mk 2. 1882 27p
93. Voigt, Johann CarlGespräch von der Musik, zwischen einem Organisten und Adjuvanten, darinnen nicht nur von verschiedenen Missbräuchen, so bey der Musik eingerissen, gehandelt, sondern auch eines und das andere beym Clavier- und Orgel-Spielen angemerket wird, etc. [By J. C. Voigt; with a preface by L. Mizler.] Erfurt: Jungnicol, 1742. 140p. 1742 140p
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