Bach Bibliography Search Result

Author : Fabian, Dorottya
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Type	List	Title [further info]	Series	Vol	No	Year	Pages	Status
		[]
	1.	Adalékok J.S. Bach szóló hegedûszonátáinak és -partitáinak elõadástörténetéhez.	MagyarZene	42	3-4	Oct 2004	311-335
	2.	Bach Performance Practice, 1945-1975: A Comprehensive Review of Sound Recordings and Literature.				2003	xiv, 314p
	3.	Bach performance practice in the twentieth century: recordings, reviews and reception.	IrishMStud	8		2004	179-189
	4.	Bach performance practice in the twentieth century: recordings, reviews and reception.	BachNachwelt	4		2005	157-167
	5.	Bach recordings as a chronicle of performance style: in search of analytical tools for a critical assessment.	[p]BCB_Exeter			Jul 1998
	6.	J. S. Bach Recordings 1945-1975: St Matthew and St John Passions, Brandenburg Concertos and Goldberg Variations - A Study of the Changing Style of Performance in the Context of the Early Music Movement.	diss.			1998
	7.	The Changing Style of Performing J. S. Bach's Music 1950-1975.	[p]BCB_Birmingham			Jul 1996
	8.	The Merits of Archival Research in Music: Reviews of The English Bach Awakening and Musical Entries at Stationers' Hall 1710-1818.	McolAustralia	28		2005-06	127-130
	9.	The Recordings of Joachim, Ysaÿe and Sarasate in light of their Reception by Nineteenth-Century British Critics.	IReviewAesthSociolM	37	2	Dec 2006	189-211
	10.	Towards a Performance History of Bach's Sonatas and Partitas for Solo Violin: Preliminary Investigations.	[fs]Somfai70			2005	87-108
	11.	Identity in violin playing on records: Interpretation profiles in recordings of solo Bach by early twentieth-century violinists.	PerformPractReview	14		2009	1-40
	12.	An experimental investigation of musical character portrayed by piano versus harpsichord performances of a J.S. Bach excerpt				2005	70-84
	13.	Expressive devices and perceived musical character in 34 performances of Variation 7 from Bach's Goldberg Variations.	MScientiae		[Special Issue]	2003-04	49-68
	14.	Musical character and the performance and perception of dotting, articulation and tempo in 34 recordings of Variation 7 from J.S. Bach's Goldberg variations (BWV 988).	MScientiae	12	2	Fall-Winter 2008	177-206
	15.	Performed and perceived dotting are different: Implications for performance practice and pedagogy.	[cr]CIM04_Graz			2004	74-75
	16.	The dimensions of baroque music performance: a semantic differential study.	PsycholM	34	4	2006	537-587