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| Type | List | Author | Title [further info  ] | Series | Vol | No | Year | Pages | Status |
|---|---|---|---|---|---|---|---|---|---|
 | 1. | Abadie, Daniel; Georget, Maryvonne | Hartung et la musique. | 72p | |||||
 | 2. | Alain, Marie-Claire; Dufourcq, Norbert | Marie-Claire Alain et ses intégrales de Bach. | LOrgue | 184 | 1-8 | |||
| | 3. | Alencastro, Luiz Felipe de; Fléchet, Anaïs; Pimentel, Juliana; Pistone, Danièle (eds.) | Villa-Lobos: Des sources de l'oeuvre aux échos contemporains. | [ce]Villa-Lobos | 274p | ||||
| | 4. | Ballman, Christine; Dufour, Valérie (eds.) | 'La la la... Maistre Henri': Mélanges de musicologie offerts à Henri Vanhulst. | [fs]Vanhulst | 496p | ||||
| | 5. | Balme, Christopher; Liptay, Fabienne; Drewes, Miriam (eds.) | Die Passion des Künstlers: Kreativität und Krise im Film. | [ce]PassionDesKünstlers | 312p | ||||
| | 6. | Berke, Dietrich | Alfred Dürr zum 80. Geburtstag. | MKirche | 68 | 2 | 146 | ||
| | 7. | Berke, Dietrich | Bach 1975. Zum Programm der Kasseler Musiktage vom 31. Oktober bis 2. November 1975. | Musica | 29 | 4 | 335-336 | ||
| | 8. | Berke, Dietrich | Tantiemen für Bach, Beethoven oder Bruckner? Über die Schutzfahigkeit von Werken alterer Komponisten. | Orchester(Mainz) | 50 | 2 | 27-30 | ||
| | 9. | Berke, Dietrich | Zur Problematik des Schultzes wissenschaftlicher Ausgaben im deutschen Urheberreichtsgesetz. | [fs]Dürr65 | 17-30 | ||||
 | 10. | Berke, Dietrich; Bödeker, Anke; Ferguson, Faye; Leisinger, Ulrich (eds.) | Bearbeitungen und Ergänzungen von Werken verschiedener Komponisten / Wolfgang Amadeus Mozart. | xxxv, 173p | |||||
| | 11. | Berke, Dietrich; Hanemann, Dorothee (eds.) | Alte Musik als ästhetische Gegenwart: Bach, Händel, Schütz. Bericht über den Internationalen Musikwissenschaftlich Kongreß Stuttgart 1985. | [cr]Stuttgart1985 | 543; 471p | ||||
| | 12. | Berke, Dietrich; Heckmann, Harald (eds.) | Festschrift Wolfgang Rehm zum 60. Geburtstag am 3. September 1989. | [fs]Rehm60 | 293p | ||||
| | 13. | Blackstone, Daniel; Denizeau, Gérard; Denizeau, Cécile | Analyses musicales: XVIIIe siècle—Jean-Sébastien Bach, François Couperin, Georg Friedrich Haendel. I. | 219p | |||||
| | 14. | Blanchard, Homer D. | The Bach organ book. | xiv, 240p | |||||
| | 15. | Blanchard, Homer D. | You, the reader. | AmerOrganist(1) | 42 | 6-9 | 
| ||
| | 16. | Brennecke, Dietrich; Schmalenberg, Hilmar | Zum Problem der Werkbesprechung im Instrumentalunterricht. Ein Gespräch über Johann Sebastian Bachs Partita E-Dur für Violine solo BWV 1006. | ArbHAkadKünsteDDR | 14 | 85-105 | |||
| | 17. | Brossard, Sébastien de | Dictionaire de musique, contenant une explication des termes grecs, latins, italiens & françois les plus usitez dans la musique ; a l'occasion desquels on rapporte ce qu'il ya de plus curieux & de plus necessaire à sçavoir. | 116p | |||||
| | 18. | Burstein, L. Poundie; Gagne, David (eds.) | Structure and meaning in tonal music: Festschrift in honor of Carl Schachter. | HarmonolSer | 12 | 290p | |||
 | 19. | Buxtehude, Dietrich | Herr, ich lasse dich nicht. BuxWV 36; Faksimile der autographen Stimmen in der Universitätsbibliothek Uppsala, mit kritischer Neuausgabe in Partitur | DocumentaMcol | 2 | 37 | x, 18, 15p | ||
| | 20. | Cathé, Philippe; Douche, Sylvie; Duchesneau, Michel; Benoit-Otis, Marie-Hélène (eds.) | Charles Koechlin: Compositeur et humaniste | [ce]CharlesKoechlin | 609p | ||||
| | 21. | Caulibus, Johannes de; Maurus, Hrabanus; Schäufelein, Han; Henrici, Christian Friedrich | Betrachtungen über die Passion Jesu Christi. | Fusa | 16-20 | 2-113 | |||
| | 22. | Chawkin, Stephen D., Jr. | Bach: Goldberg variations, Anthony Newman, harpsichord. | [fs]Newman60 | 35-36 | ||||
| | 23. | Cooke, Deryck | Bach Choir: St. Matthew Passion. | MTimes | 101 | 1408 | 372 | ||
| | 24. | Cooke, Deryck | Bach Choir: St. Matthew Passion. | MTimes | 100 | 1395 | 276 | ||
| | 25. | Corte, Andrea della; Pannain, Guido | Storia della musica. | x, 100p | |||||
| | 26. | Curry, Robert; Gable, David; Marshall, Robert L. (eds.) | Variations on the canon: Essays on music from Bach to Boulez in honor of Charles Rosen on his eightieth birthday. | EastmanStudM | 58 | x, 375p | |||
| | 27. | Devie, Dominique | Le tempérament musical: philosophie, histoire, théorie et pratique. | 540p | |||||
 | 28. | Di Pasquale, Donato | Genesi dei Quattordici Canoni BWV 1087 di Johann Sebastian Bach. | diss. | 94p | ||||
| | 29. | Dodge, D. E. | Bach and the German Clavier. | EnglishHarpsichordMag | 2 | 3 | 67-71 | ||
| | 30. | Dodge, D. E. | The Identity of Bach's Clavier. | EnglishHarpsichordMag | 2 | 5 | 116-119 | ||
| | 31. | Donoghue, Denis | The Well-tempered Klavier. | HudsonReview | 17 | 138-142 | |||
| | 32. | Eckhardt, Wolfgang; Fromme, Daniel; Neumann, Julia; Schwinger, Tobias | Das DFG-Projekt 'Kompetenzzentrum Forschung und Information Musik' (KoFIM) an der Staatsbibliothek zu Berlin - Preußischer Kulturbesitz. | ForumMbib | 34 | 1 | 12-21 | ||
| | 33. | E. D. | Exécutions récents. [Les 'Passions' de J.-S. Bach] | RevueMHistCritique | 9 | 8 | 206 | ||
| | 34. | Edge, Dexter | Mozart's Viennese copyists. | diss. | 2416p | ||||
| | 35. | Fernandez de la Cuesta Gonzalez, Ismael; Vicente Delgado, Alfonso de (eds.) | Culturas musicales del Mediterráneo y sus ramificaciones. | RevistaMcol | 16 | 722, 577, 517, 750p | |||
| | 36. | Florence, Dominic | Opposition as a guiding principle for performance in J.S. Bach's Die Kunst der Fuge. | diss. | ix, 55p | ||||
| | 37. | Fuchs, Robert; Hahn, Oliver; Oltrogge, Doris | 'Geist und Seele sind verwirret ...'. Die Tintenfraß-Problematik der Autographen Johann Sebastian Bachs. | Restauro | 2 | 116-121 | |||
| | 38. | Fuchs, Robert; Oltrogge, Doris; Hahn, Oliver | Bericht über die in der Staatsbibliothek zu Berlin - Preußischer Kulturbesitz vom 17.2.-26.2.98 untersuchten Bach-Autographen und deren Tintenfraß-Problematik. | BeitrSBBPK | 8 | 155-167 | |||
| | 39. | Garbe, Daniela; Wiechert, Bernd (eds.) | Der Director musices, Organist und Kantor Johann Friedrich Schweinitz: Ein Beitrag zur Musikgeschichte Göttingens im 18. Jahrhundert. | GöttingerJb | 37 | 71-90 | |||
| | 40. | George, Dietmar | Wilhelm Friedemann Bach in Halle. | WissBeitrMLutherUnivHalle | 1985 | 6: G 12 | 56-60 | ||
| | 41. | Goode, David | The complete Bach. | OrganistsReview | 103 | 1 | 20-21 | ||
| | 42. | Greenberg, Michael D. | Le traitement de l'orchestre dans Amadis de Gaule. | [ce]AmadisDeGaule | 119-165 | ||||
| | 43. | Greene, David B. | The Spirituality of Mozart's Mass in C Minor, Bach's Mass in B Minor, and Messiaen's Quartet for the End of Time: When Hearing Sacred Music is Relating to God. | ii, 124p. | |||||
| | 44. | Gutiérrez de la Cruz, Josué Noé | La ciaccona dalle origini a Bach. | Fronimo | 37 | 145 | 31-47 | ||
| | 45. | Haase, Diego Sánchez | Die Bachgesellschaft Paraguay bringt Bachmusik ins Herz Südamerikas. | MtblNBG | 78 | 22-24 | |||
| | 46. | Hibgee, Dale | Baroque flute discography. | EarlyM | 7 | 2 | 250-253 | ||
| | 47. | Hibgee, Dale | On playing the baroque treble recorder in G today. | GalpinSocJ | 52 | 387-388 | |||
| | 48. | Higbee, Dale | Alfred Mann: America's First Recorder Virtuoso. | BachNotesABS | 18 | 7-9 | |||
| | 49. | Higbee, Dale | Alternative Instrumentation in Bach's Second Brandenburg Concerto. | AmerRecorder | 18 | 1 | 11 | ||
| | 50. | Higbee, Dale | Bach's 'Fiauti d' echo'. | GalpinSocJ | 39 | 133 | |||
| | 51. | Higbee, Dale | Instrumental doubling in J.S. Bach's orchestral suite no. 2 in B minor, BWV 1067. | Continuo | 21 | 2 | 7-8 | ||
| | 52. | Higbee, Dale | J. S. Bach's music for recorder on records. Part I: the Brandenburg concerti, BWV 1046-51. | AmerRecorder | 9 | 4 | 116-123 | ||
| | 53. | Higbee, Dale | Recorders in Bach Cantata 161, Komm, du süsse Todesstunde. | JAmerMInstrSoc | 17 | 83-84 | |||
| | 54. | Hughes, Walden D. | J. S. Bach: Composer and Pedagogue. | PianoQ | 38 | 151 | 48-56 | ||
| | 55. | Huray, Peter Le; Day, James (eds.) | Music and Aesthetics in the Eighteenth and Early Nineteenth Centuries. | 403p | |||||
| | 56. | Ihde, Don | Bach to rock, a musical odyssey. | MMan | 1 | 1 | 1-10 | ||
| | 57. | Irwin, Charles D. (ed.) | Fugue, known as the 'Little G minor Fugue' ... | 7p | |||||
| | 58. | Isaacson, Charles D. | Something 'Bigger' than the Bethlehem Bach Festivals. | MQ | 7 | 1 | 118-126 | ||
| | 59. | Jacquet de la Guerre, Elisabeth-Claude | Pieces de clavecin qui peuvent se jouer sur le violon. | 26p | |||||
| | 60. | Joyce, Donald | Bach Manuscripts in the Morgan Library. | AmerOrganist(2) | 19 | 3 | 137 | ||
| | 61. | Kimura, Sachiko; Alfred Dürr; Koopman, Ton | [Letters to BCJ] | BCJ | 24 | ||||
| | 62. | Knopp, Werner; Scheel, Walter; Stobbe, Dietrich | Ansprachen zur Eröffnung der Staatsbibliothek. | JbPreussKulturbesitz | 15 | 21-57 | |||
| | 63. | Krause, Drew Stafford | Musical ambiguity in analysis and composition: Problems of pattern, value, form, and structure. | diss. | 163p | ||||
 | 64. | Laborde, Denis | Bachs Matthäus-Passion und das Risiko einer Verurteilung wegen Blasphemie (Leipzig, 1729). | [p]QJSB_Stuttgart | |||||
| | 65. | Laborde, Denis | Bach à Leipzig, Vendredi Saint, 1729. | 129-184 | |||||
| | 66. | Laborde, Denis | De Jean-Sébastien Bach à Glenn Gould: Magie des sons et spectacle de la passion. | 183p | |||||
| | 67. | Laborde, Denis | La dernière fugue de Bach: Le motif en sciences humaines. | EthnolFranc | 25 | 2 | 206-227 | ||
| | 68. | Laborde, Denis | 'Vous avez tous entendu son blasphème! Qu'en pensez-vous?' Dire la Passion selon saint Matthieu, selon Bach. | EthnolFranc | 22 | 3 | 320-336 | ||
 | 69. | La Fage, Juste Adrien de | Inauguration de l'orgue de Sainte-Clotilde. | RevueGazMParis | 27 | 1 | 4-5 | ||
| | 70. | La Fontaine, Michael de | Der Begriff der kunstlerischen Erfahrung bei Theodor W. Adorno. | diss. | iii, 132p | ||||
| | 71. | Lamaze, David | Une preuve du symbolisme numérique chez Johann Sebastian Bach: le contrepoint XIV de l'Art de la fugue. | LEducM | 565 | ||||
| | 72. | La Motte, Diether de | Analyse und Interpretation: Denken und Vergessen. | Musica | 33 | 2 | 141, 143-147 | ||
| | 73. | La Motte, Diether de | Harmonielehre. | 281p | |||||
| | 74. | La Motte, Diether de | Johann Sebastian Bach gehört mit den Ohren von 1998. | DiskussionMpädag | 1 | 92-94 | |||
| | 75. | La Motte, Diether de | Kontraste bei Bach. | Musica | 46 | 2 | 76-78 | ||
| | 76. | La Motte, Diether de | Mousikí análysi: Me kritikís paratiríseis tou Carl Dahlhaus. | 171, 89p | |||||
| | 77. | La Motte, Diether de | Musikalische Analyse; mit kritischen Anmerkungen von Carl Dahlhaus. | 145p; 90p | |||||
| | 78. | La Motte, Diether de | Sechs Annäherungen. | Musica | 36 | 6 | 500-505 | ||
| | 79. | La Motte, Diether de | Sondern der Geist selbst. Anmerkungen zu Bachs Motette 'Der Geist hilft unser Schwachheit auf'. | Musica | 28 | 3 | 235-237 | ||
| | 80. | La Motte, Diether de | The Study of Harmony: An Historical Perspective | xviii, 366p | |||||
| | 81. | Lane, Dorothy | Legato Playing on the Harpsichord: Its Value to Performers on the Piano and Organ. | AmerMTeacher | 11 | 5 | 15, 22 | ||
| | 82. | Lange, Samuel de (ed.) | Choralvorspiele. | OrgW(Lange) | 5 | 11p | |||
| | 83. | Lange, Samuel de (ed.) | Choralvorspiele. | OrgW(Lange) | 8 | 11p | |||
| | 84. | Lange, Samuel de (ed.) | Choralvorspiele: Aus dem Orgelbüchlein. | OrgW(Lange) | 4 | 11p | |||
| | 85. | Lange, Samuel de (ed.) | Drei kleine Praeludien und Fugen | OrgW(Lange) | 2 | 11p | |||
| | 86. | Lange, Samuel de (ed.) | Drei kleine Praeludien und Fugen | OrgW(Lange) | 1 | 11p | |||
| | 87. | Lange, Samuel de (arr.) | Fuge (Ricercata) a 6 Voci, No. 2 aus dem 'Musikalischen Opfer' / Joh. Seb. Bach. | ||||||
| | 88. | Lange, Samuel de (ed.) | Fuge -- Toccata. | OrgW(Lange) | 10 | 15p | |||
| | 89. | Lange, Samuel de (ed.) | Fuge über ein Thema von Corelli -- Canzona -- Fuge. | OrgW(Lange) | 7 | 15p | |||
| | 90. | Lange, Samuel de (ed.) | Praeludium -- Fantasia con Imitazione. | OrgW(Lange) | 14 | 10p | |||
| | 91. | Lange, Samuel de (ed.) | Praeludium und Fuge. | OrgW(Lange) | 9 | 15p | |||
| | 92. | Lange, Samuel de (ed.) | Praeludium und Fuge -- Fuge. | OrgW(Lange) | 6 | 14p | |||
| | 93. | Lange, Samuel de (ed.) | Sonate No. 3, d-Moll: mit Register und Phrasirungsbezeichnung. | OrgW(Lange) | 11 | 14p | |||
| | 94. | Lange, Samuel de (ed.) | Sonate No. 5, C-Dur: mit Register und Phrasirungsbezeichnung. | OrgW(Lange) | 12 | 17p | |||
| | 95. | Lange, Samuel de (ed.) | Toccata. | OrgW(Lange) | 13 | 11p | |||
| | 96. | Lange, Samuel de (ed.) | Zwei kleine Praeludien und Fugen -- Praeludium. | OrgW(Lange) | 3 | 11p | |||
| | 97. | La Salle, de | La Passacaille en ut mineur de J. S. Bach. | LEducM | 15 | 69 | 18-20 | ||
| | 98. | Lee, Dongho | Self-taught: using the imaginary continuo and reduction analysis as pedagogical approach to performance studies through the lens of J. S. Bach's Pièce d'Orgue, BWV 572. | diss. | viii, 88p | ||||
| | 99. | Lee, Douglas A. (ed.) | Arrangements of Orchestral Works I / Carl Philipp Emanuel Bach. | CPEBachCW | 1 | 10.1 | xx, 136p | ||
| | 100. | Lee, Douglas A. | Christoph Nichelmann and the early clavier concerto in Berlin. | MQ | 57 | 4 | 636-655 | ||
| | 101. | Lee, Douglas A. | C. P. E. Bach and a Free Fantasia for Keyboard. | [p]AMS_Midwest | |||||
| | 102. | Lee, Douglas A. | C. P. E. Bach and the Free Fantasia for Keyboard: Deutsche Staatsbibliothek Mus. Ms. Nichelmann I N. | [ce]CPEBachStud | 177-184 | ||||
| | 103. | Lee, Douglas A. | C.P.E. Bach as Publicist? The Gestation of the Keyboard Concertos of 1771. | [p]AMS_SouthCentral | |||||
| | 104. | Lee, Douglas A. | Emanuel Bach and the Free Fantasia for Keyboard: Deutsche Staatsbibliothek Mus. Ms. Nichelmann 1 N. | [p]AMS_Midwest | |||||
| | 105. | Lee, Douglas A. (ed.) | Keyboard Concertos from Manuscript Sources XV / Carl Philipp Emanuel Bach. | CPEBachCW | 3 | 9.15 | xv, 90p | ||
| | 106. | Lee, Douglas A. (ed.) | Sei concerti per il cembalo concertato / Carl Philipp Emanuel Bach. | CPEBachCW | 3 | 8 | xxiv, 312p | ||
| | 107. | Leite, Zilei de Oliveira | Applications of Reductive Analytical Techniques in the Phrygian Settings of the 'Orgelbuechlein' by Johann Sebastian Bach. | diss. | 116p | ||||
| | 108. | Lowrie, Donald A. | Bach's American Organ. | MJournal | 20 | 8 | 14, 92 | ||
| | 109. | Lowrie, Donald A | Bach's Miracle at Cöthen. | MJournal | 31 | 10 | 17 | ||
| | 110. | Lowry, Palmer D. | A Comprehensive Index of J. S. Bach Books in English. | Organ | 63 | 247 | 36-45 | ||
| | 111. | Luchese, D. | Patterns of Design in the Canonic Variations on Vom Himmel hoch by J. S. Bach. | Sonus | 23 | 2 | 20-32 | ||
| | 112. | Lyon, Jacques de | Bach--After Dinner. | Musician | 8 | 12 | 428 | ||
| | 113. | MacArdle, Donald W. | Beethoven and the Bach Family. | MLetters | 38 | 4 | 353-358 | ||
| | 114. | MacKerness, E. D. | Bach's F Major Violin Sonata. | MReview | 11 | 3 | 175-179 | ||
| | 115. | MacKerness, E. D. | Bach's Sinfonie-Satz für Violine Concertirende. | MReview | 9 | 3 | 161-165 | ||
| | 116. | MacKerness, E. D. | Less-known Violin Works of J. S. Bach. | MTimes | 88 | 1248 | 52-55 | ||
| | 117. | MacKerness, E. D. | The Bach Bow. | Strad | 61 | 729 | 324 | ||
| | 118. | Manicke, Dietrich | Der polyphone Satz II: Drei- und Mehrstimmigkeit. | 164p | |||||
| | 119. | McIntyre, Dean B. | Baroque and Classical Style in Selected Organ Works of the BACHSCHULE. | diss. | xii, 362p | ||||
| | 120. | Milne, Jennifer Denise | The rhythm of form: Compositional processes in the music of Sofia Gubaidulina. | diss. | 195p | ||||
| | 121. | Mitglied der Bach-Gesellschaft | S. Bach und die Bach-Ausgabe betreffend. | AllgMlZ(3) | 1 | 16 | 129 | ||
| | 122. | Monter, Émile Mathieu de | Société des oratorios (première année): première exécution le 7 mai, au Panthéon, sous la direction de J. Pasdeloup. 'La Passion', de J.-S. Bach. | RevueGazMParis | 35 | 19 | 145-146 | ||
| | 123. | Montéclair, Michael Pignolet de | Nouvelle méthode pour apprendre la musique. | 64p | |||||
| | 124. | Montéclair, Michael Pignolet de | Principes de musique: divisez en quatre parties. | 133p | |||||
| | 125. | Müller, Alfred Dedo | Musik als Problem lutherischer Gottesdienstgestaltung. | 32p | |||||
| | 126. | Müller, Alfred Dedo | Musik und Wirklichkeit. Predigt, gehalten am Trinitatisfest, dem 5. Juni 1955, zum 32. Deutschen Bachfest der Neuen Bachgesellschaft in der Thomaskirche zu Leipzig. | MKirche | 25 | 5 | 225-231 | ||
| | 127. | Neville, Don J.; Stonehouse, Alison; Richards, William (eds.) | Mozart in history, theory, and practice: Selected papers from the international symposium. | StudM(WesternOntario) | 14 | 212p | |||
| | 128. | Nielsen, Per Drud | Leipziger bossa nova: En høring af præludiet i Cis-dur fra Das wohltemperierte Klavier, bind 2. | DanskMTidsskr | 74 | 2 | 48-51 | ||
| | 129. | Nielsen, Per Drud | Metronomtallet 9: Om Karl Richters handtering af 9 taktslag hos J.S. Bach. | ColLegno | 3 | 433-447 | |||
| | 130. | Nott, Michael David | Ernest Bloch's pedagogical writings: a didactic legacy of twentieth-century America | diss. | ix, 532 leaves | ||||
| | 131. | Oliver Ditson | A catalog of the piano music, published by Oliver Ditson Company. Complete to January 1, 1915. | CatM(Ditson) | 156p | ||||
| | 132. | Oliver Ditson | A catalog of the vocal music (folio size) published by Oliver Ditson Company. Complete to April 1, 1913. | CatM(Ditson) | 184p | ||||
| | 133. | Oliver Ditson | Catalogue of sheet music and music-books published by Oliver Ditson & Co., 277 Washington St. | CatM(Ditson) | 341, 50p | ||||
| | 134. | Peretti, Pier Damiano | Bach und Frescobaldi. | ArsOrgani | 54 | 4 | 236-241 | ||
| | 135. | Peretti, Pier Damiano | Elementi di una recezione frescobaldiana nella musica organistica di J. S. Bach. | ArteOrganariaOrganistica | 13 | 58 | 38-45 | ||
| | 136. | Peretti, Pier Damiano | Note ostinate. Itinerari dell'interpretazione bachiana sull'esempio della Passacaglia do minore. | ArteOrganariaOrganistica | 9 | 47 | 44-55 | ||
| | 137. | Peretti, Pier Damiano | 'À 3 claviers et pédale'! Prassi organistica nel basso continuo tedesco al tempo di Bach. | ArteOrganariaOrganistica | 7 | 33 | 58-65 | ||
| | 138. | Pistone, Danièle | Jean-Sébastien Bach dans la France du XIXe siècle. | OstinatoRigore | 16 | 17-30 | |||
| | 139. | Pistone, Danièle | Telemann und Frankreich im 19. und 20. Jahrhundert. | TelemannKonfBer | 12 | 210-221 | |||
| | 140. | Poile, David | Rhythmic Conflicts in the Keyboard Music of J.S. Bach: A Problem of Binary Against Ternary Rhythms. | diss. | 236p | ||||
| | 141. | Prindle, Daniel E. | The Form of the Preludes to Bach's Unaccompanied Cello Suites. | xii, 107p | |||||
| | 142. | Queiroz, Flavio Jose Gomes de | Aprendendo contraponto atraves dos preludios corais. | diss. | |||||
| | 143. | Rhyne, David Ernest | A conductor's guide to the E-flat 'Magnificat' of Johann Sebastian Bach. | diss. | 326p | ||||
| | 144. | Saint-Foix, Georges de | A propos de Jean-Chrétien Bach. | RevueMcol | 7 | 18 | 83-91 | ||
| | 145. | Saint-Foix, Georges de | Considérations nouvelles sur quelques caractères ou éléments de l'Art Italien. | RevueMcol | 36 | [110] | 99-115 | ||
| | 146. | Saint-Foix, Georges de | J.-S.Bach et Mozart. | RevueM(4) | 13 | 131 | 65-67 | ||
| | 147. | Saint-Foix, Georges de | Le symphoniste Franz Beck et le pianoforte. | RevueMcol | 13 | 41 | 24-28 | ||
| | 148. | Saint-Foix, Georges de | Mozart, disciple de Bach et de Haendel. | BulSocFrancMcol | 2 | 9 | 162-171 | ||
| | 149. | Saint-Foix, Georges de | Muzio Clementi. | BulSocFrancMcol | 1 | 3 | 149-161 | ||
| | 150. | Saint Lambert, Michel de | Les Principes du Clavecin. Contenant une Explication exacte de tout ce qui concerne la Tablature & le Clavier. | 68p | |||||
| | 151. | Saint Lambert, Michel de | Nouveau traité de l'accompagnement du clavecin, de l'orgue et des autres instruments. | 64p | |||||
| | 152. | Schiltz, Katelijne; De Mey, Peter | Sacrale muziek als voertuig van religieuze ervaring: Het thema 'dood en opstanding' in de muziekgeschiedenis. | 229-255 | |||||
| | 153. | Schiltz, Katelijne; De Mey, Peter | The composer as interpreter of the Easter Creed: The music and texts of Bach, Brahms, and Britten. | 865-892 | |||||
| | 154. | Scholz, Dieter David | Kulturstadt-Gehabe. Die Berliner Bach-Tage 1988. | NZsfM(2) | 149 | 10 | 43-44 | ||
| | 155. | S. de Lange jr. Mede-oprichter der Bachvereeniging | Een antwoord aan Fantasio in zake de Bachvereeniging. | Caecilia | 28 | 15 | 134 | ||
| | 156. | Selva, Blanche; D'Indy, Vincent (eds.) | Le Clavecin bien tempéré / J. S. Bach. | EdFrancMClassique | 69 | 125p | |||
| | 157. | Sharp, Michael Durward | Relationships among model performances and performances by piano majors: Articulation and dynamics in selected Bach fugal excerpts. | diss | 176p | ||||
| | 158. | Slade, Daracott (arr.) | Fantasie und Fuge (G moll) für Orgel von J. S. Bach. Für zwei Pianoforte | 22p | |||||
| | 159. | Smoje, Dujka | Colors of Bach's music: Farbsymphonien in Jakob Weder's painting. | MusicArt | 29 | 1-2 | 265-272 | ||
| | 160. | St. Foix, Georges de | A proposito dello scritto: TORREFRANCA. La fortuna di Ph. E. Bach nell'ottocento. | RivistaMItali | 26 | 2 | 332-337 | ||
| | 161. | Suys, Godelieve; D'Hooghe, Kamiel | De Koraalvoorspelen uit J. S. Bach's 'Orgelbüchlein'. | Praestant | 5 | 81-83 | |||
| | 162. | Swale, David | Bach's Fugue after Legrenzi. | MTimes | 126 | 1713 | 687, 689 | ||
| | 163. | Swert, Jules de (arr.) | Adagio a-moll von J. S. Bach | CompVcell(Swert) | 14 | ||||
| | 164. | Swert, Jules de (arr.) | Adagio: D-dur von J. S. Bach | CompVcell(Swert) | 19 | 5p | |||
| | 165. | Swert, Jules de (arr.) | Adagio: Es-dur von J. S. Bach. | CompVcell(Swert) | 21 | 5p | |||
| | 166. | Swert, Jules de (arr.) | Adagio H-moll von J. S. Bach | CompVcell(Swert) | 18 | ||||
| | 167. | Swert, Jules de (arr.) | Adagio. [in A-moll?] | ||||||
| | 168. | Swert, Jules de (arr.) | Air und II Gavotten von Joh. Seb. Bach. | CompVcell(Swert) | 1 | 5p + 1 St | |||
| | 169. | Swert, Jules de (arr.) | Allemande und Gavotten aus der 6. Violoncello-Sonate für Violoncello und Pianoforte | ||||||
| | 170. | Swert, Jules de (arr.) | Andante A-dur von J. S. Bach | CompVcell(Swert) | 16 | ||||
| | 171. | Swert, Jules de (arr.) | Andante [A-moll.] | ||||||
| | 172. | Swert, Jules de (arr.) | Andante D-dur von J. S. Bach | CompVcell(Swert) | 15 | ||||
| | 173. | Swert, Jules de (arr.) | Andante du Concerto dans le style italien de J. Seb. Bach. | CompVcell(Swert) | 13 | 4p + St | |||
| | 174. | Swert, Jules de (arr.) | Andante Fis-moll von J. S. Bach | CompVcell(Swert) | 17 | ||||
| | 175. | Swert, Jules de (arr.) | Corrente, Sarabande, 2 Menuetten und Gigue (G dur) von J. S. Bach. | CompVcell(Swert) | 4 | 7p + 1 St | |||
| | 176. | Swert, Jules de (arr.) | Largo F-moll von J. S. Bach | CompVcell(Swert) | 22 | ||||
| | 177. | Swert, Jules de (arr.) | Sarabande und II Gavotten (D dur) von J. S. Bach. | CompVcell(Swert) | 8 | 3p + 1 St | |||
| | 178. | Swert, Jules de (arr.) | Sarabande und II Gavotten [recte: Minuets] (D moll) von J. S. Bach. | CompVcell(Swert) | 5 | 5p + 1 St | |||
| | 179. | Swert, Jules de (arr.) | Sarabande und II Loures (Es dur) von J. S. Bach. | CompVcell(Swert) | 7 | 5p + 1 St | |||
| | 180. | Swert, Jules de (arr.) | Sarabande und II Loures (G dur) von J. S. Bach. | CompVcell(Swert) | 6 | 5p + 1 St | |||
| | 181. | Swert, Jules de (arr.) | Siciliano C-moll von J. S. Bach | CompVcell(Swert) | 20 | ||||
| | 182. | Swert, Jules de (arr.) | Siziliano von Wilh. Friedemann Bach. | CompVcell(Swert) | 2 | 3p + 1 St | |||
| | 183. | Sölle, Dorothee | Weihnachtsoratorium. | [ce]BegegnungenMitBach | 7 | ||||
| | 184. | Weise, Dagmar (ed.) | Festschrift Joseph Schmidt-Görg zum 60. Geburtstag. | [fs]Schmidt-Görg60 | xxiv, 408p |