Type | List | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Analyzing Bach and how Bach actually wrote. A response. |
JSchenkerStud |
3 | | 2008 |
211-221 |
|
| 2. | Aspects of Unity in J. S. Bach's Partitas and Suites: An Analytical Study. Rochester, NY: University of Rochester Press, 2005. xiii, 92p. ISBN: 1-58046-202-2. (= Eastman studies in music, 33) |
EastmanStudM |
33 | | 2005 |
xiii, 92p |
|
| 3. | Bach's Partita No. 1 in Bb, BWV 825: Schenker's Unpublished Sketches with Commentary and Alternative Readings. |
MTheorySpec |
30 | 1 | Spring 2008 |
1-34 |
|
| 4. | The Origins of Harmonic Analysis. |
JMTheory |
18 | 2 | Autumn 1974 |
274-306 |
|
| 5. | The submediant as third divider: Its representation at different structural levels. In: Music theory in concept and practice. Rochester: U. of Rochester, 1997, p. 309-335 |
|
| | 1997 |
309-335 |
|
| 6. | Bach to Brahms: Essays on musical design and structure. Rochester, NY: University of Rochester, 2015. 326p. ISBN: 1-58046-515-3; 978-1-58046-515-1. (= Eastman studies in music, 122) |
EastmanStudM |
122 | | 2015 |
326p |
|
| 7. | Explorations in Schenkerian analysis. [Festschrift in memory of Edward Laufer (1938-2014)] - Rochester, NY: University of Rochester, 2016. xii, 359p. ISBN: 978-1-58046-559-5; 1-58046-559-5. (= Eastman studies in music, 136) |
EastmanStudM |
136 | | 2016 |
xii, 359p |
|
| 8. | The True Principles for the Practice of Harmony by Johann Philip Kirnberger. |
JMTheory |
23 | 2 | Autumn 1979 |
163-226 |
|