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| Type | List | Author | Title [further info  ] | Series | Vol | No | Year | Pages | Status |
|---|---|---|---|---|---|---|---|---|---|
 | 1. | Atr. | Herrn Professor Gellerts geistliche Oden und Lieder mit Melodien, nebst einem Anhange zwölf geistlicher Oden und Lieder, von C. P. E. Bach. Fünfte Auflage. Leipzig, bei Breitkopf, 1784. 74 Seiten Querfolio ohne Titel und Vorrede. | AllgDBib | 66 | 2 | 427 | ||
 | 2. | Bemmann, Katrin (ed.) | 82. Bachfest der Neuen Bachgesellschaft ; Freiberg/Sa. 20. bis 30. September 2007 in Verbindung mit den 17. Gottfried Silbermann-Tagen ; Silbermanns Orgeln und Bachs Musik. [Silbermanns Orgeln und Bachs Musik] Programm. | Bachfest | 82 | [Freiberg] | 207p | ||
| | 3. | Bemmann, Katrin | Die katholische Kirchenmusik Johann Gottlieb Naumanns (1741-1801). Ein Beitrag zur Überlieferungs- und Rezeptionsgeschichte. | SchrRStMw | 13 | 511p | |||
 | 4. | Bemmann, Katrin | Instrumentales Repertoire der Hofkirche im Schrank II. Werke und Schreiber. | [p]Dresden | |||||
| | 5. | Bick, Martina; Borchard, Beatrix; Hottmann, Katharina; Warnke, Krista (eds.) | Modell Maria: Beiträge der Vortragsreihen Gender Studies 2004 - 2006 an der Hochschule für Musik und Theater Hamburg. | 265p | |||||
 | 6. | Bogdan, Izabela; Miernikiewicz, Patryk | 'Confessio fidei Bachiana'. Religious Experience of God in the Works of Johann Sebastian Bach. | CompostelaPrize | 2 | 205-215 | |||
| | 7. | Borchard, Beatrix | Einschreiben in eine männliche Genealogie? Überlegungen zur Bach-Rezeption Fanny Hensels. | BeitrGesBachRezeption | 1 | 59-76 | |||
| | 8. | Borchard, Beatrix | Zur Bach-Rezeption Fanny Hensels. | [p]IK_Leipzig | |||||
| | 9. | Borchard, Beatrix; Back, Regina; Treydte, Elisabeth; Wenzel, Silke (eds.) | Musik(vermittlung) und Gender(forschung) im Internet: Perspektiven einer anderen Musikgeschichtsschreibung. | StMaterMw | 92 | vi, 256p | |||
| | 10. | Borchard, Beatrix; Schwarz-Danuser, Monika (eds.) | Fanny Hensel geb. Mendelssohn Bartholdy: Komponieren zwischen Geselligkeitsideal und romantischer Musikästhetik. | MPSchRWissF | xxv, 341p | ||||
| | 11. | Bödeker, Hans Erich; Veit, Patrice; Werner, Michael (eds.) | Organisateurs et formes d'organisation du concert en Europe 1700-1920: Institutionnalisation et pratiques. | MLifeEurope1600-1900 | 11 | xv, 357p | |||
| | 12. | Calais, Patrick | Bach en concert: Essai sur les 'Variations Goldberg'. | 100p | |||||
 | 13. | Cseszko, Ferenc Patrick | A Comparative Study of Joseph Szigeti's 1931, Arthur Grumiaux's 1960, and Sergiu Luca's 1983 Recordings of Johann Sebastian Bach's Sonata #1 in G Minor for Solo Violin. | diss. | ii, 81p | ||||
| | 14. | Deurzen, Patrick van | Rabelais in het land van Descartes. | MensMelodie | 51 | 474-478 | |||
| | 15. | Devine, Patrick F.; White, Harry (eds.) | The Maynooth International Musicological Conference 1995. Selected Proceedings: Part One. | IrishMStud | 4 | 444p | |||
| | 16. | Devine, Patrick F.; White, Harry (eds.) | The Maynooth International Musicological Conference 1995. Selected Proceedings: Part Two. | IrishMStud | 5 | 409p | |||
| | 17. | Dinslage, Patrick | Anspruch und Anpassung: Zur ersten Klaviersonate für Kenner und Liebhaber Wq 55,1 von Carl Philipp Emanuel Bach. | [ce]CPEB_BeitrLW | 81-95 | ||||
| | 18. | Dinslage, Patrick | Anspruch und Anpassung: Zur ersten Klaviersonate für Kenner und Liebhaber Wq 55,1 von Carl Philipp Emanuel Bach. | StAI | 38 | 36-50 | |||
| | 19. | Dinslage, Patrick | Edvard Griegs Jugendwerke im Spiegel seiner Leipziger Studienjahre Patrick Dinslage. | SvenskTidskrMf | 78 | 25-50 | |||
| | 20. | Diprose, Mike; Frankowski, Patryk | Historically Informed Performance practice of Bach music from organological perspective | [p]BNUK_Warsaw | |||||
| | 21. | Duke, Patricia Beryl | Foundations of early music in Melbourne: Leonard Fullard and other pioneers. | diss. | xii, 454p | ||||
| | 22. | Eberl, Katrin | Die Orgelchoräle Friedrich Wilhelm Zachows. | HändelJb | 51 | 45-58 | |||
 | 23. | Erdely, Beatrice (ed.) | J. C. Bach and F. P. Ricci. Introduction to the Piano: Method or Collection of Elementary Studies for the Forte-Piano or Harpsichord. | 4 vols | |||||
| | 24. | Fallows-Hammond, Patricia | Three Hundred Years at the Keyboard: A Piano Source Book from Bach to the Moderns. Historical background, composers, styles, compositions, national schools. | 302p | |||||
| | 25. | Fitzpatrick, Horace | The Horn and Horn-Playing and the Austro-Bohemian Tradition from 1680-1830. | xiv, 256p | |||||
| | 26. | Fitzpatrick, Horace | The Valveless Horn in Modern Performance of Eighteenth-Century Music. | ProceedRMA | 91 | 45-60 | |||
| | 27. | Fitzpatrick, Horace | The Waldhorn and its association in Bach's time. | RMAResChronicle | 3 | 51-54 | |||
| | 28. | Fitzpatrick, Michael | Models and music theory: Reconsidering David Lewin's graph of the 3-2 Cohn cycle. | MTheoryOnline | 17 | 1 | |||
| | 29. | Flint de Medicis, Catrina | Nationalism and early music at the French fin de siècle: Three case studies. | 19cMReview | 1 | 2 | 43-66 | ||
| | 30. | Flint de Médicis, Catrina | The Schola Cantorum, early music and French political culture, from 1894 to 1914. | diss. | 365p | ||||
| | 31. | Ganz, Beatrice | Problems of Articulation in Baroque Keyboard Music (At the Piano or Organ). | Bach | 7 | 2 | 3-13 | ||
| | 32. | Ganz, Beatrice | Von den geschleiften und den gestoßenen Tönen in der Claviermusik des 18. Jahrhunderts. | SchweizerischeMzMpädagBl | 114 | 4 | 205-214 | ||
| | 33. | Grahl, Patrick | Felix Mendelssohn Bartholdy (1809-1847). Denkmäler des Komponisten in der Stadt Leipzig. | ThomanerJ | 2 | 20-21 | |||
| | 34. | Grahl, Patrick | Günther Ramin (1898-1956), Ausnahmemusiker in der Nachfolge Bachs | ThomanerJ | 4 | 16-17 | |||
| | 35. | Grahl, Patrick | Hans-Joachim Rotzsch (* 1929). Freiheit der Kunst stößt an politische Grenzen | ThomanerJ | 3 | 16-18 | |||
| | 36. | Grahl, Patrick | Max Reger (1873-1916). Kein Komponist des Entweder-Oder. | ThomanerJ | 3 | 18-19 | |||
| | 37. | Grahl, Patrick | Wilhelm Rust (1822-1892). Ein Musiker-Leben für die Leipziger Thomaskirche. | ThomanerJ | 1 | 16-17 | |||
 | 38. | Grimsted, Patricia Kennedy | Bach Is Back in Berlin: The Return of the Sing-Akademie Archive from Ukraine in the Context of Displaced Cultural Treasures and Restitution Politics. | ||||||
| | 39. | Grimsted, Patricia Kennedy | Bach is back in Berlin: The return of the Sing-Akademie Archive from Ukraine in the context of displaced cultural treasures and restitution politics. | SpoilsWar | 8 | 67-104 | |||
| | 40. | Grimsted, Patricia Kennedy | Bach Scores in Kyiv: The Long-Lost Music Archive of the Berlin Sing-Akademie Surfaces in Ukraine. | ||||||
| | 41. | Grimsted, Patricia Kennedy | Bach scores in Kyiv: The long-lost music archive of the Berlin Sing-Akademie surfaces in Ukraine. | SpoilsWar | 7 | 22-35 | |||
| | 42. | Harper, Patricia L. | Bach's Chamber Music for Flute: An Expressive Breakthrough. | FlutistQ | 27 | 1 | 32-49 | ||
| | 43. | Harper, Patricia L. | Bach's Chamber Music for Flute: An Expressive Breakthrough, addenda. | FlutistQ | 28 | 3 | 20 | ||
 | 44. | Hehmann, Patrick | Quoniam tu solus sanctus. Portrait zum Satz aus der H-Moll Messe Johann Sebastian Bachs. Hausarbeit. | 13p | |||||
| | 45. | Hehmann, Patrick | Quoniam tu solus sanctus. Portrait zum Satz aus der H-Moll Messe Johann Sebastian Bachs. Studienarbeit. | 36p | |||||
| | 46. | Hopkins, Edwina Patricia | The Use of Pedal in J. S. Bach's French Suites, English Suites, and Partitas: a General Guide to Pedalling in the Keyboard Music. | diss. | 86p | ||||
| | 47. | Hulle, Beatrijs Van | Muziek en maatschappij - Een cultuurhistorische reis 'In de voetsporen van Johann Sebastian Bach' | Adem | 39 | 3 | 137-143 | ||
| | 48. | Kast, Patrick | Die Musikanschauung Friedrich Rochlitz': Basis für Felix Mendelssohn Bartholdys Erfolge in Leipzig. | MendelssohnSt | 12 | 187-204 | |||
| | 49. | Kast, Patrick | Mendelssohns schwierige freundschaftliche Verhältnisse. | KoblenzMendelssohnTage | Vort 5 | 93-116 | |||
| | 50. | Kavanaugh, Patrick | Bachov duhovni svet. | CerkveniGlasbenik | 88 | 4-6 | 28-31 | ||
| | 51. | Kazarow, Patricia | Aus tiefer Not: Martin Luther's Psalmhymn. | Diapason | 74 | 11:888 | 8-12 | ||
| | 52. | Kirkpatrick, Gavin | Bach's chorus: an appreciation. | EarlyM | 27 | 1 | 173 | ||
| | 53. | Kirkpatrick, Meredith (ed.) | Reflections of an American harpsichordist: Unpublished memoirs, essays, and lectures of Ralph Kirkpatrick. | EastmanStudM | 140 | x, 199p | |||
| | 54. | Kirkpatrick, Ralph | Bach and keyboard instruments. | EastmanStudM | 140 | 121-129 | |||
| | 55. | Kirkpatrick, Ralph | Bach and Mozart for violin and harpsichord (ca. 1944) | EastmanStudM | 140 | 110-142 | |||
| | 56. | Kirkpatrick, Ralph | C.P.E. Bach's Versuch reconsidered. | EarlyM | 4 | 4 | 384-392 | ||
| | 57. | Kirkpatrick, Ralph | Domenico Scarlatti | xix, 473p | |||||
| | 58. | Kirkpatrick, Ralph | Fifty Years of Harpsichord Playing. | EarlyM | 11 | 1 | 31-41 | ||
| | 59. | Kirkpatrick, Ralph | Interpreting Bach's Well-tempered Clavier. A Performer's Discourse of Method. | 132p | |||||
| | 60. | Kirkpatrick, Ralph | Ispolnenie bahovskogo Horošo temperirovannogo klavira. | [ce]KakIspolnjatBaha | 164-173 | ||||
| | 61. | Kirkpatrick, Ralph (ed.) | Keyboard Practice consisting of an Aria with thirty variations for the harpsichord with 2 Manuals Prepared for the Enjoyment of Music-Lovers by Johann Sebastian Bach. | xxviii, 83 p | |||||
| | 62. | Kirkpatrick, Ralph | 'Le clavier bien tempéré' de Johann Sebastian Bach. | 192p | |||||
| | 63. | Kirkpatrick, Ralph | On editing Bach's Goldberg variations: For Arthur Mendel (March 31, 1973) | EastmanStudM | 140 | 99-101 | |||
| | 64. | Kirkpatrick, Ralph | On playing the Clavichord. | EarlyM | 9 | 3 | 293-305 | ||
| | 65. | Kirkpatrick, Ralph | The Goldberg Variations. | EnglishBachFestival(Oxford) | 50-51 | ||||
| | 66. | Kirkpatrick, Ralph (ed.) | The Goldberg variations: piano or harpsichord / J. S. Bach. | SchirmerLib | 1980 | xxviii, 83p | |||
| | 67. | Krahe, Kristin R. M.; Reyersbach, Katrin; Synofzik, Thomas (eds.) | Robert und Clara Schumann im Briefwechsel mit der Familie Mendelssohn. | SchumannBriefEd | 2 | 1 | 517p | ||
| | 68. | Lang, Patrick | Cuando Bach estaba pasado de moda. | Quodlibet(Palacio) | 16 | 52-59 | |||
| | 69. | Latrobe, Christian Ignatius (ed.) | Selection of sacred music from the works of some of the most eminent Composers of Germany and Italy: the vocal parts in score, the instrumental adapted to the Piano Forte. | ||||||
| | 70. | Le Roux, Frances H.; Bouic, Patrick J.D.; Bester, Maria M. | The Effect of Bach's Magnificat on Emotions, Immune, and Endocrine Paramaters During Physiotherapy Treatment of Patients with Infectious Lung Conditions. | JMTherapy | 44 | 2 | 156-168 | ||
| | 71. | Loeser, Annekatrin | Annäherung an Rezeptionsvorgänge. Aspekte der Bach-Rezeption Robert Schumanns. | diss. | 103p | ||||
| | 72. | Lozano, Beatriz | El 'London Bach'. | Sinfonica | 14 | 166 | 7 | ||
| | 73. | Marr, Andrew; Haim, Emmanuelle; Greer, Germaine; Quatro, Suzi; Bostridge, Ian; Motion, Andrew; Mitchell, Katie | So what's so good about Bach then? | Guardian | 14-15 | ||||
| | 74. | McCarty, Patricia | User Friendly Baroque Ornamentation: Five Leading Baroque Performers Clarify Viola Literature. | AmerStringTeacher | 47 | 1 | 43-52 | ||
| | 75. | Metzler, Patrizia | Aria forms and chorus textures in Bach's early cantatas: The influences of Neumeister, Telemann, and Rosenmueller. | diss. | 194p | ||||
| | 76. | M¹dry, Alina; Frankowski, Patryk | Perneckher's Harmonia pastorella and C.P.E. Bach's trio in F: A rare example of compositions for concertato bass recorder. | McolBrunensia | 47 | 1 | 189-197 | ||
| | 77. | Oliveira, Katya Beatriz de | José Rodrigues Domingues de Meireles, Leonardo Vinci, Johann Christian Bach: Por uma interpretação vocal. | CadernosColoquio | 9 | 1 | |||
| | 78. | Parncutt, Richard; Kessler, Annekatrin; Zimmer, Fränk (eds.) | CIM04. Conference on Interdisciplinary Musicology. Abstracts. Graz/Austria, 15-18 April 2004. | [cr]CIM04_Graz | 27, 144, 5p | ||||
| | 79. | Patroclus | To Adelina Patti [Fugal entry with a tonal answer from Bach (Rossini Villa, May 24, 186---)] | MWorld | 59 | 22 | 336 | ||
| | 80. | Peire, Patrick | De koperblazers in de cantates en oratoria van J.S. Bach. | Adem | 21 | 1 | 30-33 | ||
| | 81. | Peire, Patrick | Dirigeren en repeteren in Bachs tijd. | Adem | 21 | 3 | 145-148 | ||
| | 82. | Peire, Patrick | Fluit en hobo in de vocaal-instrumentale composities van J. S. Bach. | Adem | 16 | 3 | 109-112 | ||
| | 83. | Redrow, Sean Patrick | The 'Livre d'Orgue' of Nicolas de Grigny and the 'Livre' copies of J.S. Bach and J.G. Walther--A performing edition with critical commentary. | diss. | 276p | ||||
| | 84. | Reese, Patricia | In memoriam Wilhelm Friedemann Bach. | HändelHausMt | 2 | 54f | |||
| | 85. | Rosa, Patricia Bretas de Oliveira Sa | Max Reger: Variationen und Fuge über ein Thema von Johann S. Bach für Klavier op. 81--Ensaio interpretativo. | diss. | 220p | ||||
| | 86. | Schmidinger, Katrin | Anmerkungen zu den Klavierkompositionen im ersteigerten 'Reisealbum Deutschland - Italien 1839/40' von Fanny Hensel. | Mf | 53 | 4 | 451-453 | ||
| | 87. | Seidel, Katrin | 'Hier muss Bach draufstehen!' Das 'Neue Bachische Collegium Musicum' ist vor kurzem 25 Jahre alt geworden ... | GewandhausMag | 43 | 14-19 | |||
| | 88. | Stearns, David Patrick | Writing the book on Bach. | OperaNews | 79 | 1 | 24-27 | ||
| | 89. | Steer, Patricia (ed.) | XVI. Internationaler Johann-Sebastian-Bach-Wettbewerb Leipzig 08.-19. Juli 2008; Orgel, Gesang, Violoncello/Barockvioloncello. | 125p | |||||
| | 90. | Stöck, Gilbert; Stöck, Katrin; Föllmer, Golo (eds.) | Facta musicologica: Musikgeschichten zwischen Vision und Wahrheit: Festschrift für Wolfgang Ruf zum 60. Geburtstag. | [fs]Ruf60 | 307p | ||||
| | 91. | Thomson, Beatrice Leslie | Four Musicians. Sketches of Handel, Bach, Haydn, Mozart. | 124p | |||||
| | 92. | Tishkoff, Doris Patricia | Sensibility in the eighteenth century as seen in the fantasias from the Für Kenner und Liebhaber of Carl Philipp Emanuel Bach. | diss. | 193p | ||||
| | 93. | Veit, Patrice | Bach à Berlin en 1829: une 'redécouverte'? | Annales | 62 | 6 | 1347-1388 | ||
| | 94. | Veit, Patrice | '... daheime seine Zeit mit singen, mit beten und lesen zugebracht': Über den Umgang mit Kirchenliedern im außergottesdienstlichen Kontext. | [cr]Stuttgart1995 | 329-335 | ||||
| | 95. | Veit, Patrice | Das Kirchenlied in der Reformation Martin Luthers. Eine thematische und semantische Untersuchung. | ix, 224p | |||||
| | 96. | Veit, Patrice | Musique et cantiques protestants. | 290-315 | |||||
| | 97. | Vett, Patrice | Gottes Bild und Bild des Menschen in den Liedern Luthers: Untersuchungen zur religiösen Sensibilität. | WolfenbüttelF | 31 | 7-24 | |||
| | 98. | Williams, Patrick (arr.) | Air: (better known as the Air on the G string) / J. S. Bach | CramersLibOrgM | 35 | 3p | |||
| | 99. | Williams, Patrick (arr.) | 'Air': My heart ever faithful (from Cantata No. 68 'God so loved the world') by J. S. Bach | CramersLibOrgM | 109 | 8p | |||
| | 100. | Williams, Patrick (arr.) | Bist du bei mir. (If Thou art near) / J. S. Bach [recte: G. H. Stölzel] | 3p | |||||
| | 101. | Williams, Patrick (arr.) | Chorale prelude from Cantata No. 140: Sleepers, wake! / J. S. Bach. | CramersLibOrgM | 37 | 9p | |||
| | 102. | Williams, Patrick (ed.) | Choral fugue on 'Alles was Odem hat' / Carl Philipp Emauel Bach. | CramersLibOrgM | 49 | 11p | |||
| | 103. | Williams, Patrick (arr.) | Final Chorus from St. Matthew Passion. 'In Tears of Grief, dear Lord, we leave Thee.' / J. S. Bach. | CramersLibOrgM | 65 | 7p | |||
| | 104. | Williams, Patrick (arr.) | J.S. Bach's organ toccata and fugue in D minor. | 19, 19p | |||||
| | 105. | Williams, Patrick (arr.) | Minuet in G / J. S. Bach. | ||||||
| | 106. | Williams, Patrick (arr.) | Minuet in G / J. S. Bach. | 7p | |||||
| | 107. | Williams, Patrick (arr.) | Minuet in G / J. S. Bach. | 13p | |||||
| | 108. | Zagrosek, Katrin | Stuttgarter Generationswechsel: Katrin Zagrosek übernahm im September 2018 die geschäftsführende Intendanz der Internationale Bachakademie Stuttgart. | BachMag | 32 | 24-25 |