Bach Bibliography
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1. Atr.Herrn Professor Gellerts geistliche Oden und Lieder mit Melodien, nebst einem Anhange zwölf geistlicher Oden und Lieder, von C. P. E. Bach. Fünfte Auflage. Leipzig, bei Breitkopf, 1784. 74 Seiten Querfolio ohne Titel und Vorrede. Kurze Nachrichten. 5. Schöne Künste. Musik. AllgDBib 66 2 1786 427
2. AtrJohann Sebastian Bachs vierstimmige Choralgesänge. Zweyter Theil. Leipzig, bey J. G. J. Breitkopf. 1785. 108 S. k. Fol. Kurze Nachrichten. 4. Schöne Künste. Musik. AllgDBib 72 2 1787 389
3. Bemmann, Katrin (ed.)82. Bachfest der Neuen Bachgesellschaft ; Freiberg/Sa. 20. bis 30. September 2007 in Verbindung mit den 17. Gottfried Silbermann-Tagen ; Silbermanns Orgeln und Bachs Musik. [Silbermanns Orgeln und Bachs Musik] Programm. Freiberg, 2007. 207p. Bachfest 82 [Freiberg] 2007 207p
4. Bemmann, KatrinDie katholische Kirchenmusik Johann Gottlieb Naumanns (1741-1801). Ein Beitrag zur Überlieferungs- und Rezeptionsgeschichte. Hamburg: Kovac, 2008. 511p. ISBN: 978-3-8300-3614-2. (= Schriftenreihe Studien zur Musikwissenschaft, 13) SchrRStMw 13 2008 511p
5. Bemmann, KatrinInstrumentales Repertoire der Hofkirche im Schrank II. Werke und Schreiber. A paper read at the colloquium 'Das Instrumentalrepertoire der Dresdner Hofkapelle in den ersten beiden Dritteln des 18. Jahrhunderts – Überlieferung und Notisten' held at Sächsische Landesbibliothek - Staats- und Universitätsbibliothek, Dresden, 23-25 June 2010. [p]Dresden Jun 2010
6. Bick, Martina; Borchard, Beatrix; Hottmann, Katharina; Warnke, Krista (eds.)Modell Maria: Beiträge der Vortragsreihen Gender Studies 2004 - 2006 an der Hochschule für Musik und Theater Hamburg. Hrsg. von Martina Bick, Beatrix Borchard, Katharina Hottmann und Krista Warnke. - Hamburg: von Bockel, 2007. 265p. ISBN: 3-932696-66-2, 978-3-932696-66-4. (= Eine Veröffentlichung der Hochschule für Musik und Theater Hamburg) 2007 265p
7. Bogdan, Izabela; Miernikiewicz, Patryk'Confessio fidei Bachiana'. Religious Experience of God in the Works of Johann Sebastian Bach. CompostelaPrize 2 2002 205-215 [cr]Regensburg2000
8. Borchard, BeatrixEinschreiben in eine männliche Genealogie? Überlegungen zur Bach-Rezeption Fanny Hensels. BeitrGesBachRezeption 1 2007 59-76 [cr]IK_Leipzig2005
9. Borchard, BeatrixZur Bach-Rezeption Fanny Hensels. 'Zu groß, zu unerreichbar' - Bach-Rezeption im Zeitalter Mendelssohns und Schumanns. Internationales Kolloquium Leipzig 3.-5. November 2005 [p]IK_Leipzig Nov 2005
10. Borchard, Beatrix; Back, Regina; Treydte, Elisabeth; Wenzel, Silke (eds.)Musik(vermittlung) und Gender(forschung) im Internet: Perspektiven einer anderen Musikgeschichtsschreibung. Hrsg. von Beatrix Borchard, Regina Back und Elisabeth Treydte unter redaktioneller Mitarbeit von Silke Wenzel. - Hildesheim, Zürich, New York: Georg Olms Verlag, 2016. vi, 256p. ISBN 978-3-487-15405-3. (= Studien und Materialien zur Musikwissenschaft, 92) StMaterMw 92 2016 vi, 256p
11. Borchard, Beatrix; Schwarz-Danuser, Monika (eds.)Fanny Hensel geb. Mendelssohn Bartholdy: Komponieren zwischen Geselligkeitsideal und romantischer Musikästhetik. [Internationales Symposion (Berlin): 1997.11.28-30] Stuttgart: Metzler, 1999. xxv, 341p. ISBN: 3-476-45204-2. (= M-&-P-Schriftenreihe für Wissenschaft und Forschung: Philosophie). - 2. überarb. Aufl. Kassel: Furore, 2002. xxv,341p. ISBN: 3-927327-54-9. (= Furore Edition, 811) MPSchRWissF 1999 xxv, 341p [cr]Berlin1997
12. Bödeker, Hans Erich; Veit, Patrice; Werner, Michael (eds.)Organisateurs et formes d'organisation du concert en Europe 1700-1920: Institutionnalisation et pratiques. Berlin: BWV Berliner Wissenschafts-Verlag, 2008. xv, 357p. ISBN: 978-3-83051-551-7. (= Musical life in Europe 1600-1900: Circulation, institutions, representation; No. 11) MLifeEurope1600-1900 11 2008 xv, 357p
13. Calais, PatrickBach en concert: Essai sur les 'Variations Goldberg'. Paris: L'Harmattan, 2017. 100p. ISBN: 978-2-343-12818-4; 2-343-12818-9. 2017 100p
14. Cseszko, Ferenc PatrickA Comparative Study of Joseph Szigeti's 1931, Arthur Grumiaux's 1960, and Sergiu Luca's 1983 Recordings of Johann Sebastian Bach's Sonata #1 in G Minor for Solo Violin. DMA diss. The University of Wisconsin - Madison, 2000. ii, 81p. diss. 2000 ii, 81p
15. Deurzen, Patrick vanRabelais in het land van Descartes. Op 13 december brengt het Koninklijk Concertgebouworkest een nieuw orkestwerk van Peter Jan Wagemans in premiere, De Stad en de Engel, een eendelige symfonie over de samenkomst van het heilige en het profane. Ter inleiding een gesprek met de componist waarin Wagner, Bach, Obrecht, Schnittke, 'engelenpoeder' en muzikale archetypen een belangrijke rol spelen. 'Het muzikale archetype is een soort negentiende-eeuwse variant van de barokke affectenleer, maar dan diffuser en minder schematisch uitgewerkt' MensMelodie 51 Nov-Dec 1996 474-478
16. Devine, Patrick F.; White, Harry (eds.)The Maynooth International Musicological Conference 1995. Selected Proceedings: Part One. Dublin: Four Courts Press, 1996. 444p. (= Irish Musical Studies, 4) IrishMStud 4 1996 444p
17. Devine, Patrick F.; White, Harry (eds.)The Maynooth International Musicological Conference 1995. Selected Proceedings: Part Two. Dublin: Four Courts Press, 1996. 409p (= Irish Musical Studies, 5) IrishMStud 5 1996 409p
18. Dinslage, PatrickAnspruch und Anpassung: Zur ersten Klaviersonate für Kenner und Liebhaber Wq 55,1 von Carl Philipp Emanuel Bach. [ce]CPEB_BeitrLW 1993 81-95
19. Dinslage, PatrickAnspruch und Anpassung: Zur ersten Klaviersonate für Kenner und Liebhaber Wq 55,1 von Carl Philipp Emanuel Bach. StAI 38 1989 36-50
20. Dinslage, PatrickEdvard Griegs Jugendwerke im Spiegel seiner Leipziger Studienjahre Patrick Dinslage. SvenskTidskrMf 78 1996 25-50
21. Diprose, Mike; Frankowski, PatrykHistorically Informed Performance practice of Bach music from organological perspective A paper read at the dialogue session 'Historically Informed Performance practice of Bach's music from organological perspective' presented at the Sixth J. S. Bach Dialogue Meeting at University of Warsaw, 3-7 July 2013. [p]BNUK_Warsaw Jul 2013
22. Duke, Patricia BerylFoundations of early music in Melbourne: Leonard Fullard and other pioneers. PhD thesis. University of Melbourne, Faculty of Music, 2006. xii, 454p diss. 2006 xii, 454p
23. Eberl, KatrinDie Orgelchoräle Friedrich Wilhelm Zachows. HändelJb 51 2005 45-58
24. Erdely, Beatrice (ed.)J. C. Bach and F. P. Ricci. Introduction to the Piano: Method or Collection of Elementary Studies for the Forte-Piano or Harpsichord. London: Novello (Presser), 1987. Vol. 1: Intro., 7p; method, 13p; Studies 1-25, 16p.; vol.2: Studies 26-52, 30p.; vol. 3: Studies 53-75, 31p.; vol. 4: Studies 76-100, 37p. 1987 4 vols
25. Fallows-Hammond, PatriciaThree Hundred Years at the Keyboard: A Piano Source Book from Bach to the Moderns. Historical background, composers, styles, compositions, national schools. Berkeley: Ross Books, 1984. x, 302p. ISBN: 0894960431. 1984 302p
26. Fitzpatrick, HoraceThe Horn and Horn-Playing and the Austro-Bohemian Tradition from 1680-1830. London: Oxford Univ. Press, 1970. xiv, 256p. ISBN: 0193187035. 1970 xiv, 256p
27. Fitzpatrick, HoraceThe Valveless Horn in Modern Performance of Eighteenth-Century Music. ProceedRMA 91 1964-65 45-60
28. Fitzpatrick, HoraceThe Waldhorn and its association in Bach's time. RMAResChronicle 3 1965 51-54
29. Fitzpatrick, MichaelModels and music theory: Reconsidering David Lewin's graph of the 3-2 Cohn cycle. http://www.mtosmt.org/issues/mto.11.17.1/mto.11.17.1.fitzpatrick.html [BWV 859/2 -- compared with Reed and Bain Tonnetz design] MTheoryOnline 17 1 Apr 2011
30. Flint de Medicis, CatrinaNationalism and early music at the French fin de siècle: Three case studies. 19cMReview 1 2 2004 43-66
31. Flint de Médicis, CatrinaThe Schola Cantorum, early music and French political culture, from 1894 to 1914. PhD diss., McGill University. 2007. 365p. diss. 2007 365p
32. Ganz, BeatriceProblems of Articulation in Baroque Keyboard Music (At the Piano or Organ). [A lecture in series 'Information and Experimentation' at the Basel Music Academy, January 18, 1975.] Bach 7 2 Apr 1976 3-13
33. Ganz, BeatriceVon den geschleiften und den gestoßenen Tönen in der Claviermusik des 18. Jahrhunderts. SchweizerischeMzMpädagBl 114 4 Jul-Aug 1974 205-214
34. Grahl, PatrickFelix Mendelssohn Bartholdy (1809-1847). Denkmäler des Komponisten in der Stadt Leipzig. Musiker in Leipzig. ThomanerJ 2 2009 20-21
35. Grahl, PatrickGünther Ramin (1898-1956), Ausnahmemusiker in der Nachfolge Bachs ThomanerJ 4 2010 16-17
36. Grahl, PatrickHans-Joachim Rotzsch (* 1929). Freiheit der Kunst stößt an politische Grenzen Musiker in Leipzig. ThomanerJ 3 2010 16-18
37. Grahl, PatrickMax Reger (1873-1916). Kein Komponist des Entweder-Oder. Musiker in Leipzig. ThomanerJ 3 2010 18-19
38. Grahl, PatrickWilhelm Rust (1822-1892). Ein Musiker-Leben für die Leipziger Thomaskirche. ThomanerJ 1 2008 16-17
39. Grimsted, Patricia KennedyBach Is Back in Berlin: The Return of the Sing-Akademie Archive from Ukraine in the Context of Displaced Cultural Treasures and Restitution Politics. http://www.huri.harvard.edu/pdf/Grimsted_Bach_Back.pdf 2003
40. Grimsted, Patricia KennedyBach is back in Berlin: The return of the Sing-Akademie Archive from Ukraine in the context of displaced cultural treasures and restitution politics. Archival Reports. SpoilsWar 8 May 2003 67-104
41. Grimsted, Patricia KennedyBach Scores in Kyiv: The Long-Lost Music Archive of the Berlin Sing-Akademie Surfaces in Ukraine. http://www.huri.harvard.edu/workpaper/grimsted/SingAka.html 2000
42. Grimsted, Patricia KennedyBach scores in Kyiv: The long-lost music archive of the Berlin Sing-Akademie surfaces in Ukraine. SpoilsWar 7 Aug 2000 22-35
43. Harper, Patricia L.Bach's Chamber Music for Flute: An Expressive Breakthrough. FlutistQ 27 1 Fall 2001 32-49
44. Harper, Patricia L.Bach's Chamber Music for Flute: An Expressive Breakthrough, addenda. FlutistQ 28 3 Spring 2003 20
45. Hehmann, PatrickQuoniam tu solus sanctus. Portrait zum Satz aus der H-Moll Messe Johann Sebastian Bachs. Hausarbeit. München: GRIN Verlag, 2005, 13p. ISBN-10: 3638520021. 2005 13p
46. Hehmann, PatrickQuoniam tu solus sanctus. Portrait zum Satz aus der H-Moll Messe Johann Sebastian Bachs. Studienarbeit. München: Grin Verlag, 2007. 36p. ISBN-10: 3638802558; ISBN-13: 978-3638802550 2007 36p
47. Hopkins, Edwina PatriciaThe Use of Pedal in J. S. Bach's French Suites, English Suites, and Partitas: a General Guide to Pedalling in the Keyboard Music. DMA diss., Ohio State University Press, 1980. 86p. diss. 1980 86p
48. Hulle, Beatrijs VanMuziek en maatschappij - Een cultuurhistorische reis 'In de voetsporen van Johann Sebastian Bach' Adem 39 3 2003 137-143
49. Kast, PatrickDie Musikanschauung Friedrich Rochlitz': Basis für Felix Mendelssohn Bartholdys Erfolge in Leipzig. MendelssohnSt 12 2001 187-204
50. Kast, PatrickMendelssohns schwierige freundschaftliche Verhältnisse. [Bach viewed by A.B. Marx and Mendelssohn] KoblenzMendelssohnTage Vort 5 2006 93-116
51. Kavanaugh, PatrickBachov duhovni svet. [Bach's spiritual world] Trans. by Oven, Matjaz CerkveniGlasbenik 88 4-6 1995 28-31
52. Kazarow, PatriciaAus tiefer Not: Martin Luther's Psalmhymn. Diapason 74 11:888 Nov 1983 8-12
53. Kirkpatrick, GavinBach's chorus: an appreciation. Correspondence. EarlyM 27 1 Feb 1999 173
54. Kirkpatrick, Meredith (ed.)Reflections of an American harpsichordist: Unpublished memoirs, essays, and lectures of Ralph Kirkpatrick. Rochester, NY: University of Rochester, 2017. x, 199p. ISBN:978-1-58046-591-5. EastmanStudM 140 2016 x, 199p
55. Kirkpatrick, RalphBach and keyboard instruments. EastmanStudM 140 2017 121-129
56. Kirkpatrick, RalphBach and Mozart for violin and harpsichord (ca. 1944) EastmanStudM 140 2017 110-142
57. Kirkpatrick, RalphC.P.E. Bach's Versuch reconsidered. Errata in EarlyM v/1 (1977), p.129. EarlyM 4 4 Oct 1976 384-392
58. Kirkpatrick, RalphDomenico Scarlatti by Ralph Kirkpatrick. - Princeton: Princeton University Press, 1953. xix, 473p; 4th print, 1965 (R/1970). xviii, 482p, 37 plates; paperback repr. 1983. xviii, 491p with 34p. of plates ['Additions and corrections, November 1982': p. 465-477]. ISBN: 0691091013; ISBN: 0691027080 (pbk). 1953 xix, 473p
59. Kirkpatrick, RalphFifty Years of Harpsichord Playing. EarlyM 11 1 Jan 1983 31-41
60. Kirkpatrick, RalphInterpreting Bach's Well-tempered Clavier. A Performer's Discourse of Method. New Haven; London: Yale Univ. Press, 1984, xvii, 132p. 1984 132p
61. Kirkpatrick, RalphIspolnenie bahovskogo Horošo temperirovannogo klavira. [Interpreting Bach;s Das wohltemperirte Clavier] Trans. Marina Sergeevna Tolstobrova. [ce]KakIspolnjatBaha 2006 164-173
62. Kirkpatrick, Ralph (ed.)Keyboard Practice consisting of an Aria with thirty variations for the harpsichord with 2 Manuals Prepared for the Enjoyment of Music-Lovers by Johann Sebastian Bach. Edited for the harpsichord or piano by Ralph Kirkpatrick. - New York; London: G. Schirmer, 1938. xxviii, 83p. Best.-Nr.: Ed. 1614. Pl.-Nr. 37149. [Cover title: Johann Sebastian Bach: The 'Goldberg' Variations. Edited for the harpsichord, or piano by Ralph Kirkpatrick] [BWV 988] 1938 xxviii, 83 p
63. Kirkpatrick, Ralph'Le clavier bien tempéré' de Johann Sebastian Bach. Trans. by Dennis Collins. Paris: Lattès, 1984. 192p. (= Musiques et musiciens) 1984 192p
64. Kirkpatrick, RalphOn editing Bach's Goldberg variations: For Arthur Mendel (March 31, 1973) EastmanStudM 140 2017 99-101
65. Kirkpatrick, RalphOn playing the Clavichord. EarlyM 9 3 Jul 1981 293-305
66. Kirkpatrick, RalphThe Goldberg Variations. EnglishBachFestival(Oxford) 1963 50-51
67. Kirkpatrick, Ralph (ed.)The Goldberg variations: piano or harpsichord / J. S. Bach. [Edited by Ralph] Kirkpatrick. - New York: G. Schirmer ; Milwaukee, Wis.: Distributed by H. Leonard, [1993], c1938, xxviii, 83p. (= Schirmer's library of musical classics, 1980) [BWV 988] SchirmerLib 1980 1993 xxviii, 83p
68. Krahe, Kristin R. M.; Reyersbach, Katrin; Synofzik, Thomas (eds.)Robert und Clara Schumann im Briefwechsel mit der Familie Mendelssohn. Hrsg. vom Robert-Schumann-Haus Zwickau (et al). - Köln: Dohr, 2009. 517p. - ISBN: 978-3-86846-012-4. (= Schumann-Briefedition; Ser. 2: Freundes- und Künstlerbriefwechsel, 1) SchumannBriefEd 2 1 2009 517p
69. Lang, PatrickCuando Bach estaba pasado de moda. [When Bach was back in style] Quodlibet(Palacio) 16 Spring 2015 52-59
70. Latrobe, Christian Ignatius (ed.)Selection of sacred music from the works of some of the most eminent Composers of Germany and Italy: the vocal parts in score, the instrumental adapted to the Piano Forte. London: Printed & sold by Robert Birchall, 1806[-1826]. 6 vols. [v.1, p.2 = Bach] 1806-1826
71. Le Roux, Frances H.; Bouic, Patrick J.D.; Bester, Maria M.The Effect of Bach's Magnificat on Emotions, Immune, and Endocrine Paramaters During Physiotherapy Treatment of Patients with Infectious Lung Conditions. JMTherapy 44 2 2007 156-168
72. Loeser, AnnekatrinAnnäherung an Rezeptionsvorgänge. Aspekte der Bach-Rezeption Robert Schumanns. PhD diss., Berlin: Humboldt-Universität, 1986. 103p diss. 1986 103p
73. Lozano, BeatrizEl 'London Bach'. Sinfonica 14 166 Nov 2008 7
74. Marr, Andrew; Haim, Emmanuelle; Greer, Germaine; Quatro, Suzi; Bostridge, Ian; Motion, Andrew; Mitchell, KatieSo what's so good about Bach then? For some it is the mathematical precision of his compositions. For others it is the passionate cry of his soul infusing the music. Here, some famous fans say why they love JSB. Guardian 12 Dec 2005 14-15 section G2.
75. McCarty, PatriciaUser Friendly Baroque Ornamentation: Five Leading Baroque Performers Clarify Viola Literature. AmerStringTeacher 47 1 Winter 1997 43-52
76. Metzler, PatriziaAria forms and chorus textures in Bach's early cantatas: The influences of Neumeister, Telemann, and Rosenmueller. DMA diss., University of Illinois, Urbana-Champaign, 2007. 194p. Ann Arbor, MI: University Microfilms International, 2007. ISBN: 978-0-549-09694-8. Dissertation No: 3269978. diss. 2007 194p
77. M¹dry, Alina; Frankowski, PatrykPerneckher's Harmonia pastorella and C.P.E. Bach's trio in F: A rare example of compositions for concertato bass recorder. McolBrunensia 47 1 2012 189-197 Latin 2
78. Oliveira, Katya Beatriz deJosé Rodrigues Domingues de Meireles, Leonardo Vinci, Johann Christian Bach: Por uma interpretação vocal. [José Rodrigues Domingues de Meireles, Leonardo Vinci, and Johann Christian Bach: Interpretation of vocal works] http://www.seer.unirio.br/index.php/coloquio/article/view/454 CadernosColoquio 9 1 2009
79. Parncutt, Richard; Kessler, Annekatrin; Zimmer, Fränk (eds.)CIM04. Conference on Interdisciplinary Musicology. Abstracts. Graz/Austria, 15-18 April 2004. Hosted by the Department of Musicology, University of Graz. Presented by the European Society for the Cognitive Sciences of Music. Graz, 2004. 27, 144, 5p. ISBN: 3-200-00113-5 http://gewi.uni-graz.at/~cim04/doc_files/AbstractBooklet.pdf [cr]CIM04_Graz 2004 27, 144, 5p
80. PatroclusTo Adelina Patti [Fugal entry with a tonal answer from Bach (Rossini Villa, May 24, 186---)] London, Saturday, May 28, 1881. MWorld 59 22 28 May 1881 336
81. Peire, PatrickDe koperblazers in de cantates en oratoria van J.S. Bach. [Brass instruments in the cantatas and oratorios of J.S. Bach.] Adem 21 1 1985 30-33
82. Peire, PatrickDirigeren en repeteren in Bachs tijd. Adem 21 3 1985 145-148
83. Peire, PatrickFluit en hobo in de vocaal-instrumentale composities van J. S. Bach. Adem 16 3 May-Jun 1980 109-112
84. Redrow, Sean PatrickThe 'Livre d'Orgue' of Nicolas de Grigny and the 'Livre' copies of J.S. Bach and J.G. Walther--A performing edition with critical commentary. DMA diss., Boston University, 2009. 276p. - Ann Arbor, MI: University Microfilms International, 2009. ISBN: 978-1-109-00167-9; Dissertation No: 3345580. diss. 2009 276p
85. Reese, PatriciaIn memoriam Wilhelm Friedemann Bach. HändelHausMt 2 1996 54f
86. Rosa, Patricia Bretas de Oliveira SaMax Reger: Variationen und Fuge über ein Thema von Johann S. Bach für Klavier op. 81--Ensaio interpretativo. Mestrado, Performance practice: U. Federal do Rio de Janeiro, 1996. 220 p. diss. 1996 220p
87. Schmidinger, KatrinAnmerkungen zu den Klavierkompositionen im ersteigerten 'Reisealbum Deutschland - Italien 1839/40' von Fanny Hensel. Kleine Beiträge. Mf 53 4 Oct-Dec 2000 451-453
88. Seidel, Katrin'Hier muss Bach draufstehen!' Das 'Neue Bachische Collegium Musicum' ist vor kurzem 25 Jahre alt geworden ... GewandhausMag 43 2004 14-19
89. Stearns, David PatrickWriting the book on Bach. OperaNews 79 1 Jul 2014 24-27
90. Steer, Patricia (ed.)XVI. Internationaler Johann-Sebastian-Bach-Wettbewerb Leipzig 08.-19. Juli 2008; Orgel, Gesang, Violoncello/Barockvioloncello. [Bach-Archiv Leipzig, Red. Abt. Veranstaltungen, Patricia Steer ...] Leipzig: Thomas Druck, 2008. 125p 2008 125p
91. Stöck, Gilbert; Stöck, Katrin; Föllmer, Golo (eds.)Facta musicologica: Musikgeschichten zwischen Vision und Wahrheit: Festschrift für Wolfgang Ruf zum 60. Geburtstag. Würzburg: Königshausen & Neumann, 2003, 307p [fs]Ruf60 2003 307p
92. Thomson, Beatrice LeslieFour Musicians. Sketches of Handel, Bach, Haydn, Mozart. London: Sheldon Press, 1929. 124p. 1929 124p
93. Tishkoff, Doris PatriciaSensibility in the eighteenth century as seen in the fantasias from the Für Kenner und Liebhaber of Carl Philipp Emanuel Bach. PhD diss., History: Michigan State Univ., 1983. 193p. [DA 83-15516.] - Dissertation Abstracts International, Volume: 44-03, Section: A, page: 0833. diss. 1983 193p
94. Veit, PatriceBach à Berlin en 1829: une 'redécouverte'? Annales 62 6 Nov-Dec 2007 1347-1388
95. Veit, Patrice'... daheime seine Zeit mit singen, mit beten und lesen zugebracht': Über den Umgang mit Kirchenliedern im außergottesdienstlichen Kontext. [cr]Stuttgart1995 1998 329-335
96. Veit, PatriceDas Kirchenlied in der Reformation Martin Luthers. Eine thematische und semantische Untersuchung. [Vollst. zugl.: Paris, Univ., Diss., 1981 u.d.T.: Veit, Patrice: Luther et le chant] Stuttgart: Steiner, 1986. ix, 224p. ISBN: 3-515-04351-9. (= Veröffentlichungen des Instituts für Europäische Geschichte Mainz: Abteilung für Abendländische Religionsgeschichte, 120) 1986 ix, 224p
97. Veit, PatriceMusique et cantiques protestants. [Protestant music and hymn tunes.] In: Le siecle des lumieres et la Bible. edited by Yvon Belaval and Dominique Bourel. Paris: Beauchesne, 1986. (= La Bible de tous les temps, 7). - pp.290-315. 1986 290-315
98. Vett, PatriceGottes Bild und Bild des Menschen in den Liedern Luthers: Untersuchungen zur religiösen Sensibilität. WolfenbüttelF 31 1986 7-24
99. Williams, Patrick (arr.)Air: (better known as the Air on the G string) / J. S. Bach arranged for organ by Patrick Williams. - London: J. B. Cramer & Co., c1950. 3p. Pl.-Nr.: J.B.C. & Co. 15714. (= Cramer's library of organ music by British & foreign composers, no. 35) [BWV 1068/2] CramersLibOrgM 35 1950 3p
100. Williams, Patrick (arr.)'Air': My heart ever faithful (from Cantata No. 68 'God so loved the world') by J. S. Bach Arranged for the organ by Patrick Williams. - London: J. B. Cramer & Co, c1973. 8p. Pl.-Nr.: J.B.C. & Co. Ltd. 16329. (= Cramer's Library of Organ Music by British & foreign Composers, no. 109) [BWV 68/2 in F] CramersLibOrgM 109 1973 8p
101. Williams, Patrick (arr.)Bist du bei mir. (If Thou art near) / J. S. Bach [recte: G. H. Stölzel] Simple arrangement for piano by Patrick Williams. - London: Bosworth & Co, [1958] 3p. 1958 3p
102. Williams, Patrick (arr.)Chorale prelude from Cantata No. 140: Sleepers, wake! / J. S. Bach. Arranged for the organ by Patrick Williams. - London: J. B. Cramer & Co., c1951. 9p. Pl.-Nr.: J.B.C. & Co. 15741. (= Cramer's library of organ music by British & foreign composers, no. 37) [BWV 140/4] CramersLibOrgM 37 1951 9p
103. Williams, Patrick (ed.)Choral fugue on 'Alles was Odem hat' / Carl Philipp Emauel Bach. Edited by Patrick Williams. - London: J. B. Cramer, c1953. 11p. Pl.-Nr.: J.B.C. & Co Ltd 15881. CramersLibOrgM 49 1953 11p
104. Williams, Patrick (arr.)Final Chorus from St. Matthew Passion. 'In Tears of Grief, dear Lord, we leave Thee.' / J. S. Bach. Arranged for organ by Patrick Williams. - London: J. B. Cramer & Co, c1955. 2-7p. Pl.-Nr.: 15971. (= Cramer's Library of Organ Music by British & foreign Composers, no. 65) [BWV 244/68] CramersLibOrgM 65 1955 7p
105. Williams, Patrick (arr.)J.S. Bach's organ toccata and fugue in D minor. arranged for two pianos, four hands / by Patrick Williams. - London: Bosworth, c1947. 19, 19p. Pl.-Nr.: 21021. [BWV 565] 1947 19, 19p
106. Williams, Patrick (arr.)Minuet in G / J. S. Bach. In: Three classical minuets / arranged as piano duets by Patrick Williams. - London: Leonard, Gould & Bolttler, c1949. 7p. Pl.-Nr.: L.G. & B. 10066. 1949
107. Williams, Patrick (arr.)Minuet in G / J. S. Bach. In: Three classical dances: for piano / with optional second piano part composed by Patrick Williams. - London: Bosworth & Co., c1955. 7p. Pl.-Nr.: B. & Co. Ltd. 21625. 1955 7p
108. Williams, Patrick (arr.)Minuet in G / J. S. Bach. In: Three classical minuets. Set 2 / arranged as piano duets by Patrick Williams. - London: Leonard, Gould & Bolttler, c1951. 13p. Pl.-Nr.: L.G. & B. 10111. 1951 13p
109. Zagrosek, KatrinStuttgarter Generationswechsel: Katrin Zagrosek übernahm im September 2018 die geschäftsführende Intendanz der Internationale Bachakademie Stuttgart. BachMag 32 Herbst/Winter 2018 24-25 MtblNBG 83
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