Bach Bibliography
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1. A. A. A.To the editor of the 'Musical World'. MWorld 40 30 26 Jul 1862 473-474
2. A. & B.Amsterdam. Orgelconcert, gegeven door den heer Van Eyken in de Nieuwe Kerk, op vrijdag den 21. mei 1847, 's avonds te 6 ure. Caecilia 4 13 1 Jul 1847 142-143
3. Abdullina, Galina VadimovnaDesâtye Bahovskie èteniâ v Sankt-Peterburge. Musicus(Russia) 4:13 2008 66-67
4. Abravaya, IdoA French overture revisited: another look at the two versions of BWV 831. EarlyM 25 1 Feb 1997 47-58, 60-61
5. Abravaya, IdoBach's tempo practices: tempo changes. [p]BICB_Manchester Jul 2004
6. Abravaya, IdoBach's tempo practices, the tempo theories of his time -- and ours. OrbisMusicae 13 2003 81-90
7. Abravaya, IdoJ.S. Bach's wedding quodlibet, BWV 524. MinAd 13 2016 51-61
8. Abravaya, IdoOn Bach's Rhythm and Tempo. BochumArbMw 4 2006 232p
9. Abravaya, IdoStudies of Rhythm and Tempo in the Music of J. S. Bach. diss. 2000 xv, 318p
10. Abravaya, IdoThe Baroque upbeat: outline of its typology and evolution. IrishMStud 8 2004 17-28
11. Abyzova, Elena NikolaevnaNekotorye voprosy tematizma i formy skripichnyh koncertov I. S. Baha. VoprosyTM 3 1975 237-271
12. Adamus, Jan TomaszEinmaliger Orgelfund in Breslau: Orgel des Bach Zeitgenössen--Adamo Orazio Casparini mit barocker Doppel-Stimmung entdeckt. Organ(Mainz) 3 1 2000 46-48
13. A. D. D.Handel and Bach: MStandard 13 312 23 Jul 1870 28
14. A. de Z.Middelburg. Orgel-concert ten behoeve der Diakonie-armen, gegeven door den heer Labrant. Caecilia 5 7 1 Apr 1848 63
15. Aeba, Takao'Seimei' no Ongaku. BachZenshu 11 Jul 1996 110-117
16. Aer. [Schulz, Johann Abraham Peter]Johann Sebastian Bachs vierstimmige Choralgesänge. Erster Theil. Leipzig bey Breitkopf. 1784. gr. 4. 54 Seiten. AllgDBib 64 2 1785 458-459
17. Agafonova, Tat'âna'Kak horoso, cto Bah opjat' stal zloboj dnja' Fortepiano 1 2000 16-17
18. Agostini, Andrea; Ghisi, DanieleBach: An environment for computer-aided composition in Max. [cr]ICMC2012 2012 373-378
19. Agostini, Andrea; Ghisi, DanieleReal-time computer-aided composition with bach. ContempMReview 32 1 Feb 2013 41-48
20. Agricola, Johann Friedrich (trans.)Anleitung zur Singkunst. 1757 xvi, 239p
21. Agricola, Johann Friedrich (trans.)Anleitung zur Singkunst [1757]. 1966 xvi, 239p
22. Agricola, Johann Friedrich (trans.)Anleitung zur Singkunst [1757]. 2002 xxix, 283p
23. Agricola, Johann Friedrich (trans.)Anleitung zur Singkunst (1757, Faksimile-Nachdruck). 1966 xxxviii, xvi, 239, 44p
24. [Agricola, Johann Friedrich][Bachs Forderungen für die Anlage der Klaviatur] [ce]MMechOrganoedi 2 1768 23-24
25. [Agricola, Johann Friedrich][Bachs Urteil über die Orgel der Hamburger Katharinenkirche] [ce]MMechOrganoedi 1 1768 66, 187, 288
26. [Agricola, Johann Friedrich][Bachs Urteil über die Orgel der Leipziger Johanniskirche] [ce]MMechOrganoedi 1 1768 251
27. [Agricola, Johann Friedrich][Bachs Urteil über Silbermanns Pianoforte] [ce]MMechOrganoedi 2 1768 116-117
28. Agricola, Johann Friedrich (trans.)Barokku no Seigakugiho. Tozui no Kashoho yori [1757] 1994 170p
29. [Agricola, Johann Friedrich][Bauart von Bachs Lautenklavier] [ce]MMechOrganoedi 2 1768 139
30. Agricola, Johann Friedrich (trans.)Introduction to the Art of Singing. 1995 ix, 298p
31. [Agricola, Johann Friedrich][Johann Ludwig Krebs als Schüler Bachs] [ce]MMechOrganoedi 1 1768 287
32. [Agricola, Johann Friedrich] (ed.)Johann Sebastian Bachs vierstimmige Choralgesänge / Zweyter Theil. [No.101-200] Choralgesänge(1) 2 1769 53-104
33. Agricola, Johann Friedrich (trans.)Kashogeijutsu no Tebiki [1757] 2005 xvi, 376p
34. [Agricola, Johann Friedrich]Musikalisches Magazin in Sonaten, Sinfonien, Trios und andern Stücken für das Clavier bestehend. Erster und zweyter Theil. Leipzig bey Breitkopf. AllgDBib 2 1 1766 267-270
35. [Agricola, Johann Friedrich]Phillis und Thirsis, eine Cantate in Musik gesezt von C. P. E. Bach. Berlin bey Winter 2 B. Folio. / Erfindungsreich, fremd; aber, zumal für ein so kurzes Stük, an einigen Stellen nicht sliessend genug für die Singstimme. / Georg Simon Löhleins Clavier-Schule, oder kurze und gründliche Anweisung zur Melodie und Harmonie, durchgehends mit praktischen Beyspielen erkläret, Leipzig und Züllichau auf Kosten der Waisenhaus- und Fronmannischen Buchhandlung. 1765. 1 Alph. 2 Bog. in Querquart. AllgDBib 10 1 1769 241-243
36. Agricola, Johann FriedrichSammlung einiger Nachrichten von berühmten Orgelwerken in Teutschland mit vieler Mühe aufgesetzt von einem Liebhaber der Musik. Breslau, verlegts Carl Gottfried Meyer. 1757. 14 Bogen in 4t. HistKritBeytrAufnahmeM 3 6 1758 486-518
37. [Agricola, Johann Friedrich]Variirte Choräle, für die Orgel, von Johann Christoph Oley. Quedlinburg, bey Christoph August Reußner. 1773. 6 Bogen in lang Folio. AllgDBib 22 2 1774 531
38. Agricola, Johann Friedrich; Bach, Carl Philipp EmanuelDer Nekrolog auf Johann Sebastian Bach [1754]. 1965 [36p]
39. Agricola, MartinMusica Instrumentalis Deutsch. 1529 295p
40. A. GumprechtIllustrirte Ausgabe erlesener musicalischer Meisterwerke. Bach, Händel, Gluck, Haydn, Mozart, Beethoven. Sehr elegant und billig, durch Bild und Wort illustrirt. Die Noten in Metall gestochen, nicht Typendruck. Verlag von A. Gumprecht in Leipzig. ... NiederrheinMz 6 41 9 Oct 1858 328
41. Ahlgrimm, Isolde; Fiala, Isolde; Fiala, ErichBach und die Rhetorik. OMzs 9 11 1954 342-345
42. Ahlgrimm, Isolde; Fiala, Isolde; Fiala, ErichZur Aufführungspraxis der Bachschen Cembalowerke. OMzs 9 3 1954 71-77
43. A. J.St. Matthew Passion [Bach Choir's Eastertide performance] MTimes 94 1323 May 1953 228-229
44. A. K.The Bach Choir. MTimes 64 962 Apr 1923 274
45. Akada, Kin'yaBCJ to Kobe Water. BCJ 43 Jul 2000 40-41
46. Akatsuka, KentaroBCJ Creators. Dai-14-Kai: Hana Blažíková (soprano). BCJ 82 Sep 2008 32-37
47. Akatsuka, KentaroBCJ Creators. Dai-15-Kai: Rachel Nicholls (soprano). BCJ 83 Feb 2009 30-35
48. Akatsuka, KentaroJ. S. Bach no France-fu Courante to Buto no kakawari ni tsuite. BigakuBijutsushiRonshu 20 Mar 2013 37-66
49. Akioka, YoJohann Sebastian Bach Sakkyoku 'Matai Junankyoku'. FerrisStud 1 Nov 2003 18-41
50. Akioka, YoJohann Sebastian Bach Sakkyoku 'Yohane Junankyoku'. FerrisStud 1 Nov 2003 2-17
51. Akioka, YoJ. S. Bach 7-Ban Shobu. Bach vs. Scarlatti. [ce]Daremoiwanakatta 2000 166-179
52. Akioka, Yo; Torii, MinaBach: Kantata 147 Ban (BWV 147) FerrisStud 1 Nov 2003 50-53
53. Akiyama, MotooBach Zuiso. 2004 273p
54. A. KühnelBach, Seb. Grandes Suites, dites Suites Anglaises p. Clav. No.II in D min. 16 Gr. AllgMlZ 14 Intel 11 Sep 1812 [49-50]
55. Albrecht, Hans; Osthoff, Helmut; Wiora, Walter (eds.)Kongress-Bericht. Gesellschaft für Musikforschung, Lüneburg 1950. [cr]Lüneburg1950 1951 248p
56. Alcaraz Iborra, Mario; Montañés, FranciscoRicardo Gallén y las suites para laúd de Bach. Ritmo 85 874 May 2014 48-49
57. Alekseeva, IrinaNekotorye osobennosti tematizma passakalii barokko. [ce]SemantikaStarinnogoUrteksta 2002 54-70
58. Alekseeva, Irina Vasil'evnaBasso-ostinato i ego rol' v tekstovoj organizacii instrumental'noj muzyki Zapadnoevropejskogo barokko. 2013
59. Alembert, Jean Le Rond d'Hrn. d' Alembert, ..., Systematische Einleitung in die musicalische Setzkunst, nach den Lehrsätzen des Herrn Rameau. 1757 136p
60. Alembert, Jean Le Rond d'Rameau shi no Genri ni motozuku Ongaku Riron to Jissen no Kiso. 2012 272p
61. Alembert, Jean Le Rond d'Élémens De Musique, Theorique Et Pratique, Suivant Les Principes De M. Rameau. 1752 xvi, 171p
62. Alencastro, Luiz Felipe de; Fléchet, Anaïs; Pimentel, Juliana; Pistone, Danièle (eds.)Villa-Lobos: Des sources de l'oeuvre aux échos contemporains. [ce]Villa-Lobos 2012 274p
63. Alexander, Walpurga; Stange-Elbe, Joachim; Waczkat, Andreas (eds.)Miscellaneorum de Musica Concentus. Karl Heller zum 65. Geburtstag am 10. Dezember 2000 [fs]Heller65 2000 viii, 281p
64. Alfaya, JavierPrismas: Bach y el cine. Scherzo(Spain) 211 Sep 2006
65. Alikova, ZojaOsobennosti fug v sonatah I.-S. Baha: Vzaimodejstvie polifonièeskih i gomofonièeskih principov formoobrazovanija. diss. 1987 23p
66. Allanbrook, Wye J.; Levy, Janet M.; Mahrt, William P. (eds.)Convention in Eighteenth- and Nineteenth-Century Music: Essays in honor of Leonard G. Ratner. FestschriftSer 10 1992 xxi, 548p
67. Allison, Brian JeromeCarlos Seixas. The Development of the Keyboard Sonata in Eighteenth-Century Portugal. A Lecture Recital together with three Recitals of selected Works of Johann Sebastian Bach... diss. 1982 24p
68. Almada, Carlos de LemosDesenvolvimento de uma ferramenta computacional para análise harmônica em alto nível de corais de J. S. Bach. Opus 21 3 Dec 2015 209-230
69. Almeida, Anselmo Guerra deDas Glasperlenspiel: Música, matemática e cultura entrelaçados na visão de Hermann Hesse. MContexto 7 1 Dec 2013 124-143
70. Almeida, StellaUm modelo de realização de baxo contínuo: 2º movimento da sonata em Si menor BWV 1030 para flauta e cravo obbligato de J.S. Bach. MusicaHodie 6 1 Jan-Jun 2006 23-34
71. Almeida, Tereza Virginia de (ed.)Corpos em tensão: feminino, masculino e barroco no espetáculo Bach. RevistaEstudosFeministas 11 1 2003
72. Altschuler, Eric L.; Elkies, Noam D.12-tone Bach. MTimes 150 1908 Autumn 2009 5
73. A. M.John Sebastian Bach (From Grove's 'Dictionary of Music and Musicians'). DwightJM 37 24 2 Mar 1878 187-188
74. A. M.John Sebastian Bach (From Grove's 'Dictionary of Music and Musicians'. Concluded from page 188). Bach-Gesellschaft. DwightJM 37 25 16 Mar 1878 193-195
75. Ammerbach, Elias NicolausOrgel oder Instrument Tabulaturbuch. 1571 7, 213, 2p
76. Anagnostopoulou, Christina; Ferrand, Miguel; Smaill, Alan (eds.)Music and Artificial Intelligence, Second International Conference, ICMAI 2002, Edinburgh, Scotland, UK, September 12-14, 2002, Proceedings. [cr]ICMAI 2002 2002 viii, 206p
77. Anderson, Cynthia R.; Tunks, Thomas W.The influence of expectancy on harmonic perception. PsychoMcol 11 1 1992 3-14
78. Antolini, Bianca Maria; Mastroprimiano, Costantino; Scarpellini Pancrazi, Francesco (eds.)Il giovane Mendelssohn: Atti del Convegno internazionale di studi (Perugia, Conservatorio 'F. Morlacchi', 4-5 dicembre 2009). [cr]Perugia2009 2016 248p
79. Aoyama, ShiroMisa - Reihaishiki ni tsuite. BachAkadJapan 1984 90-94
80. A. P.Bach. MTimes 103 1430 Apr 1962 242
81. Applegate, Celia; Potter, Pamela MaxineGermans as the 'people of music': Genealogy of an identity. [ce]MGermanNatIdentity 2002 1-35
82. Applegate, Celia; Potter, Pamela Maxine (ed.)Music and German national identity. [ce]MGermanNatIdentity 2002 x, 319p
83. Apthorp, William FosterAdditional accompaniments to Bach's and Haendel's scores. DwightJM 38 12, 13 14, 28 Sep 1878 297-298; 306-307
84. Apthorp, William FosterAdditional accompaniments to Bach's and Haendel's scores [Robert Franz] ('Atlantic Monthly' for September). DwightJM 38 11 31 Aug 1878 291-292
85. Apthorp, William FosterBach-biting. DwightJM 39 988 1 Mar 1879 36-37
86. Apthorp, William FosterMusicians and music-lovers, and other essays. 1908 346p
87. Apthorp, William FosterThe history of music. Mr. William F. Apthorp's lectures before the Lowell Institute (IV) From Bach and Handel to Beethoven. DwightJM 41 1043 9 Apr 1881 56-57
88. Arakawa, TsunekoConcerto kara Kyokai Kantata e no Michi: Dresden Kyutei ni okeru 2ri no Italia-jin Gakucho ni tsuite. [fs]Sumikura70 2002 125-135
89. Arakawa, TsunekoDoitsu ni okeru 17-Seiki Zenhan no Tsuso Teion Soho ni kansuru Shiron: Luther-ha no Shukyoteki Seigaku Sakuhin no Baai. OngakuGaku 44 1 1998 1-15
90. Arakawa, TsunekoJohann Sebastian Bach Sakkyoku Kantata Dai-123-Ban 'Aisuru Imanuel, Shinko atsuki Mono no Shogun yo' ni tsuite. FerrisStud 1 Nov 2003 42-45
91. Arakawa, TsunekoJ.P. Kirnberger no Ongaku Riron -- 'Die Kunst des reinen Satzes in der Musik' o Chushin ni. OngakuGaku 19 1 1973 1-12
92. Arakawa, TsunekoSeiji, Keizai, Shukyo, Geijutsu -- Dresden to Leipzig no Baai. BCJ 36 Nov 1998 10-14
93. Arewa, Olufunmilayo B.From J.C. Bach to Hip Hop: Musical Borrowing, Copyright and Cultural Context. NorthCarolinaLawReview 84 2 2006 547-645
94. Ariga, NoyuriBach no Klavierkyoku Kaishakujo no Shomondai (1). DoshishaJDGK 23 3 1972 610-630
95. Ariga, NoyuriBach no Klavierkyoku Kaishakujo no Shomondai (2): tempo. DoshishaJDGK 24 3 1973 384-392
96. Ariga, NoyuriBach no Klavierkyoku Kaishakujo no Shomondai (3): Soshokuon. DoshishaJDGK 25 3 1974 435-462
97. Ariga, NoyuriBach no Klavierkyoku Kaishakujo no Shomondai (4): rhythm DoshishaJDGK 26 3 1975 284-310
98. Ariga, NoyuriBach no Ongaku ni okeru Shochosei. DoshishaJDGK 27 3 1976 219-247
99. Ariga, NoyuriFriedemann Bach no tame no Clavier Shokyokushu. DoshishaJDGK 19 1968 151-196
100. Ariga, NoyuriJ. S. Bach France jokyoku ni kansuru ichikosatsu. DoshishaJDGK 18 1967 314-329
101. Ariga, NoyuriMattheson no Chosei Byosha, Bach no Clavier Sakuhin to no Kanren. DoshishaJDGK 20 1969 19-42
102. Arita, Yoshiko; Goto, TaekoNanki Ongaku Bunko. 1978
103. Arnds, Andreas Hartwig; [Müller, Heinrich] (ed.)Der leidende Jesus oder Hundert fürtreffliche Anmerckungen, uber die Geschichte von dem Leiden und Tode unsers Seeligmachers: Aus dem Lateinischen Henrici Müllers. [ce]GeistreichePaßions-Schule [Main] [rev] 1679 551p
104. Arnds, Andreas Hartwig; [Müller, Heinrich] (ed.)Der leidende Jesus / Oder Hundert fürtreffliche Anmerckungen / Uber die Historie von dem Leiden und Tode unsers Seeligmachers. [ce]GeistreichePaßions-Schule [Main] 1675 530p
105. Asayama, NatsukoMittsu no 'Denkumäler' ni miru Doitsu Ongakushi. Ongakugaku 53 2 Mar 2008 93-107
106. Asayama, NatsukoRidel Gasshodan no 'Rekishi Ensokai' ni okeru 'Shin-Doitsu-ha'. OkinawaKenritsuGeijutsuDaigakuKiyo 18 2010 147-162
107. Ashby, A. B.Schweitzer on Bach. MLetters 26 2 Apr 1945 102-112
108. Ashby, A. B. (ed.)The Pianist's Book of Bach Chorals. 100 Chorals harmonized by J. S. Bach, chosen from Charles Sanford Terry's Complete Collection 1937 57p
109. Aspa, RosarioFIFTY SHORT PEDAL EXERCISES, and Studies on some Fugues by Bach, for the Organ, 1877 7p
110. Avanzini, Giuliano; Lopez, Luisa; Koelsch, Stefan; Majno, Maria (eds.)The neurosciences and music. II: From perception to performance. Annals of the New York Academy of Sciences. AnnNYAcadSci 1060 Dec 2005 xii, 490p
111. Baba, JiroOngaku Yawa. 1924 226p
112. Baba, TakeshiAtarashii Bach Kenkyu to Erdmann Shokan. Philharmony 39 11 1967 18-24
113. Baba, TakeshiBach Enso ni okeru Tokushitsu. RekodoGeijutsu 16 13 1967 248-251
114. Bach Bachtischa, MichaelDie Suiten für Violoncello von Johann Sebastian Bach: Einige Gedanken zu ihrer Ausführung mit dem Rundbogen. Orchester(Mainz) 45 7-8 1997 16-20
115. Bach, Carl Philipp Emanuel; Agricola, Johann FriecrichBachov nekrolog. CerkveniGlasbenik 93 1-3 2000 2-8
116. Bach, Carl Philipp Emanuel; Agricola, Johann Friecrich; Mizler, Lorenz; Venzky, Georg'Nekrolog' di Johann Sebastian Bach e cantata funebre. [ce]MusicaPoetica 1986 227-240
117. [Bach, Carl Philipp Emanuel; Agricola, Johann Friedrich; Mizler, Lorenz Christoph]Denkmal dreyer verstorbenen Mitglieder der Societät der musikalischen Wissenschaften, oder die Leben Georg Heinr. Bümlers, Brandenburg-Anspachischen Capell-meisters, Gottfr. Heinr. Stölzels, Sächsisch-Gothaischen Capell-meisters und Johann Sebastian Bachs, Musikdirektors zu Leipzig. MlBib 4 1 1754 129-176
118. [Bach, Carl Philipp Emanuel; Agricola, Johann Friedrich; Mizler, Lorenz Christoph][Nekrolog auf Johann Sebastian Bach.] Der dritte und letzte ist der im Orgelspielen Weltberühmte HochEdle Herr Johann Sebastian Bach, Königlich-Pohlnischer und Churfürstlich Sächsischer Hofcompositeur, und Musikdirector in Leipzig. MlBib 4 1 1754 158-173
119. Bach, Carl Philipp Emanuel; Agricola, Johann Friedrich; Mizler, Lorenz Christoph; Emery, WalterNekrolog or Obituary Notice of Johann Sebastian Bach. 2009 xx, 231p
120. Baczewska, MagdalenaIn Search of Bach's Cantabile: The Role and Aspects of Oratory and Singing in Keyboard Interpretation. 2009 104p
121. Badura-Skoda, EvaAspects of Performance Practice. [ce]18cKeyboardM 1994 33-67
122. Badura-Skoda, EvaC.P.E. Bach und der Hammerflügel. CPEBachKonzepteSR 2 1998 392-405
123. Badura-Skoda, EvaDid J. S. Bach Compose 'Pianoforte Concertos'? Bach 31 1 2000 1-16
124. Badura-Skoda, EvaDie 'Clavier'-Musik in Wien zwischen 1750 und 1770. StMw(BeihDTÖ) 35 1984 65-88
125. Badura-Skoda, EvaKielflugel und Hammerflugel bei Bach und Mozart. JbBachWoche_Dillenburg 1998 143-152
126. Badura-Skoda, EvaKomponierte J. S. Bach 'Hammerklavier-Konzerte'? BachJb 77 1991 159-171
127. Badura-Skoda, EvaNouvelle compréhension de l'histoire du piano de Domenico Scarlatti à Franz Schubert. [fs]Kastner 1992 127-139
128. Badura-Skoda, EvaVom Pedalcembalo zum Fortepiano pedale. CöthenerBachH 8 1998 73-82
129. Badura-Skoda, EvaÜber nötige und unnötige Auszierungen in Mozarts Klavierkonzerten. DokGewandhausGes 9 1993 47-49
130. Badura-Skoda, PaulBach auf dem Klavier? Hat Bach im Jahr 1733 erstmals ein Hammerklavier vorgestellt und darauf sein Concerto à Cembalo concertato d-Moll BWV 1052 vorgetragen? Orchester(Mainz) 48 7-8 2000 10-13
131. Badura-Skoda, PaulBach-Interpretation: Die Klavierwerke Johann Sebastian Bachs. 1990 528p
132. Badura-Skoda, PaulBah za klavirom? [ce]KakIspolnjatBaha 2006 19-23
133. Badura-Skoda, PaulEl preludio en Mi bemol menor y la fuga en Re sostenido menor, del I Libro del Clave bien temperado, BWV 853: Un análisis para su interpretación. Quodlibet 42 Sep-Dec 2008 50-85
134. Badura-Skoda, PaulEn busca del tempo correcto en Bach. Quodlibet 36 Oct 2006 112-133
135. Badura-Skoda, PaulInterpreting Bach at the Keyboard. 1993 xvi, 573p
136. Badura-Skoda, PaulI vnov' o probleme: 'Klavesin ili roâl''. [ce]KakIspolnjatBaha 2006 23-30
137. Badura-Skoda, PaulL'art de jouer Bach au clavier. 1999 638p
138. Badura-Skoda, PaulPrelûdiâ es-moll: Predvaritel'nyj analiz. [ce]KakIspolnjatBaha 2006 173-187
139. Baggia, Aldo J.In the footsteps of the young Johann Sebastian Bach. Diapason 92 7:1100 Jul 2001 14-17
140. Balaban, Mira; Ebcioglu, Kemal; Laske, Otto E. (eds.)Understanding music with AI: Perspectives on music cognition. [ce]UnderstandingMwithAI 1992 xxxviii, 512p
141. Balašova, I.Barocnaja preljudija v istorii evoljucii žanra. MusitschneMisteztwo 3 2003 140-148
142. Balsiger, Max UlrichJ. S. Bachs Kantaten als Schriftauslegung. Ein Beitrag zur Wertung der Bachschen Kantatentexte. MGottesd 19 4 Jul-Aug 1965 86-94
143. Bangert, Daniel; Fabian, Dorottya; Schubert, EmeryDoing without thinking? Aspects of musical decision-making revisited. [cr]Vienna2013 2013 201
144. Bangert, Daniel; Fabian, Dorottya; Schubert, Emery; Yeadon, DanielPerforming solo Bach: a case study of musical decision-making. MScientiae 18 1 Mar 2014 35-52
145. Bania, Maria; Skowroneck, TilmanAffective practices in mid-18th-century German music-making: reflections on C. P. E. Bach's advice to performers. EarlyM 48 2 2020 193-203
146. Baranova, Irina (ed.)Donato musicologica. [ce]DonatoMusicologica 1994 145p
147. Baranova, Irina NikolaevnaKompozitorskaâ tehnika kak znak: Sbornik statej k 90-letiû so dnâ roždeniâ Ûzefa Gejmanovièa Kona—Materialy Ûbilejnoj nauènoj konferencii. [fs]Kon90 2010 403p
148. Baranova, TatjanaIskusstvo fugi J. S. Bacha v ispolnenii organista S. Dižira. MuzykalnajaZizn 4 1970 5
149. Baranova, Tatjana (ed.)Starinnaja muzyka v kontekste sovremennoj kultury: Problemy interpretacii i istocnikovedenija. [ce]StarinnajaMuzyka 1989 573p
150. Barclay Squire, W.Bach Society, The. GroveDictionary(2) 1 1904 159-160
151. Barna, IstvánJohann Sebastian Bach életének kronikája. NaprolNapra 11 1974 230p
152. Barnett, Gregory; D'Ovidio, Antonella; La Via, Stefano (eds.)Arcangelo Corelli fra mito e realtà storica: nuove prospettive d'indagine musicologica e interdisciplinare nel 350o anniversario della nascita HistMCultores 111 2007 xxiv, 707p
153. Barokku Ongaku Kenkyukai (The Society for the Study of Baroque Music in Japan)Kyokai Kantata no Seiritsu to Tenkai -- Barokku Ongaku no Shoso. 1995 404p
154. Baroni, Mario; Addessi, Anna Rita; Caterina, Roberto; Costa, Marco (eds.)Proceedings of the 9th International Conference on Music Perception and Cognition (ICMPC). [cr]ICMPC2006 2006
155. Barreiro Carabetta, DiegoLa clavecinista Laura Dearmas...y su amor por el instrumento para el que escribió Juan Sebastián Bach. Sinfonica 6 66 Jul 2000 24-25
156. Barros, Nicolas de SouzaA adaptação da obra alaudística de Johann Sebastian Bach para alto guitar: Um modelo híbrido. diss. 1993
157. Barsova, Inna AlekseevnaBah--Šënberg: Dve horal'nye prelûdii I.S. Baha v orkestrovoj obrabotke A. Šënberga NaucnyeTrudy 60 2007 167-197
158. Barsova, Inna AlekseevnaGustav Maler: Sûita iz orkestrovyh proizvedenij I. S. Baha. NaucnyeTrudy 44 2003 213-230
159. Barsova, Inna Alekseevna; Viskova, Irina Vladimirovna (eds.)Orkestr bez granic: Materialy nauènoj konferencii pamâti Û.A. Fortunatova. [fs]Forunatov 2009 272p
160. Bartha, DénesBemerkungen zur Stilisierung der Volksmusik, besonders der polonaisen, bei Bach. [fs]DBFeierLeipzig 1950 41-43
161. Bartha, DénesBemerkungen zur Stilisierung der Volksmusik, besonders der Polonäsen, bei Bach. [cr]Leipzig1950 1951 416-419
162. Bartha, Dénes (ed.)Bence Szabolcsi: septuagenario. StudMcolAcadSciHungaricae 11 1-4 1969 513p
163. Bartha, DénesJohann Sebastian Bach. 1956 272p
164. Bartha, DénesKét Bach-Elemzés. Szemelvények a zenetörténet kézikönyvei sorozat most készülö 3. kötetéböl. Enekszo 17 94 1950 135-165
165. Bates, William H.J. S. Bach's Fantasy and Fugue in G Minor, BWV 542: A Source Study for Organists. Bach 39 2 2008 1-89
166. Batista, AntoniDietari d'un crític en excedència. Bach segons Portabella. RevistaMCatalana 25 283 May 2008 10-11
167. Batka, RichardJohann Sebastian Bach. Kunstwart 13 20 2 Jul 1900 277-281
168. Batka, Richard (ed.)Johann Sebastian Bachs Notenbüchlein für Anna Magdalena Bach (1725) / Johann Sebastian Bach. 1904 124p
169. Batka, RichardJ. S. Bach. 1892 119p
170. Bazzana, KevinGlenn Gould: The Performer in the Work: A Study in Performance Practice. 1997 xxi, 297p
171. Bazzana, KevinListening to Glenn Gould: Johann Sebastian Bach. GlennGould 6 1 Spring 2000 9-16
172. Bell, A. CraigThe great Mr. Handel. MReview 39 1 1978 22-30
173. Beller-McKenna, Catherine PearsonThe Voice of Luther's Church: Instrumental Cantus Firmus Chorales in Selected Cantatas by Johann Sebastian Bach. diss. 1998 v, 97p
174. Beller-McKenna, DanielBrahms' motet: Es ist das Heil uns kommen her and the 'innermost essence of music'. BrahmsStud 2 1998 31-62
175. Beller-McKenna, DanielEvolving Meanings of the 'Bach Chorale' in the Sacred Music of Johannes Brahms. [p]ABS_California Apr 1996
176. Beller-McKenna, DanielMusical Homage vs. Cultural Criticism: Brahms's Motet Warum ist das Licht gegeben?, op. 74, no.1, and Bach's Cantata Gottes Zeit ist die allerbeste Zeit, BWV 106. [p]AMS_Southeast Sep 1995
177. Beller-McKenna, DanielThe Great Warum? Job, Christ, and Bach in a Brahms Motet. 19cM 19 3 Spring 1996 231-251
178. Benda, Susanne'Aufs LautenWerk'. Bachs Lautenwerke auf der Gitarre. FonoForum 35 12 1990 62-65
179. Bennett, William Sterndale (ed.)DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [10] VOL [1] WTC(Bennett) 1 10 1861 5p
180. Bennett, William Sterndale (ed.)DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [11] VOL [1] WTC(Bennett) 1 11 1861 5p
181. Bennett, William Sterndale (ed.)DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [12] VOL [1] WTC(Bennett) 1 12 1861 8p
182. Bennett, William Sterndale (ed.)DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [13] VOL [1] WTC(Bennett) 1 13 1861 5p
183. Bennett, William Sterndale (ed.)DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [14] VOL [1] WTC(Bennett) 1 14 1861 6p
184. Bennett, William Sterndale (ed.)DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [15] VOL [1] WTC(Bennett) 1 15 c 1862 8p
185. Bennett, William Sterndale (ed.)DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [16] VOL [1] WTC(Bennett) 1 16 1855 5p
186. Bennett, William Sterndale (ed.)DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [17] VOL [1] WTC(Bennett) 1 17 1861 6p
187. Bennett, William Sterndale (ed.)DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [18] VOL [1] WTC(Bennett) 1 18 1861 6p
188. Bennett, William Sterndale (ed.)DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [19] VOL [1] WTC(Bennett) 1 19 1861 7p
189. Bennett, William Sterndale (ed.)DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [1] VOL [1]. WTC(Bennett) 1 1 1852 7p
190. Bennett, William Sterndale (ed.)DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [20] VOL [1] WTC(Bennett) 1 20 1861 9p
191. Bennett, William Sterndale (ed.)DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [21] VOL [1] WTC(Bennett) 1 21 c 1862 6p
192. Bennett, William Sterndale (ed.)DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [22] VOL [1] WTC(Bennett) 1 22 1855 5p
193. Bennett, William Sterndale (ed.)DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [23] VOL [1] WTC(Bennett) 1 23 1861 6p
194. Bennett, William Sterndale (ed.)DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [24] VOL [1] WTC(Bennett) 1 24 c 1862 8p
195. Bennett, William Sterndale (ed.)DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. 25. (Vol.2) WTC(Bennett) 2 1 1866 5p
196. Bennett, William Sterndale (ed.)DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [26]. VOL [2] WTC(Bennett) 2 2 1852 5p
197. Bennett, William Sterndale (ed.)DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. 27. (Vol.2) WTC(Bennett) 2 3 1866 5p
198. Bennett, William Sterndale (ed.)DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. 28. (Vol.2) WTC(Bennett) 2 4 1866 9p
199. Bennett, William Sterndale (ed.)DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [2] VOL [1] WTC(Bennett) 1 2 1852 5p
200. Bennett, William Sterndale (ed.)DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [31] VOL [2]. WTC(Bennett) 2 7 1852 5p
201. Bennett, William Sterndale (ed.)DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [33] VOL [2]. WTC(Bennett) 2 9 1852 5p
202. Bennett, William Sterndale (ed.)DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [36] VOL [2] WTC(Bennett) 2 12 1855 7p
203. Bennett, William Sterndale (ed.)DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [39] VOL [2] WTC(Bennett) 2 15 1855 5p
204. Bennett, William Sterndale (ed.)DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [3] VOL [1] WTC(Bennett) 1 3 1861 9p
205. Bennett, William Sterndale (ed.)DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [41] VOL [2] WTC(Bennett) 2 17 1855 9p
206. Bennett, William Sterndale (ed.)DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [48] VOL [2]. WTC(Bennett) 2 24 1852 6p
207. Bennett, William Sterndale (ed.)DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [4] VOL [1] WTC(Bennett) 1 4 1861 7p
208. Bennett, William Sterndale (ed.)DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [5] VOL [1] WTC(Bennett) 1 5 1855 5p
209. Bennett, William Sterndale (ed.)DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [6] VOL [1] WTC(Bennett) 1 6 1861 5p
210. Bennett, William Sterndale (ed.)DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [7] VOL [1] WTC(Bennett) 1 7 1861 7p
211. Bennett, William Sterndale (ed.)DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [8] VOL [1] WTC(Bennett) 1 8 1861 7p
212. Bennett, William Sterndale (ed.)DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [9] VOL [1] WTC(Bennett) 1 9 1861 5p
213. Bennett, William Sterndale (ed.)DAS WOHLTEMPERIRTE CLAVIER. Forty Eight PRELUDES and FUGUES, Composed by John Sebastian Bach. Part I. WTC(Bennett) 1 c 1863 136p
214. Bennett, William Sterndale (ed.)Grosse Passions-Musik, (according to the Gospel of St. Matthew) / composed by John Sebastian Bach. 1862 159p
215. Bennett, William Sterndale (ed.)The passion of our Lord (according to S. Matthew) set to music by John Sebastian Bach 1872 xv, viii, 187p
216. Bennett, William Sterndale; Goldschmidt, Otto (eds.)The chorale book for England: a complete hymn-book for public and private worship, in accordance with the services and festivals of the Church of England. The hymns from the Lyra Germanica and other sources, translated by Catherine Winkworth ; The tunes from the sacred music of the Lutheran, Latin, and other churches, for four voices, with historical notes, etc., etc. 1863 497p
217. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 1. WTC(Bennett-Westlake) 1 c 1876 7p
218. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 10. WTC(Bennett-Westlake) 10 c 1876 5p
219. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 11. WTC(Bennett-Westlake) 11 c 1876 5p
220. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 12. WTC(Bennett-Westlake) 12 c 1876 7p
221. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 13. WTC(Bennett-Westlake) 13 c 1876 5p
222. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 14. WTC(Bennett-Westlake) 14 c 1876 6p
223. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 15. WTC(Bennett-Westlake) 15 c 1876 8p
224. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 16. WTC(Bennett-Westlake) 16 c 1876 5p
225. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 17. WTC(Bennett-Westlake) 17 c 1876 6p
226. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 18. WTC(Bennett-Westlake) 18 c 1876 6p
227. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 19. WTC(Bennett-Westlake) 19 c 1876 7p
228. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 2. WTC(Bennett-Westlake) 2 c 1876 5p
229. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 20. WTC(Bennett-Westlake) 20 1876 9p
230. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 21. WTC(Bennett-Westlake) 21 c 1876 5p
231. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 22. WTC(Bennett-Westlake) 22 c 1876 5p
232. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 23. WTC(Bennett-Westlake) 23 c 1876 6p
233. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 24. WTC(Bennett-Westlake) 24 c 1876 9p
234. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 25. WTC(Bennett-Westlake) 25 c 1876 5p
235. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 26. WTC(Bennett-Westlake) 26 c 1876 5p
236. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 27. WTC(Bennett-Westlake) 27 c 1876 5p
237. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 28. WTC(Bennett-Westlake) 28 c 1876 9p
238. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 29. WTC(Bennett-Westlake) 29 c 1876 7p
239. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 3. WTC(Bennett-Westlake) 3 c 1876 9p
240. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 30. WTC(Bennett-Westlake) 30 c 1876 5p
241. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 31. WTC(Bennett-Westlake) 31 c 1876 5p
242. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 32. WTC(Bennett-Westlake) 32 c 1876 7p
243. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 33. WTC(Bennett-Westlake) 33 c 1876 5p
244. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 34. WTC(Bennett-Westlake) 34 c 1876 9p
245. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 35. WTC(Bennett-Westlake) 35 c 1876 9p
246. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 36. WTC(Bennett-Westlake) 36 c 1876 7p
247. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 37. WTC(Bennett-Westlake) 37 c 1876 9p
248. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 38. WTC(Bennett-Westlake) 38 c 1876 7p
249. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 39. WTC(Bennett-Westlake) 39 c 1876 5p
250. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 4. WTC(Bennett-Westlake) 4 c 1876 7p
251. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 40. WTC(Bennett-Westlake) 40 c 1876 7p
252. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 41. WTC(Bennett-Westlake) 41 c 1876 9p
253. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 42. WTC(Bennett-Westlake) 42 c 1876 7p
254. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 43. WTC(Bennett-Westlake) 43 c 1876 5p
255. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 44. WTC(Bennett-Westlake) 44 c 1876 7p
256. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 45. WTC(Bennett-Westlake) 45 c 1876 9p
257. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 46. WTC(Bennett-Westlake) 46 c 1876 7p
258. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 47. WTC(Bennett-Westlake) 47 c 1876 9p
259. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 48. WTC(Bennett-Westlake) 48 c 1876 7p
260. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 5. WTC(Bennett-Westlake) 5 c 1876 5p
261. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 6. WTC(Bennett-Westlake) 6 c 1876 5p
262. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 7. WTC(Bennett-Westlake) 7 c 1876 7p
263. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 8. WTC(Bennett-Westlake) 8 c 1876 7p
264. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 9. WTC(Bennett-Westlake) 9 c 1876 5p
265. Bent, Ian D.Schenker and Bach's French suite in E major. MAnalysis 34 2 Jul 2015 155-174
266. Bent, Ian D.'That Bright New Light': Schenker, Universal Edition, and the Origins of the Erläuterung Series, 1901-1910. JAMSoc 58 1 Spring 2005 69-138
267. Bercenko, Roman EduardovicBahovskij festival' v Lejpcige. MuzykalnajaAkad 4 2004 210-213
268. Bercenko, Roman EduardovicB. L. Âborskij o 'Horošo temperirovannom klavire' I. S. Baha. NaucnyeTrudy 56 2006 81-90
269. Bercenko, Roman EduardovicBoleslav Javorskij o Horoso temperirovannom klavire. MuzykalnajaAkad 2 1993 117-124
270. Bercenko, Roman EduardovicNaši sovremenniki Bah i Gendel'. MuzykalnajaAkad 4 Winter 2006 202-205
271. Berdennikova, Ekaterina MihajlovnaGomiletièeskie tradicii duhovnyh kantat I.S. Baha. diss. 2000 212p
272. Berèenko, Roman EduardovièEtièeskoe muzykoznanie: Teatr bez kulis. [fs]Levasev60 2009
273. Berèenko, Roman EduardovièV poiskah utraèennogo smysla: Boleslav Âvorskij o 'Horošo temperirovannom klavire' 2005 372p
274. Berèenko, Roman Eduardoviè; Lebedeva-Emelina, Antonina Viktorovna; Teterina, Nadežda IvanovnaKeldyševskie èteniâ--2005: Množestvennost' nauènyh koncepcij v muzykoznanii--K 60-letiû E.M. Levaševa. [fs]Levasev60 2009 454p
275. Best, William Thomas (ed.)50 short choral-preludes. OrgWorks(Best) 17 1895 963-1049
276. Best, William Thomas (ed.)6 Preludes and fugue. OrgWorks(Best) 3 c 1895 157-253
277. Best, William Thomas (ed.)6 Preludes and fugues. OrgWorks(Best) 1 c 1892 1-68
278. Best, William Thomas (ed.)6 Preludes and fugues. OrgWorks(Best) 2 c 1894 69-156
279. Best, William Thomas (arr.)Adagio and Grand Fugue. C major. From the 5th Sonata for the Violin alone. / BACH. ArrangementsOrg(Best) 3 58 c 1870 754-767
280. Best, William Thomas (arr.)Adagio. From a Sonata for the Violin and Pianoforte, in G minor. / J. S. Bach. ArrangementsOrg(Best) 3 50 c 1870 660-661
281. Best, William Thomas (arr.)Air. From the Overture in D-Major. / J. S. Bach. 1910 5
282. Best, William Thomas (ed.)Alla breve: pro organo pleno [in D major]. OrgWorks(Best) S-3 30 c 1895 435-440
283. Best, William Thomas (arr.)Allegro from the Third Sonata for the Pianoforte and Violin. / J. S. Bach. ArrangementsOrg(Best) 3 43 c 1870 564-568
284. Best, William Thomas (arr.)Bourrée. From the 2nd Sonata for the Violin, alone. / BACH. ArrangementsOrg(Best) 3 52 c 1870 681-687
285. Best, William Thomas (arr.)Bourrée. From the Third Violoncello Sonata. / BACH. ArrangementsOrg(Best) 5 92 c 1870 1207-1210
286. Best, William Thomas (ed.)Canzona in D minor. OrgWorks(Best) S-3 31 c 1895 441-447
287. Best, William Thomas (arr.)Chaconne: air with variations. From the Fourth Sonata for Violin alone, in D minor. / J. S. BACH. ArrangementsOrg(Best) 2 26 c 1870 329-341 (13p)
288. Best, William Thomas (arr.)Chorale. 'O God, thou holy Lord.' From the Church Cantata for the Fourth Sunday after Trinity. / J. S. BACH. ArrangementsOrg(Best) 3 55 c 1870 724-725
289. Best, William Thomas (arr.)Choral Fugue 'Dona nobis pacem.' From the Mass in B minor. / J. S. Bach. ArrangementsOrg(Best) 3 41 c 1870 534-536 (7-9)
290. Best, William Thomas (arr.)Choral Fugue 'Kyrie Eleison.' From the Mass in G Major. / J. S. Bach. ArrangementsOrg(Best) 3 41 c 1870 543-546 (10-13)
291. Best, William Thomas (arr.)Choral Fugue. 'Sicut locutus est.' From the Magnificat in D major. / J. S. Bach. ArrangementsOrg(Best) 3 42 c 1870 558-559
292. Best, William Thomas (arr.)[Chorus 'Enter not into judgment' / J.S. Bach] OrgMiscellany 1 25 1890
293. Best, William Thomas (arr.)Chorus 'Fallt mit Danken, fallt mit Loben.' From the Christmas oratorio. / J.S. Bach. ArrangementsOrg(Best) 2 40 c 1870 521-526 (1-6)
294. Best, William Thomas (arr.)Chorus 'Freue dich, erlöste Schaar.' (Be joyful, ye redeemed.) From a Sacred Cantata for the Festival of St John the Baptist. / BACH. ArrangementsOrg(Best) 3 50 c 1870 655-659
295. Best, William Thomas (arr.)CHORUS 'Gloria in excelsis Deo!' / J. S. Bach. ArrangementsOrg(Best) 2 21 c 1870 272
296. Best, William Thomas (arr.)Chorus 'God is my King.' / BACH. ArrangementsOrg(Best) 5 91 c 1870 1202-1203
297. Best, William Thomas (arr.)[Chorus 'Look down a Lord' from a Church Cantata for Christmas Day / J.S. Bach] OrgMiscellany 1 21 1890
298. Best, William Thomas (arr.)CHORUS. 'So let us go in Peace and Joy.' From a church cantata for Palm Sunday / BACH. ArrangementsOrg(Best) 3 60 c 1870 791-795
299. Best, William Thomas (arr.)[Chromatic Fantasia and Fugue (Dm.) f. Pfte, f. Org.] OrgMiscellany 2 48 1896
300. Best, William Thomas (ed.)Concerto for the organ [in A minor] by W. F. Bach. Cecilia(Best) 63 c 1883
301. Best, William Thomas (ed.)Counterpoint on the chorale 'Aus tiefer Noth' / J.S. Bach - Allegretto: op: 22 / Niels W. Gade - Andante / F. J. Pachaly. CollOrgComp(Best) 5 c 1870
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