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Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
---|---|---|---|---|---|---|---|---|---|
1. | A. A. A. | To the editor of the 'Musical World'. [Thirty-ninth Musical Festival of the Lower Rhine: Bach, Mass in B minor; selections from Gluck's 'Iphigenia in Aulis'; Beethoven's Symphony no. 9 (Cologne, July)] | MWorld | 40 | 30 | 473-474 | |||
2. | A. & B. | Amsterdam. Orgelconcert, gegeven door den heer Van Eyken in de Nieuwe Kerk, op vrijdag den 21. mei 1847, 's avonds te 6 ure. Binnenlandsche berigten. [Bach, Van Eyken, Kühmstedt, Mendelssohn en Hesse] | Caecilia | 4 | 13 | 142-143 | |||
3. | Abdullina, Galina Vadimovna | Desâtye Bahovskie èteniâ v Sankt-Peterburge. [The 10th Bahovskie Èteniâ in St. Petersburg] | Musicus(Russia) | 4:13 | 66-67 | Latin 2 | |||
4. | Abravaya, Ido | A French overture revisited: another look at the two versions of BWV 831. | EarlyM | 25 | 1 | 47-58, 60-61 | |||
5. | Abravaya, Ido | Bach's tempo practices: tempo changes. A Paper read at the 11th Biennial International Conference on Baroque Music held at Royal Northern College of Music, 14-18 July 2004 | [p]BICB_Manchester | ||||||
6. | Abravaya, Ido | Bach's tempo practices, the tempo theories of his time -- and ours. | OrbisMusicae | 13 | 81-90 | ||||
7. | Abravaya, Ido | J.S. Bach's wedding quodlibet, BWV 524. | MinAd | 13 | 51-61 | ||||
8. | Abravaya, Ido | On Bach's Rhythm and Tempo. Kassel [u.a.]: Bärenreiter, 2006. 232p. ISBN: 13: 978-3-7618-1602-8; ISBN: 10: 3-7618-1602-2. (= Bochumer Arbeiten zur Musikwissenschaft, 4) | BochumArbMw | 4 | 232p | ||||
9. | Abravaya, Ido | Studies of Rhythm and Tempo in the Music of J. S. Bach. PhD diss., Musicology, Tel Aviv University, 2000. xv, 318 p | diss. | xv, 318p | |||||
10. | Abravaya, Ido | The Baroque upbeat: outline of its typology and evolution. | IrishMStud | 8 | 17-28 | ||||
11. | Abyzova, Elena Nikolaevna | Nekotorye voprosy tematizma i formy skripichnyh koncertov I. S. Baha. [Einige Probleme der thematischen Struktur und Form in den Violinkonzerten J. S. Bachs.] | VoprosyTM | 3 | 237-271 | ||||
12. | Adamus, Jan Tomasz | Einmaliger Orgelfund in Breslau: Orgel des Bach Zeitgenössen--Adamo Orazio Casparini mit barocker Doppel-Stimmung entdeckt. | Organ(Mainz) | 3 | 1 | 46-48 | |||
13. | A. D. D. | Handel and Bach: Correspondence. To the editor of the 'Musical Standard'. [Use of the 'tierce de picardie'. July 19] | MStandard | 13 | 312 | 28 | |||
14. | A. de Z. | Middelburg. Orgel-concert ten behoeve der Diakonie-armen, gegeven door den heer Labrant. [Werken van Bach, Rinck en Hesse] | Caecilia | 5 | 7 | 63 | |||
15. | Aeba, Takao | 'Seimei' no Ongaku. [The music of 'Life'] | BachZenshu | 11 | 110-117 | ||||
16. | Aer. [Schulz, Johann Abraham Peter] | Johann Sebastian Bachs vierstimmige Choralgesänge. Erster Theil. Leipzig bey Breitkopf. 1784. gr. 4. 54 Seiten. Kurze Nachrichten. 5. Schöne Künste. Musik. | AllgDBib | 64 | 2 | 458-459 | |||
17. | Agafonova, Tat'âna | 'Kak horoso, cto Bah opjat' stal zloboj dnja' | Fortepiano | 1 | 16-17 | ||||
18. | Agostini, Andrea; Ghisi, Daniele | Bach: An environment for computer-aided composition in Max. | [cr]ICMC2012 | 373-378 | |||||
19. | Agostini, Andrea; Ghisi, Daniele | Real-time computer-aided composition with bach. | ContempMReview | 32 | 1 | 41-48 | |||
20. | Agricola, Johann Friedrich (trans.) | Anleitung zur Singkunst. Aus dem Italiänischen [P. F. Tosi, 'Opinioni de'cantori...'] mit Erläuterungen und Zusätzen von Johann Friedrich Agricola. Berlin: G.L. Winter, 1757. xvi, 239p. | xvi, 239p | ||||||
21. | Agricola, Johann Friedrich (trans.) | Anleitung zur Singkunst [1757]. Faksimile-Neudruck mit Einführung und Kommentar von Kurt Wichmann. Leipzig: Deutscher Verlag für Musik, 1966. xvi, 239p. - New edition from Wiesbaden: Breitkopf & Härtel, 1994. xvi, 239p. (BV 295). ISBN: 3-765-10295-4. | xvi, 239p | ||||||
22. | Agricola, Johann Friedrich (trans.) | Anleitung zur Singkunst [1757]. Reprint der Ausgabe 1757. Mit neu gesetzten, modern geschlüsselten Notenbeispielen. Herausgegeben und kommentiert von Thomas Seedorf, Kassel [u.a.]: Bärenreiter, 2002. xxix, 283p | xxix, 283p | ||||||
23. | Agricola, Johann Friedrich (trans.) | Anleitung zur Singkunst (1757, Faksimile-Nachdruck). zusammen mit dem italienischen Original von Pier Francesco Tosi: Opinioni de'cantori antichi e moderni o sieno osservazioni sopra il canto figurato (1723). Neu hrsg., mit einem Vorwort und einem Anhang von Erwin R. Jacobi. [With an English translation of the preface and the appendix by K. B. Tyldesley, and with facsimiles.] Celle: Hermann Moeck Verlag, 1966. xxxviii, xvi, 239, 44p | xxxviii, xvi, 239, 44p | ||||||
24. | [Agricola, Johann Friedrich] | [Bachs Forderungen für die Anlage der Klaviatur] | [ce]MMechOrganoedi | 2 | 23-24 | ||||
25. | [Agricola, Johann Friedrich] | [Bachs Urteil über die Orgel der Hamburger Katharinenkirche] | [ce]MMechOrganoedi | 1 | 66, 187, 288 | ||||
26. | [Agricola, Johann Friedrich] | [Bachs Urteil über die Orgel der Leipziger Johanniskirche] | [ce]MMechOrganoedi | 1 | 251 | ||||
27. | [Agricola, Johann Friedrich] | [Bachs Urteil über Silbermanns Pianoforte] | [ce]MMechOrganoedi | 2 | 116-117 | ||||
28. | Agricola, Johann Friedrich (trans.) | Barokku no Seigakugiho. Tozui no Kashoho yori [1757] [Anleitung zur Singkunst] Trans. to Japanese by Rolf Klein and Kazuko Ogura. Tokyo: Sinfonia, 1994. 170p. | 170p | ||||||
29. | [Agricola, Johann Friedrich] | [Bauart von Bachs Lautenklavier] | [ce]MMechOrganoedi | 2 | 139 | ||||
30. | Agricola, Johann Friedrich (trans.) | Introduction to the Art of Singing. Translation of: Anleitung zur Singkunst: aus dem italiänischen des Herrn Peter Franz Tosi / mit Erläuterungen und Zusätzen von Johann Friedrich Agricola (Berlin: G.L. Winter, 1757) by Julianne C. Baird. Cambridge: Cambridge University Press, 1995. ix, 298p. ISBN: 052145428X. | ix, 298p | ||||||
31. | [Agricola, Johann Friedrich] | [Johann Ludwig Krebs als Schüler Bachs] | [ce]MMechOrganoedi | 1 | 287 | ||||
32. | [Agricola, Johann Friedrich] (ed.) | Johann Sebastian Bachs vierstimmige Choralgesänge / Zweyter Theil. [No.101-200] gesammlet von Carl Philipp Emanuel Bach. [Erstausgabe] - Berlin und Leipzig: Friedrich Wilhelm Birnstiel, 1769. 1 Bl (Tbl) pp.53-104 (Nr.101-200) ohne Vorwort und Druckfehlerverzeichnis. [The second volume of Birnstiel edition is furiously denied by CPE Bach (cf. recno 38046 = Dok3/753)] - Faks Repr. Hildesheim, 1975. ii, 104p. (with vol.1) | Choralgesänge(1) | 2 | 53-104 | ||||
33. | Agricola, Johann Friedrich (trans.) | Kashogeijutsu no Tebiki [1757] [Anleitung zur Singkunst] Trans. by Seiichi Tokawa. Tokyo: Shunju sha, 2005. xvi, 376p. ISBN: 4-393-93018-5. | xvi, 376p | ||||||
34. | [Agricola, Johann Friedrich] | Musikalisches Magazin in Sonaten, Sinfonien, Trios und andern Stücken für das Clavier bestehend. Erster und zweyter Theil. Leipzig bey Breitkopf. Kurze Nachrichten. 6. Schöne Künste.. | AllgDBib | 2 | 1 | 267-270 | |||
35. | [Agricola, Johann Friedrich] | Phillis und Thirsis, eine Cantate in Musik gesezt von C. P. E. Bach. Berlin bey Winter 2 B. Folio. / Erfindungsreich, fremd; aber, zumal für ein so kurzes Stük, an einigen Stellen nicht sliessend genug für die Singstimme. / Georg Simon Löhleins Clavier-Schule, oder kurze und gründliche Anweisung zur Melodie und Harmonie, durchgehends mit praktischen Beyspielen erkläret, Leipzig und Züllichau auf Kosten der Waisenhaus- und Fronmannischen Buchhandlung. 1765. 1 Alph. 2 Bog. in Querquart. Kurze Nachrichten. 6) Schöne Künste. | AllgDBib | 10 | 1 | 241-243 | |||
36. | Agricola, Johann Friedrich | Sammlung einiger Nachrichten von berühmten Orgelwerken in Teutschland mit vieler Mühe aufgesetzt von einem Liebhaber der Musik. Breslau, verlegts Carl Gottfried Meyer. 1757. 14 Bogen in 4t. | HistKritBeytrAufnahmeM | 3 | 6 | 486-518 | |||
37. | [Agricola, Johann Friedrich] | Variirte Choräle, für die Orgel, von Johann Christoph Oley. Quedlinburg, bey Christoph August Reußner. 1773. 6 Bogen in lang Folio. Kurze Nachrichten. 4. Schöne Künste. Musik. [Bachs Orgelwerke als Kompositionsmuster] | AllgDBib | 22 | 2 | 531 | |||
38. | Agricola, Johann Friedrich; Bach, Carl Philipp Emanuel | Der Nekrolog auf Johann Sebastian Bach [1754]. Faksimile-Wiedergabe des Erstdrucks von 1754. Zur 65. Widerkehr des Tages ihrer Gründung, dem 27. Januar 1965, für ihre Mitglieder hearusgegeben von der Neuen Bachgesellschaft e. V. [With commentary by Christoph Trautmann.] Leipzig & Hannover: Neue Bachgesellschaft, 1965. [facs of title-page, InhaltPages not numbered. 17 cm. | [36p] | ||||||
39. | Agricola, Martin | Musica Instrumentalis Deutsch. Wittemberg: Rhaw, 1529 - Leipzig: Breitkopf & Härtel, 1896. 295p; Hildesheim [u.a.]: Olms, 1969. | 295p | ||||||
40. | A. Gumprecht | Illustrirte Ausgabe erlesener musicalischer Meisterwerke. Bach, Händel, Gluck, Haydn, Mozart, Beethoven. Sehr elegant und billig, durch Bild und Wort illustrirt. Die Noten in Metall gestochen, nicht Typendruck. Verlag von A. Gumprecht in Leipzig. ... Ankündigungen. Novität. | NiederrheinMz | 6 | 41 | 328 | |||
41. | Ahlgrimm, Isolde; Fiala, Isolde; Fiala, Erich | Bach und die Rhetorik. | OMzs | 9 | 11 | 342-345 | |||
42. | Ahlgrimm, Isolde; Fiala, Isolde; Fiala, Erich | Zur Aufführungspraxis der Bachschen Cembalowerke. | OMzs | 9 | 3 | 71-77 | |||
43. | A. J. | St. Matthew Passion [Bach Choir's Eastertide performance] | MTimes | 94 | 1323 | 228-229 | |||
44. | A. K. | The Bach Choir. | MTimes | 64 | 962 | 274 | |||
45. | Akada, Kin'ya | BCJ to Kobe Water. [BCJ and Kobe Water.] [Soritsu Kinen Bunshu / Anniversary Issue Essays] | BCJ | 43 | 40-41 | ||||
46. | Akatsuka, Kentaro | BCJ Creators. Dai-14-Kai: Hana Blažíková (soprano). Interview Series. | BCJ | 82 | 32-37 | ||||
47. | Akatsuka, Kentaro | BCJ Creators. Dai-15-Kai: Rachel Nicholls (soprano). Interview Series. | BCJ | 83 | 30-35 | ||||
48. | Akatsuka, Kentaro | J. S. Bach no France-fu Courante to Buto no kakawari ni tsuite. [On the relationship between J. S. Bach's Courante in French style and dance] | BigakuBijutsushiRonshu | 20 | 37-66 | ||||
49. | Akioka, Yo | Johann Sebastian Bach Sakkyoku 'Matai Junankyoku'. ['St Matthew Passion' composed by Johann Sebastian Bach] | FerrisStud | 1 | 18-41 | ||||
50. | Akioka, Yo | Johann Sebastian Bach Sakkyoku 'Yohane Junankyoku'. ['St John Passion' composed by Johann Sebastian Bach] | FerrisStud | 1 | 2-17 | ||||
51. | Akioka, Yo | J. S. Bach 7-Ban Shobu. Bach vs. Scarlatti. [J. S. Bach 7 matches. Bach vs. Scarlatti] | [ce]Daremoiwanakatta | 166-179 | |||||
52. | Akioka, Yo; Torii, Mina | Bach: Kantata 147 Ban (BWV 147) [Bach: Cantata no.147 (BWV 147)] | FerrisStud | 1 | 50-53 | ||||
53. | Akiyama, Motoo | Bach Zuiso. [Essays on Bach] Tokyo: Bungei sha, 2004. 273p. ISBN: 4-8355-7635-7. | 273p | ||||||
54. | A. Kühnel | Bach, Seb. Grandes Suites, dites Suites Anglaises p. Clav. No.II in D min. 16 Gr. Neuer Verlag von A. Kühnel in Leipzig. ... [Anzeige: Hoffmeister und Kühnel, Englische Suiten] | AllgMlZ | 14 | Intel 11 | [49-50] | |||
55. | Albrecht, Hans; Osthoff, Helmut; Wiora, Walter (eds.) | Kongress-Bericht. Gesellschaft für Musikforschung, Lüneburg 1950. Kassel [u.a.]: Bärenreiter, 1951. 248p | [cr]Lüneburg1950 | 248p | |||||
56. | Alcaraz Iborra, Mario; Montañés, Francisco | Ricardo Gallén y las suites para laúd de Bach. [Ricardo Gallén and the suites for lute by Bach] | Ritmo | 85 | 874 | 48-49 | |||
57. | Alekseeva, Irina | Nekotorye osobennosti tematizma passakalii barokko. [The characteristics of a Baroque passacaglia] | [ce]SemantikaStarinnogoUrteksta | 54-70 | |||||
58. | Alekseeva, Irina Vasil'evna | Basso-ostinato i ego rol' v tekstovoj organizacii instrumental'noj muzyki Zapadnoevropejskogo barokko. [Basso ostinato and its role in semantic organization of Western European Baroque instrumental music] - Ufa, Russian Federation: Gilem, 2013. ISBN: 5-88185-114-5; 978-5-88185-114-9. | |||||||
59. | Alembert, Jean Le Rond d' | Hrn. d' Alembert, ..., Systematische Einleitung in die musicalische Setzkunst, nach den Lehrsätzen des Herrn Rameau. Aus dem Französischen übersetzt [von 'Eléments de musique, théorique et pratique, suivant les principes de M. Rameau, éclaircis, développés et simplifiés'] und mit Anmerkungen vermehret von Friedr. Wilh. Marpurg. - Leipzig: Joh. Gottlob Immanuel Breitkopf 1757. 136p; Fotomechan. Neudr. - Kassel: Bärenreiter-Verlag, 1980. [6] Bl., 136p. | 136p | ||||||
60. | Alembert, Jean Le Rond d' | Rameau shi no Genri ni motozuku Ongaku Riron to Jissen no Kiso. [Élémens De Musique, Theorique Et Pratique, Suivant Les Principes De M. Rameau] Trans. into Japanese by Chikako Katayama, Tomoko Yasukawa, Nahoko Sekimoto. - Tokyo: Shunju sha, 2012. 272p. ISBN:978-4-393-93196-7. | 272p | ||||||
61. | Alembert, Jean Le Rond d' | Élémens De Musique, Theorique Et Pratique, Suivant Les Principes De M. Rameau. [Verf.: Alembert, Jean le Rond d'] - Paris: David; Paris: Breton; Paris: Durand, 1752. xvi, 171p, [1] Bl., [10] gef. Bl. Notenbeisp. - Paris: Charles-Antoine Jombert; Lyon: Jean-Marie Bruyset, 1759. xvi, 172p. 1 Bl, 10 Taf. - Nouv. ed. Lyon: Bruyset, 1762. xxxi, 236p. | xvi, 171p | ||||||
62. | Alencastro, Luiz Felipe de; Fléchet, Anaïs; Pimentel, Juliana; Pistone, Danièle (eds.) | Villa-Lobos: Des sources de l'oeuvre aux échos contemporains. Paris: Honoré Champion, 2012. 274p. ISBN: 978-2-7453-2341-5. | [ce]Villa-Lobos | 274p | |||||
63. | Alexander, Walpurga; Stange-Elbe, Joachim; Waczkat, Andreas (eds.) | Miscellaneorum de Musica Concentus. Karl Heller zum 65. Geburtstag am 10. Dezember 2000 Rostock: Universität Rostock, 2000, viii, 281p. | [fs]Heller65 | viii, 281p | |||||
64. | Alfaya, Javier | Prismas: Bach y el cine. | Scherzo(Spain) | 211 | |||||
65. | Alikova, Zoja | Osobennosti fug v sonatah I.-S. Baha: Vzaimodejstvie polifonièeskih i gomofonièeskih principov formoobrazovanija. [Characteristics of the fugues in J.S. Bach's sonatas: The interaction of polyphonic and homophonic formal elements] - PhD diss., Music theory: Institut Teatra, Muzyki i Kinematografii, Leningrad, 1987. 23p. | diss. | 23p | Latin 2 | ||||
66. | Allanbrook, Wye J.; Levy, Janet M.; Mahrt, William P. (eds.) | Convention in Eighteenth- and Nineteenth-Century Music: Essays in honor of Leonard G. Ratner. NY, Stuyvesant: Pendragon Press, 1992. xxi, 548p. ISBN: 0-945193-28-9. (= Festschrift series, 10) | FestschriftSer | 10 | xxi, 548p | [fs]Ratner | |||
67. | Allison, Brian Jerome | Carlos Seixas. The Development of the Keyboard Sonata in Eighteenth-Century Portugal. A Lecture Recital together with three Recitals of selected Works of Johann Sebastian Bach... DMA diss., University of North Texas, 1982. 24p | diss. | 24p | |||||
68. | Almada, Carlos de Lemos | Desenvolvimento de uma ferramenta computacional para análise harmônica em alto nível de corais de J. S. Bach. | Opus | 21 | 3 | 209-230 | |||
69. | Almeida, Anselmo Guerra de | Das Glasperlenspiel: Música, matemática e cultura entrelaçados na visão de Hermann Hesse. | MContexto | 7 | 1 | 124-143 | |||
70. | Almeida, Stella | Um modelo de realização de baxo contínuo: 2º movimento da sonata em Si menor BWV 1030 para flauta e cravo obbligato de J.S. Bach. [A model for the realization of basso continuo: The second movement of the sonata in B minor, BWV 1030, for flute and obbligato harpsichord, by J.S. Bach] | MusicaHodie | 6 | 1 | 23-34 | |||
71. | Almeida, Tereza Virginia de (ed.) | Corpos em tensão: feminino, masculino e barroco no espetáculo Bach. [Bodies and tension: feminine, masculine and baroque in Bach] http://www.scielo.br/scielo.php?script=sci_arttext&pid=S0104-026X2003000100008 | RevistaEstudosFeministas | 11 | 1 | ||||
72. | Altschuler, Eric L.; Elkies, Noam D. | 12-tone Bach. Letters. [BWV 889/1] | MTimes | 150 | 1908 | 5 | |||
73. | A. M. | John Sebastian Bach (From Grove's 'Dictionary of Music and Musicians'). [To be continued] | DwightJM | 37 | 24 | 187-188 | |||
74. | A. M. | John Sebastian Bach (From Grove's 'Dictionary of Music and Musicians'. Concluded from page 188). Bach-Gesellschaft. | DwightJM | 37 | 25 | 193-195 | |||
75. | Ammerbach, Elias Nicolaus | Orgel oder Instrument Tabulaturbuch. Orgel oder Jnstrument Tabulaturbuch: in sich begreiffende eine notwendige vnnd kurtze anlaitung; die Tabulatur vnnd application zuverstehen; auch dieselbige auß gutem grunde recht zu lernen. Darnach folgen auffs allerleichtest gute Deutsche, Lateinische, Welsche vnd Frantzösische stuecklein; neben etlichen Passomezen, Galliarden, Repressen, vnnd deutschen Dentzen; deßgleichen zuvor in offnem druck nie außgangen. Jetzund aber der Jugend vnd anfahenden diser kunst zu gutem mit fleiß zusammengebracht vnd in druck verfertigt Durch Eliam Nicolaum Ammerbach, Burgern vnd Organisten inn Leipzig zu S. Thomas. - Leipzig 1571 - Nürnberg: Gerlach, 2/1583. [7] Bl., 213p, [2] Bl. - Repr.: 'Orgel oder Instrument Tabulaturbuch: 1571/83'. Ed. by Charles Jacobs. Oxford: Clarendon Press, 1984. lxxxix, 370p. ISBN: 019816136-0. | 7, 213, 2p | ||||||
76. | Anagnostopoulou, Christina; Ferrand, Miguel; Smaill, Alan (eds.) | Music and Artificial Intelligence, Second International Conference, ICMAI 2002, Edinburgh, Scotland, UK, September 12-14, 2002, Proceedings. Berlin: Springer, 2002. viii, 206p. ISBN: 3-540-44145-X. | [cr]ICMAI 2002 | viii, 206p | |||||
77. | Anderson, Cynthia R.; Tunks, Thomas W. | The influence of expectancy on harmonic perception. | PsychoMcol | 11 | 1 | 3-14 | |||
78. | Antolini, Bianca Maria; Mastroprimiano, Costantino; Scarpellini Pancrazi, Francesco (eds.) | Il giovane Mendelssohn: Atti del Convegno internazionale di studi (Perugia, Conservatorio 'F. Morlacchi', 4-5 dicembre 2009). a cura di Bianca Maria Antolini, Costantino Mastroprimiano, Francesco Scarpellini Pancrazi. - Lucca: Libreria Musicale Italiana (LIM), 2016. 248p. ISBN: 978-88-7096-843-9; 88-7096-843-X. (= Strumenti della ricerca musicale: Collana della Società Italiana di Musicologia, 21) | [cr]Perugia2009 | 248p | |||||
79. | Aoyama, Shiro | Misa - Reihaishiki ni tsuite. [On Missa / Liturgy] Sosetsu - Taiyaku: Akademie Conert de no 'Sho-Misakyoku' no Rikai no tame ni 2 [General Commentary / Translation: for the understanding of 'Missa brevis' at the Academy Concert 2] | BachAkadJapan | 90-94 | |||||
80. | A. P. | Bach. | MTimes | 103 | 1430 | 242 | |||
81. | Applegate, Celia; Potter, Pamela Maxine | Germans as the 'people of music': Genealogy of an identity. | [ce]MGermanNatIdentity | 1-35 | |||||
82. | Applegate, Celia; Potter, Pamela Maxine (ed.) | Music and German national identity. Chicago, IL: University of Chicago Press, 2002. x, 319p. ISBN: 0-226-02130-0; 0-226-02131-9. | [ce]MGermanNatIdentity | x, 319p | |||||
83. | Apthorp, William Foster | Additional accompaniments to Bach's and Haendel's scores. [Franz. Second extract from the 'Atlantic Monthly'] | DwightJM | 38 | 12, 13 | 297-298; 306-307 | |||
84. | Apthorp, William Foster | Additional accompaniments to Bach's and Haendel's scores [Robert Franz] ('Atlantic Monthly' for September). | DwightJM | 38 | 11 | 291-292 | |||
85. | Apthorp, William Foster | Bach-biting. [Inability of uneducated listeners to appreciate Bach's music] | DwightJM | 39 | 988 | 36-37 | |||
86. | Apthorp, William Foster | Musicians and music-lovers, and other essays. [preface dated June 28, 1894; I. Musicians and music-lovers. -- II. Johann Sebastian Bach (pp.57-96). -- III. Additional accompaniments to Bach's and Handel's scores. (pp.99-135) -- IV. Giacomo Meyerbeer. -- V. Jacques Offenbach. -- VI. Two modern classicists [Robert Franz and Otto Dresel] -- VII. John Sullivan Dwight. -- VIII. Some thoughts on musical criticism. -- IX. Music and science] - New York: C. Scribner's Sons, 1894, viii p., 1l., 346p; 5/1908. 346p. | 346p | ||||||
87. | Apthorp, William Foster | The history of music. Mr. William F. Apthorp's lectures before the Lowell Institute (IV) From Bach and Handel to Beethoven. [To be continued] | DwightJM | 41 | 1043 | 56-57 | |||
88. | Arakawa, Tsuneko | Concerto kara Kyokai Kantata e no Michi: Dresden Kyutei ni okeru 2ri no Italia-jin Gakucho ni tsuite. [The road from concertos to church cantatas: Two Italian kapellmeisters at the Dresden court] | [fs]Sumikura70 | 125-135 | |||||
89. | Arakawa, Tsuneko | Doitsu ni okeru 17-Seiki Zenhan no Tsuso Teion Soho ni kansuru Shiron: Luther-ha no Shukyoteki Seigaku Sakuhin no Baai. [A theory on the early 17th-century thorough-bass methods in Germany in the sacred vocal works of the Lutheran school] | OngakuGaku | 44 | 1 | 1-15 | |||
90. | Arakawa, Tsuneko | Johann Sebastian Bach Sakkyoku Kantata Dai-123-Ban 'Aisuru Imanuel, Shinko atsuki Mono no Shogun yo' ni tsuite. [On Cantata no.123 'Liebster Immanuel, Herzog der Frommen' composed by Johann Sebastian Bach] | FerrisStud | 1 | 42-45 | ||||
91. | Arakawa, Tsuneko | J.P. Kirnberger no Ongaku Riron -- 'Die Kunst des reinen Satzes in der Musik' o Chushin ni. [J.P. Kirnberger and his music theory--concerning his Die Kunst des reinen Satzes in der Musik.] | OngakuGaku | 19 | 1 | 1-12 | |||
92. | Arakawa, Tsuneko | Seiji, Keizai, Shukyo, Geijutsu -- Dresden to Leipzig no Baai. [Politics, Economics, Religion, Arts -- the case of Dresden and Leipzig] | BCJ | 36 | 10-14 | ||||
93. | Arewa, Olufunmilayo B. | From J.C. Bach to Hip Hop: Musical Borrowing, Copyright and Cultural Context. Repr. in Ethnomusicology eJournal 100 (2017). | NorthCarolinaLawReview | 84 | 2 | 547-645 | |||
94. | Ariga, Noyuri | Bach no Klavierkyoku Kaishakujo no Shomondai (1). [Problems of Interpretation of Bach's Keyboard Works] | DoshishaJDGK | 23 | 3 | 610-630 | |||
95. | Ariga, Noyuri | Bach no Klavierkyoku Kaishakujo no Shomondai (2): tempo. [Problems of Interpretation of Bach's Keyboard Works (2): Tempo.] | DoshishaJDGK | 24 | 3 | 384-392 | |||
96. | Ariga, Noyuri | Bach no Klavierkyoku Kaishakujo no Shomondai (3): Soshokuon. [Problems of Interpretation of Bach's Keyboard Works (3): ornamentation.] | DoshishaJDGK | 25 | 3 | 435-462 | |||
97. | Ariga, Noyuri | Bach no Klavierkyoku Kaishakujo no Shomondai (4): rhythm [Problems of Interpretation of Bach's Keyboard Works (4): rhythm.] | DoshishaJDGK | 26 | 3 | 284-310 | |||
98. | Ariga, Noyuri | Bach no Ongaku ni okeru Shochosei. [Symbolism in J. S. Bach's Music] | DoshishaJDGK | 27 | 3 | 219-247 | |||
99. | Ariga, Noyuri | Friedemann Bach no tame no Clavier Shokyokushu. [Clavierbüchlein for W. F.Bach] | DoshishaJDGK | 19 | 151-196 | ||||
100. | Ariga, Noyuri | J. S. Bach France jokyoku ni kansuru ichikosatsu. [An observation on Bach's French Overture] | DoshishaJDGK | 18 | 314-329 | ||||
101. | Ariga, Noyuri | Mattheson no Chosei Byosha, Bach no Clavier Sakuhin to no Kanren. [Mattheson's Tonartencharakteristiken with Special Refernce to Bach's Keyboard Works] | DoshishaJDGK | 20 | 19-42 | ||||
102. | Arita, Yoshiko; Goto, Taeko | Nanki Ongaku Bunko. [articles by Yoshiko Arita and Taeko Goto] Ed. Kunitachi Ongaku Daigaku Fuzoku Toshokan. - Kunitachi Ongaku Daigaku Fuzoku Toshokan, 1978. | |||||||
103. | Arnds, Andreas Hartwig; [Müller, Heinrich] (ed.) | Der leidende Jesus oder Hundert fürtreffliche Anmerckungen, uber die Geschichte von dem Leiden und Tode unsers Seeligmachers: Aus dem Lateinischen Henrici Müllers. ... ins Teutsche übersetzt, jetzo von neuem mit Fleiß übersehen, auch mit einem Anhang und dreyen nützlichen Registern vermehret und zum andern mahle herausgegeben durch Andr. Hartwieg Arnds. - Leipzig: Grosse, (2. Aufl.) 1679. [11] Bl., 551p., 3. Aufl. 1688 (549p), 4. Aufl. 1700 (549, 499p), 5. Aufl. 1720 (549p) | [ce]GeistreichePaßions-Schule | [Main] | [rev] | 551p | |||
104. | Arnds, Andreas Hartwig; [Müller, Heinrich] (ed.) | Der leidende Jesus / Oder Hundert fürtreffliche Anmerckungen / Uber die Historie von dem Leiden und Tode unsers Seeligmachers. Franckfurt am Mayn ; Leipzig: Grosse ; Merseburg: Forberger, 1675. [7] Bl., 530p, [4] Bl. | [ce]GeistreichePaßions-Schule | [Main] | 530p | ||||
105. | Asayama, Natsuko | Mittsu no 'Denkumäler' ni miru Doitsu Ongakushi. [A view of German music history in three Denkmäler] | Ongakugaku | 53 | 2 | 93-107 | |||
106. | Asayama, Natsuko | Ridel Gasshodan no 'Rekishi Ensokai' ni okeru 'Shin-Doitsu-ha'. [The 'New German school' in 'historical concerts' of the Riedel choral society] | OkinawaKenritsuGeijutsuDaigakuKiyo | 18 | 147-162 | ||||
107. | Ashby, A. B. | Schweitzer on Bach. | MLetters | 26 | 2 | 102-112 | |||
108. | Ashby, A. B. (ed.) | The Pianist's Book of Bach Chorals. 100 Chorals harmonized by J. S. Bach, chosen from Charles Sanford Terry's Complete Collection [Edited] by A. B. Ashby. - London: Oxford University Press, c1937. 57p. | 57p | ||||||
109. | Aspa, Rosario | FIFTY SHORT PEDAL EXERCISES, and Studies on some Fugues by Bach, for the Organ, by ROSARIO ASPA. To My Friend James Higgs, Esq. Mus. Bac. Oxon. Ent.Sta.Hall -- Price 5/-. - London: Novello, Ewer & Co., 1, Berners Street, W. and 80 & 81. Queen Street, E. C. [1877]. 2-7p. Pl.-Nr.: 5539. [BWV 546/2, 539/2, 550/2, 566/2, 542/2] | 7p | ||||||
110. | Avanzini, Giuliano; Lopez, Luisa; Koelsch, Stefan; Majno, Maria (eds.) | The neurosciences and music. II: From perception to performance. Annals of the New York Academy of Sciences. [... result of a Conference Entitled The Neurosciences and Music II: from perception to performance, ... held on May 5-8, 2005 in Leipzig, Germany] / ed. by Giuliano Avanzini, Luisa Lopez, Stefan Koelsch, and Maria Majno. [Conference in Leipzig 2005] - New York, NY: New York Acad. of Sciences, 2005. xii, 490p. ISBN: 1-57331-610-5; 1-57331-611. (= Annals of the New York Academy of Sciences, 1060) | AnnNYAcadSci | 1060 | xii, 490p | ||||
111. | Baba, Jiro | Ongaku Yawa. [About Music] - Tokyo: Baifukan, 1924. 226p. | 226p | ||||||
112. | Baba, Takeshi | Atarashii Bach Kenkyu to Erdmann Shokan. [New Bach Research and Erdmann letter] | Philharmony | 39 | 11 | 18-24 | |||
113. | Baba, Takeshi | Bach Enso ni okeru Tokushitsu. [Characteristics of Bach Performance] | RekodoGeijutsu | 16 | 13 | 248-251 | |||
114. | Bach Bachtischa, Michael | Die Suiten für Violoncello von Johann Sebastian Bach: Einige Gedanken zu ihrer Ausführung mit dem Rundbogen. | Orchester(Mainz) | 45 | 7-8 | 16-20 | |||
115. | Bach, Carl Philipp Emanuel; Agricola, Johann Friecrich | Bachov nekrolog. [Bach's obituary] trans. by Marko Dusinc. | CerkveniGlasbenik | 93 | 1-3 | 2-8 | |||
116. | Bach, Carl Philipp Emanuel; Agricola, Johann Friecrich; Mizler, Lorenz; Venzky, Georg | 'Nekrolog' di Johann Sebastian Bach e cantata funebre. | [ce]MusicaPoetica | 227-240 | |||||
117. | [Bach, Carl Philipp Emanuel; Agricola, Johann Friedrich; Mizler, Lorenz Christoph] | Denkmal dreyer verstorbenen Mitglieder der Societät der musikalischen Wissenschaften, oder die Leben Georg Heinr. Bümlers, Brandenburg-Anspachischen Capell-meisters, Gottfr. Heinr. Stölzels, Sächsisch-Gothaischen Capell-meisters und Johann Sebastian Bachs, Musikdirektors zu Leipzig. [Bach = Sekt. VI] | MlBib | 4 | 1 | 129-176 | |||
118. | [Bach, Carl Philipp Emanuel; Agricola, Johann Friedrich; Mizler, Lorenz Christoph] | [Nekrolog auf Johann Sebastian Bach.] Der dritte und letzte ist der im Orgelspielen Weltberühmte HochEdle Herr Johann Sebastian Bach, Königlich-Pohlnischer und Churfürstlich Sächsischer Hofcompositeur, und Musikdirector in Leipzig. Repr. in Bach-Dokumente Bd.III. Im Text zitiert als 'Nekrolog' 1754. | MlBib | 4 | 1 | 158-173 | |||
119. | Bach, Carl Philipp Emanuel; Agricola, Johann Friedrich; Mizler, Lorenz Christoph; Emery, Walter | Nekrolog or Obituary Notice of Johann Sebastian Bach. [by Carl Philipp Emanuel Bach, Johann Friedrich Agricola, Lorenz Christoph Mizler] Translated with an Introduction, Notes and Two Appendices [by] Walter Emery. 1942. - Facs. reproduction of Emery's handwritten manuscript. London: Travis and Emery Music Bookshop, 2009. xx, 231p. ISBN: 978-1-906857-79-0; 978-1-906857-80-6. | xx, 231p | ||||||
120. | Baczewska, Magdalena | In Search of Bach's Cantabile: The Role and Aspects of Oratory and Singing in Keyboard Interpretation. Lambert Academic Publishing AG & Co. KG., 2009. 104p. ISBN 978-3-8383-0468-7. | 104p | ||||||
121. | Badura-Skoda, Eva | Aspects of Performance Practice. [Headings: Problems of Text and Notation; Tempo; Rhythm; Ornaments; Improvised Embellishments; Authenticity and 'Original' Sound; Early Use of the Cembalo con martelli; Good Execution: Music as Language and Rhetoric] | [ce]18cKeyboardM | 33-67 | |||||
122. | Badura-Skoda, Eva | C.P.E. Bach und der Hammerflügel. | CPEBachKonzepteSR | 2 | 392-405 | ||||
123. | Badura-Skoda, Eva | Did J. S. Bach Compose 'Pianoforte Concertos'? | Bach | 31 | 1 | 1-16 | |||
124. | Badura-Skoda, Eva | Die 'Clavier'-Musik in Wien zwischen 1750 und 1770. | StMw(BeihDTÖ) | 35 | 65-88 | ||||
125. | Badura-Skoda, Eva | Kielflugel und Hammerflugel bei Bach und Mozart. | JbBachWoche_Dillenburg | 143-152 | |||||
126. | Badura-Skoda, Eva | Komponierte J. S. Bach 'Hammerklavier-Konzerte'? | BachJb | 77 | 159-171 | ||||
127. | Badura-Skoda, Eva | Nouvelle compréhension de l'histoire du piano de Domenico Scarlatti à Franz Schubert. | [fs]Kastner | 127-139 | |||||
128. | Badura-Skoda, Eva | Vom Pedalcembalo zum Fortepiano pedale. | CöthenerBachH | 8 | 73-82 | ||||
129. | Badura-Skoda, Eva | Über nötige und unnötige Auszierungen in Mozarts Klavierkonzerten. | DokGewandhausGes | 9 | 47-49 | [cr]Leipzig1991 | |||
130. | Badura-Skoda, Paul | Bach auf dem Klavier? Hat Bach im Jahr 1733 erstmals ein Hammerklavier vorgestellt und darauf sein Concerto à Cembalo concertato d-Moll BWV 1052 vorgetragen? | Orchester(Mainz) | 48 | 7-8 | 10-13 | |||
131. | Badura-Skoda, Paul | Bach-Interpretation: Die Klavierwerke Johann Sebastian Bachs. Laaber-Verlag, 1990. 528p. | 528p | ||||||
132. | Badura-Skoda, Paul | Bah za klavirom? [Bach on the piano?] | [ce]KakIspolnjatBaha | 19-23 | |||||
133. | Badura-Skoda, Paul | El preludio en Mi bemol menor y la fuga en Re sostenido menor, del I Libro del Clave bien temperado, BWV 853: Un análisis para su interpretación. [The prelude in E-flat minor and the fugue in D-sharp minor from book I of Das wohltemperirte Clavier, BWV 853: A performer's analysis] Trans. Jaime Fatás Cabeza. | Quodlibet | 42 | 50-85 | ||||
134. | Badura-Skoda, Paul | En busca del tempo correcto en Bach. [Searching for the correct tempo in Bach] trans. by Miguel Ituarte. | Quodlibet | 36 | 112-133 | ||||
135. | Badura-Skoda, Paul | Interpreting Bach at the Keyboard. Trans. by Alfred Clayton. Oxford: Clarendon Press; New York: Oxford Univ. Press, 1993. xvi, 573p. ISBN: 0-19-816155-7. | xvi, 573p | ||||||
136. | Badura-Skoda, Paul | I vnov' o probleme: 'Klavesin ili roâl''. [And again to the problem: Keyboard or piano] trans. Marina Sergeevna Tolstobrova. | [ce]KakIspolnjatBaha | 23-30 | |||||
137. | Badura-Skoda, Paul | L'art de jouer Bach au clavier. [The art of playing Bach on the keyboard] Trans. by Marc Vignal. Paris: Buchet-Chastel, 1999. 638p. ISBN: 2-283-01736-X. (= Musique) | 638p | ||||||
138. | Badura-Skoda, Paul | Prelûdiâ es-moll: Predvaritel'nyj analiz. [The prelude E-flat minor: A preliminary analysis] trans. by Marina Sergeevna Tolstobrova. [BWV 853/1] | [ce]KakIspolnjatBaha | 173-187 | |||||
139. | Baggia, Aldo J. | In the footsteps of the young Johann Sebastian Bach. | Diapason | 92 | 7:1100 | 14-17 | |||
140. | Balaban, Mira; Ebcioglu, Kemal; Laske, Otto E. (eds.) | Understanding music with AI: Perspectives on music cognition. Cambridge, MA: MIT AAAI, 1992. xxxviii, 512p. ISBN: 0-262-52170-9. | [ce]UnderstandingMwithAI | xxxviii, 512p | |||||
141. | Balašova, I. | Barocnaja preljudija v istorii evoljucii žanra. [Das barocke Präludium in der Geschichte der Genreentwicklung] | MusitschneMisteztwo | 3 | 140-148 | [cr]Ukraine2000 | |||
142. | Balsiger, Max Ulrich | J. S. Bachs Kantaten als Schriftauslegung. Ein Beitrag zur Wertung der Bachschen Kantatentexte. | MGottesd | 19 | 4 | 86-94 | |||
143. | Bangert, Daniel; Fabian, Dorottya; Schubert, Emery | Doing without thinking? Aspects of musical decision-making revisited. | [cr]Vienna2013 | 201 | |||||
144. | Bangert, Daniel; Fabian, Dorottya; Schubert, Emery; Yeadon, Daniel | Performing solo Bach: a case study of musical decision-making. | MScientiae | 18 | 1 | 35-52 | |||
145. | Bania, Maria; Skowroneck, Tilman | Affective practices in mid-18th-century German music-making: reflections on C. P. E. Bach's advice to performers. | EarlyM | 48 | 2 | 193-203 | |||
146. | Baranova, Irina (ed.) | Donato musicologica. Petrozavodsk: Gosudarstvennaja Konservatorija, 1994. 145p. | [ce]DonatoMusicologica | 145p | |||||
147. | Baranova, Irina Nikolaevna | Kompozitorskaâ tehnika kak znak: Sbornik statej k 90-letiû so dnâ roždeniâ Ûzefa Gejmanovièa Kona—Materialy Ûbilejnoj nauènoj konferencii. [Compositional technique as a sign: Collection of articles on the 90th birthday of Ûzef Gejmanoviè Kon] - Petrozavodsk: Gosudarstvennaâ Konservatoriâ, 2010. 403p. ISBN: 5-904966-02-4; 978-5-904966-02-7. | [fs]Kon90 | 403p | Latin 2 | ||||
148. | Baranova, Tatjana | Iskusstvo fugi J. S. Bacha v ispolnenii organista S. Dižira. [Die Kunst der Fuge J. S. Bachs in der Darstellung des Organisten S. Dischir.] | MuzykalnajaZizn | 4 | 5 | ||||
149. | Baranova, Tatjana (ed.) | Starinnaja muzyka v kontekste sovremennoj kultury: Problemy interpretacii i istocnikovedenija. [Early music in the context of contemporary culture: Problems of interpretation and source studies] - Moskva: Gosudarstvennaja konservatorija imeni P I. Cajkovskogo, 1989. 573p. | [ce]StarinnajaMuzyka | 573p | |||||
150. | Barclay Squire, W. | Bach Society, The. | GroveDictionary(2) | 1 | 159-160 | ||||
151. | Barna, István | Johann Sebastian Bach életének kronikája. Budapest: Zenemûkiadó, 1974. 230p. (= Napról napra, 11) | NaprolNapra | 11 | 230p | Latin 2 | |||
152. | Barnett, Gregory; D'Ovidio, Antonella; La Via, Stefano (eds.) | Arcangelo Corelli fra mito e realtà storica: nuove prospettive d'indagine musicologica e interdisciplinare nel 350o anniversario della nascita atti del Congresso internazionale di studi, Fusignano, 11-14 settembre 2003, coord. by Gregory Barnett, Stefano la Via, Antonella de Ovidio, 2 vols. - Firenze, Italy: Leo S. Olschki, 2007, xxiv, 707p. ISBN: 88-222-5697-2; 978-88-222-5697-3. | HistMCultores | 111 | xxiv, 707p | ||||
153. | Barokku Ongaku Kenkyukai (The Society for the Study of Baroque Music in Japan) | Kyokai Kantata no Seiritsu to Tenkai -- Barokku Ongaku no Shoso. Studies of Baroque Music through Church Cantatas in Germany. [Origin and Development of Church Cantatas--aspects of Baroque Music.] - Tokyo: Academia Music, 1995. ix, 404p. ISBN-10: 487017063-9; ISBN-13: 978-487017063-6. | 404p | ||||||
154. | Baroni, Mario; Addessi, Anna Rita; Caterina, Roberto; Costa, Marco (eds.) | Proceedings of the 9th International Conference on Music Perception and Cognition (ICMPC). Bologna: Bononia University Press, 2006. ISBN: 88-7395-155-4. http://www.marcocosta.it/icmpc2006/proceedings.htm | [cr]ICMPC2006 | ||||||
155. | Barreiro Carabetta, Diego | La clavecinista Laura Dearmas...y su amor por el instrumento para el que escribió Juan Sebastián Bach. [The harpsichordist Laura Dearmas and her love for the instrument for which Johann Sebastian Bach composed] | Sinfonica | 6 | 66 | 24-25 | |||
156. | Barros, Nicolas de Souza | A adaptação da obra alaudística de Johann Sebastian Bach para alto guitar: Um modelo híbrido. [The adaptation of the lute works of Johann Sebastian Bach for alto guitar: A hybrid model] Mestrado, Performance practice: U. Federal do Rio de Janeiro, 1993. 2 vols. | diss. | ||||||
157. | Barsova, Inna Alekseevna | Bah--Šënberg: Dve horal'nye prelûdii I.S. Baha v orkestrovoj obrabotke A. Šënberga [Bach--Schoenberg: Two chorale preludes by J.S. Bach in orchestral arrangement by A. Schoenberg] | NaucnyeTrudy | 60 | 167-197 | ||||
158. | Barsova, Inna Alekseevna | Gustav Maler: Sûita iz orkestrovyh proizvedenij I. S. Baha. [Gustav Mahler: Suite from orchestral works of J. S. Bach] | NaucnyeTrudy | 44 | 213-230 | Latin 2 | |||
159. | Barsova, Inna Alekseevna; Viskova, Irina Vladimirovna (eds.) | Orkestr bez granic: Materialy nauènoj konferencii pamâti Û.A. Fortunatova. [Orchestra without borders: Proceedings of the scholarly conference in memoriam Û.A. Forunatov] - Moskva: Gosudarstvennaâ Konservatoriâ imeni P.I. Èajkovskogo, 2009. 272p. ISBN: 5-89598-205-0; 978-5-89598-205-1. | [fs]Forunatov | 272p | Latin 2 | ||||
160. | Bartha, Dénes | Bemerkungen zur Stilisierung der Volksmusik, besonders der polonaisen, bei Bach. | [fs]DBFeierLeipzig | 41-43 | |||||
161. | Bartha, Dénes | Bemerkungen zur Stilisierung der Volksmusik, besonders der Polonäsen, bei Bach. | [cr]Leipzig1950 | 416-419 | |||||
162. | Bartha, Dénes (ed.) | Bence Szabolcsi: septuagenario. Budapest: Akadémiai Kiadó; Kassel [u.a.]: Bärenreiter, 1969. 531p. (= Studia musicologica Academiae Scientiarum Hungaricae, 11) | StudMcolAcadSciHungaricae | 11 | 1-4 | 513p | [fs]Szabolcsi | ||
163. | Bartha, Dénes | Johann Sebastian Bach. Budapest: Gondolat, 1956. 272p. 2/1960, 3/1967. (= Kis zenei könyvtár, 13) - Budapest: Zenemûkiadó Vállalat, 1960, 382p. 3/1967 (erw. Aufl.), 394p. | 272p | Latin 2 | |||||
164. | Bartha, Dénes | Két Bach-Elemzés. Szemelvények a zenetörténet kézikönyvei sorozat most készülö 3. kötetéböl. [Zwei Bach-Analysen (BWV 1067, 1030). Auswahl aus dem 3. Band der Reihe Handbücher der Musikgeschichte (in Vorb.)] | Enekszo | 17 | 94 | 135-165 | |||
165. | Bates, William H. | J. S. Bach's Fantasy and Fugue in G Minor, BWV 542: A Source Study for Organists. | Bach | 39 | 2 | 1-89 | |||
166. | Batista, Antoni | Dietari d'un crític en excedència. Bach segons Portabella. | RevistaMCatalana | 25 | 283 | 10-11 | |||
167. | Batka, Richard | Johann Sebastian Bach. | Kunstwart | 13 | 20 | 277-281 | |||
168. | Batka, Richard (ed.) | Johann Sebastian Bachs Notenbüchlein für Anna Magdalena Bach (1725) / Johann Sebastian Bach. hrsg. vom Kunstwart. [Vorw.: Richard Batka] - München: Kunstwartverlag Callwey [1904]. 3, 124p. - 2 Aufl. 1906, 4. Aufl. 1921. [BWV 827, 830, BWV Anh. 113 - 116, 117a, 118, 119, 120-132 ; 691, 810, 811, 812, 515, 508, 988/1, 846, 812, 813/1-3, 516, 82/1+3, 514, 518, 452, 517, 509, 513] | 124p | ||||||
169. | Batka, Richard | J. S. Bach. von Richard Batka. - Leipzig: Reclam. 1892, 1893. 119p (= Musiker-Biographien, 15) | 119p | ||||||
170. | Bazzana, Kevin | Glenn Gould: The Performer in the Work: A Study in Performance Practice. Oxford: Clarendon Press, 1997. xxi, 297p. ISBN: 0-19-816656-7. | xxi, 297p | ||||||
171. | Bazzana, Kevin | Listening to Glenn Gould: Johann Sebastian Bach. | GlennGould | 6 | 1 | 9-16 | |||
172. | Bell, A. Craig | The great Mr. Handel. | MReview | 39 | 1 | 22-30 | |||
173. | Beller-McKenna, Catherine Pearson | The Voice of Luther's Church: Instrumental Cantus Firmus Chorales in Selected Cantatas by Johann Sebastian Bach. DMA diss, University of South Carolina, 1998. v, 97p (See Diss. Abstract 59/05-A, Nov. 1998, p.1384) | diss. | v, 97p | |||||
174. | Beller-McKenna, Daniel | Brahms' motet: Es ist das Heil uns kommen her and the 'innermost essence of music'. | BrahmsStud | 2 | 31-62 | ||||
175. | Beller-McKenna, Daniel | Evolving Meanings of the 'Bach Chorale' in the Sacred Music of Johannes Brahms. Paper read at American Bach Society, Biennial Meeting. University of California, Berkeley, April 12-14, 1996. | [p]ABS_California | ||||||
176. | Beller-McKenna, Daniel | Musical Homage vs. Cultural Criticism: Brahms's Motet Warum ist das Licht gegeben?, op. 74, no.1, and Bach's Cantata Gottes Zeit ist die allerbeste Zeit, BWV 106. A paper read at the Southeast Chapter of the American Musicological Society on 22-23 September 1995 at Appalachian State University. | [p]AMS_Southeast | ||||||
177. | Beller-McKenna, Daniel | The Great Warum? Job, Christ, and Bach in a Brahms Motet. | 19cM | 19 | 3 | 231-251 | |||
178. | Benda, Susanne | 'Aufs LautenWerk'. Bachs Lautenwerke auf der Gitarre. | FonoForum | 35 | 12 | 62-65 | |||
179. | Bennett, William Sterndale (ed.) | DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [10] VOL [1] [No. and Vol filled in by hand.] Ent. Sta. Hall. Price 1/6. Edited by W. Sterndale Bennett. [Header on music page on p.1:] BACH'S PRELUDE and FUGUE. No. 10. - London: Leader & Cock, 63, New Bond Street, corner of Brook Street [1861]. 1-5p [p.6 Catalogue thematique, vol.1 from No.1 to 12 (nos.10-12 blank)]. Pl.-Nr.: {L & C. 3229.}. [BWV 855] | WTC(Bennett) | 1 | 10 | 5p | |||
180. | Bennett, William Sterndale (ed.) | DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [11] VOL [1] [No. and Vol filled in by hand.] Ent. Sta. Hall. Price 1/6. Edited by W. Sterndale Bennett. [Header on music page on p.2:] BACH'S PRELUDE and FUGUE. No. 11. - London: Leader & Cock, 63, New Bond Street, corner of Brook Street [1861]. 2-5p [p.2 is back of TP; p.6 Catalogue thematique, vol.1 from No.1 to 12 (nos.10-12 blank)]. Pl.-Nr.: {L & C. 3230}. [BWV 856] | WTC(Bennett) | 1 | 11 | 5p | |||
181. | Bennett, William Sterndale (ed.) | DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [12] VOL [1] [No. and Vol filled in by hand.] Ent. Sta. Hall. Price 1/6. Edited by W. Sterndale Bennett. [Header on music page on p.2:] BACH'S PRELUDE and FUGUE. No. 12. - London: Leader & Cock, 63, New Bond Street, corner of Brook Street [1861]. 2-8p [p.2 is back of TP; p.9 blank; p.10 Catalogue thematique, vol.1 from No.1 to 12 (nos.10-12 blank)]. Pl.-Nr.: {L & C. 3231}. [BWV 857] | WTC(Bennett) | 1 | 12 | 8p | |||
182. | Bennett, William Sterndale (ed.) | DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [13] VOL [1] [No. and Vol filled in by hand.] Ent. Sta. Hall. Price 1/6. Edited by W. Sterndale Bennett. [Header on music page on p.1:] BACH'S PRELUDE and FUGUE. No. 13. - London: Leader & Cock, 63, New Bond Street, corner of Brook Street [1861]. 1-5p [p.6 Catalogue thematique, vol.1 from No.1 to 12 (nos.10-12 blank)]. Pl.-Nr.: {L & C. 3232}. [BWV 858] | WTC(Bennett) | 1 | 13 | 5p | |||
183. | Bennett, William Sterndale (ed.) | DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [14] VOL [1] [No. and Vol filled in by hand.] Ent. Sta. Hall. Price 1/6. Edited by W. Sterndale Bennett. [Header on music page on p.2:] BACH'S PRELUDE and FUGUE. No. 14. - London: Leader & Cock, 63, New Bond Street, corner of Brook Street [1861]. 2-6p [p.2 is back of TP; p.7 blank; p.8 Catalogue thematique, vol.1 from No.1 to 12 (nos.10-12 blank)]. Pl.-Nr.: {L & C. 3233}. [BWV 859] | WTC(Bennett) | 1 | 14 | 6p | |||
184. | Bennett, William Sterndale (ed.) | DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [15] VOL [1] [No. and Vol filled in by hand.] Ent. Sta. Hall. Price 1/6. Edited by W. Sterndale Bennett. [Header on music page on p.2:] BACH'S PRELUDE and FUGUE. No. 15. - London: Leader & Cock, 63, New Bond Street, corner of Brook Street [c.1860]. [p.1 blank] 2-8p. Pl.-Nr.: {L & C. 3234.}. [BWV 860] | WTC(Bennett) | 1 | 15 | 8p | |||
185. | Bennett, William Sterndale (ed.) | DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [16] VOL [1] [No. and Vol filled in by hand.] Ent. Sta. Hall. Price 1/6. Edited by W. Sterndale Bennett. [Header on music page on p.2:] BACH'S PRELUDE AND FUGUE. No. 16(Vol:1.) - London: Leader & Cock, 63, New Bond Street, corner of Brook Street [1855]. [p.1 blank] 2-5p [p.6 blank]. Pl.-Nr.: L. & C. 2279. [BWV 861] | WTC(Bennett) | 1 | 16 | 5p | |||
186. | Bennett, William Sterndale (ed.) | DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [17] VOL [1] [No. and Vol filled in by hand.] Ent. Sta. Hall. Price 1/6. Edited by W. Sterndale Bennett. [Header on music page on p.2:] BACH'S PRELUDE and FUGUE. No. 17. - London: Leader & Cock, 63, New Bond Street, corner of Brook Street [1861]. 2-6p [p.2 is back of TP; p.7 blank; p.8 Catalogue thematique, vol.1 from No.1 to 12 (nos.10-12 blank)]. Pl.-Nr.: {L & C. 3235}. [BWV 862] | WTC(Bennett) | 1 | 17 | 6p | |||
187. | Bennett, William Sterndale (ed.) | DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [18] VOL [1] [No. and Vol filled in by hand.] Ent. Sta. Hall. Price 1/6. Edited by W. Sterndale Bennett. [Header on music page on p.2:] BACH'S PRELUDE and FUGUE. No. 18. - London: Leader & Cock, 63, New Bond Street, corner of Brook Street [1861]. 2-6p [p.2 is back of TP; p.7 blank; p.8 Catalogue thematique, vol.1 from No.1 to 12 (nos.10-12 blank)]. Pl.-Nr.: {L & C . 3236}. [BWV 863] | WTC(Bennett) | 1 | 18 | 6p | |||
188. | Bennett, William Sterndale (ed.) | DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [19] VOL [1] [No. and Vol filled in by hand.] Ent. Sta. Hall. Price 1/6. Edited by W. Sterndale Bennett. [Header on music page on p.2:] BACH'S PRELUDE and FUGUE. No. 19. - London: Leader & Cock, 63, New Bond Street, corner of Brook Street [1861]. 2-7p [p.2 is back of TP; p.8 Catalogue thematique, vol.1 from No.1 to 12 (nos.10-12 blank)]. Pl.-Nr.: {L & C. 3237}. [BWV 864] | WTC(Bennett) | 1 | 19 | 7p | |||
189. | Bennett, William Sterndale (ed.) | DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [1] VOL [1]. [No. and Vol filled in by hand.] Ent. Sta. Hall. Price 1/6. Edited by W. Sterndale Bennett. [Header on music page on p.2:] BACH'S PRELUDE AND FUGUE. No. 1. (Vol. 1.) - London: Leader & Cock, 63, New Bond Street, corner of Brook Street [1852]. [p.1 blank] 2-7p [p.8 blank]. Pl.-Nr.: L & C 1407. [BWV 846 - tempo mark 'Moderato' at start of the prelude; the prelude includes the Schwencke bar.] | WTC(Bennett) | 1 | 1 | 7p | |||
190. | Bennett, William Sterndale (ed.) | DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [20] VOL [1] [No. and Vol filled in by hand.] Ent. Sta. Hall. Price 1/6. Edited by W. Sterndale Bennett. [Header on music page on p.2:] BACH'S PRELUDE and FUGUE. No. 20. - London: Leader & Cock, 63, New Bond Street, corner of Brook Street [1861]. 2-9p [p.2 is back of TP; p.10 Catalogue thematique, vol.1 from No.1 to 12 (nos.10-12 blank)]. Pl.-Nr.: {L & C. 3238}. [BWV 865] | WTC(Bennett) | 1 | 20 | 9p | |||
191. | Bennett, William Sterndale (ed.) | DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [21] VOL [1] [No. and Vol filled in by hand.] Ent. Sta. Hall. Price 1/6. Edited by W. Sterndale Bennett. [Header on music page on p.2:] BACH'S PRELUDE and FUGUE. No. 21. - London: Leader & Cock, 63, New Bond Street, corner of Brook Street [c.1860]. 2-6p [p.2 is back of TP; p.7 blank; p.8 Catalogue thematique, vol.1 from No.1 to 12 (nos.10-12 blank)]. Pl.-Nr.: {L & C. 3239}. [BWV 866] | WTC(Bennett) | 1 | 21 | 6p | |||
192. | Bennett, William Sterndale (ed.) | DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [22] VOL [1] [No. and Vol filled in by hand.] Ent. Sta. Hall. Price 1/6. Edited by W. Sterndale Bennett. [Header on music page on p.1:] BACH'S PRELUDE AND FUGUE. No. 22. (Vol:1.) - London: Leader & Cock, 63, New Bond Street, corner of Brook Street [1855]. 1-5p [p.6 blank]. Pl.-Nr.: L. & C. 2280. [BWV 867] | WTC(Bennett) | 1 | 22 | 5p | |||
193. | Bennett, William Sterndale (ed.) | DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [23] VOL [1] [No. and Vol filled in by hand.] Ent. Sta. Hall. Price 1/6. Edited by W. Sterndale Bennett. [Header on music page on p.2:] BACH'S PRELUDE and FUGUE. No. 23. - London: Leader & Cock, 63, New Bond Street, corner of Brook Street [1861]. 2-6p [p.2 is back of TP; p.7 blank; p.8 Catalogue thematique, vol.1 from No.1 to 12 (nos.10-12 blank)]. Pl.-Nr.: {L & C. 3240}. [BWV 868] | WTC(Bennett) | 1 | 23 | 6p | |||
194. | Bennett, William Sterndale (ed.) | DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [24] VOL [1] [No. and Vol filled in by hand.] Ent. Sta. Hall. Price 1/6. Edited by W. Sterndale Bennett. [Header on music page on p.2:] BACH'S PRELUDE and FUGUE. No. 19. - London: Leader & Cock, 63, New Bond Street, corner of Brook Street [c.1860]. [p.1 blank] 2-8p [p.9 blank; p.10 Catalogue thematique, vol.1 from No.1 to 12 (nos.10-12 blank)]. Pl.-Nr.: {L & C. 3241}. [BWV 869] | WTC(Bennett) | 1 | 24 | 8p | |||
195. | Bennett, William Sterndale (ed.) | DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. 25. (Vol.2) Ent. Sta. Hall. Price 2/. Edited by W. Sterndale Bennett. [Header on music page on p.2:] BACH'S PRELUDE AND FUGUE. No. 25. (Vol. 2.) - London: Lamborn Cock, Addison & Co. (late Leader & Cock), 62 & 63, New Bond Street, corner of Brook Street [1866]. [back of TP and p.1 blank] 2-5p [p.6 Catalogue thematique, vol.1 from No.1 to 12 (nos.10-12 blank)]. Pl.-Nr.: {L.C & Co. 3825.}. [BWV 870] | WTC(Bennett) | 2 | 1 | 5p | |||
196. | Bennett, William Sterndale (ed.) | DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [26]. VOL [2] [No. and Vol filled in by hand.] Ent. Sta. Hall. Price 1/6. Edited by W. Sterndale Bennett. [Header on music page on p.2:] BACH'S PRELUDE AND FUGUE. No. 26 Vol. 2. - London: Leader & Cock, 63, New Bond Street, corner of Brook Street [1852]. [p.1 blank] 2-5p [p.6 blank]. Pl.-Nr.: L & C 1409. [BWV 871] | WTC(Bennett) | 2 | 2 | 5p | |||
197. | Bennett, William Sterndale (ed.) | DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. 27. (Vol.2) Ent. Sta. Hall. Price 2/. Edited by W. Sterndale Bennett. [Header on music page on p.2:] BACH'S PRELUDE AND FUGUE. No. 27. (Vol: 2.) - London: Lamborn Cock, Addison & Co. (late Leader & Cock), 62 & 63, New Bond Street, corner of Brook Street [1866]. [back of TP and p.1 blank] 2-5p [p.6 Catalogue thematique, vol.1 from No.1 to 12 (nos.10-12 blank)].Pl.-Nr.: {L.C & Co. 3826.}. [BWV 872] | WTC(Bennett) | 2 | 3 | 5p | |||
198. | Bennett, William Sterndale (ed.) | DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. 28. (Vol.2) Ent. Sta. Hall. Price 2/. Edited by W. Sterndale Bennett. [Header on music page on p.2:] BACH'S PRELUDE AND FUGUE. No. 28. (Vol. 2.) - London: Lamborn Cock, Addison & Co. (late Leader & Cock), 62 & 63, New Bond Street, corner of Brook Street [1866]. 2-9p [p.2 back of TP; p.10 Catalogue thematique, vol.1 from No.1 to 12 (nos.10-12 blank)].Pl.-Nr.: {L.C & Co. 3827.}. [BWV 873] | WTC(Bennett) | 2 | 4 | 9p | |||
199. | Bennett, William Sterndale (ed.) | DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [2] VOL [1] [No. and Vol filled in by hand.] Ent. Sta. Hall. Price 1/6. Edited by W. Sterndale Bennett. [Header on music page on p.1:] BACH'S PRELUDE AND FUGUE. No. 2. (Vol. 1.) - London: Leader & Cock, 63, New Bond Street, corner of Brook Street [1852]. 1-5p [p.6 blank]. Pl.-Nr.: L & C 1408. [BWV 847 - tempo mark 'Allegro' at the start of the prelude] | WTC(Bennett) | 1 | 2 | 5p | |||
200. | Bennett, William Sterndale (ed.) | DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [31] VOL [2]. [No. and Vol filled in by hand.] Ent. Sta. Hall. Price 1/6. Edited by W. Sterndale Bennett. [Header on music page on p.1:] BACH'S PRELUDE AND FUGUE. No. 31. (Vol: 2.) - London: Leader & Cock, 63, New Bond Street, corner of Brook Street [1852]. 1-5p [p.6 blank]. Pl.-Nr.: L & C 1410. [BWV 876] | WTC(Bennett) | 2 | 7 | 5p | |||
201. | Bennett, William Sterndale (ed.) | DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [33] VOL [2]. [No. and Vol filled in by hand.] Ent. Sta. Hall. Price [1]/[6] [filled by hand]. Edited by W. Sterndale Bennett. [Header on music page on p.1:] BACH'S PRELUDE AND FUGUE. No. 33. (Vol: 2.) - London: Leader & Cock, 63, New Bond Street, corner of Brook Street [1852]. 1-5p [p.6 blank]. Pl.-Nr.: L & C 1404. [BWV 878] | WTC(Bennett) | 2 | 9 | 5p | |||
202. | Bennett, William Sterndale (ed.) | DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [36] VOL [2] [No. and Vol filled in by hand.] Ent. Sta. Hall. Price 1/6. Edited by W. Sterndale Bennett. [Header on music page on p.1:] BACH'S PRELUDE AND FUGUE. No. 36 .(Vol: 2.) - London: Leader & Cock, 63, New Bond Street, corner of Brook Street [1855]. 1-7p [p.8 blank]. Pl.-Nr.: L. & C. 2281. [BWV 881] | WTC(Bennett) | 2 | 12 | 7p | |||
203. | Bennett, William Sterndale (ed.) | DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [39] VOL [2] [No. and Vol filled in by hand.] Ent. Sta. Hall. Price 1/6. Edited by W. Sterndale Bennett. [Header on music page on p.1:] BACH'S PRELUDE AND FUGUE. No. 39. (Vol: 2.) - London: Leader & Cock, 63, New Bond Street, corner of Brook Street [1855]. 1-5p [p.6 blank]. Pl.-Nr.: L. & C. 2282. [BWV 884] | WTC(Bennett) | 2 | 15 | 5p | |||
204. | Bennett, William Sterndale (ed.) | DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [3] VOL [1] [No. and Vol filled in by hand.] Ent. Sta. Hall. Price 1/6. Edited by W. Sterndale Bennett. [Header on music page on p.2:] BACH'S PRELUDE and FUGUE. No. 3. - London: Leader & Cock, 63, New Bond Street, corner of Brook Street [1861]. [p.1 blank] 2-9p [p.10 Catalogue thematique, vol.1 from No.1 to 12 (nos.10-12 blank)]. Pl.-Nr.: {L & C.3223}. [BWV 848] | WTC(Bennett) | 1 | 3 | 9p | |||
205. | Bennett, William Sterndale (ed.) | DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [41] VOL [2] [No. and Vol filled in by hand.] Ent. Sta. Hall. Price 1/6. Edited by W. Sterndale Bennett. [Header on music page on p.1:] BACH'S PRELUDE AND FUGUE. No. 41. (Vol: 2.) - London: Leader & Cock, 63, New Bond Street, corner of Brook Street [1855]. 1-9p [p.10 blank]. Pl.-Nr.: L. & C. 2283. [BWV 886] | WTC(Bennett) | 2 | 17 | 9p | |||
206. | Bennett, William Sterndale (ed.) | DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [48] VOL [2]. [No. and Vol filled in by hand.] Ent. Sta. Hall. Price 1/6. Edited by W. Sterndale Bennett. [Header on music page on p.1:] BACH'S PRELUDE AND FUGUE. No. 48 (Vol. 2.) - London: Leader & Cock, 63, New Bond Street, corner of Brook Street [1852]. 1-6p Pl.-Nr.: L & C 1411. [BWV 893] | WTC(Bennett) | 2 | 24 | 6p | |||
207. | Bennett, William Sterndale (ed.) | DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [4] VOL [1] [No. and Vol filled in by hand.] Ent. Sta. Hall. Price 1/6. Edited by W. Sterndale Bennett. [Header on music page on p.1:] BACH'S PRELUDE and FUGUE. No. 4. - London: Leader & Cock, 63, New Bond Street, corner of Brook Street [1861]. 1-7p [p.8 Catalogue thematique, vol.1 from No.1 to 12 (nos.10-12 blank)]. Pl.-Nr.: {L & C.3224}. [BWV 849] | WTC(Bennett) | 1 | 4 | 7p | |||
208. | Bennett, William Sterndale (ed.) | DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [5] VOL [1] [No. and Vol filled in by hand.] Ent. Sta. Hall. Price 1/6. Edited by W. Sterndale Bennett. [Header on music page on p.1:] BACH'S PRELUDE AND FUGUE. No. 5. (Vol: 1) - London: Leader & Cock, 63, New Bond Street, corner of Brook Street [1855]. 1-5p [p.6 blank]. Pl.-Nr.: L. & C. 2278. [BWV 850] | WTC(Bennett) | 1 | 5 | 5p | |||
209. | Bennett, William Sterndale (ed.) | DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [6] VOL [1] [No. and Vol filled in by hand.] Ent. Sta. Hall. Price 1/6. Edited by W. Sterndale Bennett. [Header on music page on p.2:] BACH'S PRELUDE and FUGUE. No. 6. - London: Leader & Cock, 63, New Bond Street, corner of Brook Street [1861]. [p.1 blank] 2-5p [p.6 Catalogue thematique, vol.1 from No.1 to 12 (nos.10-12 blank)]. Pl.-Nr.: {L & C. 3225}. [BWV 851] | WTC(Bennett) | 1 | 6 | 5p | |||
210. | Bennett, William Sterndale (ed.) | DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [7] VOL [1] [No. and Vol filled in by hand.] Ent. Sta. Hall. Price 1/6. Edited by W. Sterndale Bennett. [Header on music page on p.1:] BACH'S PRELUDE and FUGUE. No. 7. - London: Leader & Cock, 63, New Bond Street, corner of Brook Street [1861]. 1-7p [p.8 Catalogue thematique, vol.1 from No.1 to 12 (nos.10-12 blank)]. Pl.-Nr.: {L & C. 3226.}. [BWV 852] | WTC(Bennett) | 1 | 7 | 7p | |||
211. | Bennett, William Sterndale (ed.) | DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [8] VOL [1] [No. and Vol filled in by hand.] Ent. Sta. Hall. Price 1/6. Edited by W. Sterndale Bennett. [Header on music page on p.1:] BACH'S PRELUDE AND FUGUE. No. 8. - London: Leader & Cock, 63, New Bond Street, corner of Brook Street [1861]. 1-7p [p.8 Catalogue thematique, vol.1 from No.1 to 12 (nos.10-12 blank)]. Pl.-Nr.: {L & C. 3227.}. [BWV 853] | WTC(Bennett) | 1 | 8 | 7p | |||
212. | Bennett, William Sterndale (ed.) | DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [9] VOL [1] [No. and Vol filled in by hand.] Ent. Sta. Hall. Price 1/6. Edited by W. Sterndale Bennett. [Header on music page on p.2:] BACH'S PRELUDE and FUGUE. No. 9. - London: Leader & Cock, 63, New Bond Street, corner of Brook Street [1861]. [p.1 blank] 2-5p [p.6 Catalogue thematique, vol.1 from No.1 to 12 (nos.10-12 blank)]. Pl.-Nr.: {L & C. 3228}. [BWV 854] | WTC(Bennett) | 1 | 9 | 5p | |||
213. | Bennett, William Sterndale (ed.) | DAS WOHLTEMPERIRTE CLAVIER. Forty Eight PRELUDES and FUGUES, Composed by John Sebastian Bach. Part I. Edited by W. Sterndale Bennett. In two parts. Price 15/. each. - London: Leader & Cock, 62 & 63 New Bond Street, Corner of Brook Street [c.1860]. 2 vols. 136p. Pl.-Nr.: L. & C. 1407 - L. & C. 1408; L. & C. 2278 - L. & C. 2280; L. & C. 3223 - L. & C. 3241. (= The Students Edition.) [BWV 846-869] | WTC(Bennett) | 1 | 136p | ||||
214. | Bennett, William Sterndale (ed.) | Grosse Passions-Musik, (according to the Gospel of St. Matthew) / composed by John Sebastian Bach. The English translation & adaptation by Miss H.F.H. Johnston ; the whole edited and revised by William Sterndale Bennett. [Cover title: J.S. Bach's Grosse Passions-Musik.] - London: Lamborn Cock, Hutchings & Co., [1862]. [i] (List of Subscribers), [iii] (Preface by the Editor), [v] (contents), 1-159p. Pl.-Nr.: L&C 2943. [BWV 244] | 159p | ||||||
215. | Bennett, William Sterndale (ed.) | The passion of our Lord (according to S. Matthew) set to music by John Sebastian Bach The English translation and adaptation by Miss H.F.H. Johnston ; edited by Professor W. Sterndale Bennett. [Preface dated 1862; with an additional essay by G.A. Macfarren, dated 1871 (xv p.)] - London: Novello, Ewer and Co.: Lamborn Cock and Co., [1872], xv, viii, 187p. Pl.-Nr.: Bach's Passion Music - Novello, Ewer and Co's Octavo Edition. [BWV 244] | xv, viii, 187p | ||||||
216. | Bennett, William Sterndale; Goldschmidt, Otto (eds.) | The chorale book for England: a complete hymn-book for public and private worship, in accordance with the services and festivals of the Church of England. The hymns from the Lyra Germanica and other sources, translated by Catherine Winkworth ; The tunes from the sacred music of the Lutheran, Latin, and other churches, for four voices, with historical notes, etc., etc. compiled and edited by William Sterndale Bennett ... and Otto Goldschmidt. - London: Longman, Green, Longman, Roberts, and Green 1863. - repr? 1865. xv [497]p. | 497p | ||||||
217. | Bennett, William Sterndale; Westlake, Frederick (eds.) | BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 1. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - [London: Ashdown & Parry, Hanover Square, 1876] - repr. London: Edwin Ashdown (Limited) ; New York: Percy Ashdown ; Toronto: Sydney Ashdown [c.1900] 2-7p [p.8 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 1. (A & P. No. 14,531.) [BWV 846] [Based on Leader & Cock edition, but new engraving removing the Schwencke bar from the prelude.] | WTC(Bennett-Westlake) | 1 | 7p | ||||
218. | Bennett, William Sterndale; Westlake, Frederick (eds.) | BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 10. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - [London: Ashdown & Parry, Hanover Square, 1876]. - repr. London: Edwin Ashdown (Limited) Hanover Square, [c.1900] [p.1 blank] 1-5p [p.6 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 10. (A & P. No. 14,540.) [BWV 855] [Based on Leader & Cock edition] | WTC(Bennett-Westlake) | 10 | 5p | ||||
219. | Bennett, William Sterndale; Westlake, Frederick (eds.) | BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 11. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - [London: Ashdown & Parry, Hanover Square, 1876] - repr. London, New York, Toronto: Edwin Ashdown (Limited) [c.1900] [p.1 blank] 2-5p [p.6 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 11. (A & P. No. 14,541.) [BWV 856] [Based on Leader & Cock edition] | WTC(Bennett-Westlake) | 11 | 5p | ||||
220. | Bennett, William Sterndale; Westlake, Frederick (eds.) | BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 12. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - [London: Ashdown & Parry, Hanover Square, 1876] - repr. London: Edwin Ashdown (Limited) Hanover Square [c.1900] 2-7p [p.8 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 12. (A & P. No. 14,542.) [BWV 857] [Based on Leader & Cock edition] | WTC(Bennett-Westlake) | 12 | 7p | ||||
221. | Bennett, William Sterndale; Westlake, Frederick (eds.) | BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 13. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - [London: Ashdown & Parry, Hanover Square, 1876] - repr. London: Edwin Ashdown, Hanover Square [c.1900] 1-5p [p.6 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 13. (A & P. No. 14,543.) [BWV 858] [Based on Leader & Cock edition] | WTC(Bennett-Westlake) | 13 | 5p | ||||
222. | Bennett, William Sterndale; Westlake, Frederick (eds.) | BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 14. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - [London: Ashdown & Parry, Hanover Square, 1876] - repr. London: Edwin Ashdown (Limited) ; New York: Percy Ashdown ; Toronto: Sydney Ashdown [c.1900] [p.1 blank] 2-6p [p,7 blank; p.8 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 14. (A & P. No. 14,544.) [BWV 859] [Based on Leader & Cock edition] | WTC(Bennett-Westlake) | 14 | 6p | ||||
223. | Bennett, William Sterndale; Westlake, Frederick (eds.) | BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 15. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - [London: Ashdown & Parry, Hanover Square, 1876] - repr. London, New York, Toronto: Edwin Ashdown (Limited) [c.1900] [p.1 blank] 2-8p [p.9 blank; p.10 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 15. (A & P. No. 14,545.) [BWV 860] [Based on Leader & Cock edition] | WTC(Bennett-Westlake) | 15 | 8p | ||||
224. | Bennett, William Sterndale; Westlake, Frederick (eds.) | BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 16. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - [London: Ashdown & Parry, Hanover Square, 1876] - repr. London, New York, Toronto: Edwin Ashdown (Limited) [c.1900] [p.1 blank] 2-5p [p.6 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 16 (A & P. No. 14,546.) [BWV 861] [Based on Leader & Cock edition] | WTC(Bennett-Westlake) | 16 | 5p | ||||
225. | Bennett, William Sterndale; Westlake, Frederick (eds.) | BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 17. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - [London: Ashdown & Parry, Hanover Square, 1876] - repr. London: Edwin Ashdown (Limited) ; New York: Percy Ashdown ; Toronto: Sydney Ashdown [c.1900] 2-6p [p.7 blank; p.8 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 17. (A & P. No. 14,547.) [BWV 862] [Based on Leader & Cock edition] | WTC(Bennett-Westlake) | 17 | 6p | ||||
226. | Bennett, William Sterndale; Westlake, Frederick (eds.) | BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 18. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - [London: Ashdown & Parry, Hanover Square, 1876] - repr. London: Edwin Ashdown, Hanover Square [c.1900] [p.1 blank] 2-6p [p.7 blank; p.8 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 18. (A & P. No. 14,548.) [BWV 863] [Based on Leader & Cock edition] | WTC(Bennett-Westlake) | 18 | 6p | ||||
227. | Bennett, William Sterndale; Westlake, Frederick (eds.) | BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 19. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - [London: Ashdown & Parry, Hanover Square, 1876] - repr. London: Edwin Ashdown, Hanover Square [c.1900] 2-7p [p.8 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 19. (A & P. No. 14,549.) [BWV 864] [Based on Leader & Cock edition] | WTC(Bennett-Westlake) | 19 | 7p | ||||
228. | Bennett, William Sterndale; Westlake, Frederick (eds.) | BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 2. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - [London: Ashdown & Parry, Hanover Square, 1876] - repr. London: Edwin Ashdown, Hanover Square [c.1900] 1-5p [p.6 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 2. (A & P. No. 14,532.) [BWV 847] [Based on Leader & Cock edition] | WTC(Bennett-Westlake) | 2 | 5p | ||||
229. | Bennett, William Sterndale; Westlake, Frederick (eds.) | BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 20. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. - London: Ashdown & Parry, Hanover Square, [1876] [p.1 blank] 2-9p [p.10 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 20. (A & P. No. 14,550.) - repr. London: Edwin Ashdown, New York: Percy Ashdown, Toronto: Sydney Ashdown [c.1900] [BWV 865] [Based on Leader & Cock edition; BL copy has stamp '15 76 APR' on p.[10]] | WTC(Bennett-Westlake) | 20 | 9p | ||||
230. | Bennett, William Sterndale; Westlake, Frederick (eds.) | BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 21. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - [London: Ashdown & Parry, Hanover Square, 1876] - repr. London, New York, Toronto: Edwin Ashdown (Limited) [c.1900] [p.1 blank] 2-5p [p.6 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 21. (A & P. No. 14,551.) [BWV 866] [Based on Leader & Cock edition] | WTC(Bennett-Westlake) | 21 | 5p | ||||
231. | Bennett, William Sterndale; Westlake, Frederick (eds.) | BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 22. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - [London: Ashdown & Parry, Hanover Square, 1876] - repr. London: Edwin Ashdown, Hanover Square [c.1900] 1-5p [p.6 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 22. (A & P. No. 14,552.) [BWV 867] [Based on Leader & Cock edition] | WTC(Bennett-Westlake) | 22 | 5p | ||||
232. | Bennett, William Sterndale; Westlake, Frederick (eds.) | BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 23. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - [London: Ashdown & Parry, Hanover Square, 1876] - repr. London: Edwin Ashdown, Hanover Square [c.1900] 2-6p [p.7 blank; p.8 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 23. (A & P. No. 14,553.) [BWV 868] [Based on Leader & Cock edition] | WTC(Bennett-Westlake) | 23 | 6p | ||||
233. | Bennett, William Sterndale; Westlake, Frederick (eds.) | BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 24. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - [London: Ashdown & Parry, Hanover Square, 1876] - repr. London, New York, Toronto: Edwin Ashdown (Limited) [c.1900] [p.1 blank] 2-9p [p.10 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 24. (A & P. No. 14,554.) [BWV 869] [Based on Leader & Cock edition] | WTC(Bennett-Westlake) | 24 | 9p | ||||
234. | Bennett, William Sterndale; Westlake, Frederick (eds.) | BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 25. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - [London: Ashdown & Parry, Hanover Square, 1876] - repr. London: Edwin Ashdown, Hanover Square [c.1900] [p.1 blank] 2-5p [p.6 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 25. (A & P. No. 14,555.) [BWV 870] [Based on Leader & Cock edition] | WTC(Bennett-Westlake) | 25 | 5p | ||||
235. | Bennett, William Sterndale; Westlake, Frederick (eds.) | BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 26. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - [London: Ashdown & Parry, Hanover Square, 1876] - repr. London: Edwin Ashdown (Limited) ; New York: Percy Ashdown ; Toronto: Sydney Ashdown [c.1900] [p.1 blank] 2-5p [p.6 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 26. (A & P. No. 14,556.) [BWV 871] [Based on Leader & Cock edition] | WTC(Bennett-Westlake) | 26 | 5p | ||||
236. | Bennett, William Sterndale; Westlake, Frederick (eds.) | BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 27. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - London: Ashdown & Parry, Hanover Square, [1876]. [p.1 blank] 2-5p [p.6 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 27. (A & P. No. 14,557.) [BWV 872] [Based on Leader & Cock edition] | WTC(Bennett-Westlake) | 27 | 5p | ||||
237. | Bennett, William Sterndale; Westlake, Frederick (eds.) | BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 28. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - [London: Ashdown & Parry, Hanover Square, 1876] - repr. London, New York, Toronto: Edwin Ashdown (Limited) [c.1900] [p.1 blank] 2-9p [p.10 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 28. (A & P. No. 14,558.) [BWV 873] [Based on Leader & Cock edition] | WTC(Bennett-Westlake) | 28 | 9p | ||||
238. | Bennett, William Sterndale; Westlake, Frederick (eds.) | BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 29. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - [London: Ashdown & Parry, Hanover Square, 1876] - repr. London: Edwin Ashdown, Hanover Square [c.1900] 1-7p [p.8 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 29. (A & P. No. 14,559.) [BWV 874] [Based on Leader & Cock edition] | WTC(Bennett-Westlake) | 29 | 7p | ||||
239. | Bennett, William Sterndale; Westlake, Frederick (eds.) | BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 3. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - [London: Ashdown & Parry, Hanover Square, 1876] - repr. London: Edwin Ashdown (Limited) ; New York: Percy Ashdown ; Toronto: Sydney Ashdown [c.1900] [p.1 blank] 2-9p [p.10 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 3. (A & P. No. 14,533.) [BWV 848] [Based on Leader & Cock edition] | WTC(Bennett-Westlake) | 3 | 9p | ||||
240. | Bennett, William Sterndale; Westlake, Frederick (eds.) | BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 30. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - [London: Ashdown & Parry, Hanover Square, 1876] - repr. London: Edwin Ashdown, Hanover Square [c.1900] 1-5p [p.6 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 30. (A & P. No. 14,560.) [BWV 875] [Based on Leader & Cock edition] | WTC(Bennett-Westlake) | 30 | 5p | ||||
241. | Bennett, William Sterndale; Westlake, Frederick (eds.) | BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 31. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - [London: Ashdown & Parry, Hanover Square, 1876] - repr. London, New York, Toronto: Edwin Ashdown (Limited) [c.1900] 1-5p [p.6 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 31. (A & P. No. 14,561.) [BWV 876] [Based on Leader & Cock edition] | WTC(Bennett-Westlake) | 31 | 5p | ||||
242. | Bennett, William Sterndale; Westlake, Frederick (eds.) | BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 32. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - [London: Ashdown & Parry, Hanover Square, 1876] - repr. London, New York, Toronto: Edwin Ashdown (Limited) [c.1900] 2-7p [p.8 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 32. (A & P. No. 14,562.) [BWV 877] [Based on Leader & Cock edition] | WTC(Bennett-Westlake) | 32 | 7p | ||||
243. | Bennett, William Sterndale; Westlake, Frederick (eds.) | BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 33. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - [London: Ashdown & Parry, Hanover Square, 1876] - repr. London, New York, Toronto: Edwin Ashdown (Limited) [c.1900] [p.1 blank] 2-5p [p.6 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 33. (A & P. No. 14,563.) [BWV 878] [Based on Leader & Cock edition] | WTC(Bennett-Westlake) | 33 | 5p | ||||
244. | Bennett, William Sterndale; Westlake, Frederick (eds.) | BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 34. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - [London: Ashdown & Parry, Hanover Square, 1876] - repr. London: Edwin Ashdown (Limited) Hanover Square [c.1900] [p.1 blank] 2-9p [p.10 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 34. (A & P. No. 14,564.) [BWV 879] [Based on Leader & Cock edition] | WTC(Bennett-Westlake) | 34 | 9p | ||||
245. | Bennett, William Sterndale; Westlake, Frederick (eds.) | BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 35. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - [London: Ashdown & Parry, Hanover Square, 1876] - repr. London: Edwin Ashdown (Limited) Hanover Square [c.1900] 1-9p [p.10 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 35. (A & P. No. 14,565.) [BWV 880] [Based on Leader & Cock edition] | WTC(Bennett-Westlake) | 35 | 9p | ||||
246. | Bennett, William Sterndale; Westlake, Frederick (eds.) | BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 36. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - [London: Ashdown & Parry, Hanover Square, 1876] - repr. London: Edwin Ashdown (Limited) ; New York: Percy Ashdown ; Toronto: Sydney Ashdown [c.1900] 1-7p [p.8 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 36. (A & P. No. 14,566.) [BWV 881] [Based on Leader & Cock edition] | WTC(Bennett-Westlake) | 36 | 7p | ||||
247. | Bennett, William Sterndale; Westlake, Frederick (eds.) | BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 37. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - [London: Ashdown & Parry, Hanover Square, 1876] - repr. London: Edwin Ashdown, Hanover Square [c.1900] [p.1 blank] 2-9p [p.10 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 37. (A & P. No. 14,567.) [BWV 882] [Based on Leader & Cock edition] | WTC(Bennett-Westlake) | 37 | 9p | ||||
248. | Bennett, William Sterndale; Westlake, Frederick (eds.) | BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 38. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - [London: Ashdown & Parry, Hanover Square, 1876] - repr. London: Edwin Ashdown, Hanover Square [c.1900] 2-7p [p.8 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 38. (A & P. No. 14,568.) [BWV 883] [Based on Leader & Cock edition] | WTC(Bennett-Westlake) | 38 | 7p | ||||
249. | Bennett, William Sterndale; Westlake, Frederick (eds.) | BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 39. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - [London: Ashdown & Parry, Hanover Square, 1876] - repr. London: Edwin Ashdown, Hanover Square [c.1900] 1-5p [p.6 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 39. (A & P. No. 14,569.) [BWV 884] [Based on Leader & Cock edition] | WTC(Bennett-Westlake) | 39 | 5p | ||||
250. | Bennett, William Sterndale; Westlake, Frederick (eds.) | BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 4. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - [London: Ashdown & Parry, Hanover Square, 1876] - repr. London: Edwin Ashdown (Limited) ; New York: Percy Ashdown ; Toronto: Sydney Ashdown [c.1900] 1-7p [p.8 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 4. (A & P. No. 14,534.) [BWV 849] [Based on Leader & Cock edition] | WTC(Bennett-Westlake) | 4 | 7p | ||||
251. | Bennett, William Sterndale; Westlake, Frederick (eds.) | BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 40. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - [London: Ashdown & Parry, Hanover Square, 1876] - repr. London, New York, Toronto: Edwin Ashdown (Limited) [c.1900] 2-7p [p.8 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 40. (A & P. No. 14,570.) [BWV 885] [Based on Leader & Cock edition] | WTC(Bennett-Westlake) | 40 | 7p | ||||
252. | Bennett, William Sterndale; Westlake, Frederick (eds.) | BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 41. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - [London: Ashdown & Parry, Hanover Square, 1876] - repr. London: Edwin Ashdown, Hanover Square [c.1900] 1-9p [p.10 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 41. (A & P. No. 14,571.) [BWV 886] [Based on Leader & Cock edition] | WTC(Bennett-Westlake) | 41 | 9p | ||||
253. | Bennett, William Sterndale; Westlake, Frederick (eds.) | BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 42. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - [London: Ashdown & Parry, Hanover Square, 1876] - repr. London: Edwin Ashdown, Hanover Square [c.1900] 1-7p [p.8 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 42. (A & P. No. 14,572.) [BWV 887] [Based on Leader & Cock edition] | WTC(Bennett-Westlake) | 42 | 7p | ||||
254. | Bennett, William Sterndale; Westlake, Frederick (eds.) | BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 43. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - [London: Ashdown & Parry, Hanover Square, 1876] - repr. London: Edwin Ashdown (Limited) ; New York: Percy Ashdown ; Toronto: Sydney Ashdown [c.1900] [p.1 blank] 2-5p [p.6 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 43. (A & P. No. 14,573.) [BWV 888] [Based on Leader & Cock edition] | WTC(Bennett-Westlake) | 43 | 5p | ||||
255. | Bennett, William Sterndale; Westlake, Frederick (eds.) | BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 44. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - [London: Ashdown & Parry, Hanover Square, 1876] - repr. London: Edwin Ashdown, Hanover Square [c.1900] 2-7p [p.8 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 44. (A & P. No. 14,574.) [BWV 889] [Based on Leader & Cock edition] | WTC(Bennett-Westlake) | 44 | 7p | ||||
256. | Bennett, William Sterndale; Westlake, Frederick (eds.) | BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 45. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - [London: Ashdown & Parry, Hanover Square, 1876] - repr. London: Edwin Ashdown, Hanover Square [c.1900] [p.1 blank] 2-9p [p.10 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 45. (A & P. No. 14,575.) [BWV 890] [Based on Leader & Cock edition] | WTC(Bennett-Westlake) | 45 | 9p | ||||
257. | Bennett, William Sterndale; Westlake, Frederick (eds.) | BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 46. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - [London: Ashdown & Parry, Hanover Square, 1876] - repr. London: Edwin Ashdown (Limited) ; New York: Percy Ashdown ; Toronto: Sydney Ashdown [c.1900] 1-7p [p.8 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 46. (A & P. No. 14,576.) [BWV 891] [Based on Leader & Cock edition] | WTC(Bennett-Westlake) | 46 | 7p | ||||
258. | Bennett, William Sterndale; Westlake, Frederick (eds.) | BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 47. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - London: Ashdown & Parry, Hanover Square, [1876] [p.1 blank] 2-9p [p.10 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 47. (A & P. No. 14,577.) [BWV 892] [Based on Leader & Cock edition] | WTC(Bennett-Westlake) | 47 | 9p | ||||
259. | Bennett, William Sterndale; Westlake, Frederick (eds.) | BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 48. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - [London: Ashdown & Parry, Hanover Square, 1876] - repr. London, New York, Toronto: Edwin Ashdown (Limited) [c.1900] 2-7p [p.8 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 48. (A & P. No. 14,578.) [BWV 893] [Based on Leader & Cock edition] | WTC(Bennett-Westlake) | 48 | 7p | ||||
260. | Bennett, William Sterndale; Westlake, Frederick (eds.) | BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 5. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - [London: Ashdown & Parry, Hanover Square, 1876] - repr. London: Edwin Ashdown (Limited) ; New York: Percy Ashdown ; Toronto: Sydney Ashdown [c.1900] [p.1 blank] 1-5p [p.6 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 5. (A & P. No. 14,535.) [BWV 850] [Based on Leader & Cock edition] | WTC(Bennett-Westlake) | 5 | 5p | ||||
261. | Bennett, William Sterndale; Westlake, Frederick (eds.) | BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 6. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - London: Ashdown & Parry, Hanover Square, [1876]. [p.1 blank] 2-5p [p.6 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 6. (A & P. No. 14,536.) [BWV 851] [Based on Leader & Cock edition] | WTC(Bennett-Westlake) | 6 | 5p | ||||
262. | Bennett, William Sterndale; Westlake, Frederick (eds.) | BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 7. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - [London: Ashdown & Parry, Hanover Square, 1876] - repr. London, New York, Toronto: Edwin Ashdown (Limited) [c.1900] 1-7p [p.8 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 7. (A & P. No. 14,537.) [BWV 852] [Based on Leader & Cock edition] | WTC(Bennett-Westlake) | 7 | 7p | ||||
263. | Bennett, William Sterndale; Westlake, Frederick (eds.) | BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 8. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - London: Ashdown & Parry, Hanover Square, [1876]. 1-7p [p.8 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 8. (A & P. No. 14,538.) [BWV 853] [Based on Leader & Cock edition] | WTC(Bennett-Westlake) | 8 | 7p | ||||
264. | Bennett, William Sterndale; Westlake, Frederick (eds.) | BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 9. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - [London: Ashdown & Parry, Hanover Square, 1876]. - repr. London: Edwin Ashdown, Hanover Square, [c.1900] [p.1 blank] 2-5p [p.6 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 9. (A & P. No. 14,539.) [BWV 854] [Based on Leader & Cock edition] | WTC(Bennett-Westlake) | 9 | 5p | ||||
265. | Bent, Ian D. | Schenker and Bach's French suite in E major. [BWV 817] | MAnalysis | 34 | 2 | 155-174 | |||
266. | Bent, Ian D. | 'That Bright New Light': Schenker, Universal Edition, and the Origins of the Erläuterung Series, 1901-1910. | JAMSoc | 58 | 1 | 69-138 | |||
267. | Bercenko, Roman Eduardovic | Bahovskij festival' v Lejpcige. [Bachfest in Leipzig] | MuzykalnajaAkad | 4 | 210-213 | Latin 2 | |||
268. | Bercenko, Roman Eduardovic | B. L. Âborskij o 'Horošo temperirovannom klavire' I. S. Baha. [Boleslav Âvorskij on J. S. Bach's Das wohltemperirte Clavier] | NaucnyeTrudy | 56 | 81-90 | [ce]MuzykaIPropoved | |||
269. | Bercenko, Roman Eduardovic | Boleslav Javorskij o Horoso temperirovannom klavire. [Boleslav Yavorsky on the Das wohltemperirte Clavier] | MuzykalnajaAkad | 2 | 117-124 | ||||
270. | Bercenko, Roman Eduardovic | Naši sovremenniki Bah i Gendel'. [Our contemporaries Bach and Handel] | MuzykalnajaAkad | 4 | 202-205 | ||||
271. | Berdennikova, Ekaterina Mihajlovna | Gomiletièeskie tradicii duhovnyh kantat I.S. Baha. [Homiletic traditions of J.S. Bach's sacred cantatas] Kand (Iskusstvovedenie), Nacional'na Muzycna Akademiâ Ukrajiny imeni P.I. Cajkovs'kogo, Kyjiv, 2000. 212p. - Ukraine: Muzyèna Ukrajina Kyjiv, 2008. 204p. ISBN: 978-966-8259-31-9. | diss. | 212p | Latin 2 | ||||
272. | Berèenko, Roman Eduardoviè | Etièeskoe muzykoznanie: Teatr bez kulis. [Ethical musicology: Theater without backstage--J.S. Bach's 'Coffee cantata' in artistic and historical context of its epoch] | [fs]Levasev60 | Latin 2 | |||||
273. | Berèenko, Roman Eduardoviè | V poiskah utraèennogo smysla: Boleslav Âvorskij o 'Horošo temperirovannom klavire' [In search of the lost content: Boleslav Âvorskij about Das wohltemperirte Clavier] - Moskva, izdatel'stvo 'Klassika-XXI', 2005. 372p. ISBN: 5-89817-126-6; 2nd ed. 2008. 371p. ISBN: 5-89817-198-3; 978-5-89817-198-8. | 372p | Latin 2 | |||||
274. | Berèenko, Roman Eduardoviè; Lebedeva-Emelina, Antonina Viktorovna; Teterina, Nadežda Ivanovna | Keldyševskie èteniâ--2005: Množestvennost' nauènyh koncepcij v muzykoznanii--K 60-letiû E.M. Levaševa. [Keldyševskie èteniâ--2005: The multiplicity of scholarly concepts in musicology--On the 60th birthday of E.M. Levašev] - Moskva: Kompozitor, 2009. 454p. ISBN: 5-85285-297-X; 978-5-85285-297-7. | [fs]Levasev60 | 454p | Latin 2 | ||||
275. | Best, William Thomas (ed.) | 50 short choral-preludes. London: Augener & Co., [c.1895]. pp.963-1049. Best.-Nr. Augener's Edition, 9817. Pl.-Nr. 10521. (= Johann Sebastian Bach's Organ works / edited by W.T. Best, vol.17) [BWV 599-630, 632, 633, 635-644, 648, 693, 706, 709, 727, 737] - revised ed. see OrgWorks(Best/Hull), vol.8. | OrgWorks(Best) | 17 | 963-1049 | AugenerEd 9817 | |||
276. | Best, William Thomas (ed.) | 6 Preludes and fugue. London: Augener & Co., [c.1895]. pp.157-253. Best.-Nr. Augener's Edition, 9803. Pl.-Nr. 7258. (= Johann Sebastian Bach's Organ works / edited by W.T. Best, vol. 3) [BWV 531, 536, 537, 544, 546, 548] - revised ed. see OrgWorks(Best/Hull), vol.2. | OrgWorks(Best) | 3 | 157-253 | AugenerEd 9803 | |||
277. | Best, William Thomas (ed.) | 6 Preludes and fugues. London: Augener & Co., [c.1892]. pp. 1-68. Best.-Nr. Augener's Edition, 9801. Pl.-Nr. 6491. (= Johann Sebastian Bach's Organ works / edited by W.T. Best, vol. 1) [BWV 545, 535, 532, 533, 534, 541] - revised ed. see OrgWorks(Best/Hull), vol.1. | OrgWorks(Best) | 1 | 1-68 | AugenerEd 9801 | |||
278. | Best, William Thomas (ed.) | 6 Preludes and fugues. London: Augener & Co., [c.1894]. pp. 69-156. Best.-Nr. Augener's Edition, 9802. Pl.-Nr. 7258. (= Johann Sebastian Bach's Organ works / edited by W.T. Best, vol. 2) [BWV 547, 543, 539, 550, 549, 552] - revised ed. see OrgWorks(Best/Hull), vol.1. - at first (1913) new ed. of this volume only published (BL e.113.g) | OrgWorks(Best) | 2 | 69-156 | AugenerEd 9802 | |||
279. | Best, William Thomas (arr.) | Adagio and Grand Fugue. C major. From the 5th Sonata for the Violin alone. / BACH. [arranged for organ by] W.T. Best. - London: Novello, Ewer & Co.[c.1870]. pp. 754-767. Pl.-Nr.: 3741. (= Arrangements from the scores of the great masters for the organ by W.T. Best, [Vol. 3],No. 58) [BWV 1005/1-2] | ArrangementsOrg(Best) | 3 | 58 | 754-767 | |||
280. | Best, William Thomas (arr.) | Adagio. From a Sonata for the Violin and Pianoforte, in G minor. / J. S. Bach. [arranged for organ by] W.T. Best. - London: Novello, Ewer & Co.[c.1870]. pp. 660-661. Pl.-Nr.: 3501. (= Arrangements from the scores of the great masters for the organ by W.T. Best, [Vol. 3], No. 50) [BWV 1020/2 (= H. 542.5/2)] | ArrangementsOrg(Best) | 3 | 50 | 660-661 | |||
281. | Best, William Thomas (arr.) | Air. From the Overture in D-Major. / J. S. Bach. Arranged by W. T. Best. - London: Schott & Co., [n.d.] p.5. Pl.-Nr.: 25521 2. - In: Schott’s Co.’s Gray album of twenty pieces for the organ. Vol. VII. London: Schott & Co., 1910. 91p. [BWV 1068/2] | 5 | ||||||
282. | Best, William Thomas (ed.) | Alla breve: pro organo pleno [in D major]. London, Augener & Co, [c.1895]. pp.435-440. [6p]. Best.-Nr.: Augener's Edition, 9850. Pl.-Nr.: 9145. (= J.S. Bach's organ works / edited by W.T. Best. Third series; No. 30.) [BWV 589] | OrgWorks(Best) | S-3 | 30 | 435-440 | AugenerEd 9850 | ||
283. | Best, William Thomas (arr.) | Allegro from the Third Sonata for the Pianoforte and Violin. / J. S. Bach. [arranged for organ by] W.T. Best. - London: Novello, Ewer & Co. [c.1870]. pp.564-568. Pl.-Nr.: 3368. (= Arrangements from the scores of the great masters for the organ by W.T. Best, [Vol. 3], No. 43) [BWV 1016/2] | ArrangementsOrg(Best) | 3 | 43 | 564-568 | |||
284. | Best, William Thomas (arr.) | Bourrée. From the 2nd Sonata for the Violin, alone. / BACH. [arranged for organ by] W.T. Best. - London: Novello, Ewer & Co. [c.1870]. pp. 681-687. Pl.-Nr.: 3519. (= Arrangements from the scores of the great masters for the organ by W.T. Best, [Vol. 3], No. 52) [BWV 1002/7] | ArrangementsOrg(Best) | 3 | 52 | 681-687 | |||
285. | Best, William Thomas (arr.) | Bourrée. From the Third Violoncello Sonata. / BACH. [arranged for organ by] W.T. Best. - London: Novello, Ewer & Co.[c.1870]. pp.1207-1210. Pl.-Nr.: 4659. (= Arrangements from the scores of the great masters for the organ by W.T. Best, [Vol. 5], No.92) [BWV 1009/5-6] | ArrangementsOrg(Best) | 5 | 92 | 1207-1210 | |||
286. | Best, William Thomas (ed.) | Canzona in D minor. London, Augener & Co, [c.1895]. pp.441-447. Best.-Nr.: Augener's Edition, 9851. Pl.-Nr.: 9145. (= J.S. Bach's organ works / edited by W.T. Best. Third series, 31) [BWV 588] | OrgWorks(Best) | S-3 | 31 | 441-447 | AugenerEd 9851 | ||
287. | Best, William Thomas (arr.) | Chaconne: air with variations. From the Fourth Sonata for Violin alone, in D minor. / J. S. BACH. [arranged for organ by] W.T. Best. - London: Novello, Ewer & Co. [c.1870]. 329-341 (13p). Pl.-Nr.: 3081. (= Arrangements from the scores of the great masters for the organ by W.T. Best, [Vol. 2], No. 26) [BWV 1004/5] | ArrangementsOrg(Best) | 2 | 26 | 329-341 (13p) | |||
288. | Best, William Thomas (arr.) | Chorale. 'O God, thou holy Lord.' From the Church Cantata for the Fourth Sunday after Trinity. / J. S. BACH. [arranged for organ by] W.T. Best. - London: Novello, Ewer & Co.[c.1870]. pp. 724-725. Pl.-Nr.: 3654. (= Arrangements from the scores of the great masters for the organ by W.T. Best, [Vol. 3],No. 41) [BWV 24/6] | ArrangementsOrg(Best) | 3 | 55 | 724-725 | |||
289. | Best, William Thomas (arr.) | Choral Fugue 'Dona nobis pacem.' From the Mass in B minor. / J. S. Bach. [arranged for organ by] W.T. Best. - London: Novello, Ewer & Co.[c.1870]. pp.7-9. Pl.-Nr.: 3339. - repr. pp. 534-536. (= Arrangements from the scores of the great masters for the organ by W.T. Best, [Vol. 3], No. 41) [BWV 232/IV/5] | ArrangementsOrg(Best) | 3 | 41 | 534-536 (7-9) | |||
290. | Best, William Thomas (arr.) | Choral Fugue 'Kyrie Eleison.' From the Mass in G Major. / J. S. Bach. [arranged for organ by] W.T. Best. - London: Novello, Ewer & Co.[c.1870]. pp.10-13. Pl.-Nr.: 3339. - repr. pp. 543-546. (= Arrangements from the scores of the great masters for the organ by W.T. Best, [Vol. 3], No. 41) [BWV 236/1] | ArrangementsOrg(Best) | 3 | 41 | 543-546 (10-13) | |||
291. | Best, William Thomas (arr.) | Choral Fugue. 'Sicut locutus est.' From the Magnificat in D major. / J. S. Bach. [arranged for organ by] W.T. Best. - London: Novello, Ewer & Co.[c.1870]. pp.558-559. Pl.-Nr.: 3361. (= Arrangements from the scores of the great masters for the organ by W.T. Best, [Vol. 3], No. 42) [BWV 243/11] | ArrangementsOrg(Best) | 3 | 42 | 558-559 | |||
292. | Best, William Thomas (arr.) | [Chorus 'Enter not into judgment' / J.S. Bach] Mayence: Les fils de B. Schott, [1890]. (= Organ Miscellany. Pages from Popular Composers by W. T. Best. 1st Series. No. 25) | OrgMiscellany | 1 | 25 | ||||
293. | Best, William Thomas (arr.) | Chorus 'Fallt mit Danken, fallt mit Loben.' From the Christmas oratorio. / J.S. Bach. [arranged for organ by] W.T. Best. - London: Novello, Ewer & Co. [c.1870]. 1-6p. Pl.-Nr.: 3316. - repr. pp. 521-526. (= Arrangements from the scores of the great masters for the organ by W.T. Best, [Vol. 2], No. 40) [BWV 248/36] | ArrangementsOrg(Best) | 2 | 40 | 521-526 (1-6) | |||
294. | Best, William Thomas (arr.) | Chorus 'Freue dich, erlöste Schaar.' (Be joyful, ye redeemed.) From a Sacred Cantata for the Festival of St John the Baptist. / BACH. [arranged for organ by] W.T. Best. - London: Novello, Ewer & Co.[c.1870]. pp. 655-659. Pl.-Nr.: 3501. (= Arrangements from the scores of the great masters for the organ by W.T. Best, [Vol. 3], No. 50) [BWV 30/1] | ArrangementsOrg(Best) | 3 | 50 | 655-659 | |||
295. | Best, William Thomas (arr.) | CHORUS 'Gloria in excelsis Deo!' / J. S. Bach. [arranged for organ by] W.T. Best. - London: Novello, Ewer & Co.[c.1870]. p.272. Pl.-Nr.: 3013. (= Arrangements from the scores of the great masters for the organ by W.T. Best, [Vol. 2], No. 21) [BWV 243a/C] | ArrangementsOrg(Best) | 2 | 21 | 272 | |||
296. | Best, William Thomas (arr.) | Chorus 'God is my King.' / BACH. [arranged for organ by] W.T. Best. - London: Novello, Ewer & Co. [c.1870]. pp. 1202-1203. Pl.-Nr.: 4659. (= Arrangements from the scores of the great masters for the organ by W.T. Best, [Vol. 5], No. 91) [BWV 71/1] | ArrangementsOrg(Best) | 5 | 91 | 1202-1203 | |||
297. | Best, William Thomas (arr.) | [Chorus 'Look down a Lord' from a Church Cantata for Christmas Day / J.S. Bach] Mayence: Les fils de B. Schott, [1890]. (= Organ Miscellany. Pages from Popular Composers by W. T. Best. 1st Series. No. 21) | OrgMiscellany | 1 | 21 | ||||
298. | Best, William Thomas (arr.) | CHORUS. 'So let us go in Peace and Joy.' From a church cantata for Palm Sunday / BACH. [arranged for organ by] W.T. Best. - London: Novello, Ewer & Co. [c.1870]. pp.791-795. Pl.-Nr.: 3807. (= Arrangements from the scores of the great masters for the organ by W.T. Best, [Vol. 3], No. 60) [Himmelskönig, sei willkommen. arr. BWV 182] | ArrangementsOrg(Best) | 3 | 60 | 791-795 | |||
299. | Best, William Thomas (arr.) | [Chromatic Fantasia and Fugue (Dm.) f. Pfte, f. Org.] arr. v. W.T. Best. - London, Augener & Co, [1896]. (= Organ Miscellany. Pages from Popular Composers by W. T. Best. 2nd (?) Series. No. 48) | OrgMiscellany | 2 | 48 | ||||
300. | Best, William Thomas (ed.) | Concerto for the organ [in A minor] by W. F. Bach. [Or rather, arranged for the organ by J. S. Bach from A. Vivaldi's 'E'stro Armonico.' Op. 3. No. 11.] - [London:] [c.1883]. (= Cecilia: a collection of organ pieces in diverse styles / edited by W.T. Best, Book 63) | Cecilia(Best) | 63 | |||||
301. | Best, William Thomas (ed.) | Counterpoint on the chorale 'Aus tiefer Noth' / J.S. Bach - Allegretto: op: 22 / Niels W. Gade - Andante / F. J. Pachaly. [Edited by W.T. Best.] - London: Robert Cocks & Co. [c.1870]. Pl.-Nr. 10,785. (= Collection of organ compositions, ancient and modern / edited by W.T. Best, No. 5) | CollOrgComp(Best) | 5 |
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