Bach Bibliography
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1. A. A. A.To the editor of the 'Musical World'. [Thirty-ninth Musical Festival of the Lower Rhine: Bach, Mass in B minor; selections from Gluck's 'Iphigenia in Aulis'; Beethoven's Symphony no. 9 (Cologne, July)] MWorld 40 30 26 Jul 1862 473-474
2. A. & B.Amsterdam. Orgelconcert, gegeven door den heer Van Eyken in de Nieuwe Kerk, op vrijdag den 21. mei 1847, 's avonds te 6 ure. Binnenlandsche berigten. [Bach, Van Eyken, Kühmstedt, Mendelssohn en Hesse] Caecilia 4 13 1 Jul 1847 142-143
3. Abdullina, Galina VadimovnaDesâtye Bahovskie èteniâ v Sankt-Peterburge. [The 10th Bahovskie Èteniâ in St. Petersburg] Musicus(Russia) 4:13 2008 66-67 Latin 2
4. Abravaya, IdoA French overture revisited: another look at the two versions of BWV 831. EarlyM 25 1 Feb 1997 47-58, 60-61
5. Abravaya, IdoBach's tempo practices: tempo changes. A Paper read at the 11th Biennial International Conference on Baroque Music held at Royal Northern College of Music, 14-18 July 2004 [p]BICB_Manchester Jul 2004
6. Abravaya, IdoBach's tempo practices, the tempo theories of his time -- and ours. OrbisMusicae 13 2003 81-90
7. Abravaya, IdoJ.S. Bach's wedding quodlibet, BWV 524. MinAd 13 2016 51-61
8. Abravaya, IdoOn Bach's Rhythm and Tempo. Kassel [u.a.]: Bärenreiter, 2006. 232p. ISBN: 13: 978-3-7618-1602-8; ISBN: 10: 3-7618-1602-2. (= Bochumer Arbeiten zur Musikwissenschaft, 4) BochumArbMw 4 2006 232p
9. Abravaya, IdoStudies of Rhythm and Tempo in the Music of J. S. Bach. PhD diss., Musicology, Tel Aviv University, 2000. xv, 318 p diss. 2000 xv, 318p
10. Abravaya, IdoThe Baroque upbeat: outline of its typology and evolution. IrishMStud 8 2004 17-28
11. Abyzova, Elena NikolaevnaNekotorye voprosy tematizma i formy skripichnyh koncertov I. S. Baha. [Einige Probleme der thematischen Struktur und Form in den Violinkonzerten J. S. Bachs.] VoprosyTM 3 1975 237-271
12. Adamus, Jan TomaszEinmaliger Orgelfund in Breslau: Orgel des Bach Zeitgenössen--Adamo Orazio Casparini mit barocker Doppel-Stimmung entdeckt. Organ(Mainz) 3 1 2000 46-48
13. A. D. D.Handel and Bach: Correspondence. To the editor of the 'Musical Standard'. [Use of the 'tierce de picardie'. July 19] MStandard 13 312 23 Jul 1870 28
14. A. de Z.Middelburg. Orgel-concert ten behoeve der Diakonie-armen, gegeven door den heer Labrant. [Werken van Bach, Rinck en Hesse] Caecilia 5 7 1 Apr 1848 63
15. Aeba, Takao'Seimei' no Ongaku. [The music of 'Life'] BachZenshu 11 Jul 1996 110-117
16. Aer. [Schulz, Johann Abraham Peter]Johann Sebastian Bachs vierstimmige Choralgesänge. Erster Theil. Leipzig bey Breitkopf. 1784. gr. 4. 54 Seiten. Kurze Nachrichten. 5. Schöne Künste. Musik. AllgDBib 64 2 1785 458-459
17. Agafonova, Tat'âna'Kak horoso, cto Bah opjat' stal zloboj dnja' Fortepiano 1 2000 16-17
18. Agostini, Andrea; Ghisi, DanieleBach: An environment for computer-aided composition in Max. [cr]ICMC2012 2012 373-378
19. Agostini, Andrea; Ghisi, DanieleReal-time computer-aided composition with bach. ContempMReview 32 1 Feb 2013 41-48
20. Agricola, Johann Friedrich (trans.)Anleitung zur Singkunst. Aus dem Italiänischen [P. F. Tosi, 'Opinioni de'cantori...'] mit Erläuterungen und Zusätzen von Johann Friedrich Agricola. Berlin: G.L. Winter, 1757. xvi, 239p. 1757 xvi, 239p
21. Agricola, Johann Friedrich (trans.)Anleitung zur Singkunst [1757]. Faksimile-Neudruck mit Einführung und Kommentar von Kurt Wichmann. Leipzig: Deutscher Verlag für Musik, 1966. xvi, 239p. - New edition from Wiesbaden: Breitkopf & Härtel, 1994. xvi, 239p. (BV 295). ISBN: 3-765-10295-4. 1966 xvi, 239p
22. Agricola, Johann Friedrich (trans.)Anleitung zur Singkunst [1757]. Reprint der Ausgabe 1757. Mit neu gesetzten, modern geschlüsselten Notenbeispielen. Herausgegeben und kommentiert von Thomas Seedorf, Kassel [u.a.]: Bärenreiter, 2002. xxix, 283p 2002 xxix, 283p
23. Agricola, Johann Friedrich (trans.)Anleitung zur Singkunst (1757, Faksimile-Nachdruck). zusammen mit dem italienischen Original von Pier Francesco Tosi: Opinioni de'cantori antichi e moderni o sieno osservazioni sopra il canto figurato (1723). Neu hrsg., mit einem Vorwort und einem Anhang von Erwin R. Jacobi. [With an English translation of the preface and the appendix by K. B. Tyldesley, and with facsimiles.] Celle: Hermann Moeck Verlag, 1966. xxxviii, xvi, 239, 44p 1966 xxxviii, xvi, 239, 44p
24. [Agricola, Johann Friedrich][Bachs Forderungen für die Anlage der Klaviatur] [ce]MMechOrganoedi 2 1768 23-24
25. [Agricola, Johann Friedrich][Bachs Urteil über die Orgel der Hamburger Katharinenkirche] [ce]MMechOrganoedi 1 1768 66, 187, 288
26. [Agricola, Johann Friedrich][Bachs Urteil über die Orgel der Leipziger Johanniskirche] [ce]MMechOrganoedi 1 1768 251
27. [Agricola, Johann Friedrich][Bachs Urteil über Silbermanns Pianoforte] [ce]MMechOrganoedi 2 1768 116-117
28. Agricola, Johann Friedrich (trans.)Barokku no Seigakugiho. Tozui no Kashoho yori [1757] [Anleitung zur Singkunst] Trans. to Japanese by Rolf Klein and Kazuko Ogura. Tokyo: Sinfonia, 1994. 170p. 1994 170p
29. [Agricola, Johann Friedrich][Bauart von Bachs Lautenklavier] [ce]MMechOrganoedi 2 1768 139
30. Agricola, Johann Friedrich (trans.)Introduction to the Art of Singing. Translation of: Anleitung zur Singkunst: aus dem italiänischen des Herrn Peter Franz Tosi / mit Erläuterungen und Zusätzen von Johann Friedrich Agricola (Berlin: G.L. Winter, 1757) by Julianne C. Baird. Cambridge: Cambridge University Press, 1995. ix, 298p. ISBN: 052145428X. 1995 ix, 298p
31. [Agricola, Johann Friedrich][Johann Ludwig Krebs als Schüler Bachs] [ce]MMechOrganoedi 1 1768 287
32. [Agricola, Johann Friedrich] (ed.)Johann Sebastian Bachs vierstimmige Choralgesänge / Zweyter Theil. [No.101-200] gesammlet von Carl Philipp Emanuel Bach. [Erstausgabe] - Berlin und Leipzig: Friedrich Wilhelm Birnstiel, 1769. 1 Bl (Tbl) pp.53-104 (Nr.101-200) ohne Vorwort und Druckfehlerverzeichnis. [The second volume of Birnstiel edition is furiously denied by CPE Bach (cf. recno 38046 = Dok3/753)] - Faks Repr. Hildesheim, 1975. ii, 104p. (with vol.1) Choralgesänge(1) 2 1769 53-104
33. Agricola, Johann Friedrich (trans.)Kashogeijutsu no Tebiki [1757] [Anleitung zur Singkunst] Trans. by Seiichi Tokawa. Tokyo: Shunju sha, 2005. xvi, 376p. ISBN: 4-393-93018-5. 2005 xvi, 376p
34. [Agricola, Johann Friedrich]Musikalisches Magazin in Sonaten, Sinfonien, Trios und andern Stücken für das Clavier bestehend. Erster und zweyter Theil. Leipzig bey Breitkopf. Kurze Nachrichten. 6. Schöne Künste.. AllgDBib 2 1 1766 267-270
35. [Agricola, Johann Friedrich]Phillis und Thirsis, eine Cantate in Musik gesezt von C. P. E. Bach. Berlin bey Winter 2 B. Folio. / Erfindungsreich, fremd; aber, zumal für ein so kurzes Stük, an einigen Stellen nicht sliessend genug für die Singstimme. / Georg Simon Löhleins Clavier-Schule, oder kurze und gründliche Anweisung zur Melodie und Harmonie, durchgehends mit praktischen Beyspielen erkläret, Leipzig und Züllichau auf Kosten der Waisenhaus- und Fronmannischen Buchhandlung. 1765. 1 Alph. 2 Bog. in Querquart. Kurze Nachrichten. 6) Schöne Künste. AllgDBib 10 1 1769 241-243
36. Agricola, Johann FriedrichSammlung einiger Nachrichten von berühmten Orgelwerken in Teutschland mit vieler Mühe aufgesetzt von einem Liebhaber der Musik. Breslau, verlegts Carl Gottfried Meyer. 1757. 14 Bogen in 4t. HistKritBeytrAufnahmeM 3 6 1758 486-518
37. [Agricola, Johann Friedrich]Variirte Choräle, für die Orgel, von Johann Christoph Oley. Quedlinburg, bey Christoph August Reußner. 1773. 6 Bogen in lang Folio. Kurze Nachrichten. 4. Schöne Künste. Musik. [Bachs Orgelwerke als Kompositionsmuster] AllgDBib 22 2 1774 531
38. Agricola, Johann Friedrich; Bach, Carl Philipp EmanuelDer Nekrolog auf Johann Sebastian Bach [1754]. Faksimile-Wiedergabe des Erstdrucks von 1754. Zur 65. Widerkehr des Tages ihrer Gründung, dem 27. Januar 1965, für ihre Mitglieder hearusgegeben von der Neuen Bachgesellschaft e. V. [With commentary by Christoph Trautmann.] Leipzig & Hannover: Neue Bachgesellschaft, 1965. [facs of title-page, InhaltPages not numbered. 17 cm. 1965 [36p]
39. Agricola, MartinMusica Instrumentalis Deutsch. Wittemberg: Rhaw, 1529 - Leipzig: Breitkopf & Härtel, 1896. 295p; Hildesheim [u.a.]: Olms, 1969. 1529 295p
40. A. GumprechtIllustrirte Ausgabe erlesener musicalischer Meisterwerke. Bach, Händel, Gluck, Haydn, Mozart, Beethoven. Sehr elegant und billig, durch Bild und Wort illustrirt. Die Noten in Metall gestochen, nicht Typendruck. Verlag von A. Gumprecht in Leipzig. ... Ankündigungen. Novität. NiederrheinMz 6 41 9 Oct 1858 328
41. Ahlgrimm, Isolde; Fiala, Isolde; Fiala, ErichBach und die Rhetorik. OMzs 9 11 1954 342-345
42. Ahlgrimm, Isolde; Fiala, Isolde; Fiala, ErichZur Aufführungspraxis der Bachschen Cembalowerke. OMzs 9 3 1954 71-77
43. A. J.St. Matthew Passion [Bach Choir's Eastertide performance] MTimes 94 1323 May 1953 228-229
44. A. K.The Bach Choir. MTimes 64 962 Apr 1923 274
45. Akada, Kin'yaBCJ to Kobe Water. [BCJ and Kobe Water.] [Soritsu Kinen Bunshu / Anniversary Issue Essays] BCJ 43 Jul 2000 40-41
46. Akatsuka, KentaroBCJ Creators. Dai-14-Kai: Hana Blažíková (soprano). Interview Series. BCJ 82 Sep 2008 32-37
47. Akatsuka, KentaroBCJ Creators. Dai-15-Kai: Rachel Nicholls (soprano). Interview Series. BCJ 83 Feb 2009 30-35
48. Akatsuka, KentaroJ. S. Bach no France-fu Courante to Buto no kakawari ni tsuite. [On the relationship between J. S. Bach's Courante in French style and dance] BigakuBijutsushiRonshu 20 Mar 2013 37-66
49. Akioka, YoJohann Sebastian Bach Sakkyoku 'Matai Junankyoku'. ['St Matthew Passion' composed by Johann Sebastian Bach] FerrisStud 1 Nov 2003 18-41
50. Akioka, YoJohann Sebastian Bach Sakkyoku 'Yohane Junankyoku'. ['St John Passion' composed by Johann Sebastian Bach] FerrisStud 1 Nov 2003 2-17
51. Akioka, YoJ. S. Bach 7-Ban Shobu. Bach vs. Scarlatti. [J. S. Bach 7 matches. Bach vs. Scarlatti] [ce]Daremoiwanakatta 2000 166-179
52. Akioka, Yo; Torii, MinaBach: Kantata 147 Ban (BWV 147) [Bach: Cantata no.147 (BWV 147)] FerrisStud 1 Nov 2003 50-53
53. Akiyama, MotooBach Zuiso. [Essays on Bach] Tokyo: Bungei sha, 2004. 273p. ISBN: 4-8355-7635-7. 2004 273p
54. A. KühnelBach, Seb. Grandes Suites, dites Suites Anglaises p. Clav. No.II in D min. 16 Gr. Neuer Verlag von A. Kühnel in Leipzig. ... [Anzeige: Hoffmeister und Kühnel, Englische Suiten] AllgMlZ 14 Intel 11 Sep 1812 [49-50]
55. Albrecht, Hans; Osthoff, Helmut; Wiora, Walter (eds.)Kongress-Bericht. Gesellschaft für Musikforschung, Lüneburg 1950. Kassel [u.a.]: Bärenreiter, 1951. 248p [cr]Lüneburg1950 1951 248p
56. Alcaraz Iborra, Mario; Montañés, FranciscoRicardo Gallén y las suites para laúd de Bach. [Ricardo Gallén and the suites for lute by Bach] Ritmo 85 874 May 2014 48-49
57. Alekseeva, IrinaNekotorye osobennosti tematizma passakalii barokko. [The characteristics of a Baroque passacaglia] [ce]SemantikaStarinnogoUrteksta 2002 54-70
58. Alekseeva, Irina Vasil'evnaBasso-ostinato i ego rol' v tekstovoj organizacii instrumental'noj muzyki Zapadnoevropejskogo barokko. [Basso ostinato and its role in semantic organization of Western European Baroque instrumental music] - Ufa, Russian Federation: Gilem, 2013. ISBN: 5-88185-114-5; 978-5-88185-114-9. 2013
59. Alembert, Jean Le Rond d'Hrn. d' Alembert, ..., Systematische Einleitung in die musicalische Setzkunst, nach den Lehrsätzen des Herrn Rameau. Aus dem Französischen übersetzt [von 'Eléments de musique, théorique et pratique, suivant les principes de M. Rameau, éclaircis, développés et simplifiés'] und mit Anmerkungen vermehret von Friedr. Wilh. Marpurg. - Leipzig: Joh. Gottlob Immanuel Breitkopf 1757. 136p; Fotomechan. Neudr. - Kassel: Bärenreiter-Verlag, 1980. [6] Bl., 136p. 1757 136p
60. Alembert, Jean Le Rond d'Rameau shi no Genri ni motozuku Ongaku Riron to Jissen no Kiso. [Élémens De Musique, Theorique Et Pratique, Suivant Les Principes De M. Rameau] Trans. into Japanese by Chikako Katayama, Tomoko Yasukawa, Nahoko Sekimoto. - Tokyo: Shunju sha, 2012. 272p. ISBN:978-4-393-93196-7. 2012 272p
61. Alembert, Jean Le Rond d'Élémens De Musique, Theorique Et Pratique, Suivant Les Principes De M. Rameau. [Verf.: Alembert, Jean le Rond d'] - Paris: David; Paris: Breton; Paris: Durand, 1752. xvi, 171p, [1] Bl., [10] gef. Bl. Notenbeisp. - Paris: Charles-Antoine Jombert; Lyon: Jean-Marie Bruyset, 1759. xvi, 172p. 1 Bl, 10 Taf. - Nouv. ed. Lyon: Bruyset, 1762. xxxi, 236p. 1752 xvi, 171p
62. Alencastro, Luiz Felipe de; Fléchet, Anaïs; Pimentel, Juliana; Pistone, Danièle (eds.)Villa-Lobos: Des sources de l'oeuvre aux échos contemporains. Paris: Honoré Champion, 2012. 274p. ISBN: 978-2-7453-2341-5. [ce]Villa-Lobos 2012 274p
63. Alexander, Walpurga; Stange-Elbe, Joachim; Waczkat, Andreas (eds.)Miscellaneorum de Musica Concentus. Karl Heller zum 65. Geburtstag am 10. Dezember 2000 Rostock: Universität Rostock, 2000, viii, 281p. [fs]Heller65 2000 viii, 281p
64. Alfaya, JavierPrismas: Bach y el cine. Scherzo(Spain) 211 Sep 2006
65. Alikova, ZojaOsobennosti fug v sonatah I.-S. Baha: Vzaimodejstvie polifonièeskih i gomofonièeskih principov formoobrazovanija. [Characteristics of the fugues in J.S. Bach's sonatas: The interaction of polyphonic and homophonic formal elements] - PhD diss., Music theory: Institut Teatra, Muzyki i Kinematografii, Leningrad, 1987. 23p. diss. 1987 23p Latin 2
66. Allanbrook, Wye J.; Levy, Janet M.; Mahrt, William P. (eds.)Convention in Eighteenth- and Nineteenth-Century Music: Essays in honor of Leonard G. Ratner. NY, Stuyvesant: Pendragon Press, 1992. xxi, 548p. ISBN: 0-945193-28-9. (= Festschrift series, 10) FestschriftSer 10 1992 xxi, 548p [fs]Ratner
67. Allison, Brian JeromeCarlos Seixas. The Development of the Keyboard Sonata in Eighteenth-Century Portugal. A Lecture Recital together with three Recitals of selected Works of Johann Sebastian Bach... DMA diss., University of North Texas, 1982. 24p diss. 1982 24p
68. Almada, Carlos de LemosDesenvolvimento de uma ferramenta computacional para análise harmônica em alto nível de corais de J. S. Bach. Opus 21 3 Dec 2015 209-230
69. Almeida, Anselmo Guerra deDas Glasperlenspiel: Música, matemática e cultura entrelaçados na visão de Hermann Hesse. MContexto 7 1 Dec 2013 124-143
70. Almeida, StellaUm modelo de realização de baxo contínuo: 2º movimento da sonata em Si menor BWV 1030 para flauta e cravo obbligato de J.S. Bach. [A model for the realization of basso continuo: The second movement of the sonata in B minor, BWV 1030, for flute and obbligato harpsichord, by J.S. Bach] MusicaHodie 6 1 Jan-Jun 2006 23-34
71. Almeida, Tereza Virginia de (ed.)Corpos em tensão: feminino, masculino e barroco no espetáculo Bach. [Bodies and tension: feminine, masculine and baroque in Bach] http://www.scielo.br/scielo.php?script=sci_arttext&pid=S0104-026X2003000100008 RevistaEstudosFeministas 11 1 2003
72. Altschuler, Eric L.; Elkies, Noam D.12-tone Bach. Letters. [BWV 889/1] MTimes 150 1908 Autumn 2009 5
73. A. M.John Sebastian Bach (From Grove's 'Dictionary of Music and Musicians'). [To be continued] DwightJM 37 24 2 Mar 1878 187-188
74. A. M.John Sebastian Bach (From Grove's 'Dictionary of Music and Musicians'. Concluded from page 188). Bach-Gesellschaft. DwightJM 37 25 16 Mar 1878 193-195
75. Ammerbach, Elias NicolausOrgel oder Instrument Tabulaturbuch. Orgel oder Jnstrument Tabulaturbuch: in sich begreiffende eine notwendige vnnd kurtze anlaitung; die Tabulatur vnnd application zuverstehen; auch dieselbige auß gutem grunde recht zu lernen. Darnach folgen auffs allerleichtest gute Deutsche, Lateinische, Welsche vnd Frantzösische stuecklein; neben etlichen Passomezen, Galliarden, Repressen, vnnd deutschen Dentzen; deßgleichen zuvor in offnem druck nie außgangen. Jetzund aber der Jugend vnd anfahenden diser kunst zu gutem mit fleiß zusammengebracht vnd in druck verfertigt Durch Eliam Nicolaum Ammerbach, Burgern vnd Organisten inn Leipzig zu S. Thomas. - Leipzig 1571 - Nürnberg: Gerlach, 2/1583. [7] Bl., 213p, [2] Bl. - Repr.: 'Orgel oder Instrument Tabulaturbuch: 1571/83'. Ed. by Charles Jacobs. Oxford: Clarendon Press, 1984. lxxxix, 370p. ISBN: 019816136-0. 1571 7, 213, 2p
76. Anagnostopoulou, Christina; Ferrand, Miguel; Smaill, Alan (eds.)Music and Artificial Intelligence, Second International Conference, ICMAI 2002, Edinburgh, Scotland, UK, September 12-14, 2002, Proceedings. Berlin: Springer, 2002. viii, 206p. ISBN: 3-540-44145-X. [cr]ICMAI 2002 2002 viii, 206p
77. Anderson, Cynthia R.; Tunks, Thomas W.The influence of expectancy on harmonic perception. PsychoMcol 11 1 1992 3-14
78. Antolini, Bianca Maria; Mastroprimiano, Costantino; Scarpellini Pancrazi, Francesco (eds.)Il giovane Mendelssohn: Atti del Convegno internazionale di studi (Perugia, Conservatorio 'F. Morlacchi', 4-5 dicembre 2009). a cura di Bianca Maria Antolini, Costantino Mastroprimiano, Francesco Scarpellini Pancrazi. - Lucca: Libreria Musicale Italiana (LIM), 2016. 248p. ISBN: 978-88-7096-843-9; 88-7096-843-X. (= Strumenti della ricerca musicale: Collana della Società Italiana di Musicologia, 21) [cr]Perugia2009 2016 248p
79. Aoyama, ShiroMisa - Reihaishiki ni tsuite. [On Missa / Liturgy] Sosetsu - Taiyaku: Akademie Conert de no 'Sho-Misakyoku' no Rikai no tame ni 2 [General Commentary / Translation: for the understanding of 'Missa brevis' at the Academy Concert 2] BachAkadJapan 1984 90-94
80. A. P.Bach. MTimes 103 1430 Apr 1962 242
81. Applegate, Celia; Potter, Pamela MaxineGermans as the 'people of music': Genealogy of an identity. [ce]MGermanNatIdentity 2002 1-35
82. Applegate, Celia; Potter, Pamela Maxine (ed.)Music and German national identity. Chicago, IL: University of Chicago Press, 2002. x, 319p. ISBN: 0-226-02130-0; 0-226-02131-9. [ce]MGermanNatIdentity 2002 x, 319p
83. Apthorp, William FosterAdditional accompaniments to Bach's and Haendel's scores. [Franz. Second extract from the 'Atlantic Monthly'] DwightJM 38 12, 13 14, 28 Sep 1878 297-298; 306-307
84. Apthorp, William FosterAdditional accompaniments to Bach's and Haendel's scores [Robert Franz] ('Atlantic Monthly' for September). DwightJM 38 11 31 Aug 1878 291-292
85. Apthorp, William FosterBach-biting. [Inability of uneducated listeners to appreciate Bach's music] DwightJM 39 988 1 Mar 1879 36-37
86. Apthorp, William FosterMusicians and music-lovers, and other essays. [preface dated June 28, 1894; I. Musicians and music-lovers. -- II. Johann Sebastian Bach (pp.57-96). -- III. Additional accompaniments to Bach's and Handel's scores. (pp.99-135) -- IV. Giacomo Meyerbeer. -- V. Jacques Offenbach. -- VI. Two modern classicists [Robert Franz and Otto Dresel] -- VII. John Sullivan Dwight. -- VIII. Some thoughts on musical criticism. -- IX. Music and science] - New York: C. Scribner's Sons, 1894, viii p., 1l., 346p; 5/1908. 346p. 1908 346p
87. Apthorp, William FosterThe history of music. Mr. William F. Apthorp's lectures before the Lowell Institute (IV) From Bach and Handel to Beethoven. [To be continued] DwightJM 41 1043 9 Apr 1881 56-57
88. Arakawa, TsunekoConcerto kara Kyokai Kantata e no Michi: Dresden Kyutei ni okeru 2ri no Italia-jin Gakucho ni tsuite. [The road from concertos to church cantatas: Two Italian kapellmeisters at the Dresden court] [fs]Sumikura70 2002 125-135
89. Arakawa, TsunekoDoitsu ni okeru 17-Seiki Zenhan no Tsuso Teion Soho ni kansuru Shiron: Luther-ha no Shukyoteki Seigaku Sakuhin no Baai. [A theory on the early 17th-century thorough-bass methods in Germany in the sacred vocal works of the Lutheran school] OngakuGaku 44 1 1998 1-15
90. Arakawa, TsunekoJohann Sebastian Bach Sakkyoku Kantata Dai-123-Ban 'Aisuru Imanuel, Shinko atsuki Mono no Shogun yo' ni tsuite. [On Cantata no.123 'Liebster Immanuel, Herzog der Frommen' composed by Johann Sebastian Bach] FerrisStud 1 Nov 2003 42-45
91. Arakawa, TsunekoJ.P. Kirnberger no Ongaku Riron -- 'Die Kunst des reinen Satzes in der Musik' o Chushin ni. [J.P. Kirnberger and his music theory--concerning his Die Kunst des reinen Satzes in der Musik.] OngakuGaku 19 1 1973 1-12
92. Arakawa, TsunekoSeiji, Keizai, Shukyo, Geijutsu -- Dresden to Leipzig no Baai. [Politics, Economics, Religion, Arts -- the case of Dresden and Leipzig] BCJ 36 Nov 1998 10-14
93. Arewa, Olufunmilayo B.From J.C. Bach to Hip Hop: Musical Borrowing, Copyright and Cultural Context. Repr. in Ethnomusicology eJournal 100 (2017). NorthCarolinaLawReview 84 2 2006 547-645
94. Ariga, NoyuriBach no Klavierkyoku Kaishakujo no Shomondai (1). [Problems of Interpretation of Bach's Keyboard Works] DoshishaJDGK 23 3 1972 610-630
95. Ariga, NoyuriBach no Klavierkyoku Kaishakujo no Shomondai (2): tempo. [Problems of Interpretation of Bach's Keyboard Works (2): Tempo.] DoshishaJDGK 24 3 1973 384-392
96. Ariga, NoyuriBach no Klavierkyoku Kaishakujo no Shomondai (3): Soshokuon. [Problems of Interpretation of Bach's Keyboard Works (3): ornamentation.] DoshishaJDGK 25 3 1974 435-462
97. Ariga, NoyuriBach no Klavierkyoku Kaishakujo no Shomondai (4): rhythm [Problems of Interpretation of Bach's Keyboard Works (4): rhythm.] DoshishaJDGK 26 3 1975 284-310
98. Ariga, NoyuriBach no Ongaku ni okeru Shochosei. [Symbolism in J. S. Bach's Music] DoshishaJDGK 27 3 1976 219-247
99. Ariga, NoyuriFriedemann Bach no tame no Clavier Shokyokushu. [Clavierbüchlein for W. F.Bach] DoshishaJDGK 19 1968 151-196
100. Ariga, NoyuriJ. S. Bach France jokyoku ni kansuru ichikosatsu. [An observation on Bach's French Overture] DoshishaJDGK 18 1967 314-329
101. Ariga, NoyuriMattheson no Chosei Byosha, Bach no Clavier Sakuhin to no Kanren. [Mattheson's Tonartencharakteristiken with Special Refernce to Bach's Keyboard Works] DoshishaJDGK 20 1969 19-42
102. Arita, Yoshiko; Goto, TaekoNanki Ongaku Bunko. [articles by Yoshiko Arita and Taeko Goto] Ed. Kunitachi Ongaku Daigaku Fuzoku Toshokan. - Kunitachi Ongaku Daigaku Fuzoku Toshokan, 1978. 1978
103. Arnds, Andreas Hartwig; [Müller, Heinrich] (ed.)Der leidende Jesus oder Hundert fürtreffliche Anmerckungen, uber die Geschichte von dem Leiden und Tode unsers Seeligmachers: Aus dem Lateinischen Henrici Müllers. ... ins Teutsche übersetzt, jetzo von neuem mit Fleiß übersehen, auch mit einem Anhang und dreyen nützlichen Registern vermehret und zum andern mahle herausgegeben durch Andr. Hartwieg Arnds. - Leipzig: Grosse, (2. Aufl.) 1679. [11] Bl., 551p., 3. Aufl. 1688 (549p), 4. Aufl. 1700 (549, 499p), 5. Aufl. 1720 (549p) [ce]GeistreichePaßions-Schule [Main] [rev] 1679 551p
104. Arnds, Andreas Hartwig; [Müller, Heinrich] (ed.)Der leidende Jesus / Oder Hundert fürtreffliche Anmerckungen / Uber die Historie von dem Leiden und Tode unsers Seeligmachers. Franckfurt am Mayn ; Leipzig: Grosse ; Merseburg: Forberger, 1675. [7] Bl., 530p, [4] Bl. [ce]GeistreichePaßions-Schule [Main] 1675 530p
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106. Asayama, NatsukoRidel Gasshodan no 'Rekishi Ensokai' ni okeru 'Shin-Doitsu-ha'. [The 'New German school' in 'historical concerts' of the Riedel choral society] OkinawaKenritsuGeijutsuDaigakuKiyo 18 2010 147-162
107. Ashby, A. B.Schweitzer on Bach. MLetters 26 2 Apr 1945 102-112
108. Ashby, A. B. (ed.)The Pianist's Book of Bach Chorals. 100 Chorals harmonized by J. S. Bach, chosen from Charles Sanford Terry's Complete Collection [Edited] by A. B. Ashby. - London: Oxford University Press, c1937. 57p. 1937 57p
109. Aspa, RosarioFIFTY SHORT PEDAL EXERCISES, and Studies on some Fugues by Bach, for the Organ, by ROSARIO ASPA. To My Friend James Higgs, Esq. Mus. Bac. Oxon. Ent.Sta.Hall -- Price 5/-. - London: Novello, Ewer & Co., 1, Berners Street, W. and 80 & 81. Queen Street, E. C. [1877]. 2-7p. Pl.-Nr.: 5539. [BWV 546/2, 539/2, 550/2, 566/2, 542/2] 1877 7p
110. Avanzini, Giuliano; Lopez, Luisa; Koelsch, Stefan; Majno, Maria (eds.)The neurosciences and music. II: From perception to performance. Annals of the New York Academy of Sciences. [... result of a Conference Entitled The Neurosciences and Music II: from perception to performance, ... held on May 5-8, 2005 in Leipzig, Germany] / ed. by Giuliano Avanzini, Luisa Lopez, Stefan Koelsch, and Maria Majno. [Conference in Leipzig 2005] - New York, NY: New York Acad. of Sciences, 2005. xii, 490p. ISBN: 1-57331-610-5; 1-57331-611. (= Annals of the New York Academy of Sciences, 1060) AnnNYAcadSci 1060 Dec 2005 xii, 490p
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117. [Bach, Carl Philipp Emanuel; Agricola, Johann Friedrich; Mizler, Lorenz Christoph]Denkmal dreyer verstorbenen Mitglieder der Societät der musikalischen Wissenschaften, oder die Leben Georg Heinr. Bümlers, Brandenburg-Anspachischen Capell-meisters, Gottfr. Heinr. Stölzels, Sächsisch-Gothaischen Capell-meisters und Johann Sebastian Bachs, Musikdirektors zu Leipzig. [Bach = Sekt. VI] MlBib 4 1 1754 129-176
118. [Bach, Carl Philipp Emanuel; Agricola, Johann Friedrich; Mizler, Lorenz Christoph][Nekrolog auf Johann Sebastian Bach.] Der dritte und letzte ist der im Orgelspielen Weltberühmte HochEdle Herr Johann Sebastian Bach, Königlich-Pohlnischer und Churfürstlich Sächsischer Hofcompositeur, und Musikdirector in Leipzig. Repr. in Bach-Dokumente Bd.III. Im Text zitiert als 'Nekrolog' 1754. MlBib 4 1 1754 158-173
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131. Badura-Skoda, PaulBach-Interpretation: Die Klavierwerke Johann Sebastian Bachs. Laaber-Verlag, 1990. 528p. 1990 528p
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133. Badura-Skoda, PaulEl preludio en Mi bemol menor y la fuga en Re sostenido menor, del I Libro del Clave bien temperado, BWV 853: Un análisis para su interpretación. [The prelude in E-flat minor and the fugue in D-sharp minor from book I of Das wohltemperirte Clavier, BWV 853: A performer's analysis] Trans. Jaime Fatás Cabeza. Quodlibet 42 Sep-Dec 2008 50-85
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137. Badura-Skoda, PaulL'art de jouer Bach au clavier. [The art of playing Bach on the keyboard] Trans. by Marc Vignal. Paris: Buchet-Chastel, 1999. 638p. ISBN: 2-283-01736-X. (= Musique) 1999 638p
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141. Balašova, I.Barocnaja preljudija v istorii evoljucii žanra. [Das barocke Präludium in der Geschichte der Genreentwicklung] MusitschneMisteztwo 3 2003 140-148 [cr]Ukraine2000
142. Balsiger, Max UlrichJ. S. Bachs Kantaten als Schriftauslegung. Ein Beitrag zur Wertung der Bachschen Kantatentexte. MGottesd 19 4 Jul-Aug 1965 86-94
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145. Bania, Maria; Skowroneck, TilmanAffective practices in mid-18th-century German music-making: reflections on C. P. E. Bach's advice to performers. EarlyM 48 2 2020 193-203
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148. Baranova, TatjanaIskusstvo fugi J. S. Bacha v ispolnenii organista S. Dižira. [Die Kunst der Fuge J. S. Bachs in der Darstellung des Organisten S. Dischir.] MuzykalnajaZizn 4 1970 5
149. Baranova, Tatjana (ed.)Starinnaja muzyka v kontekste sovremennoj kultury: Problemy interpretacii i istocnikovedenija. [Early music in the context of contemporary culture: Problems of interpretation and source studies] - Moskva: Gosudarstvennaja konservatorija imeni P I. Cajkovskogo, 1989. 573p. [ce]StarinnajaMuzyka 1989 573p
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153. Barokku Ongaku Kenkyukai (The Society for the Study of Baroque Music in Japan)Kyokai Kantata no Seiritsu to Tenkai -- Barokku Ongaku no Shoso. Studies of Baroque Music through Church Cantatas in Germany. [Origin and Development of Church Cantatas--aspects of Baroque Music.] - Tokyo: Academia Music, 1995. ix, 404p. ISBN-10: 487017063-9; ISBN-13: 978-487017063-6. 1995 404p
154. Baroni, Mario; Addessi, Anna Rita; Caterina, Roberto; Costa, Marco (eds.)Proceedings of the 9th International Conference on Music Perception and Cognition (ICMPC). Bologna: Bononia University Press, 2006. ISBN: 88-7395-155-4. http://www.marcocosta.it/icmpc2006/proceedings.htm [cr]ICMPC2006 2006
155. Barreiro Carabetta, DiegoLa clavecinista Laura Dearmas...y su amor por el instrumento para el que escribió Juan Sebastián Bach. [The harpsichordist Laura Dearmas and her love for the instrument for which Johann Sebastian Bach composed] Sinfonica 6 66 Jul 2000 24-25
156. Barros, Nicolas de SouzaA adaptação da obra alaudística de Johann Sebastian Bach para alto guitar: Um modelo híbrido. [The adaptation of the lute works of Johann Sebastian Bach for alto guitar: A hybrid model] Mestrado, Performance practice: U. Federal do Rio de Janeiro, 1993. 2 vols. diss. 1993
157. Barsova, Inna AlekseevnaBah--Šënberg: Dve horal'nye prelûdii I.S. Baha v orkestrovoj obrabotke A. Šënberga [Bach--Schoenberg: Two chorale preludes by J.S. Bach in orchestral arrangement by A. Schoenberg] NaucnyeTrudy 60 2007 167-197
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159. Barsova, Inna Alekseevna; Viskova, Irina Vladimirovna (eds.)Orkestr bez granic: Materialy nauènoj konferencii pamâti Û.A. Fortunatova. [Orchestra without borders: Proceedings of the scholarly conference in memoriam Û.A. Forunatov] - Moskva: Gosudarstvennaâ Konservatoriâ imeni P.I. Èajkovskogo, 2009. 272p. ISBN: 5-89598-205-0; 978-5-89598-205-1. [fs]Forunatov 2009 272p Latin 2
160. Bartha, DénesBemerkungen zur Stilisierung der Volksmusik, besonders der polonaisen, bei Bach. [fs]DBFeierLeipzig 1950 41-43
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162. Bartha, Dénes (ed.)Bence Szabolcsi: septuagenario. Budapest: Akadémiai Kiadó; Kassel [u.a.]: Bärenreiter, 1969. 531p. (= Studia musicologica Academiae Scientiarum Hungaricae, 11) StudMcolAcadSciHungaricae 11 1-4 1969 513p [fs]Szabolcsi
163. Bartha, DénesJohann Sebastian Bach. Budapest: Gondolat, 1956. 272p. 2/1960, 3/1967. (= Kis zenei könyvtár, 13) - Budapest: Zenemûkiadó Vállalat, 1960, 382p. 3/1967 (erw. Aufl.), 394p. 1956 272p Latin 2
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165. Bates, William H.J. S. Bach's Fantasy and Fugue in G Minor, BWV 542: A Source Study for Organists. Bach 39 2 2008 1-89
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167. Batka, RichardJohann Sebastian Bach. Kunstwart 13 20 2 Jul 1900 277-281
168. Batka, Richard (ed.)Johann Sebastian Bachs Notenbüchlein für Anna Magdalena Bach (1725) / Johann Sebastian Bach. hrsg. vom Kunstwart. [Vorw.: Richard Batka] - München: Kunstwartverlag Callwey [1904]. 3, 124p. - 2 Aufl. 1906, 4. Aufl. 1921. [BWV 827, 830, BWV Anh. 113 - 116, 117a, 118, 119, 120-132 ; 691, 810, 811, 812, 515, 508, 988/1, 846, 812, 813/1-3, 516, 82/1+3, 514, 518, 452, 517, 509, 513] 1904 124p
169. Batka, RichardJ. S. Bach. von Richard Batka. - Leipzig: Reclam. 1892, 1893. 119p (= Musiker-Biographien, 15) 1892 119p
170. Bazzana, KevinGlenn Gould: The Performer in the Work: A Study in Performance Practice. Oxford: Clarendon Press, 1997. xxi, 297p. ISBN: 0-19-816656-7. 1997 xxi, 297p
171. Bazzana, KevinListening to Glenn Gould: Johann Sebastian Bach. GlennGould 6 1 Spring 2000 9-16
172. Bell, A. CraigThe great Mr. Handel. MReview 39 1 1978 22-30
173. Beller-McKenna, Catherine PearsonThe Voice of Luther's Church: Instrumental Cantus Firmus Chorales in Selected Cantatas by Johann Sebastian Bach. DMA diss, University of South Carolina, 1998. v, 97p (See Diss. Abstract 59/05-A, Nov. 1998, p.1384) diss. 1998 v, 97p
174. Beller-McKenna, DanielBrahms' motet: Es ist das Heil uns kommen her and the 'innermost essence of music'. BrahmsStud 2 1998 31-62
175. Beller-McKenna, DanielEvolving Meanings of the 'Bach Chorale' in the Sacred Music of Johannes Brahms. Paper read at American Bach Society, Biennial Meeting. University of California, Berkeley, April 12-14, 1996. [p]ABS_California Apr 1996
176. Beller-McKenna, DanielMusical Homage vs. Cultural Criticism: Brahms's Motet Warum ist das Licht gegeben?, op. 74, no.1, and Bach's Cantata Gottes Zeit ist die allerbeste Zeit, BWV 106. A paper read at the Southeast Chapter of the American Musicological Society on 22-23 September 1995 at Appalachian State University. [p]AMS_Southeast Sep 1995
177. Beller-McKenna, DanielThe Great Warum? Job, Christ, and Bach in a Brahms Motet. 19cM 19 3 Spring 1996 231-251
178. Benda, Susanne'Aufs LautenWerk'. Bachs Lautenwerke auf der Gitarre. FonoForum 35 12 1990 62-65
179. Bennett, William Sterndale (ed.)DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [10] VOL [1] [No. and Vol filled in by hand.] Ent. Sta. Hall. Price 1/6. Edited by W. Sterndale Bennett. [Header on music page on p.1:] BACH'S PRELUDE and FUGUE. No. 10. - London: Leader & Cock, 63, New Bond Street, corner of Brook Street [1861]. 1-5p [p.6 Catalogue thematique, vol.1 from No.1 to 12 (nos.10-12 blank)]. Pl.-Nr.: {L & C. 3229.}. [BWV 855] WTC(Bennett) 1 10 1861 5p
180. Bennett, William Sterndale (ed.)DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [11] VOL [1] [No. and Vol filled in by hand.] Ent. Sta. Hall. Price 1/6. Edited by W. Sterndale Bennett. [Header on music page on p.2:] BACH'S PRELUDE and FUGUE. No. 11. - London: Leader & Cock, 63, New Bond Street, corner of Brook Street [1861]. 2-5p [p.2 is back of TP; p.6 Catalogue thematique, vol.1 from No.1 to 12 (nos.10-12 blank)]. Pl.-Nr.: {L & C. 3230}. [BWV 856] WTC(Bennett) 1 11 1861 5p
181. Bennett, William Sterndale (ed.)DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [12] VOL [1] [No. and Vol filled in by hand.] Ent. Sta. Hall. Price 1/6. Edited by W. Sterndale Bennett. [Header on music page on p.2:] BACH'S PRELUDE and FUGUE. No. 12. - London: Leader & Cock, 63, New Bond Street, corner of Brook Street [1861]. 2-8p [p.2 is back of TP; p.9 blank; p.10 Catalogue thematique, vol.1 from No.1 to 12 (nos.10-12 blank)]. Pl.-Nr.: {L & C. 3231}. [BWV 857] WTC(Bennett) 1 12 1861 8p
182. Bennett, William Sterndale (ed.)DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [13] VOL [1] [No. and Vol filled in by hand.] Ent. Sta. Hall. Price 1/6. Edited by W. Sterndale Bennett. [Header on music page on p.1:] BACH'S PRELUDE and FUGUE. No. 13. - London: Leader & Cock, 63, New Bond Street, corner of Brook Street [1861]. 1-5p [p.6 Catalogue thematique, vol.1 from No.1 to 12 (nos.10-12 blank)]. Pl.-Nr.: {L & C. 3232}. [BWV 858] WTC(Bennett) 1 13 1861 5p
183. Bennett, William Sterndale (ed.)DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [14] VOL [1] [No. and Vol filled in by hand.] Ent. Sta. Hall. Price 1/6. Edited by W. Sterndale Bennett. [Header on music page on p.2:] BACH'S PRELUDE and FUGUE. No. 14. - London: Leader & Cock, 63, New Bond Street, corner of Brook Street [1861]. 2-6p [p.2 is back of TP; p.7 blank; p.8 Catalogue thematique, vol.1 from No.1 to 12 (nos.10-12 blank)]. Pl.-Nr.: {L & C. 3233}. [BWV 859] WTC(Bennett) 1 14 1861 6p
184. Bennett, William Sterndale (ed.)DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [15] VOL [1] [No. and Vol filled in by hand.] Ent. Sta. Hall. Price 1/6. Edited by W. Sterndale Bennett. [Header on music page on p.2:] BACH'S PRELUDE and FUGUE. No. 15. - London: Leader & Cock, 63, New Bond Street, corner of Brook Street [c.1860]. [p.1 blank] 2-8p. Pl.-Nr.: {L & C. 3234.}. [BWV 860] WTC(Bennett) 1 15 1862 8p
185. Bennett, William Sterndale (ed.)DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [16] VOL [1] [No. and Vol filled in by hand.] Ent. Sta. Hall. Price 1/6. Edited by W. Sterndale Bennett. [Header on music page on p.2:] BACH'S PRELUDE AND FUGUE. No. 16(Vol:1.) - London: Leader & Cock, 63, New Bond Street, corner of Brook Street [1855]. [p.1 blank] 2-5p [p.6 blank]. Pl.-Nr.: L. & C. 2279. [BWV 861] WTC(Bennett) 1 16 1855 5p
186. Bennett, William Sterndale (ed.)DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [17] VOL [1] [No. and Vol filled in by hand.] Ent. Sta. Hall. Price 1/6. Edited by W. Sterndale Bennett. [Header on music page on p.2:] BACH'S PRELUDE and FUGUE. No. 17. - London: Leader & Cock, 63, New Bond Street, corner of Brook Street [1861]. 2-6p [p.2 is back of TP; p.7 blank; p.8 Catalogue thematique, vol.1 from No.1 to 12 (nos.10-12 blank)]. Pl.-Nr.: {L & C. 3235}. [BWV 862] WTC(Bennett) 1 17 1861 6p
187. Bennett, William Sterndale (ed.)DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [18] VOL [1] [No. and Vol filled in by hand.] Ent. Sta. Hall. Price 1/6. Edited by W. Sterndale Bennett. [Header on music page on p.2:] BACH'S PRELUDE and FUGUE. No. 18. - London: Leader & Cock, 63, New Bond Street, corner of Brook Street [1861]. 2-6p [p.2 is back of TP; p.7 blank; p.8 Catalogue thematique, vol.1 from No.1 to 12 (nos.10-12 blank)]. Pl.-Nr.: {L & C . 3236}. [BWV 863] WTC(Bennett) 1 18 1861 6p
188. Bennett, William Sterndale (ed.)DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [19] VOL [1] [No. and Vol filled in by hand.] Ent. Sta. Hall. Price 1/6. Edited by W. Sterndale Bennett. [Header on music page on p.2:] BACH'S PRELUDE and FUGUE. No. 19. - London: Leader & Cock, 63, New Bond Street, corner of Brook Street [1861]. 2-7p [p.2 is back of TP; p.8 Catalogue thematique, vol.1 from No.1 to 12 (nos.10-12 blank)]. Pl.-Nr.: {L & C. 3237}. [BWV 864] WTC(Bennett) 1 19 1861 7p
189. Bennett, William Sterndale (ed.)DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [1] VOL [1]. [No. and Vol filled in by hand.] Ent. Sta. Hall. Price 1/6. Edited by W. Sterndale Bennett. [Header on music page on p.2:] BACH'S PRELUDE AND FUGUE. No. 1. (Vol. 1.) - London: Leader & Cock, 63, New Bond Street, corner of Brook Street [1852]. [p.1 blank] 2-7p [p.8 blank]. Pl.-Nr.: L & C 1407. [BWV 846 - tempo mark 'Moderato' at start of the prelude; the prelude includes the Schwencke bar.] WTC(Bennett) 1 1 1852 7p
190. Bennett, William Sterndale (ed.)DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [20] VOL [1] [No. and Vol filled in by hand.] Ent. Sta. Hall. Price 1/6. Edited by W. Sterndale Bennett. [Header on music page on p.2:] BACH'S PRELUDE and FUGUE. No. 20. - London: Leader & Cock, 63, New Bond Street, corner of Brook Street [1861]. 2-9p [p.2 is back of TP; p.10 Catalogue thematique, vol.1 from No.1 to 12 (nos.10-12 blank)]. Pl.-Nr.: {L & C. 3238}. [BWV 865] WTC(Bennett) 1 20 1861 9p
191. Bennett, William Sterndale (ed.)DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [21] VOL [1] [No. and Vol filled in by hand.] Ent. Sta. Hall. Price 1/6. Edited by W. Sterndale Bennett. [Header on music page on p.2:] BACH'S PRELUDE and FUGUE. No. 21. - London: Leader & Cock, 63, New Bond Street, corner of Brook Street [c.1860]. 2-6p [p.2 is back of TP; p.7 blank; p.8 Catalogue thematique, vol.1 from No.1 to 12 (nos.10-12 blank)]. Pl.-Nr.: {L & C. 3239}. [BWV 866] WTC(Bennett) 1 21 1862 6p
192. Bennett, William Sterndale (ed.)DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [22] VOL [1] [No. and Vol filled in by hand.] Ent. Sta. Hall. Price 1/6. Edited by W. Sterndale Bennett. [Header on music page on p.1:] BACH'S PRELUDE AND FUGUE. No. 22. (Vol:1.) - London: Leader & Cock, 63, New Bond Street, corner of Brook Street [1855]. 1-5p [p.6 blank]. Pl.-Nr.: L. & C. 2280. [BWV 867] WTC(Bennett) 1 22 1855 5p
193. Bennett, William Sterndale (ed.)DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [23] VOL [1] [No. and Vol filled in by hand.] Ent. Sta. Hall. Price 1/6. Edited by W. Sterndale Bennett. [Header on music page on p.2:] BACH'S PRELUDE and FUGUE. No. 23. - London: Leader & Cock, 63, New Bond Street, corner of Brook Street [1861]. 2-6p [p.2 is back of TP; p.7 blank; p.8 Catalogue thematique, vol.1 from No.1 to 12 (nos.10-12 blank)]. Pl.-Nr.: {L & C. 3240}. [BWV 868] WTC(Bennett) 1 23 1861 6p
194. Bennett, William Sterndale (ed.)DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [24] VOL [1] [No. and Vol filled in by hand.] Ent. Sta. Hall. Price 1/6. Edited by W. Sterndale Bennett. [Header on music page on p.2:] BACH'S PRELUDE and FUGUE. No. 19. - London: Leader & Cock, 63, New Bond Street, corner of Brook Street [c.1860]. [p.1 blank] 2-8p [p.9 blank; p.10 Catalogue thematique, vol.1 from No.1 to 12 (nos.10-12 blank)]. Pl.-Nr.: {L & C. 3241}. [BWV 869] WTC(Bennett) 1 24 1862 8p
195. Bennett, William Sterndale (ed.)DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. 25. (Vol.2) Ent. Sta. Hall. Price 2/. Edited by W. Sterndale Bennett. [Header on music page on p.2:] BACH'S PRELUDE AND FUGUE. No. 25. (Vol. 2.) - London: Lamborn Cock, Addison & Co. (late Leader & Cock), 62 & 63, New Bond Street, corner of Brook Street [1866]. [back of TP and p.1 blank] 2-5p [p.6 Catalogue thematique, vol.1 from No.1 to 12 (nos.10-12 blank)]. Pl.-Nr.: {L.C & Co. 3825.}. [BWV 870] WTC(Bennett) 2 1 1866 5p
196. Bennett, William Sterndale (ed.)DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [26]. VOL [2] [No. and Vol filled in by hand.] Ent. Sta. Hall. Price 1/6. Edited by W. Sterndale Bennett. [Header on music page on p.2:] BACH'S PRELUDE AND FUGUE. No. 26 Vol. 2. - London: Leader & Cock, 63, New Bond Street, corner of Brook Street [1852]. [p.1 blank] 2-5p [p.6 blank]. Pl.-Nr.: L & C 1409. [BWV 871] WTC(Bennett) 2 2 1852 5p
197. Bennett, William Sterndale (ed.)DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. 27. (Vol.2) Ent. Sta. Hall. Price 2/. Edited by W. Sterndale Bennett. [Header on music page on p.2:] BACH'S PRELUDE AND FUGUE. No. 27. (Vol: 2.) - London: Lamborn Cock, Addison & Co. (late Leader & Cock), 62 & 63, New Bond Street, corner of Brook Street [1866]. [back of TP and p.1 blank] 2-5p [p.6 Catalogue thematique, vol.1 from No.1 to 12 (nos.10-12 blank)].Pl.-Nr.: {L.C & Co. 3826.}. [BWV 872] WTC(Bennett) 2 3 1866 5p
198. Bennett, William Sterndale (ed.)DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. 28. (Vol.2) Ent. Sta. Hall. Price 2/. Edited by W. Sterndale Bennett. [Header on music page on p.2:] BACH'S PRELUDE AND FUGUE. No. 28. (Vol. 2.) - London: Lamborn Cock, Addison & Co. (late Leader & Cock), 62 & 63, New Bond Street, corner of Brook Street [1866]. 2-9p [p.2 back of TP; p.10 Catalogue thematique, vol.1 from No.1 to 12 (nos.10-12 blank)].Pl.-Nr.: {L.C & Co. 3827.}. [BWV 873] WTC(Bennett) 2 4 1866 9p
199. Bennett, William Sterndale (ed.)DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [2] VOL [1] [No. and Vol filled in by hand.] Ent. Sta. Hall. Price 1/6. Edited by W. Sterndale Bennett. [Header on music page on p.1:] BACH'S PRELUDE AND FUGUE. No. 2. (Vol. 1.) - London: Leader & Cock, 63, New Bond Street, corner of Brook Street [1852]. 1-5p [p.6 blank]. Pl.-Nr.: L & C 1408. [BWV 847 - tempo mark 'Allegro' at the start of the prelude] WTC(Bennett) 1 2 1852 5p
200. Bennett, William Sterndale (ed.)DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [31] VOL [2]. [No. and Vol filled in by hand.] Ent. Sta. Hall. Price 1/6. Edited by W. Sterndale Bennett. [Header on music page on p.1:] BACH'S PRELUDE AND FUGUE. No. 31. (Vol: 2.) - London: Leader & Cock, 63, New Bond Street, corner of Brook Street [1852]. 1-5p [p.6 blank]. Pl.-Nr.: L & C 1410. [BWV 876] WTC(Bennett) 2 7 1852 5p
201. Bennett, William Sterndale (ed.)DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [33] VOL [2]. [No. and Vol filled in by hand.] Ent. Sta. Hall. Price [1]/[6] [filled by hand]. Edited by W. Sterndale Bennett. [Header on music page on p.1:] BACH'S PRELUDE AND FUGUE. No. 33. (Vol: 2.) - London: Leader & Cock, 63, New Bond Street, corner of Brook Street [1852]. 1-5p [p.6 blank]. Pl.-Nr.: L & C 1404. [BWV 878] WTC(Bennett) 2 9 1852 5p
202. Bennett, William Sterndale (ed.)DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [36] VOL [2] [No. and Vol filled in by hand.] Ent. Sta. Hall. Price 1/6. Edited by W. Sterndale Bennett. [Header on music page on p.1:] BACH'S PRELUDE AND FUGUE. No. 36 .(Vol: 2.) - London: Leader & Cock, 63, New Bond Street, corner of Brook Street [1855]. 1-7p [p.8 blank]. Pl.-Nr.: L. & C. 2281. [BWV 881] WTC(Bennett) 2 12 1855 7p
203. Bennett, William Sterndale (ed.)DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [39] VOL [2] [No. and Vol filled in by hand.] Ent. Sta. Hall. Price 1/6. Edited by W. Sterndale Bennett. [Header on music page on p.1:] BACH'S PRELUDE AND FUGUE. No. 39. (Vol: 2.) - London: Leader & Cock, 63, New Bond Street, corner of Brook Street [1855]. 1-5p [p.6 blank]. Pl.-Nr.: L. & C. 2282. [BWV 884] WTC(Bennett) 2 15 1855 5p
204. Bennett, William Sterndale (ed.)DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [3] VOL [1] [No. and Vol filled in by hand.] Ent. Sta. Hall. Price 1/6. Edited by W. Sterndale Bennett. [Header on music page on p.2:] BACH'S PRELUDE and FUGUE. No. 3. - London: Leader & Cock, 63, New Bond Street, corner of Brook Street [1861]. [p.1 blank] 2-9p [p.10 Catalogue thematique, vol.1 from No.1 to 12 (nos.10-12 blank)]. Pl.-Nr.: {L & C.3223}. [BWV 848] WTC(Bennett) 1 3 1861 9p
205. Bennett, William Sterndale (ed.)DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [41] VOL [2] [No. and Vol filled in by hand.] Ent. Sta. Hall. Price 1/6. Edited by W. Sterndale Bennett. [Header on music page on p.1:] BACH'S PRELUDE AND FUGUE. No. 41. (Vol: 2.) - London: Leader & Cock, 63, New Bond Street, corner of Brook Street [1855]. 1-9p [p.10 blank]. Pl.-Nr.: L. & C. 2283. [BWV 886] WTC(Bennett) 2 17 1855 9p
206. Bennett, William Sterndale (ed.)DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [48] VOL [2]. [No. and Vol filled in by hand.] Ent. Sta. Hall. Price 1/6. Edited by W. Sterndale Bennett. [Header on music page on p.1:] BACH'S PRELUDE AND FUGUE. No. 48 (Vol. 2.) - London: Leader & Cock, 63, New Bond Street, corner of Brook Street [1852]. 1-6p Pl.-Nr.: L & C 1411. [BWV 893] WTC(Bennett) 2 24 1852 6p
207. Bennett, William Sterndale (ed.)DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [4] VOL [1] [No. and Vol filled in by hand.] Ent. Sta. Hall. Price 1/6. Edited by W. Sterndale Bennett. [Header on music page on p.1:] BACH'S PRELUDE and FUGUE. No. 4. - London: Leader & Cock, 63, New Bond Street, corner of Brook Street [1861]. 1-7p [p.8 Catalogue thematique, vol.1 from No.1 to 12 (nos.10-12 blank)]. Pl.-Nr.: {L & C.3224}. [BWV 849] WTC(Bennett) 1 4 1861 7p
208. Bennett, William Sterndale (ed.)DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [5] VOL [1] [No. and Vol filled in by hand.] Ent. Sta. Hall. Price 1/6. Edited by W. Sterndale Bennett. [Header on music page on p.1:] BACH'S PRELUDE AND FUGUE. No. 5. (Vol: 1) - London: Leader & Cock, 63, New Bond Street, corner of Brook Street [1855]. 1-5p [p.6 blank]. Pl.-Nr.: L. & C. 2278. [BWV 850] WTC(Bennett) 1 5 1855 5p
209. Bennett, William Sterndale (ed.)DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [6] VOL [1] [No. and Vol filled in by hand.] Ent. Sta. Hall. Price 1/6. Edited by W. Sterndale Bennett. [Header on music page on p.2:] BACH'S PRELUDE and FUGUE. No. 6. - London: Leader & Cock, 63, New Bond Street, corner of Brook Street [1861]. [p.1 blank] 2-5p [p.6 Catalogue thematique, vol.1 from No.1 to 12 (nos.10-12 blank)]. Pl.-Nr.: {L & C. 3225}. [BWV 851] WTC(Bennett) 1 6 1861 5p
210. Bennett, William Sterndale (ed.)DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [7] VOL [1] [No. and Vol filled in by hand.] Ent. Sta. Hall. Price 1/6. Edited by W. Sterndale Bennett. [Header on music page on p.1:] BACH'S PRELUDE and FUGUE. No. 7. - London: Leader & Cock, 63, New Bond Street, corner of Brook Street [1861]. 1-7p [p.8 Catalogue thematique, vol.1 from No.1 to 12 (nos.10-12 blank)]. Pl.-Nr.: {L & C. 3226.}. [BWV 852] WTC(Bennett) 1 7 1861 7p
211. Bennett, William Sterndale (ed.)DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [8] VOL [1] [No. and Vol filled in by hand.] Ent. Sta. Hall. Price 1/6. Edited by W. Sterndale Bennett. [Header on music page on p.1:] BACH'S PRELUDE AND FUGUE. No. 8. - London: Leader & Cock, 63, New Bond Street, corner of Brook Street [1861]. 1-7p [p.8 Catalogue thematique, vol.1 from No.1 to 12 (nos.10-12 blank)]. Pl.-Nr.: {L & C. 3227.}. [BWV 853] WTC(Bennett) 1 8 1861 7p
212. Bennett, William Sterndale (ed.)DAS WOHLTEMPERIRTE CLAVIER. 48 PRELUDES AND FUGUES, COMPOSED BY JOHN SEBASTIAN BACH. No. [9] VOL [1] [No. and Vol filled in by hand.] Ent. Sta. Hall. Price 1/6. Edited by W. Sterndale Bennett. [Header on music page on p.2:] BACH'S PRELUDE and FUGUE. No. 9. - London: Leader & Cock, 63, New Bond Street, corner of Brook Street [1861]. [p.1 blank] 2-5p [p.6 Catalogue thematique, vol.1 from No.1 to 12 (nos.10-12 blank)]. Pl.-Nr.: {L & C. 3228}. [BWV 854] WTC(Bennett) 1 9 1861 5p
213. Bennett, William Sterndale (ed.)DAS WOHLTEMPERIRTE CLAVIER. Forty Eight PRELUDES and FUGUES, Composed by John Sebastian Bach. Part I. Edited by W. Sterndale Bennett. In two parts. Price 15/. each. - London: Leader & Cock, 62 & 63 New Bond Street, Corner of Brook Street [c.1860]. 2 vols. 136p. Pl.-Nr.: L. & C. 1407 - L. & C. 1408; L. & C. 2278 - L. & C. 2280; L. & C. 3223 - L. & C. 3241. (= The Students Edition.) [BWV 846-869] WTC(Bennett) 1 1863 136p
214. Bennett, William Sterndale (ed.)Grosse Passions-Musik, (according to the Gospel of St. Matthew) / composed by John Sebastian Bach. The English translation & adaptation by Miss H.F.H. Johnston ; the whole edited and revised by William Sterndale Bennett. [Cover title: J.S. Bach's Grosse Passions-Musik.] - London: Lamborn Cock, Hutchings & Co., [1862]. [i] (List of Subscribers), [iii] (Preface by the Editor), [v] (contents), 1-159p. Pl.-Nr.: L&C 2943. [BWV 244] 1862 159p
215. Bennett, William Sterndale (ed.)The passion of our Lord (according to S. Matthew) set to music by John Sebastian Bach The English translation and adaptation by Miss H.F.H. Johnston ; edited by Professor W. Sterndale Bennett. [Preface dated 1862; with an additional essay by G.A. Macfarren, dated 1871 (xv p.)] - London: Novello, Ewer and Co.: Lamborn Cock and Co., [1872], xv, viii, 187p. Pl.-Nr.: Bach's Passion Music - Novello, Ewer and Co's Octavo Edition. [BWV 244] 1872 xv, viii, 187p
216. Bennett, William Sterndale; Goldschmidt, Otto (eds.)The chorale book for England: a complete hymn-book for public and private worship, in accordance with the services and festivals of the Church of England. The hymns from the Lyra Germanica and other sources, translated by Catherine Winkworth ; The tunes from the sacred music of the Lutheran, Latin, and other churches, for four voices, with historical notes, etc., etc. compiled and edited by William Sterndale Bennett ... and Otto Goldschmidt. - London: Longman, Green, Longman, Roberts, and Green 1863. - repr? 1865. xv [497]p. 1863 497p
217. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 1. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - [London: Ashdown & Parry, Hanover Square, 1876] - repr. London: Edwin Ashdown (Limited) ; New York: Percy Ashdown ; Toronto: Sydney Ashdown [c.1900] 2-7p [p.8 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 1. (A & P. No. 14,531.) [BWV 846] [Based on Leader & Cock edition, but new engraving removing the Schwencke bar from the prelude.] WTC(Bennett-Westlake) 1 1876 7p
218. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 10. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - [London: Ashdown & Parry, Hanover Square, 1876]. - repr. London: Edwin Ashdown (Limited) Hanover Square, [c.1900] [p.1 blank] 1-5p [p.6 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 10. (A & P. No. 14,540.) [BWV 855] [Based on Leader & Cock edition] WTC(Bennett-Westlake) 10 1876 5p
219. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 11. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - [London: Ashdown & Parry, Hanover Square, 1876] - repr. London, New York, Toronto: Edwin Ashdown (Limited) [c.1900] [p.1 blank] 2-5p [p.6 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 11. (A & P. No. 14,541.) [BWV 856] [Based on Leader & Cock edition] WTC(Bennett-Westlake) 11 1876 5p
220. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 12. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - [London: Ashdown & Parry, Hanover Square, 1876] - repr. London: Edwin Ashdown (Limited) Hanover Square [c.1900] 2-7p [p.8 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 12. (A & P. No. 14,542.) [BWV 857] [Based on Leader & Cock edition] WTC(Bennett-Westlake) 12 1876 7p
221. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 13. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - [London: Ashdown & Parry, Hanover Square, 1876] - repr. London: Edwin Ashdown, Hanover Square [c.1900] 1-5p [p.6 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 13. (A & P. No. 14,543.) [BWV 858] [Based on Leader & Cock edition] WTC(Bennett-Westlake) 13 1876 5p
222. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 14. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - [London: Ashdown & Parry, Hanover Square, 1876] - repr. London: Edwin Ashdown (Limited) ; New York: Percy Ashdown ; Toronto: Sydney Ashdown [c.1900] [p.1 blank] 2-6p [p,7 blank; p.8 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 14. (A & P. No. 14,544.) [BWV 859] [Based on Leader & Cock edition] WTC(Bennett-Westlake) 14 1876 6p
223. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 15. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - [London: Ashdown & Parry, Hanover Square, 1876] - repr. London, New York, Toronto: Edwin Ashdown (Limited) [c.1900] [p.1 blank] 2-8p [p.9 blank; p.10 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 15. (A & P. No. 14,545.) [BWV 860] [Based on Leader & Cock edition] WTC(Bennett-Westlake) 15 1876 8p
224. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 16. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - [London: Ashdown & Parry, Hanover Square, 1876] - repr. London, New York, Toronto: Edwin Ashdown (Limited) [c.1900] [p.1 blank] 2-5p [p.6 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 16 (A & P. No. 14,546.) [BWV 861] [Based on Leader & Cock edition] WTC(Bennett-Westlake) 16 1876 5p
225. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 17. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - [London: Ashdown & Parry, Hanover Square, 1876] - repr. London: Edwin Ashdown (Limited) ; New York: Percy Ashdown ; Toronto: Sydney Ashdown [c.1900] 2-6p [p.7 blank; p.8 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 17. (A & P. No. 14,547.) [BWV 862] [Based on Leader & Cock edition] WTC(Bennett-Westlake) 17 1876 6p
226. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 18. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - [London: Ashdown & Parry, Hanover Square, 1876] - repr. London: Edwin Ashdown, Hanover Square [c.1900] [p.1 blank] 2-6p [p.7 blank; p.8 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 18. (A & P. No. 14,548.) [BWV 863] [Based on Leader & Cock edition] WTC(Bennett-Westlake) 18 1876 6p
227. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 19. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - [London: Ashdown & Parry, Hanover Square, 1876] - repr. London: Edwin Ashdown, Hanover Square [c.1900] 2-7p [p.8 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 19. (A & P. No. 14,549.) [BWV 864] [Based on Leader & Cock edition] WTC(Bennett-Westlake) 19 1876 7p
228. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 2. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - [London: Ashdown & Parry, Hanover Square, 1876] - repr. London: Edwin Ashdown, Hanover Square [c.1900] 1-5p [p.6 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 2. (A & P. No. 14,532.) [BWV 847] [Based on Leader & Cock edition] WTC(Bennett-Westlake) 2 1876 5p
229. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 20. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. - London: Ashdown & Parry, Hanover Square, [1876] [p.1 blank] 2-9p [p.10 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 20. (A & P. No. 14,550.) - repr. London: Edwin Ashdown, New York: Percy Ashdown, Toronto: Sydney Ashdown [c.1900] [BWV 865] [Based on Leader & Cock edition; BL copy has stamp '15 76 APR' on p.[10]] WTC(Bennett-Westlake) 20 1876 9p
230. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 21. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - [London: Ashdown & Parry, Hanover Square, 1876] - repr. London, New York, Toronto: Edwin Ashdown (Limited) [c.1900] [p.1 blank] 2-5p [p.6 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 21. (A & P. No. 14,551.) [BWV 866] [Based on Leader & Cock edition] WTC(Bennett-Westlake) 21 1876 5p
231. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 22. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - [London: Ashdown & Parry, Hanover Square, 1876] - repr. London: Edwin Ashdown, Hanover Square [c.1900] 1-5p [p.6 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 22. (A & P. No. 14,552.) [BWV 867] [Based on Leader & Cock edition] WTC(Bennett-Westlake) 22 1876 5p
232. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 23. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - [London: Ashdown & Parry, Hanover Square, 1876] - repr. London: Edwin Ashdown, Hanover Square [c.1900] 2-6p [p.7 blank; p.8 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 23. (A & P. No. 14,553.) [BWV 868] [Based on Leader & Cock edition] WTC(Bennett-Westlake) 23 1876 6p
233. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 24. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - [London: Ashdown & Parry, Hanover Square, 1876] - repr. London, New York, Toronto: Edwin Ashdown (Limited) [c.1900] [p.1 blank] 2-9p [p.10 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 24. (A & P. No. 14,554.) [BWV 869] [Based on Leader & Cock edition] WTC(Bennett-Westlake) 24 1876 9p
234. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 25. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - [London: Ashdown & Parry, Hanover Square, 1876] - repr. London: Edwin Ashdown, Hanover Square [c.1900] [p.1 blank] 2-5p [p.6 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 25. (A & P. No. 14,555.) [BWV 870] [Based on Leader & Cock edition] WTC(Bennett-Westlake) 25 1876 5p
235. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 26. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - [London: Ashdown & Parry, Hanover Square, 1876] - repr. London: Edwin Ashdown (Limited) ; New York: Percy Ashdown ; Toronto: Sydney Ashdown [c.1900] [p.1 blank] 2-5p [p.6 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 26. (A & P. No. 14,556.) [BWV 871] [Based on Leader & Cock edition] WTC(Bennett-Westlake) 26 1876 5p
236. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 27. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - London: Ashdown & Parry, Hanover Square, [1876]. [p.1 blank] 2-5p [p.6 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 27. (A & P. No. 14,557.) [BWV 872] [Based on Leader & Cock edition] WTC(Bennett-Westlake) 27 1876 5p
237. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 28. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - [London: Ashdown & Parry, Hanover Square, 1876] - repr. London, New York, Toronto: Edwin Ashdown (Limited) [c.1900] [p.1 blank] 2-9p [p.10 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 28. (A & P. No. 14,558.) [BWV 873] [Based on Leader & Cock edition] WTC(Bennett-Westlake) 28 1876 9p
238. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 29. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - [London: Ashdown & Parry, Hanover Square, 1876] - repr. London: Edwin Ashdown, Hanover Square [c.1900] 1-7p [p.8 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 29. (A & P. No. 14,559.) [BWV 874] [Based on Leader & Cock edition] WTC(Bennett-Westlake) 29 1876 7p
239. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 3. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - [London: Ashdown & Parry, Hanover Square, 1876] - repr. London: Edwin Ashdown (Limited) ; New York: Percy Ashdown ; Toronto: Sydney Ashdown [c.1900] [p.1 blank] 2-9p [p.10 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 3. (A & P. No. 14,533.) [BWV 848] [Based on Leader & Cock edition] WTC(Bennett-Westlake) 3 1876 9p
240. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 30. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - [London: Ashdown & Parry, Hanover Square, 1876] - repr. London: Edwin Ashdown, Hanover Square [c.1900] 1-5p [p.6 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 30. (A & P. No. 14,560.) [BWV 875] [Based on Leader & Cock edition] WTC(Bennett-Westlake) 30 1876 5p
241. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 31. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - [London: Ashdown & Parry, Hanover Square, 1876] - repr. London, New York, Toronto: Edwin Ashdown (Limited) [c.1900] 1-5p [p.6 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 31. (A & P. No. 14,561.) [BWV 876] [Based on Leader & Cock edition] WTC(Bennett-Westlake) 31 1876 5p
242. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 32. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - [London: Ashdown & Parry, Hanover Square, 1876] - repr. London, New York, Toronto: Edwin Ashdown (Limited) [c.1900] 2-7p [p.8 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 32. (A & P. No. 14,562.) [BWV 877] [Based on Leader & Cock edition] WTC(Bennett-Westlake) 32 1876 7p
243. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 33. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - [London: Ashdown & Parry, Hanover Square, 1876] - repr. London, New York, Toronto: Edwin Ashdown (Limited) [c.1900] [p.1 blank] 2-5p [p.6 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 33. (A & P. No. 14,563.) [BWV 878] [Based on Leader & Cock edition] WTC(Bennett-Westlake) 33 1876 5p
244. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 34. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - [London: Ashdown & Parry, Hanover Square, 1876] - repr. London: Edwin Ashdown (Limited) Hanover Square [c.1900] [p.1 blank] 2-9p [p.10 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 34. (A & P. No. 14,564.) [BWV 879] [Based on Leader & Cock edition] WTC(Bennett-Westlake) 34 1876 9p
245. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 35. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - [London: Ashdown & Parry, Hanover Square, 1876] - repr. London: Edwin Ashdown (Limited) Hanover Square [c.1900] 1-9p [p.10 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 35. (A & P. No. 14,565.) [BWV 880] [Based on Leader & Cock edition] WTC(Bennett-Westlake) 35 1876 9p
246. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 36. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - [London: Ashdown & Parry, Hanover Square, 1876] - repr. London: Edwin Ashdown (Limited) ; New York: Percy Ashdown ; Toronto: Sydney Ashdown [c.1900] 1-7p [p.8 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 36. (A & P. No. 14,566.) [BWV 881] [Based on Leader & Cock edition] WTC(Bennett-Westlake) 36 1876 7p
247. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 37. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - [London: Ashdown & Parry, Hanover Square, 1876] - repr. London: Edwin Ashdown, Hanover Square [c.1900] [p.1 blank] 2-9p [p.10 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 37. (A & P. No. 14,567.) [BWV 882] [Based on Leader & Cock edition] WTC(Bennett-Westlake) 37 1876 9p
248. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 38. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - [London: Ashdown & Parry, Hanover Square, 1876] - repr. London: Edwin Ashdown, Hanover Square [c.1900] 2-7p [p.8 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 38. (A & P. No. 14,568.) [BWV 883] [Based on Leader & Cock edition] WTC(Bennett-Westlake) 38 1876 7p
249. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 39. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - [London: Ashdown & Parry, Hanover Square, 1876] - repr. London: Edwin Ashdown, Hanover Square [c.1900] 1-5p [p.6 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 39. (A & P. No. 14,569.) [BWV 884] [Based on Leader & Cock edition] WTC(Bennett-Westlake) 39 1876 5p
250. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 4. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - [London: Ashdown & Parry, Hanover Square, 1876] - repr. London: Edwin Ashdown (Limited) ; New York: Percy Ashdown ; Toronto: Sydney Ashdown [c.1900] 1-7p [p.8 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 4. (A & P. No. 14,534.) [BWV 849] [Based on Leader & Cock edition] WTC(Bennett-Westlake) 4 1876 7p
251. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 40. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - [London: Ashdown & Parry, Hanover Square, 1876] - repr. London, New York, Toronto: Edwin Ashdown (Limited) [c.1900] 2-7p [p.8 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 40. (A & P. No. 14,570.) [BWV 885] [Based on Leader & Cock edition] WTC(Bennett-Westlake) 40 1876 7p
252. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 41. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - [London: Ashdown & Parry, Hanover Square, 1876] - repr. London: Edwin Ashdown, Hanover Square [c.1900] 1-9p [p.10 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 41. (A & P. No. 14,571.) [BWV 886] [Based on Leader & Cock edition] WTC(Bennett-Westlake) 41 1876 9p
253. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 42. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - [London: Ashdown & Parry, Hanover Square, 1876] - repr. London: Edwin Ashdown, Hanover Square [c.1900] 1-7p [p.8 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 42. (A & P. No. 14,572.) [BWV 887] [Based on Leader & Cock edition] WTC(Bennett-Westlake) 42 1876 7p
254. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 43. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - [London: Ashdown & Parry, Hanover Square, 1876] - repr. London: Edwin Ashdown (Limited) ; New York: Percy Ashdown ; Toronto: Sydney Ashdown [c.1900] [p.1 blank] 2-5p [p.6 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 43. (A & P. No. 14,573.) [BWV 888] [Based on Leader & Cock edition] WTC(Bennett-Westlake) 43 1876 5p
255. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 44. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - [London: Ashdown & Parry, Hanover Square, 1876] - repr. London: Edwin Ashdown, Hanover Square [c.1900] 2-7p [p.8 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 44. (A & P. No. 14,574.) [BWV 889] [Based on Leader & Cock edition] WTC(Bennett-Westlake) 44 1876 7p
256. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 45. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - [London: Ashdown & Parry, Hanover Square, 1876] - repr. London: Edwin Ashdown, Hanover Square [c.1900] [p.1 blank] 2-9p [p.10 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 45. (A & P. No. 14,575.) [BWV 890] [Based on Leader & Cock edition] WTC(Bennett-Westlake) 45 1876 9p
257. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 46. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - [London: Ashdown & Parry, Hanover Square, 1876] - repr. London: Edwin Ashdown (Limited) ; New York: Percy Ashdown ; Toronto: Sydney Ashdown [c.1900] 1-7p [p.8 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 46. (A & P. No. 14,576.) [BWV 891] [Based on Leader & Cock edition] WTC(Bennett-Westlake) 46 1876 7p
258. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 47. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - London: Ashdown & Parry, Hanover Square, [1876] [p.1 blank] 2-9p [p.10 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 47. (A & P. No. 14,577.) [BWV 892] [Based on Leader & Cock edition] WTC(Bennett-Westlake) 47 1876 9p
259. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 48. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - [London: Ashdown & Parry, Hanover Square, 1876] - repr. London, New York, Toronto: Edwin Ashdown (Limited) [c.1900] 2-7p [p.8 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 48. (A & P. No. 14,578.) [BWV 893] [Based on Leader & Cock edition] WTC(Bennett-Westlake) 48 1876 7p
260. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 5. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - [London: Ashdown & Parry, Hanover Square, 1876] - repr. London: Edwin Ashdown (Limited) ; New York: Percy Ashdown ; Toronto: Sydney Ashdown [c.1900] [p.1 blank] 1-5p [p.6 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 5. (A & P. No. 14,535.) [BWV 850] [Based on Leader & Cock edition] WTC(Bennett-Westlake) 5 1876 5p
261. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 6. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - London: Ashdown & Parry, Hanover Square, [1876]. [p.1 blank] 2-5p [p.6 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 6. (A & P. No. 14,536.) [BWV 851] [Based on Leader & Cock edition] WTC(Bennett-Westlake) 6 1876 5p
262. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 7. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - [London: Ashdown & Parry, Hanover Square, 1876] - repr. London, New York, Toronto: Edwin Ashdown (Limited) [c.1900] 1-7p [p.8 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 7. (A & P. No. 14,537.) [BWV 852] [Based on Leader & Cock edition] WTC(Bennett-Westlake) 7 1876 7p
263. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 8. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - London: Ashdown & Parry, Hanover Square, [1876]. 1-7p [p.8 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 8. (A & P. No. 14,538.) [BWV 853] [Based on Leader & Cock edition] WTC(Bennett-Westlake) 8 1876 7p
264. Bennett, William Sterndale; Westlake, Frederick (eds.)BACH'S FORTY-EIGHT PRELUDES AND FUGUES (Das Wohltemperirte Clavier.) ; No. 9. [With a list of all 48 pairs.] Edited by Sir William Sterndale Bennett. Revised and Fingered by Frederick Westlake. Price Two Shillings each. - [London: Ashdown & Parry, Hanover Square, 1876]. - repr. London: Edwin Ashdown, Hanover Square, [c.1900] [p.1 blank] 2-5p [p.6 advertisement]. Pl.-Nr.: BACH, Prel. & Fugues. No. 9. (A & P. No. 14,539.) [BWV 854] [Based on Leader & Cock edition] WTC(Bennett-Westlake) 9 1876 5p
265. Bent, Ian D.Schenker and Bach's French suite in E major. [BWV 817] MAnalysis 34 2 Jul 2015 155-174
266. Bent, Ian D.'That Bright New Light': Schenker, Universal Edition, and the Origins of the Erläuterung Series, 1901-1910. JAMSoc 58 1 Spring 2005 69-138
267. Bercenko, Roman EduardovicBahovskij festival' v Lejpcige. [Bachfest in Leipzig] MuzykalnajaAkad 4 2004 210-213 Latin 2
268. Bercenko, Roman EduardovicB. L. Âborskij o 'Horošo temperirovannom klavire' I. S. Baha. [Boleslav Âvorskij on J. S. Bach's Das wohltemperirte Clavier] NaucnyeTrudy 56 2006 81-90 [ce]MuzykaIPropoved
269. Bercenko, Roman EduardovicBoleslav Javorskij o Horoso temperirovannom klavire. [Boleslav Yavorsky on the Das wohltemperirte Clavier] MuzykalnajaAkad 2 1993 117-124
270. Bercenko, Roman EduardovicNaši sovremenniki Bah i Gendel'. [Our contemporaries Bach and Handel] MuzykalnajaAkad 4 Winter 2006 202-205
271. Berdennikova, Ekaterina MihajlovnaGomiletièeskie tradicii duhovnyh kantat I.S. Baha. [Homiletic traditions of J.S. Bach's sacred cantatas] Kand (Iskusstvovedenie), Nacional'na Muzycna Akademiâ Ukrajiny imeni P.I. Cajkovs'kogo, Kyjiv, 2000. 212p. - Ukraine: Muzyèna Ukrajina Kyjiv, 2008. 204p. ISBN: 978-966-8259-31-9. diss. 2000 212p Latin 2
272. Berèenko, Roman EduardovièEtièeskoe muzykoznanie: Teatr bez kulis. [Ethical musicology: Theater without backstage--J.S. Bach's 'Coffee cantata' in artistic and historical context of its epoch] [fs]Levasev60 2009 Latin 2
273. Berèenko, Roman EduardovièV poiskah utraèennogo smysla: Boleslav Âvorskij o 'Horošo temperirovannom klavire' [In search of the lost content: Boleslav Âvorskij about Das wohltemperirte Clavier] - Moskva, izdatel'stvo 'Klassika-XXI', 2005. 372p. ISBN: 5-89817-126-6; 2nd ed. 2008. 371p. ISBN: 5-89817-198-3; 978-5-89817-198-8. 2005 372p Latin 2
274. Berèenko, Roman Eduardoviè; Lebedeva-Emelina, Antonina Viktorovna; Teterina, Nadežda IvanovnaKeldyševskie èteniâ--2005: Množestvennost' nauènyh koncepcij v muzykoznanii--K 60-letiû E.M. Levaševa. [Keldyševskie èteniâ--2005: The multiplicity of scholarly concepts in musicology--On the 60th birthday of E.M. Levašev] - Moskva: Kompozitor, 2009. 454p. ISBN: 5-85285-297-X; 978-5-85285-297-7. [fs]Levasev60 2009 454p Latin 2
275. Best, William Thomas (ed.)50 short choral-preludes. London: Augener & Co., [c.1895]. pp.963-1049. Best.-Nr. Augener's Edition, 9817. Pl.-Nr. 10521. (= Johann Sebastian Bach's Organ works / edited by W.T. Best, vol.17) [BWV 599-630, 632, 633, 635-644, 648, 693, 706, 709, 727, 737] - revised ed. see OrgWorks(Best/Hull), vol.8. OrgWorks(Best) 17 1895 963-1049 AugenerEd 9817
276. Best, William Thomas (ed.)6 Preludes and fugue. London: Augener & Co., [c.1895]. pp.157-253. Best.-Nr. Augener's Edition, 9803. Pl.-Nr. 7258. (= Johann Sebastian Bach's Organ works / edited by W.T. Best, vol. 3) [BWV 531, 536, 537, 544, 546, 548] - revised ed. see OrgWorks(Best/Hull), vol.2. OrgWorks(Best) 3 1895 157-253 AugenerEd 9803
277. Best, William Thomas (ed.)6 Preludes and fugues. London: Augener & Co., [c.1892]. pp. 1-68. Best.-Nr. Augener's Edition, 9801. Pl.-Nr. 6491. (= Johann Sebastian Bach's Organ works / edited by W.T. Best, vol. 1) [BWV 545, 535, 532, 533, 534, 541] - revised ed. see OrgWorks(Best/Hull), vol.1. OrgWorks(Best) 1 1892 1-68 AugenerEd 9801
278. Best, William Thomas (ed.)6 Preludes and fugues. London: Augener & Co., [c.1894]. pp. 69-156. Best.-Nr. Augener's Edition, 9802. Pl.-Nr. 7258. (= Johann Sebastian Bach's Organ works / edited by W.T. Best, vol. 2) [BWV 547, 543, 539, 550, 549, 552] - revised ed. see OrgWorks(Best/Hull), vol.1. - at first (1913) new ed. of this volume only published (BL e.113.g) OrgWorks(Best) 2 1894 69-156 AugenerEd 9802
279. Best, William Thomas (arr.)Adagio and Grand Fugue. C major. From the 5th Sonata for the Violin alone. / BACH. [arranged for organ by] W.T. Best. - London: Novello, Ewer & Co.[c.1870]. pp. 754-767. Pl.-Nr.: 3741. (= Arrangements from the scores of the great masters for the organ by W.T. Best, [Vol. 3],No. 58) [BWV 1005/1-2] ArrangementsOrg(Best) 3 58 1870 754-767
280. Best, William Thomas (arr.)Adagio. From a Sonata for the Violin and Pianoforte, in G minor. / J. S. Bach. [arranged for organ by] W.T. Best. - London: Novello, Ewer & Co.[c.1870]. pp. 660-661. Pl.-Nr.: 3501. (= Arrangements from the scores of the great masters for the organ by W.T. Best, [Vol. 3], No. 50) [BWV 1020/2 (= H. 542.5/2)] ArrangementsOrg(Best) 3 50 1870 660-661
281. Best, William Thomas (arr.)Air. From the Overture in D-Major. / J. S. Bach. Arranged by W. T. Best. - London: Schott & Co., [n.d.] p.5. Pl.-Nr.: 25521 2. - In: Schott’s Co.’s Gray album of twenty pieces for the organ. Vol. VII. London: Schott & Co., 1910. 91p. [BWV 1068/2] 1910 5
282. Best, William Thomas (ed.)Alla breve: pro organo pleno [in D major]. London, Augener & Co, [c.1895]. pp.435-440. [6p]. Best.-Nr.: Augener's Edition, 9850. Pl.-Nr.: 9145. (= J.S. Bach's organ works / edited by W.T. Best. Third series; No. 30.) [BWV 589] OrgWorks(Best) S-3 30 1895 435-440 AugenerEd 9850
283. Best, William Thomas (arr.)Allegro from the Third Sonata for the Pianoforte and Violin. / J. S. Bach. [arranged for organ by] W.T. Best. - London: Novello, Ewer & Co. [c.1870]. pp.564-568. Pl.-Nr.: 3368. (= Arrangements from the scores of the great masters for the organ by W.T. Best, [Vol. 3], No. 43) [BWV 1016/2] ArrangementsOrg(Best) 3 43 1870 564-568
284. Best, William Thomas (arr.)Bourrée. From the 2nd Sonata for the Violin, alone. / BACH. [arranged for organ by] W.T. Best. - London: Novello, Ewer & Co. [c.1870]. pp. 681-687. Pl.-Nr.: 3519. (= Arrangements from the scores of the great masters for the organ by W.T. Best, [Vol. 3], No. 52) [BWV 1002/7] ArrangementsOrg(Best) 3 52 1870 681-687
285. Best, William Thomas (arr.)Bourrée. From the Third Violoncello Sonata. / BACH. [arranged for organ by] W.T. Best. - London: Novello, Ewer & Co.[c.1870]. pp.1207-1210. Pl.-Nr.: 4659. (= Arrangements from the scores of the great masters for the organ by W.T. Best, [Vol. 5], No.92) [BWV 1009/5-6] ArrangementsOrg(Best) 5 92 1870 1207-1210
286. Best, William Thomas (ed.)Canzona in D minor. London, Augener & Co, [c.1895]. pp.441-447. Best.-Nr.: Augener's Edition, 9851. Pl.-Nr.: 9145. (= J.S. Bach's organ works / edited by W.T. Best. Third series, 31) [BWV 588] OrgWorks(Best) S-3 31 1895 441-447 AugenerEd 9851
287. Best, William Thomas (arr.)Chaconne: air with variations. From the Fourth Sonata for Violin alone, in D minor. / J. S. BACH. [arranged for organ by] W.T. Best. - London: Novello, Ewer & Co. [c.1870]. 329-341 (13p). Pl.-Nr.: 3081. (= Arrangements from the scores of the great masters for the organ by W.T. Best, [Vol. 2], No. 26) [BWV 1004/5] ArrangementsOrg(Best) 2 26 1870 329-341 (13p)
288. Best, William Thomas (arr.)Chorale. 'O God, thou holy Lord.' From the Church Cantata for the Fourth Sunday after Trinity. / J. S. BACH. [arranged for organ by] W.T. Best. - London: Novello, Ewer & Co.[c.1870]. pp. 724-725. Pl.-Nr.: 3654. (= Arrangements from the scores of the great masters for the organ by W.T. Best, [Vol. 3],No. 41) [BWV 24/6] ArrangementsOrg(Best) 3 55 1870 724-725
289. Best, William Thomas (arr.)Choral Fugue 'Dona nobis pacem.' From the Mass in B minor. / J. S. Bach. [arranged for organ by] W.T. Best. - London: Novello, Ewer & Co.[c.1870]. pp.7-9. Pl.-Nr.: 3339. - repr. pp. 534-536. (= Arrangements from the scores of the great masters for the organ by W.T. Best, [Vol. 3], No. 41) [BWV 232/IV/5] ArrangementsOrg(Best) 3 41 1870 534-536 (7-9)
290. Best, William Thomas (arr.)Choral Fugue 'Kyrie Eleison.' From the Mass in G Major. / J. S. Bach. [arranged for organ by] W.T. Best. - London: Novello, Ewer & Co.[c.1870]. pp.10-13. Pl.-Nr.: 3339. - repr. pp. 543-546. (= Arrangements from the scores of the great masters for the organ by W.T. Best, [Vol. 3], No. 41) [BWV 236/1] ArrangementsOrg(Best) 3 41 1870 543-546 (10-13)
291. Best, William Thomas (arr.)Choral Fugue. 'Sicut locutus est.' From the Magnificat in D major. / J. S. Bach. [arranged for organ by] W.T. Best. - London: Novello, Ewer & Co.[c.1870]. pp.558-559. Pl.-Nr.: 3361. (= Arrangements from the scores of the great masters for the organ by W.T. Best, [Vol. 3], No. 42) [BWV 243/11] ArrangementsOrg(Best) 3 42 1870 558-559
292. Best, William Thomas (arr.)[Chorus 'Enter not into judgment' / J.S. Bach] Mayence: Les fils de B. Schott, [1890]. (= Organ Miscellany. Pages from Popular Composers by W. T. Best. 1st Series. No. 25) OrgMiscellany 1 25 1890
293. Best, William Thomas (arr.)Chorus 'Fallt mit Danken, fallt mit Loben.' From the Christmas oratorio. / J.S. Bach. [arranged for organ by] W.T. Best. - London: Novello, Ewer & Co. [c.1870]. 1-6p. Pl.-Nr.: 3316. - repr. pp. 521-526. (= Arrangements from the scores of the great masters for the organ by W.T. Best, [Vol. 2], No. 40) [BWV 248/36] ArrangementsOrg(Best) 2 40 1870 521-526 (1-6)
294. Best, William Thomas (arr.)Chorus 'Freue dich, erlöste Schaar.' (Be joyful, ye redeemed.) From a Sacred Cantata for the Festival of St John the Baptist. / BACH. [arranged for organ by] W.T. Best. - London: Novello, Ewer & Co.[c.1870]. pp. 655-659. Pl.-Nr.: 3501. (= Arrangements from the scores of the great masters for the organ by W.T. Best, [Vol. 3], No. 50) [BWV 30/1] ArrangementsOrg(Best) 3 50 1870 655-659
295. Best, William Thomas (arr.)CHORUS 'Gloria in excelsis Deo!' / J. S. Bach. [arranged for organ by] W.T. Best. - London: Novello, Ewer & Co.[c.1870]. p.272. Pl.-Nr.: 3013. (= Arrangements from the scores of the great masters for the organ by W.T. Best, [Vol. 2], No. 21) [BWV 243a/C] ArrangementsOrg(Best) 2 21 1870 272
296. Best, William Thomas (arr.)Chorus 'God is my King.' / BACH. [arranged for organ by] W.T. Best. - London: Novello, Ewer & Co. [c.1870]. pp. 1202-1203. Pl.-Nr.: 4659. (= Arrangements from the scores of the great masters for the organ by W.T. Best, [Vol. 5], No. 91) [BWV 71/1] ArrangementsOrg(Best) 5 91 1870 1202-1203
297. Best, William Thomas (arr.)[Chorus 'Look down a Lord' from a Church Cantata for Christmas Day / J.S. Bach] Mayence: Les fils de B. Schott, [1890]. (= Organ Miscellany. Pages from Popular Composers by W. T. Best. 1st Series. No. 21) OrgMiscellany 1 21 1890
298. Best, William Thomas (arr.)CHORUS. 'So let us go in Peace and Joy.' From a church cantata for Palm Sunday / BACH. [arranged for organ by] W.T. Best. - London: Novello, Ewer & Co. [c.1870]. pp.791-795. Pl.-Nr.: 3807. (= Arrangements from the scores of the great masters for the organ by W.T. Best, [Vol. 3], No. 60) [Himmelskönig, sei willkommen. arr. BWV 182] ArrangementsOrg(Best) 3 60 1870 791-795
299. Best, William Thomas (arr.)[Chromatic Fantasia and Fugue (Dm.) f. Pfte, f. Org.] arr. v. W.T. Best. - London, Augener & Co, [1896]. (= Organ Miscellany. Pages from Popular Composers by W. T. Best. 2nd (?) Series. No. 48) OrgMiscellany 2 48 1896
300. Best, William Thomas (ed.)Concerto for the organ [in A minor] by W. F. Bach. [Or rather, arranged for the organ by J. S. Bach from A. Vivaldi's 'E'stro Armonico.' Op. 3. No. 11.] - [London:] [c.1883]. (= Cecilia: a collection of organ pieces in diverse styles / edited by W.T. Best, Book 63) Cecilia(Best) 63 1883
301. Best, William Thomas (ed.)Counterpoint on the chorale 'Aus tiefer Noth' / J.S. Bach - Allegretto: op: 22 / Niels W. Gade - Andante / F. J. Pachaly. [Edited by W.T. Best.] - London: Robert Cocks & Co. [c.1870]. Pl.-Nr. 10,785. (= Collection of organ compositions, ancient and modern / edited by W.T. Best, No. 5) CollOrgComp(Best) 5 1870

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