Bach Bibliography Search Result

Series : ^ChoralJ$
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Type	List	Author	Title [further info]	Series	Vol	No	Year	Pages	Status
			[]
	1.	Alwes, Chester L.	J.S. Bach and the Concerto: Ritornello as a Guide to Rehearsal.	ChoralJ	41	4	Nov 2000	21-28
	2.	Alwes, Chester L.	J. S. Bach's 'Lutheran' Masses: Aspects of Chronology and Structure.	ChoralJ	29	7	Feb 1989	5-11
	3.	Brewer, Richard H.	C. P. E. Bach and his Oratorios.	ChoralJ	21	5	Jan 1981	34, 36-40
	4.	Castle, Conan	The motets of Johann Michael Bach.	ChoralJ	24	10	Jun 1984	11-21
	5.	Cook, Grant W., III	Bach in Boston: The Emergence of the St. Matthew Passion, from 1868 to 1879.	ChoralJ	41	9	Apr 2001	21-33
	6.	Crist, Stephen A.	Recitatives and Arias in Bach's Leipzig Church Cantatas.	ChoralJ	41	4	Nov 2000	9-20
	7.	Curtis, John	Bach and Graupner: The Audition Cantatas.	ChoralJ	39	7	Feb 1999	9-15
	8.	Dox, Thurston J.	Samuel Felsted's Jonah - The Earliest American Oratorio. [CPE's influence on SFJ]	ChoralJ	32	7	Feb 1992	27-32
	9.	Ehmann, Wilhelm	Performance practices in the Baroque period.	ChoralJ	11	9	May 1971	12-13
	10.	Ehmann, William	Performance of the cantus firmus 'O Lamm Gottes unschuldig' in the opening chorus of Johann Sebastian Bach's 'St. Matthew Passion'.	ChoralJ	25	10	Jun 1985	15-19
	11.	Flannagan, Pat	Selected Examples of Choreinbau in the Cantatas of J.S. Bach.	ChoralJ	41	5	Dec 2000	25-35
	12.	Fuller, Robert	A brief study of the Six motets of Johann Sebastian Bach.	ChoralJ	8	2	Nov-Dec 1967	14-15
	13.	Gingrich, Linda	Hidden Allegory in J.S. Bach's 1724 Trinity Season Chorale Cantatas.	ChoralJ	51	1	Aug 2010	6-17
	14.	Griggs-Janower, David	Mendelssohn's Chorale Cantatas: A Well-Kept Secret.	ChoralJ	33	4	Nov 1992	31-33
	15.	Hamer, Brian	Bach's Use of the Chiasm in the St John Passion.	ChoralJ	41	4	Nov 2000	29-36
	16.	Hansen, Sharon A.	Helmut Rilling celebrates two anniversaries.	ChoralJ	35	5	Dec 1994	9-15
	17.	Hickman, Joe	A Performers Guide To J. S. Bach's Cantata BWV 106.	ChoralJ	27	2	Sep 1986	15-18
	18.	Hoekema van Wyck, Helen	Mourning into dancing: Dance rhythms in J.S. Bach's St. Matthew Passion.	ChoralJ	40	3	Oct 1999	9-22
	19.	Jamison, Ward	Bach's 'St. John Passion' - a look at the Text and a New Numbering System.	ChoralJ	21	6	Feb 1981	41-44
	20.	Janower, David M.	Aria form in the Bach B-minor Mass.	ChoralJ	22	4	Dec 1981	17-19,22
	21.	Jones, Perry	The Bethlehem Bach Choir approaches its centennial.	ChoralJ	34	9	Apr 1994	13-18
	22.	Meredith, Sarah	Wie schön leuchtet der Morgenstern in the Chorale Cantatas of J. S. Bach.	ChoralJ	38	5	Dec 1997	9-14
	23.	Moses, Don V; Demarec, Robert W. Jr.	Articulation in Late Baroque Choral Music.	ChoralJ	27	10	May 1987	17-30
	24.	Music, David W.	Camille Saint-Saëns' Christmas oratorio: Description, accessibility, comparison.	ChoralJ	39	5	Dec 1998	49-53
	25.	Oglesby, Donald	Index to Bach Cantata Scores: Locations in the Bach Gesellschaft Edition, Neue Bach Ausgabe, Hänssler/Carus Verlag Catalog, and Kalmus Catalog. Literature Forum.	ChoralJ	35	8	Mar 1995	37-39, 42-44
	26.	Pisano, Richard C.	On Bach's Motets. Analysis of Compositional Technique used for Double Choir.	ChoralJ	9	3	Nov-Dec 1968	21-23
	27.	Pisano, Richard C.	On Bach's Motets. (The Relationship of Text and Music).	ChoralJ	9	2	Sep-Oct 1968	19-21
	28.	Pisano, Richard C.	The Problem of Accompaniment. The first of three essays on the Motets of J. S. Bach.	ChoralJ	9	1	Jul-Aug 1968	21-22
	29.	Radice, Mark; Radice Jean	Interview with Helmuth Rilling.	ChoralJ	16	3	Nov 1975	5-6
	30.	Rathey, Markus	Christmas 1723. Johann Sebastian Bach's Artistic Evolution.	ChoralJ	48	1	Jul 2007	14-23
	31.	Rilling, Helmuth	Bach's significance.	ChoralJ	25	10	Jun 1985	7-14
	32.	Sargent, Martha	Bach Cantatas for Choirs. Literature Forum.	ChoralJ	41	4	Nov 2000	39-45
	33.	Scott, Earl K.	Bach and the twenty-third Psalm.	ChoralJ	22	8	Apr 1982	39-42
	34.	Spitta, Philipp	The Passion Music of Sebastian Bach and Heinrich Schuetz.	ChoralJ	16	3	Nov 1975	10-13
	35.	Steinitz, Paul	Bach in the Thomaskirche. (Reprinted from The Friend, August 5, 1983)	ChoralJ	25	10	Jun 1985	6
	36.	Thomas, Elmer; Jones, Erik Reid	J. S. Bach's B-Minor Mass: Symbolism and Twentieth-Century Performance Practices. by Elmer Thomas with the assistance of Erik Reid Jones. [Article adapted from a lecture presented at the ACDA Central Division Convention, Chicago, Illinois, February 26, 1994]	ChoralJ	35	8	Mar 1995	21-29
	37.	Town, Stephen	Mendelssohn's Lobgesang: A fusion of forms and textures.	ChoralJ	33	4	Nov 1992	19-26