Bach Bibliography

Bach Bibliography
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List	Author	Title [further info ]	Series	Vol	No	Year	Pages
		[]
1.		Author-Title-Subject: Cumulative Index 1970-2000	Bach	31	2	2000	1-67
2.		George Kochevitsky Speaks Concerning the Performance of Early Music. (1972-1976)	Bach	25	2	Fall-Winter 1994	54-58
3.		Parvula Corona Musicalis by Ernst Krenek: The Composer's Autograph Manuscript and Explanations.	Bach	27	1	Spring-Summer 1996	66-85
4.		Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part I: Einige Canonische Veränderungen über das Weynacht-Lied 'Vom Himmel hoch da komm ich her'.	Bach	8	3	Jul 1977	13-25
5.		Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part II: Clavierübung, Book I [The Clavier Partitas] ([Leipzig]: Published by the Author, 1731), Partita 1, title-page, Praeludium, Allemande, Corrente, Sarabande.	Bach	8	4	Oct 1977	11-22
6.		Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part III: Clavierübung, Book I [The Clavier Partitas] ([Leipzig]: Published by the Author, 1731), Partita 1 (contd.) Menuet I, Menuet II, Giga; Partita II Sinfonia.	Bach	9	1	Jan 1978	15-22
7.		Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part IV: Clavierübung, Book I [The Clavier Partitas] ([Leipzig]: Published by the Author, 1731), Partita II (contd.) Allemande, Courante, Sarabande, Rondeaux, Capriccio [1st half].	Bach	9	2	Apr 1978	17-24
8.		Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part IX: Clavierübung, Book I [The Clavier Partitas] ([Leipzig]: Published by the Author, 1731). Partita IV, Toccata.	Bach	10	3	Jul 1979	32-39
9.		Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part V: Clavierübung, Book I [The Clavier Partitas] ([Leipzig]: Published by the Author, 1731), Partita II, concluded: Capriccio (last half); Partita III: Fantasia, Allemande, Corrente, Sarabande, Burlesca, Scherzo, Gigue.	Bach	9	3	Jul 1978	13-24
10.		Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part VI: Clavierübung, Book I [The Clavier Partitas] ([Leipzig]: Published by the Author, 1731), Partita IV.	Bach	9	4	Oct 1978	11-22
11.		Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part VII: Clavierübung, Book I [The Clavier Partitas] ([Leipzig]: Published by the Author, 1731), Partita V.	Bach	10	1	Jan 1979	13-25
12.		Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part VIII: Clavierübung, Book I [The Clavier Partitas] ([Leipzig]: Published by the Author, 1731), Partita V, contd.: Passepied, Gigue.	Bach	10	2	Apr 1979	9-12
13.		Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part X: Clavierübung, Book I [The Clavier Partitas] ([Leipzig]: Published by the Author, 1731). Partita IV, contd.: Allemande, Corrente, Air, Sarabande, Tempo di Gavotta, Gigue.	Bach	10	4	Oct 1979	9-18
14.		Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. [Part XI] Clavierübung, Book IV [the 'Goldberg' Variations] Nürnberg: Balthaser Schmid [ca. 1742], BWV 988. [BWV 988]	Bach	11	1	Jan 1980	2-40
15.		Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XIII. Musicalisches Opfer (Musical Offering) (Zella St. Blasi, Thuringia: Johann Georg Schübler, 1747), Part II: Ricercar, a 6.	Bach	11	3	Jul 1980	24-31
16.		Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XII. Musicalisches Opfer (Musical Offering) (Zella St. Blasi, Thuringia: Johann Georg Schübler, 1747), Part I.	Bach	11	2	Apr 1980	29-36
17.		Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XIV. Die Kunst der Fuge (Leipzig, 1752).	Bach	11	4	Oct 1980	32-36
18.		Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XIX. Die Kunst der Fuge (Leipzig, 1752). Conclusion.	Bach	13	1	Jan 1982	2-44
19.		Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XIX [sic!]. Suite Première avec Prelude (Eighteenth-century Manuscript Copy of the First 'English' Suite)	Bach	13	2	Apr 1982	29-36
20.		Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XV. Die Kunst der Fuge (Leipzig, 1752). Contrapunctus I; Contrapunctus II.	Bach	12	1	Jan 1981	30-35
21.		Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XVI. Die Kunst der Fuge (Leipzig, 1752). Contrapunctus III, Contrapunctus IV.	Bach	12	2	Apr 1981	20-27
22.		Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XVI. Die Kunst der Fuge (Leipzig, 1752). Contrapunctus V, Contrapunctus VI.	Bach	12	3	Jul 1981	30-36
23.		Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XVIII. Die Kunst der Fuge (Leipzig, 1752). Contrapunctus VII, Contrapunctus VIII.	Bach	12	4	Oct 1981	28-35
24.		Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XXII. 13 Parts to Cantata BWV 174 (1729), Ich liebe den Höchsten von ganzem Gemüte, Manuscript in the hands of J. S. Bach and his circle. Wrappers 1 and 2, Cornu d'Caccia 2, Hautbois 1. [BWV 174]	Bach	14	1	Jan 1983	29-39
25.		Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XXIII. 13 Parts to Cantata BWV 174 (1729), Ich liebe den Höchsten von ganzem Gemüte, Manuscript in the hands of J. S. Bach and his circle. complete in this issue. [BWV 174]	Bach	14	2	Apr 1983	3-60
26.		Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XXI. [Suite 5] Prelude, BWV 810 Gigue; [Suite 6] Prelude, BWV 811. [BWV 810, 811]	Bach	13	4	Oct 1982	14-29
27.		Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XXIV. Heinrich Nicolaus Gerber's Eighteenth-century Manuscript Copy of J. S. Bach's Wohl-temperirte Clavier. Introductory Information and Facsimiles of the Title Page, and the First 7 Pages of Music (1725)	Bach	14	3	Jul 1983	31-44
28.		Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XXIX. Heinrich Nicolaus Gerber's Eighteenth-century (1725) Manuscript Copy of J. S. Bach's Das wohl-temperirte Clavier (Continued).	Bach	15	4	Oct 1984	37-52
29.		Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XX. Suite Première avec Prelude. Prélude, Gigue; [Suite 6] Gigue.	Bach	13	3	Jul 1982	23-34
30.		Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XXV. Heinrich Nicolaus Gerber's Eighteenth-century (1725) Manuscript Copy of J. S. Bach's Das wohl-temperirte Clavier (Continued). Introductory Information [which is not given in fact] and Facsimile Plates of Leaves 6-10, Pages 11-20. Preludes and Fugues, Nos.: VII in E-flat Major, VIII in E-flat Minor.	Bach	14	4	Oct 1983	25-35
31.		Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XXVI. Heinrich Nicolaus Gerber's Eighteenth-century (1725) Manuscript Copy of J. S. Bach's Das wohl-temperirte Clavier (Continued). Introductory Information [which is not given in fact] and Facsimile Plates of Pages 21-27. Preludes and Fugues, Nos.: IX in E Major, X in E Minor.	Bach	15	1	Jan 1984	36-43
32.		Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XXVII. Heinrich Nicolaus Gerber's Sixteenth-century [sic] (1725) Manuscript Copy of J. S. Bach's Das wohl-temperirte Clavier (Continued). Pages 29-37. Preludes and Fugues, Nos.: XI in F Major, XII in F Minor, XIII in F-sharp Major.	Bach	15	2	Apr 1984	35-44
33.		Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XXVIII. Heinrich Nicolaus Gerber's Eighteenth-century (1725) Manuscript Copy of J. S. Bach's Das wohl-temperirte Clavier (Continued). Pages 39-41. Prelude and Fugue No. XIV in F-sharp Minor.	Bach	15	3	Jul 1984	33-36
34.	Adams, Courtney S.	Organization in the Two-Part Inventions of Johann Sebastian Bach, Part I.	Bach	13	2	Apr 1982	6-16
35.	Adams, Courtney S.	Organization in the Two-Part Inventions of Johann Sebastian Bach, Part II.	Bach	13	3	Jul 1982	12-19
36.	Ahrens, Christian	Johann Sebastian Bach and The 'New Gusto' In Music Around 1740. Trans. by Sabine Thomas and Melvin Unger.	Bach	33	1	2002	69-83
37.	Ambrose, Jane	Madness and Music: Handel's Porphyric Patron, George III.	Bach	27	1	Spring-Summer 1996	57-65
38.	Ambrose, Jane	Notations on Mattheson's Der Brauchbare Virtuoso.	Bach	17	3	Jul 1986	3-9
39.	Ambrose, Jane	Notations on Mattheson's Der brauchbare Virtuoso. (1986)	Bach	25	2	Fall-Winter 1994	91-98
40.	Ambrose, Jane	The Bach Flute Sonatas: Recent Research and a Performer's Observations.	Bach	11	3	Jul 1980	32-45
41.	Ambrose, Z. Philip	Another Lament in Weinen, Klagen, Sorgen, Zagen.	Bach	13	3	Jul 1982	20-22
42.	Appel, Richard G.	J. S. Bach and the Bay Psalm Book.	Bach	1	3	Jul 1970	22-24
43.	Armstrong, Joe (trans.)	The Formation of Bach's Motifs: Chapter Two of André Pirro's L'Esthétique de Jean-Sébastien Bach.	Bach	41	1	2010	32-96
44.	Babitz, Sol	To the editor of Bach.	Bach	3	2	Apr 1972	40-43
45.	Babitz, Sol	To the Editor of BACH. From Our Readers.	Bach	3	3	Jul 1972	43-44
46.	Badura-Skoda, Eva	Did J. S. Bach Compose 'Pianoforte Concertos'?	Bach	31	1	2000	1-16
47.	Barber, Elinore	Albert Riemenschneider: A Portrait of the Founder of Baldwin-Wallace College's Conservatory of the Occasion of its 100th Anniversary.	Bach	29	2	Fall-Winter 1998	1-7
48.	Barber, Elinore	Bach Adds a Tempo Mark?	Bach	1	2	Apr 1970	3-5
49.	Barber, Elinore	Bach and the B-A-C-H Motive.	Bach	2	2	Apr 1971	3-5
50.	Barber, Elinore	Bach's 'Incomplete' Quadruple Fugue from Die Kunst der Fuge (1752-Edition Print Held by the Riemenschneider Bach Institute.)	Bach	17	4	Oct 1986	24-29
51.	Barber, Elinore	Bach's Portrait in Gerber's Lexicon.	Bach	2	1	Jan 1971	3-6
52.	Barber, Elinore	Beethoven and Bach.	Bach	1	4	Oct 1970	4-5
53.	Barber, Elinore	Beethoven on Bach. Excerpts from Letters.	Bach	1	4	Oct 1970	6-8
54.	Barber, Elinore	Butter, Guns, and Bach?	Bach	1	3	Jul 1970	3-4
55.	Barber, Elinore	[Facsimile of biographical entry of H. N. Gerber in his son's Historisch-Biographisches Lexicon der Tonkunstler, 1790]	Bach	15	1	Jan 1984	28-34
56.	Barber, Elinore	Hans Theodore David: 'A Portrait in Outline'.	Bach	1	3	Jul 1970	25-29
57.	Barber, Elinore	J. S. Bach and The Critics.	Bach	2	3	Jul 1971	4-6
58.	Barber, Elinore	J. S. Bach in the Year of the Moon.	Bach	1	1	Winter 1970	3-5
59.	Barber, Elinore	J. S. Bach: Suite 4 à Violoncello Solo -- A Manuscript Copy in the Hand of Anna Magdalena Bach; Doris Ornstein's Harpsichord Transcription of BWV 1010. Errata is published in Bach xxx/1 (1999), 65-66.	Bach	29	1	Spring-Summer 1998	38-76
60.	Barber, Elinore	Questions to the Editor. [BWV 620, 1003]	Bach	2	2	Apr 1971	24-26
61.	Barber, Elinore	Questions to the Editor. [BWV 201]	Bach	2	1	Jan 1971	38-41
62.	Barber, Elinore	Questions to the Editor.	Bach	2	3	Jul 1971	25-27
63.	Barber, Elinore	Questions to the Editor. [BWV 769]	Bach	2	4	Oct 1971	32-35
64.	Barber, Elinore	Questions to The Editor [Part I]. [WK1, BWV 244]	Bach	1	1	Winter 1970	19-22
65.	Barber, Elinore	Questions to the editor [Part II].	Bach	1	2	Apr 1970	21-25
66.	Barber, Elinore	Questions to the Editor. [Part III].	Bach	1	3	Jul 1970	45-47
67.	Barber, Elinore	Questions to the Editor. [Part IV.]	Bach	1	4	Oct 1970	35-40
68.	Barber, Elinore	Riemenschneider Bach Institute Vault Holdings, Facsimile Series: .. Wegweiser .. Die Kunst die Orgel recht zu schlagen -- A Seventeenth-century Organ Instruction Book, Part I.	Bach	18	1	Jan 1987	25-36
69.	Barber, Elinore	Riemenschneider Bach Library Vault Holdings.	Bach	1	4	Oct 1970	33-34
70.	Barber, Elinore	Riemenschneider Bach Library Vault Holdings. Bach, Johann Sebastian. Clavier Uebung, Opus 1, 1731; Gasparini, Francesto. L'armonica Practico al Cimbalo.; Bach, Johann Christian. Aria II from Act I, Termistocle.	Bach	2	2	Apr 1971	22-23
71.	Barber, Elinore	Riemenschneider Bach Library Vault Holdings [Part I].	Bach	1	1	Winter 1970	17-18
72.	Barber, Elinore	Schweitzer and Bach.	Bach	32	1	2001	73-76
73.	Barber, Elinore; Winzenburger, Janet	Riemenschneider Bach Library Vault Holdings.	Bach	1	3	Jul 1970	41-44
74.	Barber, Elinore; Winzenburger, Janet	Riemenschneider Bach Library vault holdings. Purcell, Henry. Orpheus Britanicus; Handel, George Frederic. Overtures. Scheibe, Johann Adolph. Critischer Musikus [1745]; Gerber, Ernst Ludwig. Lexicon; Bach, J. S. Magnificat in E-flat major.	Bach	2	1	Jan 1971	35-37
75.	Barber, Elinore; Winzenburger, Janet	Riemenschneider Bach Library Vault Holdings. Bach's Four-Part Chorales.	Bach	2	4	Oct 1971	15-17
76.	Barber, Elinore; Winzenburger, Janet	Riemenschneider Bach Library Vault Holdings. Eighteenth-Century French Publications. Choquel, Henri Louis. La Musique rendue sensible par la méchanique ou nouveau systeme pour apprendre facilement la musique soimême, ouvrage utile et curieux nouvelle édition; Monnet, Jean, ed. Anthologie François ou Chansons choisies, Depuis le 13 Siècle jusqu'a présent.	Bach	3	2	Apr 1972	38-39
77.	Barber, Elinore; Winzenburger, Janet	Riemenschneider Bach Library Vault Holdings [Part II]. [WK2, BWV 244, 1079]	Bach	1	2	Apr 1970	17-20
78.	Bates, William H.	J. S. Bach's Fantasy and Fugue in G Minor, BWV 542: A Source Study for Organists.	Bach	39	2	2008	1-89
79.	Baumgartner, Nicholas	Currents in Bach Interpretation in Contemporary Germany.	Bach	30	2	1999	1-26
80.	Baumgartner, Nicholas	European Bach Interpretation at the Turn of the Millennium.	Bach	33	1	2002	1-56
81.	Benedum, Richard	Structure and Symbolism in Bach's Prelude and Fugue in E-flat, BWV 552.	Bach	10	4	Oct 1979	19-24
82.	Benitez, Vincent P.	Musical-Rhetorical Figures in the Orgelbüchlein of J. S. Bach. [BWV 606, 614, 615, 625, 637, 644]	Bach	18	1	Jan 1987	3-21
83.	Boe, John	Fully Notated Articulation in Bach's Mature Keyboard Music.	Bach	7	1	Jan 1976	12-19
84.	Boe, John	Fully Notated Articulation in Bach's Mature Keyboard Music -- Part II.	Bach	7	2	Apr 1976	14-22
85.	Boer, Bertil Herman van Jr.	Observations on Bach's Use of the Horn.	Bach	11	2	Apr 1980	21-28
86.	Boer, Bertil H. van, Jr.	Observations on Bach's Use of the Horn.	Bach	11	3	Jul 1980	9-23
87.	Bolduan, Miriam F.	The Significance of the Viola Pomposa in the Bach Cantatas.	Bach	14	3	Jul 1983	12-17
88.	Bostrom, Kerry L.	The Use of Recitative and the Communal Style in the Solo Cantatas of Dietrich Buxtehude.	Bach	17	3	Jul 1986	22-32
89.	Botwinick, Sara	From Ohrdruf to Mühlhausen: A Subversive Reading of Bach's Relationship to Authority. Errata in Bach xxxvi/2 (2005), p.123.	Bach	35	2	2004	1-59
90.	Braunlich, Helmut	Johann Peter Kellner's Copy of the Sonatas and Partitas for Violin Solo by J. S. Bach.	Bach	12	2	Apr 1981	2-10
91.	Brokaw, James A., II	Recent Research on the Sources and Genesis of Bach's Well-tempered Clavier, Book II.	Bach	16	3	Jul 1985	17-35
92.	Brown, Emily Freeman	Zarathustra. Reflection of the Baroque Overture.	Bach	26	1-2	1995	84-90
93.	Buelow, George J.	A Bach Borrowing by Gluck: Another Frontier.	Bach	22	1	Spring-Summer 1991	43-61
94.	Butler, Gregory G.	J. S. Bach's Einige Canonische Veraenderungen: The View from the Original Print.	Bach	20	2	Summer 1989	4-37
95.	Butler, Gregory G.	J. S. Bach's 'Hudemann' Canon, BWV 1074: A Note on the Engraving and Printing History.	Bach	25	1	Spring-Summer 1994	5-10
96.	Butler, Gregory G.	The Galant Style in J. S. Bach's Musical Offering: Widening the Dimensions.	Bach	33	1	2002	57-68
97.	Butler, H. Joseph	A Newly Discovered Work of Charles Theodore Pachelbel.	Bach	28	1-2	1997	126-144
98.	Butler, Lynn Edwards	Johann Christoph Bach's New Organ for Eisenach's Georgenkirche.	Bach	35	1	2004	42-60
99.	Clement, Albert	On the Inner Correlation of the Six Chorales BWV 645-650 and its Significance.	Bach	34	2	2003	1-62
100.	Cole, Warwick	Improvisation as a Stimulus to Composition in Bach's Partita II. [BWV 826]	Bach	31	1	2000	96-112
101.	Collins, Denis	Bach and Approaches to Canonic Composition in Early Eighteenth-Century Theoretical and Chamber Music Sources.	Bach	30	2	1999	27-48
102.	Collins, Denis	Bach's Occasional Canon BWV 1073 and 'Stacked' Canonic Procedure in the Eighteenth Century.	Bach	33	2	2002	15-34
103.	Collins, Denis	From Bull to Bach: In Search of Precedents for the 'Complete' Version of the Canon by Augmentation and Contrary Motion in J. S. Bach's Musical Offering.	Bach	38	2	2007	39-63
104.	Collins, Denis	Historical Precedents for Bach's Evolutio Canon BWV 1087/10.	Bach	24	1	Spring-Summer 1993	5-14
105.	Collins, Denis	Musical Terminology in the Canonic Works of Bach: An Historical Context.	Bach	26	1-2	1995	91-101
106.	Collins, Timothy	Observations on the Origins and Influences Leading to Bach's Idiomatic Writing for the Trumpet in Grosser Herr o starker König from the Christmas Oratorio. Notizbuch für Studenten.	Bach	17	2	Apr 1986	31-45
107.	Collins, Timothy A.	Gottfried Reiche: A More Complete Biography.	Bach	19	3	Fall 1988	4-18
108.	Corlis, Timothy	Analysis of Spectra in J. S. Bach's Prelude and Fugue, BWV 552.	Bach	37	1	2006	26-49
109.	Corneilson, Paul	C. P. E. Bach's Evangelist: Johann Heinrich Michel.	Bach	41	2	2010	1-23
110.	Corrao, Timothy	C. P. E. Bach's Clavier Quartet in A Minor, Wotquenne 93, Part I.	Bach	12	4	Oct 1981	17-21
111.	Corrao, Timothy	C. P. E. Bach's Clavier Quartet in A Minor, Wotquenne 93, Part II.	Bach	13	2	Apr 1982	23-27
112.	Coul, Thomas Op de	The Augmentation Canon in J. S. Bach's Musicalisches Opfer.	Bach	37	1	2006	50-77
113.	Cowart, Georgia	Symbolic Correspondence in the Duets of Bach's Mass in B Minor, Part I.	Bach	15	1	Jan 1984	17-24
114.	Cowart, Georgia	Symbolic Correspondence in the Duets of Bach's Mass in B Minor, Part II.	Bach	15	2	Apr 1984	18-25
115.	Cox, Howard H.	Bach's Conception of His Office.	Bach	20	1	Spring 1989	22-30
116.	Cox, Howard H.	The Scholarly Detective: Investigating Bach's Personal Bible.	Bach	25	1	Spring-Summer 1994	28-45
117.	Cox, Howard H.	The Text Selection Process in Handel's Chandos Anthems.	Bach	24	1	Spring-Summer 1993	21-34
118.	Crean, Elise	G. H. Stölzel's Practischer Beweiss: A Hitherto Unconsidered Source for J. S. Bach's Fourteen Canons.	Bach	40	2	2009	1-21
119.	Crist, Stephen A.	Bach, Theology, and Harmony: A New Look at the Arias.	Bach	27	1	Spring-Summer 1996	1-30
120.	Currie, Randolph N.	A Neglected Guide to Bach's Use of Number Symbolism -- Part I. [Headings: The Controversy; Bach's Overt Gesture; Symbolic Associations of '84'; The Central Position of the Word factorem]	Bach	5	1	Jan 1974	23-32
121.	Currie, Randolph N.	A Neglected Guide to Bach's Use of Number Symbolism -- Part II. Notizbuch für Studenten.	Bach	5	2	Apr 1974	36-49
122.	Currie, Randolph N.	A Neglected Guide to Bach's Use of Number Symbolism -- Part III.	Bach	5	3	Jul 1974	3-12
123.	Currie, Randolph N.	A Neglected Guide to Bach's Use of Number Symbolism -- Part IV.	Bach	5	4	Oct 1974	3-8
124.	Currie, Randolph N.	Bach's Newly Discovered Canons in a First Edition: Some Observations.	Bach	8	2	Apr 1977	15-22
125.	Currie, Randolph N.	Bach's Newly Discovered Canons in a First Edition: Some Observations, Part II.	Bach	8	3	Jul 1977	3-12
126.	Currie, Randolph N.	Bach's Newly Discovered Canons in a First Edition: Some Observations, Part III.	Bach	8	4	Oct 1977	3-9
127.	Currie, Randolph N.	Cyclic Unity in Bach's Sechs Chorale: A New Look at the 'Schüblers,' Part I. Notizbuch für studenten.	Bach	4	1	Jan 1973	26-38
128.	Currie, Randolph N.	Cyclic Unity in Bach's Sechs Chorale: A New Look at the 'Schüblers,' Part II. Notizbuch für Studenten.	Bach	4	2	Apr 1973	25-39
129.	Dadelsen, Georg von	Friedrich Smend's Edition of the B-minor Mass by J. S. Bach. Trans. by James A. Brokaw II.	Bach	20	2	Summer 1989	49-74
130.	David, Hans T.	Bach Analyses: J. S. Bach's Fugue in E minor from The Well-tempered Clavier, Book I.	Bach	2	3	Jul 1971	15-16
131.	David, Hans T.	Bach Analyses. J. S. Bach's Prelude in E minor from The Well-tempered Clavier, Book 1.	Bach	2	2	Apr 1971	18-19
132.	David, Hans T.	Bach Form -- A Letter and Ground-Plan.	Bach	1	2	Apr 1970	14-17
133.	David, Hans T.	Bach Form: Ground Plans by the Late Professor Hans T. David. Aria mit 30 Variationen (Goldberg Variations) -- J. S. Bach [1742].	Bach	1	1	Winter 1970	15-16
134.	David, Hans T.	Bach's Problems and Artistic Creed.	Bach	1	2	Apr 1970	6-13
135.	David, Hans T.	Deceptive Performance Traditions. (1926) (English Translation by Alfred Mann.)	Bach	25	2	Fall-Winter 1994	36-53
136.	David, Hans T.	Deceptive Performance Traditions. (1926) English Translation by Alfred Mann.	Bach	21	2	Summer 1990	15-22
137.	David, Hans T.	Hebrew Letters in Polyphonic Settings by Christian Composers.	Bach	2	2	Apr 1971	6-17
138.	David, Hans T.	Johann Sebastian Bach's Great Mass. A Brief Introduction to the Ground Plan Charts and Illustrations.	Bach	2	1	Jan 1971	29-32
139.	David, Hans T.	Litterae ab musicis. Hans David Disclaims the Authenticity of a 'Bach Holograph'.	Bach	1	4	Oct 1970	31-32
140.	David, Hans T.	Litterae ab musicis: Hans T. David Writes Concerning The Editing of Early Music.	Bach	2	3	Jul 1971	17-20
141.	David, Hans T.	Litterae ab musicis. [Letter to Alfred Einstein] [BWV 1079, 1080]	Bach	2	1	Jan 1971	33-34
142.	David, Hans T.	Music History - A Teaching, Learning, Performing Experience. Notizbuch für Studenten.	Bach	2	3	Jul 1971	28-32
143.	David, Hans T.	Structures of Some Composite Works of the Seventeenth and Eighteenth Centuries.	Bach	1	4	Oct 1970	28-30
144.	David, Hans T.	The art of the Fugue.	Bach	1	3	Jul 1970	5-21
145.	David, Hans T.	The Original Titles of Bachs Works.	Bach	1	1	Winter 1970	5-14
146.	David, Hans T.	The Six-Four Chord Without Theory: An 'Unofficial' History.	Bach	2	3	Jul 1971	7-14
147.	David, Hans T.	The Six-Four Chord Without Theory: An 'Unofficial' History, Part II.	Bach	2	4	Oct 1971	3-9
148.	David, Hans T.	Trugerische Aufführungstraditionen. [Original Text]	Bach	21	2	Summer 1990	23-30
149.	David, Hans T.	What every graduate student should know. Notenbuch vor Schülern.	Bach	2	2	Apr 1971	27-30
150.	Dupré, Marcel	Litterae ab musicis. Marcel Dupre Writes to Albert Riemenschneider.	Bach	3	2	Apr 1972	31-32
151.	Dürr, Alfred	The Historical Background of the Composition of Johann Sebastian Bach's Clavier Suite, Part I.	Bach	13	4	Oct 1982	2-7
152.	Dürr, Alfred	The Historical Background of the Composition of Johann Sebastian Bach's Clavier Suite, Part I. [repr. from Bach xiv/1 (Jan 1983)]	Bach	16	1	Jan 1985	53-58
153.	Dürr, Alfred	The Historical Background of the Composition of Johann Sebastian Bach's Clavier Suite, Part II. [repr. from Bach xiii/4 (Oct 1982)]	Bach	16	1	Jan 1985	59-68
154.	Dürr, Alfred	The Historical Background of the Composition of Johann Sebastian Bach's Clavier Suite, Part II.	Bach	14	1	Jan 1983	2-11
155.	Dürr, Alfred	Zur Entstehungsgeschichte der Klaviersuiten von Johann Sebastian Bach, I.	Bach	13	4	Oct 1982	8-13
156.	Dürr, Alfred	Zur Entstehungsgeschichte der Klaviersuiten von Johann Sebastian Bach, II.	Bach	14	1	Jan 1983	12-21
157.	Ebert, Robert R.	A Comparison of the Prices of Organs in Bach's Time and the 1980's.	Bach	19	1	1988	28-45
158.	Ebert, Robert R.	Thalers, Patrons, and commerce -- A Glimpse at the Economy in the Times of J. S. Bach.	Bach	16	3	Jul 1985	37-54
159.	Edwards, Timothy D.	The Royal Theme's Hidden Symmetry: In Defense of the Concise Solution to the Augmentation Canon in J. S. Bach's Musical Offering.	Bach	41	1	2010	1-31
160.	Elferen, Isabella van	'Recht bitter und doch süße': Textual and Musical Expression of Mystical Love in German Baroque Meditations of Christ's Passion.	Bach	35	1	2004	1-28
161.	Elferen, Isabella van	The Hungry Soul: Communion Mystics and Physiology in J. S. Bach's St. Matthew Passion.	Bach	40	1	2009	35-57
162.	Eller, Rudolf	Thoughts on Bach's Leipzig Creative Years. Translated and annotated by Stephen A. Crist.	Bach	21	2	Summer 1990	31-54
163.	Ellis, Mark	Motif and Structure in Bach's Fifth Prelude.	Bach	37	1	2006	1-25
164.	Emans, Reinmar	Stilkritik und Textphilologie im Dienste der 'inneren Chronologie'. Stilkritische Untersuchungen zu ausgewählten Arien Johann Sebastian Bachs.	Bach	26	1-2	1995	15-27
165.	Emans, Reinmar	Stylistic Analysis and Text Philology in the Service of 'Inner Chronology' involving Stylistic Analysis of Selected Arias by Johann Sebastian Bach.	Bach	26	1-2	1995	1-14
166.	Espinosa, Alma	More on the Figured-bass Accompaniment in Bach's Time: Friedrich Erhard Niedt and The Musical Guide.	Bach	12	1	Jan 1981	13-22
167.	Fairleigh, James P.	Italian Prototypes of the Baroque Ritornello.	Bach	14	3	Jul 1983	2-11
168.	Faulkner, Quentin	Jacob Adlung's 'Musica Mechanica Organoedi' and the 'Bach Organ'.	Bach	21	1	Spring 1990	42-59
169.	Flindell, E. Frederick	Apropos Bach's Inventions [Part I] A. Forkel's report	Bach	14	4	Oct 1983	3-14
170.	Flindell, E. Frederick	Apropos Bach's Inventions, Part II. B. Athanasius Kircher, Christoph Bernhard, and J. G. Walther. Errata in Bach xv/4, p. 36.	Bach	15	1	Jan 1984	3-16
171.	Flindell, E. Frederick	Apropos Bach's Inventions, Part III. C. J.A. Reincken, Andreas Werckmeister, and Meinrad Spiess.	Bach	15	2	Apr 1984	3-17
172.	Flindell, E. Frederick	Bach and the Middle Ages.	Bach	36	2	2005	1-119
173.	Flindell, E. Frederick	Bach's Tempos and Rhetorical Applications. Errata is published in Bach, xxx/1 (1999), p.74.	Bach	28	1-2	1997	151-236
174.	Franklin, Don O.	The Carnegie Manuscript and J. S. Bach.	Bach	22	1	Spring-Summer 1991	5-15
175.	Ganz, Beatrice	Problems of Articulation in Baroque Keyboard Music (At the Piano or Organ). [A lecture in series 'Information and Experimentation' at the Basel Music Academy, January 18, 1975.]	Bach	7	2	Apr 1976	3-13
176.	Garcia, Federico	The Nature of Bach's Italian Concerto BWV 971.	Bach	36	1	2005	1-24
177.	Geck, Martin	The Ultimate Goal of Bach's Art. Trans. by Alfred Mann.	Bach	35	1	2004	29-41
178.	Getz, Christine Suzanne	A Telemann Concerto for Violin and Strings?: Some Hints on the Reconstruction of an Unidentified Concerto.	Bach	19	2	1988	3-24
179.	Gleason, Harold	A Seventeenth-Century Organ Instruction Book.	Bach	3	1	Jan 1972	3-12
180.	Gleason, Harold	A Seventeenth-Century Organ Instruction Book. [Wegweiser die Kunst die Orgel]	Bach	12	3	Jul 1981	11-20
181.	Gleason, Harold	A seventeenth-century Organ Instruction Book. [Wegweiser die Kunst die Orgel recht zu schlagen]	Bach	27	2	Fall-Winter 1996	60-83
182.	Glöckner, Andreas	Alumni and Externals in the Choirs of the Thomas School during Bach's Time. Trans. Sabine Thomas	Bach	40	1	2009	1-34
183.	Goldstein, Michael	In Tokyo: A Little-Known Bach Autograph. [BWV 1006a] (Translated from the German by George A. Kochevitsky of New York City.)	Bach	9	2	Apr 1978	33-36
184.	Greer, Mary	Embracing Faith: The Duet as Metaphor in Selected Sacred Cantatas by J. S. Bach.	Bach	34	1	2003	1-71
185.	Göncz, Zoltán	The Sacred Codes of the Six-Part Ricercar. Trans. Péter Laki. [BWV 1079]	Bach	42	1	2011	46-69
186.	Hammel, Marla	The Figured-bass Accompaniment in Bach's Time: A Brief Summary of Its Development and An Examination of Its Use, Together With a Sample Realization, Part I.	Bach	8	3	Jul 1977	26-31
187.	Hammel, Marla	The Figured-bass Accompaniment in Bach's Time: A Brief Summary of Its Development and An Examination of Its Use, Together With a Sample Realization, Part II.	Bach	9	1	Jan 1978	30-36
188.	Hammel, Marla	The Figured-bass Accompaniment in Bach's Time: A Brief Summary of Its Development and An Examination of Its Use, Together With a Sample Realization, Part III.	Bach	9	2	Apr 1978	37-39
189.	Harmon, Thomas	The Mühlhausen Organ Revisited. Precious Clues to Bach's Preference in Organ Design and Registration.	Bach	26	1-2	1995	57-69
190.	Harmon, Thomas	The Mühlhausen Organ Revisited. Precious Clues to Bach's Preference in Organ Design and Registration.	Bach	4	1	Jan 1973	3-15
191.	Harriss, Ernest	A Chronology of the Works of Johann Sebastian Bach. Part I.	Bach	11	2	Apr 1980	2-20
192.	Harriss, Ernest	A Chronology of the Works of Johann Sebastian Bach. Part II.	Bach	11	3	Jul 1980	2-8
193.	Harriss, Ernest	A Chronology of the Works of Johann Sebastian Bach. Part III.	Bach	11	4	Oct 1980	3-7
194.	Harriss, Ernest C.	J. F. Agricola's Anleitung zur Singkunst: A Rich Source by a Pupil of J. S. Bach.	Bach	9	3	Jul 1978	2-8
195.	Heinrich, Adel	A Collation of the Expositions in Die Kunst der Fuge of J. S. Bach.	Bach	12	2	Apr 1981	28-40
196.	Heinrich, Adel	Heretofore Unpublished Conclusions for the 'Incomplete' Quadruple Fugue (Die Kunst der Fuge) Project. Part I: Adel Heinrich's 1986 Contribution.	Bach	17	4	Oct 1986	30-41
197.	Heinrich, Adel	Significance of the Original Subject and Its Variants in Bach's Die Kunst der Fuge.	Bach	15	3	Jul 1984	24-32
198.	Herford, Julius	Bach's Models of 'Good Inventiones' -- How to Develop the Same Well. [Headings are: Overall Form; Dove-tailed Cadences; Consistent Sixteenth-Note Motion; Inner Cadences; Harmonic Rhythm]	Bach	4	1	Jan 1973	16-20
199.	Herford, Julius	Bach's Models of 'Good Inventiones'. [Part I].	Bach	2	4	Oct 1971	10-14
200.	Herford, Julius	Bach's Models of 'Good Inventiones'. Part II.	Bach	3	1	Jan 1972	27-30
201.	Herford, Julius	Bach's Models of 'Good Inventiones'. Part III.	Bach	3	2	Apr 1972	28-30
202.	Herford, Julius	J. S. Bach's Fugue II in C Minor (The Well-Tempered Clavier, Book 1): An Analysis. [Headings: The Fugue Theme; The Form as a Whole; Ternary Devision; Binary Division; The Metrical Structure of the Whole]	Bach	4	3	Jul 1973	36-40
203.	Herford, Julius	The C-Major and C-Minor Preludes of the Well-tempered Clavier, Book 1.	Bach	4	2	Apr 1973	17-21
204.	Herz, Gerhard	A Bach Signature in the Possession of Gerhard Herz.	Bach	9	4	Oct 1978	23-24
205.	Herz, Gerhard	Lombard Rhythm in the Domine Deus of Bach's B minor Mass: An Old Controversy Resolved.	Bach	8	1	Jan 1977	3-11
206.	Herz, Gerhard	The Story behind Alfred Dürr's 'Capriccio'. [Fictional Anecdote 'Capriccio sopra la lontananza dell' ipotesi dilettissimo]	Bach	21	3	Winter 1990	4-8
207.	Herz, Gerhard	Toward a New Image of Bach. [repr. of Bach i/4 (Oct 1970) and ii/1 (Jan 1971)]	Bach	16	1	Jan 1985	12-52
208.	Herz, Gerhard	Toward a New Image of Bach. [Part I.]	Bach	1	4	Oct 1970	9-27
209.	Herz, Gerhard	Toward a New Image of Bach. Part II.	Bach	2	1	Jan 1971	7-28
210.	Herz, Gerhard	Yoshitake Kobayashi's Article 'On the Chronology of the last phase of Bach's Work - Compositions and Performances: 1736 to 1750' - An Analysis with Translated Portions of the Original Text.	Bach	21	1	Spring 1990	3-25
211.	[Hewlett, Walter B.]	Riemenschneider Bach Institute Library, Facsimile Series: Vermehrter ... Wegweiser... die Kunst die Orgel recht zu schlagen. Part I, Continued: Walter B Hewlett's English Translations of the Eight Wegweiser Pages Previously Printed in the January 1987 BACH Journal together with BACH Editorial Notes Including Minor Differences between the 1692 and 1698 Wegweiser Editions, and Dr. Hewlett's Explanatory Notes.	Bach	18	2	Apr 1987	4-35
212.	[Hewlett, Walter B.]	Riemenschneider Bach Institute Library, Facsimile Series: Vermehrter ... Wegweiser... die Kunst die Orgel recht zu schlagen. Part II: 'Introductory Remarks' from Walter B Hewlett's Vermehrter ... Wegweiser of 1698 and the 1692 Wegweiser Pages 9-14 Published in Tandem with Dr. Hewlett's Translation and Explanatory Notes and BACH Editorial Notes Indicating Minor Differences between the 1692 and 1698 Wegweiser Editions.	Bach	18	2	Apr 1987	37-63
213.	[Hewlett, Walter B.]	Riemenschneider Bach Institute Library, Facsimile Series: Vermehrter ... Wegweiser... die Kunst die Orgel recht zu schlagen. (Part III). The 1692 Wegweiser, Pages 15-21 Published in Tandem with Dr. Hewlett's Translation and Explanatory Notes and Editorial Footnotes Indicating Minor Differences between the 1692 and 1698 Wegweiser Editions.	Bach	18	3	Jul 1987	11-37
214.	[Hewlett, Walter B.]	Riemenschneider Bach Institute Library, Facsimile Series: Vermehrter ... Wegweiser... die Kunst die Orgel recht zu schlagen. (Part IV). The 1692 Wegweiser, Pages 22-29 Published in Tandem with Dr. Hewlett's Translation and Explanatory Notes and Editorial Footnotes Indicating Minor Differences between the 1692 and 1698 Wegweiser Editions.	Bach	18	4	Oct 1987	29-54
215.	[Hewlett, Walter B.]	Riemenschneider Bach Institute Library. Facsimile Series: Vermehrter...Wegweiser... die Kunst die Orgel recht zu schlagen (Part V). The 1692 Wegweiser, Pages 30-48 Published in Tandem with Dr. Walter Hewlett's 1698 Translations and Explanatory Notes and Editorial Footnotes Indicating Minor Differences between the 1692 and 1698 Wegweiser Editions.	Bach	19	2	1988	25-56
216.	[Hewlett, Walter B.]	Riemenschneider Bach Institute Library. Facsimile Series: Vermehrter...Wegweiser... die Kust die Orgel recht zu schlagen. The 1692 Wegweiser, Pages 41-48 Published in Tandem with Dr. Walter Hewlett's 1698 Translations and Explanatory Notes and Editorial Footnotes Indicating Minor Differences between the 1692 and 1698 Wegweiser Editions Together with Dr. Hewlett's Translation of Carissimi's Ars Cantandi, 1696 Edition (Published with the 1698 Wegweiser)	Bach	19	3	Fall 1988	19-74
217.	Hirsch, Artur	Johann Sebastian Bach's Cantatas in Chronological Order. See also 'A Clarification' in Bach iv/4 (1973), p.36.	Bach	4	3	Jul 1973	18-35
218.	Hirsch, Artur	Number Symbolism in Bach's First Cantata Cycle: 1723-1724 -- Part I.	Bach	6	3	Jul 1975	11-19
219.	Hirsch, Artur	Number Symbolism in Bach's First Cantata Cycle: 1723-1724 -- Part II.	Bach	6	4	Oct 1975	14-19
220.	Hirsch, Artur	Number Symbolism in Bach's First Cantata Cycle: 1723-1724 -- Part III.	Bach	7	1	Jan 1976	27-32
221.	Hochreither, Karl	Some Reflections on the Performance of Bach's Vocal-Instrumental Works.	Bach	8	2	Apr 1977	2-14
222.	Hoehren, Robert	Notes on Bach and the organ of his Time.	Bach	16	1	Jan 1985	69-80
223.	Irwin, Joyce	The Orthodox Lutheranism of Mattheson and Bach.	Bach	42	1	2011	70-83
224.	Jenne, Natalie	Bach's Use of Dance Rhythms in Fugues. [I]	Bach	4	4	Oct 1973	18-26
225.	Jenne, Natalie	Bach's Use of Dance Rhythms in Fugues. Part II.	Bach	5	1	Jan 1974	3-8
226.	Jenne, Natalie	Bach's Use of Dance Rhythms in Fugues: Part III.	Bach	5	2	Apr 1974	3-21
227.	Jenne, Natalie	On the Performance of Keyboard Allemandes.	Bach	10	2	Apr 1979	13-30
228.	Jerold, Beverly	Bach's Lament about Leipzig's Professional Instrumentalists.	Bach	36	1	2005	67-96
229.	Jerold, Beverly	Editorial Decisions for Ornaments in Bach's Works.	Bach	33	2	2002	1-14
230.	Jerold, Beverly	Fasch and the Beginning of Modern Artistic Choral Singing.	Bach	35	1	2004	61-86
231.	Jerold, Beverly	[On Gertrud Schmeling Mara.] Letter to the Editor.	Bach	36	2	2005	120-122
232.	Jerold, Beverly	Pitch in the Vocal Works of J. S. Bach.	Bach	31	1	2000	74-95
233.	Jerold, Beverly	The Bach-Scheibe Controversy: New Documentation.	Bach	42	1	2011	1-45
234.	Johnson, Paul	Tempo Relation in a Class of Keyboard Compositions from Sweelinck to Bach.	Bach	18	4	Oct 1987	4-28
235.	Joseph, Charles M.	Some Revisional Aspects of Bach's Keyboard Partitas, BWV 827 and 830.	Bach	9	2	Apr 1978	2-16, 25-27
236.	Kellner, Herbert Anton	A Mathematical Approach Reconstituting J. S. Bach's Keyboard-Temperament. Dedicated to the composer Bernard Schulé of Geneva on the occasion of his 70th birthday.	Bach	10	4	Oct 1979	2-8
237.	Kellner, Herbert Anton	A Mathematical Approach Reconstructing J. S. Bach's Keyboard Temperament.	Bach	30	1	Spring-Summer 1999	1-9
238.	Kellner, Herbert Anton	Considering the Tempering Tonality B-Major in Well-Tempered Clavier II.	Bach	30	1	Spring-Summer 1999	10-25
239.	Kellner, Herbert Anton	Kepler, Bach, and Gauss: The Celestial Harmony of the Earth's Motion.	Bach	25	1	Spring-Summer 1994	46-56
240.	Kennelly, Laura	The Willard Palmer Collection at the Riemenschneider Bach Institute.	Bach	34	1	2003	72-89
241.	Kilgore, Edna	Time Signatures of the Well-Tempered Clavier: Their Place in Notational History.	Bach	4	2	Apr 1973	3-16
242.	Kobayashi, Yoshitake	Universality in Bach's B Minor Mass: A Portrait of Bach in His Final Years. (In Memoriam Dietrich Kilian.) Translated by Jeffrey W. Baxter.	Bach	24	2	Fall-Winter 1993	3-25
243.	Kochevitsky, George A.	More on Articulation in J. S. Bach's Keyboard Music. From Our Readers.	Bach	8	1	Jan 1977	25-29
244.	Kochevitsky, George A.	Performing Bach's Keyboard Music: Articulation. See also 'A Correction', Bach iv/1 (1973), p.36.	Bach	4	1	Jan 1973	21-25
245.	Kochevitsky, George A.	Performing Bach's Keyboard Music: Dynamics. A Postscript.	Bach	7	1	Jan 1976	3-11
246.	Kochevitsky, George A.	Performing Bach's Keyboard Music -- Embellishments. Part I	Bach	5	3	Jul 1974	37-40
247.	Kochevitsky, George A.	Performing Bach's Keyboard Music -- Embellishments. Part I (Continued). [Headings: Bach's 'Table of Ornaments'; Ornamental Differences in Various Bach Editions]	Bach	5	3	Jul 1974	25-30
248.	Kochevitsky, George A.	Performing Bach's Keyboard Music -- Embellishments, Part III, The Trill. Errata in Bach vi/3 (July 1975), p.40.	Bach	6	1	Jan 1975	24-35
249.	Kochevitsky, George A.	Performing Bach's Keyboard Music -- Embellishments, Part IV, The Appoggiatura.	Bach	6	2	Apr 1975	27-40
250.	Kochevitsky, George A.	Performing Bach's Keyboard Music -- Embellishments, Part V, Acciaccaturas and Broken Chords. Part VI, Mordents and Inverted Mordents.	Bach	6	3	Jul 1975	20-35
251.	Kochevitsky, George A.	Performing Bach's Keyboard Music -- Embellishments, Part VII, The Turn and the Slide. Part VIII, Compound Ornaments. Part IX, Additional Remarks.	Bach	6	4	Oct 1975	23-29
252.	Kochevitsky, George A.	Performing Bach's Keyboard Music -- Notes Inégales: A Brief History and a Summary. [Headings: Origins and Definitions; Renewed Interest in the Problem; Bach and the Techniques of Inequality; Conclusions and Suggestions]	Bach	4	4	Oct 1973	27-35
253.	Kochevitsky, George A.	Performing Bach's Keyboard Music -- Phrasing.	Bach	3	4	Oct 1972	28-32
254.	Kochevitsky, George A.	Performing Bach's Keyboard Music: Tempo.	Bach	4	2	Apr 1973	22-24
255.	Kochevitsky, George A.	Performing Bach's Keyboard Music -- The Choice of an Instrument.	Bach	3	2	Apr 1972	33-37
256.	Konecni, Vladimir J.	Bach's St. Matthew Passion: A Rudimentary Psychological Analysis, Part I.	Bach	17	3	Jul 1986	10-21
257.	Konecni, Vladimir J.	Bach's St. Matthew Passion: A Rudimentary Psychological Analysis, Part II.	Bach	17	4	Oct 1986	3-16
258.	Kordes, Gesa	Self-Parody and the 'Hunting-Cantata,' BWV 208 - An Aspect of Bach's Compositional Process.	Bach	22	2	Fall-Winter 1991	35-57
259.	Krenek, Ernst	Parvula Corona Musicalis.	Bach	2	4	Oct 1971	18-31
260.	Krenek, Ernst	Postscript to the 'Parvula Corona'	Bach	3	3	Jul 1972	21-26
261.	Kroeger, Karl	Johann Sebastian Bach in Nineteenth-Century America.	Bach	22	1	Spring-Summer 1991	33-42
262.	Leahy, Anne	The American Image of Bach from a German Emigré's Perspective: Gerhard Herz and the Modern American Bach Movement.	Bach	40	1	2009	58-79
263.	Leahy, Anne	The Opening Chorus of Cantata BWV 78, Jesu, der du meine Seele; Another Example of Bach's Interest in Matters Soteriological.	Bach	30	1	Spring-Summer 1999	26-41
264.	Leahy, Anne	'Vor deinen Thron tret ich': The Eschatological Significance of the Chorale Settings of the P271 Manuscript of the Berlin Staatsbibliothek.	Bach	37	2	2006	81-118
265.	Leaver, Robin A.	Bach and Luther.	Bach	9	3	Jul 1978	9-12; 25-32
266.	Leaver, Robin A.	Bach's Understanding and Use of the Epistles and Gospels of the Church Year.	Bach	6	4	Oct 1975	4-13
267.	Leaver, Robin A.	Further Thoughts on B-A-C-H.	Bach	2	4	Oct 1971	36-37
268.	Leaver, Robin A.	Heinrich Schütz as a Biblical Interpreter.	Bach	16	4	Oct 1985	4-8
269.	Leaver, Robin A.	Heinrich Schütz as a Biblical Interpreter. [Part I]	Bach	4	3	Jul 1973	3-8
270.	Leaver, Robin A.	Johann Sebastian Bach: Theological Musician and Musical Theologian.	Bach	31	1	2000	17-33
271.	Leaver, Robin A.	Leipzig's Rejection of J. S. Bach, Part I.	Bach	3	3	Jul 1972	27-39
272.	Leaver, Robin A.	Leipzig's Rejection of J. S. Bach, Part II.	Bach	3	4	Oct 1972	3-7
273.	Leaver, Robin A.	List of the Settings of Bible Texts in the Works of Heinrich Schütz.	Bach	16	4	Oct 1985	24-31
274.	Leaver, Robin A.	List of the Settings of Bible Texts in the Works of Heinrich Schütz.	Bach	4	3	Jul 1973	8-12
275.	Leaver, Robin A.	New Light on the Pre-History of The Bach Choir of Bethlehem.	Bach	22	2	Fall-Winter 1991	24-34
276.	Leaver, Robin A.	Number Associations in the Structure of Bach's Credo, BWV 232.	Bach	7	3	Jul 1976	17-24
277.	Leaver, Robin A.	Parody and Theological Consistency: Notes on Bach's A-Major Mass.	Bach	21	3	Winter 1990	30-43
278.	Leaver, Robin A.	Schütz and the Psalms.	Bach	16	4	Oct 1985	34-48
279.	Leaver, Robin A.	Suggestions for Future Research into Bach and the Chorale: Aspects of Repertoire, Pedagogy, Theory, and Practice.	Bach	42	2	2011	40-63
280.	Leaver, Robin A.	The Calov Bible from Bach's Library.	Bach	7	4	Oct 1976	16-22
281.	Leaver, Robin A.	The Funeral Sermon for Heinrich Schütz.	Bach	25	2	Fall-Winter 1994	115-129
282.	Leaver, Robin A.	The Funeral Sermon for Heinrich Schütz. [I]	Bach	4	4	Oct 1973	3-17
283.	Leaver, Robin A.	The Funeral Sermon for Heinrich Schütz. Part III: The Biographical Section.	Bach	5	3	Jul 1974	13-20
284.	Leaver, Robin A.	The Funeral Sermon for Heinrich Schütz. Part II: The Sermon.	Bach	5	1	Jan 1974	9-22
285.	Leaver, Robin A.	The Funeral Sermon for Heinrich Schütz. Part II: The Sermon (Conclusion).	Bach	5	2	Apr 1974	27-35
286.	Leaver, Robin A.	The Libretto of Bach's Cantata No. 79: A Conjecture.	Bach	6	1	Jan 1975	3-11
287.	Leaver, Robin A.	The Revival of the St. John Passion: History and Performance Practice.	Bach	20	3	Fall 1989	34-49
288.	Leaver, Robin A.	The Valuation of Bach's Library.	Bach	9	2	Apr 1978	28-32
289.	Lenneberg, Hans	Bach, Handel, and Relative Success, Part I.	Bach	12	4	Oct 1981	22-27
290.	Lenneberg, Hans	Bach, Handel, and Relative Success, Part II.	Bach	13	2	Apr 1982	17-22
291.	Linton, Michael	Bach, Luther, and the Magnificat.	Bach	17	2	Apr 1986	3-15
292.	Linton, Michael	The Dual Chiastic Design of the C-Major Prelude, BWV 870 (The Well Tempered Clavier, Book II.)	Bach	27	1	Spring-Summer 1996	31-56
293.	Livingstone, Ernest	Notes on the Art of Fugue: A Fragment.	Bach	28	1-2	1997	82-86
294.	Louwenaar-Lueck, Karyl	The Sequence of Sarabande and Air in Bach's Keyboard Partitas.	Bach	23	1	Spring-Summer 1992	38-50
295.	Mann, Alfred	A Document from the Hand of Arthur Mendel: Introduction and Commentary.	Bach	20	3	Fall 1989	4-5(-14)
296.	Mann, Alfred	Gerhard Herz (September 24, 1911--September 3, 2000).	Bach	32	1	2001	77-78
297.	Mann, Alfred	Missa Brevis and Historia: Bach's A-Major Mass.	Bach	16	1	Jan 1985	6-11
298.	Marissen, Michael	More Source-Critical Research on J. S. Bach's Musical Offering.	Bach	25	1	Spring-Summer 1994	11-27
299.	Marissen, Michael	On Linking Bach's F-Major Sinfonia and his Hunt Cantata. [BWV 208, 1046a]	Bach	23	2	Fall-Winter 1992	31-46
300.	Markevitch, Dimitry	Bach's Cello Suites Revisited: The Manuscripts of the Bach Cello Suites, an Inextricable Labyrinth for Cellists? [A Reader's Response]	Bach	30	1	Spring-Summer 1999	66-69
301.	Marshall, Robert L.	Bach and Mozart: Styles of Musical Genius.	Bach	22	1	Spring-Summer 1991	16-32

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