Bach Bibliography
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1. Author-Title-Subject: Cumulative Index 1970-2000 Bach 31 2 2000 1-67
2. George Kochevitsky Speaks Concerning the Performance of Early Music. (1972-1976) Bach 25 2 Fall-Winter 1994 54-58
3. Parvula Corona Musicalis by Ernst Krenek: The Composer's Autograph Manuscript and Explanations. Bach 27 1 Spring-Summer 1996 66-85
4. Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part I: Einige Canonische Veränderungen über das Weynacht-Lied 'Vom Himmel hoch da komm ich her'. Bach 8 3 Jul 1977 13-25
5. Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part II: Clavierübung, Book I [The Clavier Partitas] ([Leipzig]: Published by the Author, 1731), Partita 1, title-page, Praeludium, Allemande, Corrente, Sarabande. Bach 8 4 Oct 1977 11-22
6. Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part III: Clavierübung, Book I [The Clavier Partitas] ([Leipzig]: Published by the Author, 1731), Partita 1 (contd.) Menuet I, Menuet II, Giga; Partita II Sinfonia. Bach 9 1 Jan 1978 15-22
7. Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part IV: Clavierübung, Book I [The Clavier Partitas] ([Leipzig]: Published by the Author, 1731), Partita II (contd.) Allemande, Courante, Sarabande, Rondeaux, Capriccio [1st half]. Bach 9 2 Apr 1978 17-24
8. Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part IX: Clavierübung, Book I [The Clavier Partitas] ([Leipzig]: Published by the Author, 1731). Partita IV, Toccata. Bach 10 3 Jul 1979 32-39
9. Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part V: Clavierübung, Book I [The Clavier Partitas] ([Leipzig]: Published by the Author, 1731), Partita II, concluded: Capriccio (last half); Partita III: Fantasia, Allemande, Corrente, Sarabande, Burlesca, Scherzo, Gigue. Bach 9 3 Jul 1978 13-24
10. Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part VI: Clavierübung, Book I [The Clavier Partitas] ([Leipzig]: Published by the Author, 1731), Partita IV. Bach 9 4 Oct 1978 11-22
11. Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part VII: Clavierübung, Book I [The Clavier Partitas] ([Leipzig]: Published by the Author, 1731), Partita V. Bach 10 1 Jan 1979 13-25
12. Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part VIII: Clavierübung, Book I [The Clavier Partitas] ([Leipzig]: Published by the Author, 1731), Partita V, contd.: Passepied, Gigue. Bach 10 2 Apr 1979 9-12
13. Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part X: Clavierübung, Book I [The Clavier Partitas] ([Leipzig]: Published by the Author, 1731). Partita IV, contd.: Allemande, Corrente, Air, Sarabande, Tempo di Gavotta, Gigue. Bach 10 4 Oct 1979 9-18
14. Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. [Part XI] Clavierübung, Book IV [the 'Goldberg' Variations] Nürnberg: Balthaser Schmid [ca. 1742], BWV 988. Bach 11 1 Jan 1980 2-40
15. Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XIII. Musicalisches Opfer (Musical Offering) (Zella St. Blasi, Thuringia: Johann Georg Schübler, 1747), Part II: Ricercar, a 6. Bach 11 3 Jul 1980 24-31
16. Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XII. Musicalisches Opfer (Musical Offering) (Zella St. Blasi, Thuringia: Johann Georg Schübler, 1747), Part I. Bach 11 2 Apr 1980 29-36
17. Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XIV. Die Kunst der Fuge (Leipzig, 1752). Bach 11 4 Oct 1980 32-36
18. Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XIX. Die Kunst der Fuge (Leipzig, 1752). Conclusion. Bach 13 1 Jan 1982 2-44
19. Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XIX [sic!]. Suite Première avec Prelude (Eighteenth-century Manuscript Copy of the First 'English' Suite) Bach 13 2 Apr 1982 29-36
20. Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XV. Die Kunst der Fuge (Leipzig, 1752). Contrapunctus I; Contrapunctus II. Bach 12 1 Jan 1981 30-35
21. Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XVI. Die Kunst der Fuge (Leipzig, 1752). Contrapunctus III, Contrapunctus IV. Bach 12 2 Apr 1981 20-27
22. Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XVI. Die Kunst der Fuge (Leipzig, 1752). Contrapunctus V, Contrapunctus VI. Bach 12 3 Jul 1981 30-36
23. Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XVIII. Die Kunst der Fuge (Leipzig, 1752). Contrapunctus VII, Contrapunctus VIII. Bach 12 4 Oct 1981 28-35
24. Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XXII. 13 Parts to Cantata BWV 174 (1729), Ich liebe den Höchsten von ganzem Gemüte, Manuscript in the hands of J. S. Bach and his circle. Bach 14 1 Jan 1983 29-39
25. Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XXIII. 13 Parts to Cantata BWV 174 (1729), Ich liebe den Höchsten von ganzem Gemüte, Manuscript in the hands of J. S. Bach and his circle. Bach 14 2 Apr 1983 3-60
26. Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XXI. [Suite 5] Prelude, BWV 810 Gigue; [Suite 6] Prelude, BWV 811. Bach 13 4 Oct 1982 14-29
27. Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XXIV. Heinrich Nicolaus Gerber's Eighteenth-century Manuscript Copy of J. S. Bach's Wohl-temperirte Clavier. Bach 14 3 Jul 1983 31-44
28. Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XXIX. Heinrich Nicolaus Gerber's Eighteenth-century (1725) Manuscript Copy of J. S. Bach's Das wohl-temperirte Clavier (Continued). Bach 15 4 Oct 1984 37-52
29. Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XX. Suite Première avec Prelude. Prélude, Gigue; [Suite 6] Gigue. Bach 13 3 Jul 1982 23-34
30. Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XXV. Heinrich Nicolaus Gerber's Eighteenth-century (1725) Manuscript Copy of J. S. Bach's Das wohl-temperirte Clavier (Continued). Bach 14 4 Oct 1983 25-35
31. Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XXVI. Heinrich Nicolaus Gerber's Eighteenth-century (1725) Manuscript Copy of J. S. Bach's Das wohl-temperirte Clavier (Continued). Bach 15 1 Jan 1984 36-43
32. Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XXVII. Heinrich Nicolaus Gerber's Sixteenth-century [sic] (1725) Manuscript Copy of J. S. Bach's Das wohl-temperirte Clavier (Continued). Bach 15 2 Apr 1984 35-44
33. Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XXVIII. Heinrich Nicolaus Gerber's Eighteenth-century (1725) Manuscript Copy of J. S. Bach's Das wohl-temperirte Clavier (Continued). Bach 15 3 Jul 1984 33-36
34. Adams, Courtney S.Organization in the Two-Part Inventions of Johann Sebastian Bach, Part I. Bach 13 2 Apr 1982 6-16
35. Adams, Courtney S.Organization in the Two-Part Inventions of Johann Sebastian Bach, Part II. Bach 13 3 Jul 1982 12-19
36. Ahrens, ChristianJohann Sebastian Bach and The 'New Gusto' In Music Around 1740. Bach 33 1 2002 69-83
37. Ambrose, JaneMadness and Music: Handel's Porphyric Patron, George III. Bach 27 1 Spring-Summer 1996 57-65
38. Ambrose, JaneNotations on Mattheson's Der Brauchbare Virtuoso. Bach 17 3 Jul 1986 3-9
39. Ambrose, JaneNotations on Mattheson's Der brauchbare Virtuoso. (1986) Bach 25 2 Fall-Winter 1994 91-98
40. Ambrose, JaneThe Bach Flute Sonatas: Recent Research and a Performer's Observations. Bach 11 3 Jul 1980 32-45
41. Ambrose, Z. PhilipAnother Lament in Weinen, Klagen, Sorgen, Zagen. Bach 13 3 Jul 1982 20-22
42. Appel, Richard G.J. S. Bach and the Bay Psalm Book. Bach 1 3 Jul 1970 22-24
43. Armstrong, Joe (trans.)The Formation of Bach's Motifs: Chapter Two of André Pirro's L'Esthétique de Jean-Sébastien Bach. Bach 41 1 2010 32-96
44. Babitz, SolTo the editor of Bach. Bach 3 2 Apr 1972 40-43
45. Babitz, SolTo the Editor of BACH. Bach 3 3 Jul 1972 43-44
46. Badura-Skoda, EvaDid J. S. Bach Compose 'Pianoforte Concertos'? Bach 31 1 2000 1-16
47. Barber, ElinoreAlbert Riemenschneider: A Portrait of the Founder of Baldwin-Wallace College's Conservatory of the Occasion of its 100th Anniversary. Bach 29 2 Fall-Winter 1998 1-7
48. Barber, ElinoreBach Adds a Tempo Mark? Bach 1 2 Apr 1970 3-5
49. Barber, ElinoreBach and the B-A-C-H Motive. Bach 2 2 Apr 1971 3-5
50. Barber, ElinoreBach's 'Incomplete' Quadruple Fugue from Die Kunst der Fuge (1752-Edition Print Held by the Riemenschneider Bach Institute.) Bach 17 4 Oct 1986 24-29
51. Barber, ElinoreBach's Portrait in Gerber's Lexicon. Bach 2 1 Jan 1971 3-6
52. Barber, ElinoreBeethoven and Bach. Bach 1 4 Oct 1970 4-5
53. Barber, ElinoreBeethoven on Bach. Excerpts from Letters. Bach 1 4 Oct 1970 6-8
54. Barber, ElinoreButter, Guns, and Bach? Bach 1 3 Jul 1970 3-4
55. Barber, Elinore[Facsimile of biographical entry of H. N. Gerber in his son's Historisch-Biographisches Lexicon der Tonkunstler, 1790] Bach 15 1 Jan 1984 28-34
56. Barber, ElinoreHans Theodore David: 'A Portrait in Outline'. Bach 1 3 Jul 1970 25-29
57. Barber, ElinoreJ. S. Bach and The Critics. Bach 2 3 Jul 1971 4-6
58. Barber, ElinoreJ. S. Bach in the Year of the Moon. Bach 1 1 Winter 1970 3-5
59. Barber, ElinoreJ. S. Bach: Suite 4 à Violoncello Solo -- A Manuscript Copy in the Hand of Anna Magdalena Bach; Doris Ornstein's Harpsichord Transcription of BWV 1010. Bach 29 1 Spring-Summer 1998 38-76
60. Barber, ElinoreQuestions to the Editor. Bach 2 2 Apr 1971 24-26
61. Barber, ElinoreQuestions to the Editor. Bach 2 1 Jan 1971 38-41
62. Barber, ElinoreQuestions to the Editor. Bach 2 3 Jul 1971 25-27
63. Barber, ElinoreQuestions to the Editor. Bach 2 4 Oct 1971 32-35
64. Barber, ElinoreQuestions to The Editor [Part I]. Bach 1 1 Winter 1970 19-22
65. Barber, ElinoreQuestions to the editor [Part II]. Bach 1 2 Apr 1970 21-25
66. Barber, ElinoreQuestions to the Editor. [Part III]. Bach 1 3 Jul 1970 45-47
67. Barber, ElinoreQuestions to the Editor. [Part IV.] Bach 1 4 Oct 1970 35-40
68. Barber, ElinoreRiemenschneider Bach Institute Vault Holdings, Facsimile Series: .. Wegweiser .. Die Kunst die Orgel recht zu schlagen -- A Seventeenth-century Organ Instruction Book, Part I. Bach 18 1 Jan 1987 25-36
69. Barber, ElinoreRiemenschneider Bach Library Vault Holdings. Bach 1 4 Oct 1970 33-34
70. Barber, ElinoreRiemenschneider Bach Library Vault Holdings. Bach 2 2 Apr 1971 22-23
71. Barber, ElinoreRiemenschneider Bach Library Vault Holdings [Part I]. Bach 1 1 Winter 1970 17-18
72. Barber, ElinoreSchweitzer and Bach. Bach 32 1 2001 73-76
73. Barber, Elinore; Winzenburger, JanetRiemenschneider Bach Library Vault Holdings. Bach 1 3 Jul 1970 41-44
74. Barber, Elinore; Winzenburger, JanetRiemenschneider Bach Library vault holdings. Bach 2 1 Jan 1971 35-37
75. Barber, Elinore; Winzenburger, JanetRiemenschneider Bach Library Vault Holdings. Bach's Four-Part Chorales. Bach 2 4 Oct 1971 15-17
76. Barber, Elinore; Winzenburger, JanetRiemenschneider Bach Library Vault Holdings. Eighteenth-Century French Publications. Bach 3 2 Apr 1972 38-39
77. Barber, Elinore; Winzenburger, JanetRiemenschneider Bach Library Vault Holdings [Part II]. Bach 1 2 Apr 1970 17-20
78. Bates, William H.J. S. Bach's Fantasy and Fugue in G Minor, BWV 542: A Source Study for Organists. Bach 39 2 2008 1-89
79. Baumgartner, NicholasCurrents in Bach Interpretation in Contemporary Germany. Bach 30 2 1999 1-26
80. Baumgartner, NicholasEuropean Bach Interpretation at the Turn of the Millennium. Bach 33 1 2002 1-56
81. Benedum, RichardStructure and Symbolism in Bach's Prelude and Fugue in E-flat, BWV 552. Bach 10 4 Oct 1979 19-24
82. Benitez, Vincent P.Musical-Rhetorical Figures in the Orgelbüchlein of J. S. Bach. Bach 18 1 Jan 1987 3-21
83. Boe, JohnFully Notated Articulation in Bach's Mature Keyboard Music. Bach 7 1 Jan 1976 12-19
84. Boe, JohnFully Notated Articulation in Bach's Mature Keyboard Music -- Part II. Bach 7 2 Apr 1976 14-22
85. Boer, Bertil Herman van Jr.Observations on Bach's Use of the Horn. Bach 11 2 Apr 1980 21-28
86. Boer, Bertil H. van, Jr.Observations on Bach's Use of the Horn. Bach 11 3 Jul 1980 9-23
87. Bolduan, Miriam F.The Significance of the Viola Pomposa in the Bach Cantatas. Bach 14 3 Jul 1983 12-17
88. Bostrom, Kerry L.The Use of Recitative and the Communal Style in the Solo Cantatas of Dietrich Buxtehude. Bach 17 3 Jul 1986 22-32
89. Botwinick, SaraFrom Ohrdruf to Mühlhausen: A Subversive Reading of Bach's Relationship to Authority. Bach 35 2 2004 1-59
90. Braunlich, HelmutJohann Peter Kellner's Copy of the Sonatas and Partitas for Violin Solo by J. S. Bach. Bach 12 2 Apr 1981 2-10
91. Brokaw, James A., IIRecent Research on the Sources and Genesis of Bach's Well-tempered Clavier, Book II. Bach 16 3 Jul 1985 17-35
92. Brown, Emily FreemanZarathustra. Reflection of the Baroque Overture. Bach 26 1-2 1995 84-90
93. Buelow, George J.A Bach Borrowing by Gluck: Another Frontier. Bach 22 1 Spring-Summer 1991 43-61
94. Butler, Gregory G.J. S. Bach's Einige Canonische Veraenderungen: The View from the Original Print. Bach 20 2 Summer 1989 4-37
95. Butler, Gregory G.J. S. Bach's 'Hudemann' Canon, BWV 1074: A Note on the Engraving and Printing History. Bach 25 1 Spring-Summer 1994 5-10
96. Butler, Gregory G.The Galant Style in J. S. Bach's Musical Offering: Widening the Dimensions. Bach 33 1 2002 57-68
97. Butler, H. JosephA Newly Discovered Work of Charles Theodore Pachelbel. Bach 28 1-2 1997 126-144
98. Butler, Lynn EdwardsJohann Christoph Bach's New Organ for Eisenach's Georgenkirche. Bach 35 1 2004 42-60
99. Clement, AlbertOn the Inner Correlation of the Six Chorales BWV 645-650 and its Significance. Bach 34 2 2003 1-62
100. Cole, WarwickImprovisation as a Stimulus to Composition in Bach's Partita II. Bach 31 1 2000 96-112
101. Collins, DenisBach and Approaches to Canonic Composition in Early Eighteenth-Century Theoretical and Chamber Music Sources. Bach 30 2 1999 27-48
102. Collins, DenisBach's Occasional Canon BWV 1073 and 'Stacked' Canonic Procedure in the Eighteenth Century. Bach 33 2 2002 15-34
103. Collins, DenisFrom Bull to Bach: In Search of Precedents for the 'Complete' Version of the Canon by Augmentation and Contrary Motion in J. S. Bach's Musical Offering. Bach 38 2 2007 39-63
104. Collins, DenisHistorical Precedents for Bach's Evolutio Canon BWV 1087/10. Bach 24 1 Spring-Summer 1993 5-14
105. Collins, DenisMusical Terminology in the Canonic Works of Bach: An Historical Context. Bach 26 1-2 1995 91-101
106. Collins, TimothyObservations on the Origins and Influences Leading to Bach's Idiomatic Writing for the Trumpet in Grosser Herr o starker König from the Christmas Oratorio. Bach 17 2 Apr 1986 31-45
107. Collins, Timothy A.Gottfried Reiche: A More Complete Biography. Bach 19 3 Fall 1988 4-18
108. Corlis, TimothyAnalysis of Spectra in J. S. Bach's Prelude and Fugue, BWV 552. Bach 37 1 2006 26-49
109. Corneilson, PaulC. P. E. Bach's Evangelist: Johann Heinrich Michel. Bach 41 2 2010 1-23
110. Corrao, TimothyC. P. E. Bach's Clavier Quartet in A Minor, Wotquenne 93, Part I. Bach 12 4 Oct 1981 17-21
111. Corrao, TimothyC. P. E. Bach's Clavier Quartet in A Minor, Wotquenne 93, Part II. Bach 13 2 Apr 1982 23-27
112. Coul, Thomas Op deThe Augmentation Canon in J. S. Bach's Musicalisches Opfer. Bach 37 1 2006 50-77
113. Cowart, GeorgiaSymbolic Correspondence in the Duets of Bach's Mass in B Minor, Part I. Bach 15 1 Jan 1984 17-24
114. Cowart, GeorgiaSymbolic Correspondence in the Duets of Bach's Mass in B Minor, Part II. Bach 15 2 Apr 1984 18-25
115. Cox, Howard H.Bach's Conception of His Office. Bach 20 1 Spring 1989 22-30
116. Cox, Howard H.The Scholarly Detective: Investigating Bach's Personal Bible. Bach 25 1 Spring-Summer 1994 28-45
117. Cox, Howard H.The Text Selection Process in Handel's Chandos Anthems. Bach 24 1 Spring-Summer 1993 21-34
118. Crean, EliseG. H. Stölzel's Practischer Beweiss: A Hitherto Unconsidered Source for J. S. Bach's Fourteen Canons. Bach 40 2 2009 1-21
119. Crist, Stephen A.Bach, Theology, and Harmony: A New Look at the Arias. Bach 27 1 Spring-Summer 1996 1-30
120. Currie, Randolph N.A Neglected Guide to Bach's Use of Number Symbolism -- Part I. Bach 5 1 Jan 1974 23-32
121. Currie, Randolph N.A Neglected Guide to Bach's Use of Number Symbolism -- Part II. Bach 5 2 Apr 1974 36-49
122. Currie, Randolph N.A Neglected Guide to Bach's Use of Number Symbolism -- Part III. Bach 5 3 Jul 1974 3-12
123. Currie, Randolph N.A Neglected Guide to Bach's Use of Number Symbolism -- Part IV. Bach 5 4 Oct 1974 3-8
124. Currie, Randolph N.Bach's Newly Discovered Canons in a First Edition: Some Observations. Bach 8 2 Apr 1977 15-22
125. Currie, Randolph N.Bach's Newly Discovered Canons in a First Edition: Some Observations, Part II. Bach 8 3 Jul 1977 3-12
126. Currie, Randolph N.Bach's Newly Discovered Canons in a First Edition: Some Observations, Part III. Bach 8 4 Oct 1977 3-9
127. Currie, Randolph N.Cyclic Unity in Bach's Sechs Chorale: A New Look at the 'Schüblers,' Part I. Bach 4 1 Jan 1973 26-38
128. Currie, Randolph N.Cyclic Unity in Bach's Sechs Chorale: A New Look at the 'Schüblers,' Part II. Bach 4 2 Apr 1973 25-39
129. Dadelsen, Georg vonFriedrich Smend's Edition of the B-minor Mass by J. S. Bach. Bach 20 2 Summer 1989 49-74
130. David, Hans T.Bach Analyses: J. S. Bach's Fugue in E minor from The Well-tempered Clavier, Book I. Bach 2 3 Jul 1971 15-16
131. David, Hans T.Bach Analyses. J. S. Bach's Prelude in E minor from The Well-tempered Clavier, Book 1. Bach 2 2 Apr 1971 18-19
132. David, Hans T.Bach Form -- A Letter and Ground-Plan. Bach 1 2 Apr 1970 14-17
133. David, Hans T.Bach Form: Ground Plans by the Late Professor Hans T. David. Aria mit 30 Variationen (Goldberg Variations) -- J. S. Bach [1742]. Bach 1 1 Winter 1970 15-16
134. David, Hans T.Bach's Problems and Artistic Creed. Bach 1 2 Apr 1970 6-13
135. David, Hans T.Deceptive Performance Traditions. (1926) Bach 25 2 Fall-Winter 1994 36-53
136. David, Hans T.Deceptive Performance Traditions. (1926) Bach 21 2 Summer 1990 15-22
137. David, Hans T.Hebrew Letters in Polyphonic Settings by Christian Composers. Bach 2 2 Apr 1971 6-17
138. David, Hans T.Johann Sebastian Bach's Great Mass. A Brief Introduction to the Ground Plan Charts and Illustrations. Bach 2 1 Jan 1971 29-32
139. David, Hans T.Litterae ab musicis. Hans David Disclaims the Authenticity of a 'Bach Holograph'. Bach 1 4 Oct 1970 31-32
140. David, Hans T.Litterae ab musicis: Hans T. David Writes Concerning The Editing of Early Music. Bach 2 3 Jul 1971 17-20
141. David, Hans T.Litterae ab musicis. [Letter to Alfred Einstein] Bach 2 1 Jan 1971 33-34
142. David, Hans T.Music History - A Teaching, Learning, Performing Experience. Bach 2 3 Jul 1971 28-32
143. David, Hans T.Structures of Some Composite Works of the Seventeenth and Eighteenth Centuries. Bach 1 4 Oct 1970 28-30
144. David, Hans T.The art of the Fugue. Bach 1 3 Jul 1970 5-21
145. David, Hans T.The Original Titles of Bachs Works. Bach 1 1 Winter 1970 5-14
146. David, Hans T.The Six-Four Chord Without Theory: An 'Unofficial' History. Bach 2 3 Jul 1971 7-14
147. David, Hans T.The Six-Four Chord Without Theory: An 'Unofficial' History, Part II. Bach 2 4 Oct 1971 3-9
148. David, Hans T.Trugerische Aufführungstraditionen. [Original Text] Bach 21 2 Summer 1990 23-30
149. David, Hans T.What every graduate student should know. Bach 2 2 Apr 1971 27-30
150. Dupré, MarcelLitterae ab musicis. Marcel Dupre Writes to Albert Riemenschneider. Bach 3 2 Apr 1972 31-32
151. Dürr, AlfredThe Historical Background of the Composition of Johann Sebastian Bach's Clavier Suite, Part I. Bach 13 4 Oct 1982 2-7
152. Dürr, AlfredThe Historical Background of the Composition of Johann Sebastian Bach's Clavier Suite, Part I. Bach 16 1 Jan 1985 53-58
153. Dürr, AlfredThe Historical Background of the Composition of Johann Sebastian Bach's Clavier Suite, Part II. Bach 16 1 Jan 1985 59-68
154. Dürr, AlfredThe Historical Background of the Composition of Johann Sebastian Bach's Clavier Suite, Part II. Bach 14 1 Jan 1983 2-11
155. Dürr, AlfredZur Entstehungsgeschichte der Klaviersuiten von Johann Sebastian Bach, I. Bach 13 4 Oct 1982 8-13
156. Dürr, AlfredZur Entstehungsgeschichte der Klaviersuiten von Johann Sebastian Bach, II. Bach 14 1 Jan 1983 12-21
157. Ebert, Robert R.A Comparison of the Prices of Organs in Bach's Time and the 1980's. Bach 19 1 1988 28-45
158. Ebert, Robert R.Thalers, Patrons, and commerce -- A Glimpse at the Economy in the Times of J. S. Bach. Bach 16 3 Jul 1985 37-54
159. Edwards, Timothy D.The Royal Theme's Hidden Symmetry: In Defense of the Concise Solution to the Augmentation Canon in J. S. Bach's Musical Offering. Bach 41 1 2010 1-31
160. Elferen, Isabella van'Recht bitter und doch süße': Textual and Musical Expression of Mystical Love in German Baroque Meditations of Christ's Passion. Bach 35 1 2004 1-28
161. Elferen, Isabella vanThe Hungry Soul: Communion Mystics and Physiology in J. S. Bach's St. Matthew Passion. Bach 40 1 2009 35-57
162. Eller, RudolfThoughts on Bach's Leipzig Creative Years. Bach 21 2 Summer 1990 31-54
163. Ellis, MarkMotif and Structure in Bach's Fifth Prelude. Bach 37 1 2006 1-25
164. Emans, ReinmarStilkritik und Textphilologie im Dienste der 'inneren Chronologie'. Stilkritische Untersuchungen zu ausgewählten Arien Johann Sebastian Bachs. Bach 26 1-2 1995 15-27
165. Emans, ReinmarStylistic Analysis and Text Philology in the Service of 'Inner Chronology' involving Stylistic Analysis of Selected Arias by Johann Sebastian Bach. Bach 26 1-2 1995 1-14
166. Espinosa, AlmaMore on the Figured-bass Accompaniment in Bach's Time: Friedrich Erhard Niedt and The Musical Guide. Bach 12 1 Jan 1981 13-22
167. Fairleigh, James P.Italian Prototypes of the Baroque Ritornello. Bach 14 3 Jul 1983 2-11
168. Faulkner, QuentinJacob Adlung's 'Musica Mechanica Organoedi' and the 'Bach Organ'. Bach 21 1 Spring 1990 42-59
169. Flindell, E. FrederickApropos Bach's Inventions [Part I] Bach 14 4 Oct 1983 3-14
170. Flindell, E. FrederickApropos Bach's Inventions, Part II. Bach 15 1 Jan 1984 3-16
171. Flindell, E. FrederickApropos Bach's Inventions, Part III. Bach 15 2 Apr 1984 3-17
172. Flindell, E. FrederickBach and the Middle Ages. Bach 36 2 2005 1-119
173. Flindell, E. FrederickBach's Tempos and Rhetorical Applications. Bach 28 1-2 1997 151-236
174. Franklin, Don O.The Carnegie Manuscript and J. S. Bach. Bach 22 1 Spring-Summer 1991 5-15
175. Ganz, BeatriceProblems of Articulation in Baroque Keyboard Music (At the Piano or Organ). Bach 7 2 Apr 1976 3-13
176. Garcia, FedericoThe Nature of Bach's Italian Concerto BWV 971. Bach 36 1 2005 1-24
177. Geck, MartinThe Ultimate Goal of Bach's Art. Bach 35 1 2004 29-41
178. Getz, Christine SuzanneA Telemann Concerto for Violin and Strings?: Some Hints on the Reconstruction of an Unidentified Concerto. Bach 19 2 1988 3-24
179. Gleason, HaroldA Seventeenth-Century Organ Instruction Book. Bach 3 1 Jan 1972 3-12
180. Gleason, HaroldA Seventeenth-Century Organ Instruction Book. [Wegweiser die Kunst die Orgel] Bach 12 3 Jul 1981 11-20
181. Gleason, HaroldA seventeenth-century Organ Instruction Book. [Wegweiser die Kunst die Orgel recht zu schlagen] Bach 27 2 Fall-Winter 1996 60-83
182. Glöckner, AndreasAlumni and Externals in the Choirs of the Thomas School during Bach's Time. Bach 40 1 2009 1-34
183. Goldstein, MichaelIn Tokyo: A Little-Known Bach Autograph. [BWV 1006a] Bach 9 2 Apr 1978 33-36
184. Greer, MaryEmbracing Faith: The Duet as Metaphor in Selected Sacred Cantatas by J. S. Bach. Bach 34 1 2003 1-71
185. Göncz, ZoltánThe Sacred Codes of the Six-Part Ricercar. Bach 42 1 2011 46-69
186. Hammel, MarlaThe Figured-bass Accompaniment in Bach's Time: A Brief Summary of Its Development and An Examination of Its Use, Together With a Sample Realization, Part I. Bach 8 3 Jul 1977 26-31
187. Hammel, MarlaThe Figured-bass Accompaniment in Bach's Time: A Brief Summary of Its Development and An Examination of Its Use, Together With a Sample Realization, Part II. Bach 9 1 Jan 1978 30-36
188. Hammel, MarlaThe Figured-bass Accompaniment in Bach's Time: A Brief Summary of Its Development and An Examination of Its Use, Together With a Sample Realization, Part III. Bach 9 2 Apr 1978 37-39
189. Harmon, ThomasThe Mühlhausen Organ Revisited. Precious Clues to Bach's Preference in Organ Design and Registration. Bach 26 1-2 1995 57-69
190. Harmon, ThomasThe Mühlhausen Organ Revisited. Precious Clues to Bach's Preference in Organ Design and Registration. Bach 4 1 Jan 1973 3-15
191. Harriss, ErnestA Chronology of the Works of Johann Sebastian Bach. Part I. Bach 11 2 Apr 1980 2-20
192. Harriss, ErnestA Chronology of the Works of Johann Sebastian Bach. Part II. Bach 11 3 Jul 1980 2-8
193. Harriss, ErnestA Chronology of the Works of Johann Sebastian Bach. Part III. Bach 11 4 Oct 1980 3-7
194. Harriss, Ernest C.J. F. Agricola's Anleitung zur Singkunst: A Rich Source by a Pupil of J. S. Bach. Bach 9 3 Jul 1978 2-8
195. Heinrich, AdelA Collation of the Expositions in Die Kunst der Fuge of J. S. Bach. Bach 12 2 Apr 1981 28-40
196. Heinrich, AdelHeretofore Unpublished Conclusions for the 'Incomplete' Quadruple Fugue (Die Kunst der Fuge) Project. Part I: Adel Heinrich's 1986 Contribution. Bach 17 4 Oct 1986 30-41
197. Heinrich, AdelSignificance of the Original Subject and Its Variants in Bach's Die Kunst der Fuge. Bach 15 3 Jul 1984 24-32
198. Herford, JuliusBach's Models of 'Good Inventiones' -- How to Develop the Same Well. Bach 4 1 Jan 1973 16-20
199. Herford, JuliusBach's Models of 'Good Inventiones'. [Part I]. Bach 2 4 Oct 1971 10-14
200. Herford, JuliusBach's Models of 'Good Inventiones'. Part II. Bach 3 1 Jan 1972 27-30
201. Herford, JuliusBach's Models of 'Good Inventiones'. Part III. Bach 3 2 Apr 1972 28-30
202. Herford, JuliusJ. S. Bach's Fugue II in C Minor (The Well-Tempered Clavier, Book 1): An Analysis. Bach 4 3 Jul 1973 36-40
203. Herford, JuliusThe C-Major and C-Minor Preludes of the Well-tempered Clavier, Book 1. Bach 4 2 Apr 1973 17-21
204. Herz, GerhardA Bach Signature in the Possession of Gerhard Herz. Bach 9 4 Oct 1978 23-24
205. Herz, GerhardLombard Rhythm in the Domine Deus of Bach's B minor Mass: An Old Controversy Resolved. Bach 8 1 Jan 1977 3-11
206. Herz, GerhardThe Story behind Alfred Dürr's 'Capriccio'. Bach 21 3 Winter 1990 4-8
207. Herz, GerhardToward a New Image of Bach. Bach 16 1 Jan 1985 12-52
208. Herz, GerhardToward a New Image of Bach. [Part I.] Bach 1 4 Oct 1970 9-27
209. Herz, GerhardToward a New Image of Bach. Part II. Bach 2 1 Jan 1971 7-28
210. Herz, GerhardYoshitake Kobayashi's Article 'On the Chronology of the last phase of Bach's Work - Compositions and Performances: 1736 to 1750' - An Analysis with Translated Portions of the Original Text. Bach 21 1 Spring 1990 3-25
211. [Hewlett, Walter B.]Riemenschneider Bach Institute Library, Facsimile Series: Vermehrter ... Wegweiser... die Kunst die Orgel recht zu schlagen. Part I, Continued: Walter B Hewlett's English Translations of the Eight Wegweiser Pages Previously Printed in the January 1987 BACH Journal together with BACH Editorial Notes Including Minor Differences between the 1692 and 1698 Wegweiser Editions, and Dr. Hewlett's Explanatory Notes. Bach 18 2 Apr 1987 4-35
212. [Hewlett, Walter B.]Riemenschneider Bach Institute Library, Facsimile Series: Vermehrter ... Wegweiser... die Kunst die Orgel recht zu schlagen. Part II: 'Introductory Remarks' from Walter B Hewlett's Vermehrter ... Wegweiser of 1698 and the 1692 Wegweiser Pages 9-14 Published in Tandem with Dr. Hewlett's Translation and Explanatory Notes and BACH Editorial Notes Indicating Minor Differences between the 1692 and 1698 Wegweiser Editions. Bach 18 2 Apr 1987 37-63
213. [Hewlett, Walter B.]Riemenschneider Bach Institute Library, Facsimile Series: Vermehrter ... Wegweiser... die Kunst die Orgel recht zu schlagen. (Part III). The 1692 Wegweiser, Pages 15-21 Published in Tandem with Dr. Hewlett's Translation and Explanatory Notes and Editorial Footnotes Indicating Minor Differences between the 1692 and 1698 Wegweiser Editions. Bach 18 3 Jul 1987 11-37
214. [Hewlett, Walter B.]Riemenschneider Bach Institute Library, Facsimile Series: Vermehrter ... Wegweiser... die Kunst die Orgel recht zu schlagen. (Part IV). The 1692 Wegweiser, Pages 22-29 Published in Tandem with Dr. Hewlett's Translation and Explanatory Notes and Editorial Footnotes Indicating Minor Differences between the 1692 and 1698 Wegweiser Editions. Bach 18 4 Oct 1987 29-54
215. [Hewlett, Walter B.]Riemenschneider Bach Institute Library. Facsimile Series: Vermehrter...Wegweiser... die Kunst die Orgel recht zu schlagen (Part V). The 1692 Wegweiser, Pages 30-48 Published in Tandem with Dr. Walter Hewlett's 1698 Translations and Explanatory Notes and Editorial Footnotes Indicating Minor Differences between the 1692 and 1698 Wegweiser Editions. Bach 19 2 1988 25-56
216. [Hewlett, Walter B.]Riemenschneider Bach Institute Library. Facsimile Series: Vermehrter...Wegweiser... die Kust die Orgel recht zu schlagen. The 1692 Wegweiser, Pages 41-48 Published in Tandem with Dr. Walter Hewlett's 1698 Translations and Explanatory Notes and Editorial Footnotes Indicating Minor Differences between the 1692 and 1698 Wegweiser Editions Together with Dr. Hewlett's Translation of Carissimi's Ars Cantandi, 1696 Edition (Published with the 1698 Wegweiser) Bach 19 3 Fall 1988 19-74
217. Hirsch, ArturJohann Sebastian Bach's Cantatas in Chronological Order. Bach 4 3 Jul 1973 18-35
218. Hirsch, ArturNumber Symbolism in Bach's First Cantata Cycle: 1723-1724 -- Part I. Bach 6 3 Jul 1975 11-19
219. Hirsch, ArturNumber Symbolism in Bach's First Cantata Cycle: 1723-1724 -- Part II. Bach 6 4 Oct 1975 14-19
220. Hirsch, ArturNumber Symbolism in Bach's First Cantata Cycle: 1723-1724 -- Part III. Bach 7 1 Jan 1976 27-32
221. Hochreither, KarlSome Reflections on the Performance of Bach's Vocal-Instrumental Works. Bach 8 2 Apr 1977 2-14
222. Hoehren, RobertNotes on Bach and the organ of his Time. Bach 16 1 Jan 1985 69-80
223. Irwin, JoyceThe Orthodox Lutheranism of Mattheson and Bach. Bach 42 1 2011 70-83
224. Jenne, NatalieBach's Use of Dance Rhythms in Fugues. [I] Bach 4 4 Oct 1973 18-26
225. Jenne, NatalieBach's Use of Dance Rhythms in Fugues. Part II. Bach 5 1 Jan 1974 3-8
226. Jenne, NatalieBach's Use of Dance Rhythms in Fugues: Part III. Bach 5 2 Apr 1974 3-21
227. Jenne, NatalieOn the Performance of Keyboard Allemandes. Bach 10 2 Apr 1979 13-30
228. Jerold, BeverlyBach's Lament about Leipzig's Professional Instrumentalists. Bach 36 1 2005 67-96
229. Jerold, BeverlyEditorial Decisions for Ornaments in Bach's Works. Bach 33 2 2002 1-14
230. Jerold, BeverlyFasch and the Beginning of Modern Artistic Choral Singing. Bach 35 1 2004 61-86
231. Jerold, Beverly[On Gertrud Schmeling Mara.] Bach 36 2 2005 120-122
232. Jerold, BeverlyPitch in the Vocal Works of J. S. Bach. Bach 31 1 2000 74-95
233. Jerold, BeverlyThe Bach-Scheibe Controversy: New Documentation. Bach 42 1 2011 1-45
234. Johnson, PaulTempo Relation in a Class of Keyboard Compositions from Sweelinck to Bach. Bach 18 4 Oct 1987 4-28
235. Joseph, Charles M.Some Revisional Aspects of Bach's Keyboard Partitas, BWV 827 and 830. Bach 9 2 Apr 1978 2-16, 25-27
236. Kellner, Herbert AntonA Mathematical Approach Reconstituting J. S. Bach's Keyboard-Temperament. Bach 10 4 Oct 1979 2-8
237. Kellner, Herbert AntonA Mathematical Approach Reconstructing J. S. Bach's Keyboard Temperament. Bach 30 1 Spring-Summer 1999 1-9
238. Kellner, Herbert AntonConsidering the Tempering Tonality B-Major in Well-Tempered Clavier II. Bach 30 1 Spring-Summer 1999 10-25
239. Kellner, Herbert AntonKepler, Bach, and Gauss: The Celestial Harmony of the Earth's Motion. Bach 25 1 Spring-Summer 1994 46-56
240. Kennelly, LauraThe Willard Palmer Collection at the Riemenschneider Bach Institute. Bach 34 1 2003 72-89
241. Kilgore, EdnaTime Signatures of the Well-Tempered Clavier: Their Place in Notational History. Bach 4 2 Apr 1973 3-16
242. Kobayashi, YoshitakeUniversality in Bach's B Minor Mass: A Portrait of Bach in His Final Years. (In Memoriam Dietrich Kilian.) Bach 24 2 Fall-Winter 1993 3-25
243. Kochevitsky, George A.More on Articulation in J. S. Bach's Keyboard Music. Bach 8 1 Jan 1977 25-29
244. Kochevitsky, George A.Performing Bach's Keyboard Music: Articulation. Bach 4 1 Jan 1973 21-25
245. Kochevitsky, George A.Performing Bach's Keyboard Music: Dynamics. A Postscript. Bach 7 1 Jan 1976 3-11
246. Kochevitsky, George A.Performing Bach's Keyboard Music -- Embellishments. Part I Bach 5 3 Jul 1974 37-40
247. Kochevitsky, George A.Performing Bach's Keyboard Music -- Embellishments. Part I (Continued). Bach 5 3 Jul 1974 25-30
248. Kochevitsky, George A.Performing Bach's Keyboard Music -- Embellishments, Part III, The Trill. Bach 6 1 Jan 1975 24-35
249. Kochevitsky, George A.Performing Bach's Keyboard Music -- Embellishments, Part IV, The Appoggiatura. Bach 6 2 Apr 1975 27-40
250. Kochevitsky, George A.Performing Bach's Keyboard Music -- Embellishments, Part V, Acciaccaturas and Broken Chords. Part VI, Mordents and Inverted Mordents. Bach 6 3 Jul 1975 20-35
251. Kochevitsky, George A.Performing Bach's Keyboard Music -- Embellishments, Part VII, The Turn and the Slide. Part VIII, Compound Ornaments. Part IX, Additional Remarks. Bach 6 4 Oct 1975 23-29
252. Kochevitsky, George A.Performing Bach's Keyboard Music -- Notes Inégales: A Brief History and a Summary. Bach 4 4 Oct 1973 27-35
253. Kochevitsky, George A.Performing Bach's Keyboard Music -- Phrasing. Bach 3 4 Oct 1972 28-32
254. Kochevitsky, George A.Performing Bach's Keyboard Music: Tempo. Bach 4 2 Apr 1973 22-24
255. Kochevitsky, George A.Performing Bach's Keyboard Music -- The Choice of an Instrument. Bach 3 2 Apr 1972 33-37
256. Konecni, Vladimir J.Bach's St. Matthew Passion: A Rudimentary Psychological Analysis, Part I. Bach 17 3 Jul 1986 10-21
257. Konecni, Vladimir J.Bach's St. Matthew Passion: A Rudimentary Psychological Analysis, Part II. Bach 17 4 Oct 1986 3-16
258. Kordes, GesaSelf-Parody and the 'Hunting-Cantata,' BWV 208 - An Aspect of Bach's Compositional Process. Bach 22 2 Fall-Winter 1991 35-57
259. Krenek, ErnstParvula Corona Musicalis. Bach 2 4 Oct 1971 18-31
260. Krenek, ErnstPostscript to the 'Parvula Corona' Bach 3 3 Jul 1972 21-26
261. Kroeger, KarlJohann Sebastian Bach in Nineteenth-Century America. Bach 22 1 Spring-Summer 1991 33-42
262. Leahy, AnneThe American Image of Bach from a German Emigré's Perspective: Gerhard Herz and the Modern American Bach Movement. Bach 40 1 2009 58-79
263. Leahy, AnneThe Opening Chorus of Cantata BWV 78, Jesu, der du meine Seele; Another Example of Bach's Interest in Matters Soteriological. Bach 30 1 Spring-Summer 1999 26-41
264. Leahy, Anne'Vor deinen Thron tret ich': The Eschatological Significance of the Chorale Settings of the P271 Manuscript of the Berlin Staatsbibliothek. Bach 37 2 2006 81-118
265. Leaver, Robin A.Bach and Luther. Bach 9 3 Jul 1978 9-12; 25-32
266. Leaver, Robin A.Bach's Understanding and Use of the Epistles and Gospels of the Church Year. Bach 6 4 Oct 1975 4-13
267. Leaver, Robin A.Further Thoughts on B-A-C-H. Bach 2 4 Oct 1971 36-37
268. Leaver, Robin A.Heinrich Schütz as a Biblical Interpreter. Bach 16 4 Oct 1985 4-8
269. Leaver, Robin A.Heinrich Schütz as a Biblical Interpreter. [Part I] Bach 4 3 Jul 1973 3-8
270. Leaver, Robin A.Johann Sebastian Bach: Theological Musician and Musical Theologian. Bach 31 1 2000 17-33
271. Leaver, Robin A.Leipzig's Rejection of J. S. Bach, Part I. Bach 3 3 Jul 1972 27-39
272. Leaver, Robin A.Leipzig's Rejection of J. S. Bach, Part II. Bach 3 4 Oct 1972 3-7
273. Leaver, Robin A.List of the Settings of Bible Texts in the Works of Heinrich Schütz. Bach 16 4 Oct 1985 24-31
274. Leaver, Robin A.List of the Settings of Bible Texts in the Works of Heinrich Schütz. Bach 4 3 Jul 1973 8-12
275. Leaver, Robin A.New Light on the Pre-History of The Bach Choir of Bethlehem. Bach 22 2 Fall-Winter 1991 24-34
276. Leaver, Robin A.Number Associations in the Structure of Bach's Credo, BWV 232. Bach 7 3 Jul 1976 17-24
277. Leaver, Robin A.Parody and Theological Consistency: Notes on Bach's A-Major Mass. Bach 21 3 Winter 1990 30-43
278. Leaver, Robin A.Schütz and the Psalms. Bach 16 4 Oct 1985 34-48
279. Leaver, Robin A.Suggestions for Future Research into Bach and the Chorale: Aspects of Repertoire, Pedagogy, Theory, and Practice. Bach 42 2 2011 40-63
280. Leaver, Robin A.The Calov Bible from Bach's Library. Bach 7 4 Oct 1976 16-22
281. Leaver, Robin A.The Funeral Sermon for Heinrich Schütz. Bach 25 2 Fall-Winter 1994 115-129
282. Leaver, Robin A.The Funeral Sermon for Heinrich Schütz. [I] Bach 4 4 Oct 1973 3-17
283. Leaver, Robin A.The Funeral Sermon for Heinrich Schütz. Part III: The Biographical Section. Bach 5 3 Jul 1974 13-20
284. Leaver, Robin A.The Funeral Sermon for Heinrich Schütz. Part II: The Sermon. Bach 5 1 Jan 1974 9-22
285. Leaver, Robin A.The Funeral Sermon for Heinrich Schütz. Part II: The Sermon (Conclusion). Bach 5 2 Apr 1974 27-35
286. Leaver, Robin A.The Libretto of Bach's Cantata No. 79: A Conjecture. Bach 6 1 Jan 1975 3-11
287. Leaver, Robin A.The Revival of the St. John Passion: History and Performance Practice. Bach 20 3 Fall 1989 34-49
288. Leaver, Robin A.The Valuation of Bach's Library. Bach 9 2 Apr 1978 28-32
289. Lenneberg, HansBach, Handel, and Relative Success, Part I. Bach 12 4 Oct 1981 22-27
290. Lenneberg, HansBach, Handel, and Relative Success, Part II. Bach 13 2 Apr 1982 17-22
291. Linton, MichaelBach, Luther, and the Magnificat. Bach 17 2 Apr 1986 3-15
292. Linton, MichaelThe Dual Chiastic Design of the C-Major Prelude, BWV 870 (The Well Tempered Clavier, Book II.) Bach 27 1 Spring-Summer 1996 31-56
293. Livingstone, ErnestNotes on the Art of Fugue: A Fragment. Bach 28 1-2 1997 82-86
294. Louwenaar-Lueck, KarylThe Sequence of Sarabande and Air in Bach's Keyboard Partitas. Bach 23 1 Spring-Summer 1992 38-50
295. Mann, AlfredA Document from the Hand of Arthur Mendel: Introduction and Commentary. Bach 20 3 Fall 1989 4-5(-14)
296. Mann, AlfredGerhard Herz (September 24, 1911--September 3, 2000). Bach 32 1 2001 77-78
297. Mann, AlfredMissa Brevis and Historia: Bach's A-Major Mass. Bach 16 1 Jan 1985 6-11
298. Marissen, MichaelMore Source-Critical Research on J. S. Bach's Musical Offering. Bach 25 1 Spring-Summer 1994 11-27
299. Marissen, MichaelOn Linking Bach's F-Major Sinfonia and his Hunt Cantata. Bach 23 2 Fall-Winter 1992 31-46
300. Markevitch, DimitryBach's Cello Suites Revisited: The Manuscripts of the Bach Cello Suites, an Inextricable Labyrinth for Cellists? [A Reader's Response] Bach 30 1 Spring-Summer 1999 66-69
301. Marshall, Robert L.Bach and Mozart: Styles of Musical Genius. Bach 22 1 Spring-Summer 1991 16-32

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