Type | List | Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages | Status | | 1. | Butler, Gregory G.: Johann Gottlob Immanuel Breitkopf: The Formative Years. BachPerspectives 2 (1996), 159-168 | |
| 2. | Cammarota, Robert M.: The Magnificat Listings in the Early Breitkopf Nonthematic Catalogs. BachPerspectives 2 (1996), 143-156 | |
| 3. | Cypess, Rebecca: Music Historicism: Sara Levy and the Jewish Enlightenment. BachPerspectives 12 (2018), 129-151 | |
| 4. | Daub, Peggy: The Publications Process and Audience for C. P. E. Bach's 'Sonaten für Kenner und Liebhaber'. BachPerspectives 2 (1996), 65-83 | |
| 5. | Glöckner, Andreas: Church Cantatas in the Breitkopf Catalogs. BachPerspectives 2 (1996), 27-33 | |
| 6. | Hill, Goerge R.: Identifying Breitkopf House Copies Produced by the Firm's Own Scribes: A Preliminary Survey. BachPerspectives 2 (1996), 123-141 | |
| 7. | Irwin, Joyce L.: Dancing in Bach's Time: Sin or Permissible Pleasure? BachPerspectives 12 (2018), 17-35 | |
| 8. | Kobayashi, Yoshitake: Breitkopf Attributions and Research on the Bach Family. BachPerspectives 2 (1996), 53-63 | |
| 9. | Kobayashi, Yoshitake: On the Identification of Breitkopf's Manuscripts. BachPerspectives 2 (1996), 107-121 | |
| 10. | Landmann, Ortrun: Breitkopf's Music Trade as Reflected in the Holdings of the Sächsische Landesbibliothek. BachPerspectives 2 (1996), 169-179 | |
| 11. | Leaver, Robin A.: A Catholic Hymnal for Use in Lutheran Leipzig: Catholisches Gesang-Buch (Leipzig, 1724). BachPerspectives 12 (2018), 36-62 | |
| 12. | Leaver, Robin A. (ed.): Bach and the Counterpoint of Religion. BachPerspectives 12 (2018), x, 157p | |
| 13. | May, Ernest: Connections between Breitkopf and J. S. Bach. BachPerspectives 2 (1996), 11-26 | |
| 14. | Noll, Mark: Historical Proximity: John Wesley Visits Leipzig in 1738. BachPerspectives 12 (2018), 1-16 | |
| 15. | Rathey, Markus: Bach's Christmas Oratorio and the Mystical Theology of Bernard of Clairvaux. BachPerspectives 12 (2018), 84-103 | |
| 16. | Schulze, Hans-Joachim: J. S. Bach's Vocal Works in the Breitkopf Nonthematic Catalogs of 1761 to 1836. BachPerspectives 2 (1996), 35-49 | |
| 17. | Stauff, Derek: The Church under Persecution: Bach's Cantatas for the Fourth Sunday after Epiphany. BachPerspectives 12 (2018), 104-128 | |
| 18. | Stauffer, George B. (ed.): J. S. Bach, the Breitkopfs, and Eighteenth-Century Music Trade. BachPerspectives 2 (1996), xv, 219p | |
| 19. | Stauffer, George B.: The Breitkopf Family and Its Role in Eighteenth-Century Music Publishing. BachPerspectives 2 (1996), 1-9 | |
| 20. | Stauffer, George B.: The Thomasschule and the Haus 'zum Goldenen Bären': A Bach-Breitkopf Architectural Connection. BachPerspectives 2 (1996), 181-203 | |
| 21. | Stockigt, Janice B.: Liturgical Music for a New Elector: Origins of Bach's 1733 Missa Revisited. BachPerspectives 12 (2018), 63-83 | |
| 22. | Zaslaw, Neal: The Breitkopf Firm's Relations with Leopold and Wolfgang Mozart. BachPerspectives 2 (1996), 85-103 | |