Bach Bibliography
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TypeListAuthor: Title, Series, Vol/No (Year/Month/Date of Publication), PagesStatus
1. Frolova-Walker, Marina:   Forward to Communism, Back to Bach: How Socialist Realist was Shostakovich's First Symphony. [p]AMS_Washington (Oct 2005) A paper read at the American Musicological Society Washington DC, 27-30 October 2005, Annual meeting.
2. Matthew-Walker, Robert:   Apollo's Mass in B Minor. MOpinion 123/1421 (Spring 2000)
3. Matthew-Walker, Robert:   Bach-Paganini Violin Festival. MOpinion 131/1460 (Sep-Oct 2007) [The sixth Bach-Paganini Violin Festival, I J. held at Stratford-upon-Avon under the directorship of Rimma Sushanskaya, culminated in public concerts on 11 and 1 3 August]
4. Matthew-Walker, Robert:   B minor Mass at St Martin's. MOpinion 126/1436 (Sep-Oct 2003) [Ivor Setterfield conducted New London Singers and New London Soloists Orchestra to perform Bach's Mass in B minor at St Martin-in-the-Fields on 10 July]
5. Robson, R. Walker:   An Intruded Fortissimo in Bach. MTimes 77/1118 (Apr 1936), 349. Letters to the Editor.
6. Walker, Daniel Pickering:   Studies in Musical Science in the Late Renaissance. London: Warburg Institute, University of London, 1978. 174p. ISBN: 0854810560. (= Studies of the Warburg Institute, 37)
7. Walker, Diane Parr; Walker, Paul:   German Sacred Polyphonic Vocal Music between Schütz and Bach: Sources and Critical Editions. Warren, Michigan: Harmonie Park Press, 1992. xxxv, 434p. ISBN: 0-89990-054-2. (= Detroit Studies in Music Bibliography, 67)
8. Walker, Diane Parr; Walker, Paul:   Sources of German Polyphonic Vocal Music Between Schütz and Bach: A Report on Work in Progress. [p]AMS_Capital (Apr 1986) A paper read at the Capital Chapter meeting of the AMS on 12 April 1986 at Towson State University.
9. Walker, Ernest:   An Oxford Collection of Mendelssohniana. MLetters 19/4 (Oct 1938), 426-428.
10. Walker, Ernest (arr.):   'Gedenk' an uns mit deiner Liebe.' ('O think on us with Thy compassion.') From the Cantata 'Wir danken dir, Gott.' (Composed for the election of the Leipzig Town Council in 1731.) / J. S. Bach. London: Joseph Williams Ltd, 1901. 3-5p. Pl.-Nr.: J. W. 13491b (= J. S. Bach: Selected Arias. For High Voice. With Pianoforte Accompaniments and English Translation by Ernest Walker; Breathing and Expression Marks by Dawson Freer, No. 2) [BWV 29/5]
11. Walker, Ernest (arr.):   'Gottes Engel weichen nie.' ('God's own angels never go.') From the Cantata 'Man singet mit Freuden vom Sieg.' / J. S. Bach. London: Joseph Williams Ltd, 1901. 3-10p. Pl.-Nr.: J. W. 13491g (= J. S. Bach: Selected Arias. For High Voice. With Pianoforte Accompaniments and English Translation by Ernest Walker; Breathing and Expression Marks by Dawson Freer, No. 7) [BWV 149/4]
12. Walker, Ernest (arr.):   'Ich esse mit Freuden mein weniges Brot.' ('I eat with gladness my scanty bread.') From the Cantata 'Ich bin vergnügt.' / J. S. Bach. London: Joseph Williams Ltd, 1901. 3-12p. Pl.-Nr.: J. W. 13491f (= J. S. Bach: Selected Arias. For High Voice. With Pianoforte Accompaniments and English Translation by Ernest Walker; Breathing and Expression Marks by Dawson Freer, No. 6) [BWV 84/3]
13. Walker, Ernest (arr.):   'Ich wünschte mir den Tod.' ('I should have wished for death.') From the Cantata 'Selig ist der Mann,' a dialogue between 'Jesus' and 'Die Seele.' / J. S. Bach. London: Joseph Williams Ltd, 1901. 3-8p. Pl.-Nr.: J. W. 13491d (= J. S. Bach: Selected Arias. For High Voice. With Pianoforte Accompaniments and English Translation by Ernest Walker; Breathing and Expression Marks by Dawson Freer, No. 4) [BWV 57/3]
14. Walker, Ernest (arr.):   'Jesus soll mein erstes Wort.' ('Jesus my first word shall be.') From the Cantata 'Gott, wie dein Name, so ist auch dein Ruhm.' / J. S. Bach. London: Joseph Williams Ltd, 1901. Pl.-Nr.: J. W. 13491i (= J. S. Bach: Selected Arias. For High Voice. With Pianoforte Accompaniments and English Translation by Ernest Walker; Breathing and Expression Marks by Dawson Freer, No. 9) [BWV 171/4]
15. Walker, Ernest:   John Christian Bach.† MonMRec 59/711 (1 Mar 1929), 74-75.
16. Walker, Ernest (arr.):   'Liebster Jesu, mein Verlangen.' ('Dearest Saviour, whom I long for.') From the Cantata of the same title. / J. S. Bach. London: Joseph Williams Ltd, 1901. 2-7p. Pl.-Nr.: J. W. 13491c (= J. S. Bach: Selected Arias. For High Voice. With Pianoforte Accompaniments and English Translation by Ernest Walker; Breathing and Expression Marks by Dawson Freer, No. 3) [BWV 32/1]
17. Walker, Ernest:   Mass in B minor composed by J. S. Bach. Book of words with analytical notes by Dr. E. Walker. Novello and Company, [1908.] 18p.
18. Walker, Ernest (arr.):   'Mein Jesus will es thun.' ('This will my Saviour do.') From the Cantata 'Alles nur nach Gottes Willen.' / J. S. Bach. London: Joseph Williams Ltd, 1901. 3-8p. Pl.-Nr.: J. W. 13491e (= J. S. Bach: Selected Arias. For High Voice. With Pianoforte Accompaniments and English Translation by Ernest Walker; Breathing and Expression Marks by Dawson Freer, No. 5) [BWV 72/4]
19. Walker, Ernest (arr.):   'Mein Seelenschatz ist Gottes Wort' ('My soul's delight is God's own Word.') From the Cantata: 'Gleich wie der Regen.' / J. S. Bach. London: Joseph Williams Ltd, 1901. 3-6p. Pl.-Nr.: J. W. 13491a (= J. S. Bach: Selected Arias. For High Voice. With Pianoforte Accompaniments and English Translation by Ernest Walker; Breathing and Expression Marks by Dawson Freer, No. 1) [BWV 18/4]
20. Walker, Ernest (arr.):   'Ruhet hie, matte Töne.' ('Now be still, languid music.') From the Wedding Cantata for Soprano: 'O holder Tag, erwünschte Zeit.' / J. S. Bach. London: Joseph Williams Ltd, 1901. 2-10p. Pl.-Nr.: J. W. 13491j (= J. S. Bach: Selected Arias. For High Voice. With Pianoforte Accompaniments and English Translation by Ernest Walker; Breathing and Expression Marks by Dawson Freer, No. 10) [BWV 210/4]
21. Walker, Ernest:   Rutland Boughton's 'Bach'. MonMRec 60/719 (1 Nov 1930), 323-324. [Review of book]
22. Walker, Ernest (arr.):   Selected Arias / J. S. Bach For High Voice. With Pianoforte Accompaniments and English Translation by Ernest Walker; Breathing and Expression Marks by Dawson Freer. - London: Joseph Williams Ltd, 1901. 67p. Pl.-Nr.: J. W. 13491 [BWV 18/4, 29/5, 32/1, 57/3, 72/4, 84/3, 149/4, 152/4, 171/4, 210/4]
23. Walker, Ernest (arr.):   'Stein, der über alle Schätze' ('Stone, above all others precious.') From the Cantata 'Tritt auf die Glaubensbahn.' / J. S. Bach. London: Joseph Williams Ltd, 1901. Pl.-Nr.: J. W. 13491h (= J. S. Bach: Selected Arias. For High Voice. With Pianoforte Accompaniments and English Translation by Ernest Walker; Breathing and Expression Marks by Dawson Freer, No. 8) [BWV 152/4]
24. Walker, Ernest:   The Associated Board's edition of Bach's 'Forty-eight' MLetters 12/4 (Oct 1931), 378-383.
25. Walker, Ernest:   Tovey and 'The Art of Fugue.' MonMRec 61/732 (1 Dec 1931), 347-348. [Review of Tovey's edition from OUP.]
26. Walker, Francis Geoffrey (arr.):   Fugue in E major from the '48' / J. S. Bach Arranged for the organ by Francis G. Walker. - London: Hinrichsen Edition, [1957] 5p. Pl.-Nr.: Hinrichsen Edition No.1c. [BWV 878/2]
27. Walker, Francis Geoffrey (arr.):   Pastoral symphony from Christmas oratorio / J. S. Bach arranged for the organ by Francis G. Walker. - London: J. B. Cramer & Co., c1953. 11p. Pl.-Nr.: J.B.C. & Co. 15887. (= Cramer's library of organ music by British & foreign composers, No. 50) [BWV 248/10]
28. Walker, Francis Geoffrey (arr.):   Prelude and fugue on B-A-C-H / J.S. Bach. Arranged for the organ by Francis G. Walker. - London: J. B. Cramer & Co., 1954. 3-15p. Pl.-Nr.: J.B.C. & Co. 15918. (= Cramer's library of organ music by British & foreign composers, No. 56) [BWV 898 (Anh. II)]
29. Walker, Frank:   A Little Bach Discovery. MLetters 31/2 (Apr 1950), 184. [BWV 974]
30. Walker, Luise (arr.):   Ausgewählte Stücke für Gitarre / Johann Sebast. Bach. Eingerichtet von Luise Walker ; Vrouyr Mazmanian. Ausgew. von O. Haen. - Wilhelmshaven [u.a.]: Heinrichshofen, c1973. 16p. Best.-Nr. N 6231. [BWV 867, 929, 999, 996, 1002, 1067]
31. Walker, Paul:   American Bach Society Biennial Conference 7-10 April 2016 University of Notre Dame. BachNotesABS 23 (Fall 2015), 6.
32. Walker, Paul:   Bach's Use of Fugue in the Stile Antico Vocal Writing of the B-Minor Mass. [cr]Belfast2007 2 (2007), 368-386. Unpublished and expanded paper read at the Biennial Meeting of the American Bach Society, Leipzig, May 11-13, 2006: 'Bach Crossing Borders'.
33. Walker, Paul:   Bach's Use of Fugue in the Stile Antico Vocal Writing of the B-Minor Mass. [p]ABS_Leipzig (May 2006) A paper read at the Biennial Meeting of the American Bach Society, Leipzig, May 11-13, 2006: 'Bach Crossing Borders'. Abstract published in BachNotesABS, 5 (Spring, 2006), p. 9.
34. Walker, Paul (ed.):   Church, Stage, and Studio: Music and Its Contexts in Seventeenth-Century Germany. Ann Arbor: UMI Research Press, 1990. 396p. ISBN: 0-8357-1938-3. [contents]
35. Walker, Paul:   Counterpoint, Canons and the Late Works. [ce]RoutledgeResearchCompanion (2017), 377-397. [Chapter 15] Part IV: Genres and Forms. [main headings: Bach's Compositions of His Last Years; Music Theory and Compositional Process; Bach and Fugue; Goldberg Variations; Bach and Canon; Musical Offering; Canonic Variations on Vom Himmel hoch; Art of Fugue]
36. Walker, Paul:   Die Entstehung der Permutationsfuge. BachJb 75 (1989), 21-41.
37. Walker, Paul:   Die Fuge in den Vokalwerken von Buxtehude und Bruhns. [p]ISK_Luebeck (Apr 2000) Paper read at Internationales Symposion und Konzerte 'Bach, Lübeck und die norddeutsche Musiktradition', Lübeck, 27-30 April 2000
38. Walker, Paul:   Die Fuge in den Vokalwerken von Dieterich Buxtehude und Nicolaus Bruhns. [cr]Lübeck2000 (2002), 256-271.
39. Walker, Paul:   Fingering, Bach and the Wegweiser. EarlyKStudNL 1/3 (1985), 1-5.
40. Walker, Paul:   From Renaissance Fuga to Baroque Fugue: The Role of the 'Sweelinck Theory Manuscripts'. [p]AMS_Vancouver (Nov 1985) A paper read at the AMS / CMS / SEM / SMT Vancouver Annual Meetings, 7-10 November 1985.
41. Walker, Paul:   From Renaissance 'Fuga' to Baroque Fugue: The Role of the 'Sweelinck Theory Manuscripts'. SchützJb 7-8 (1985-86), 93-104.
42. Walker, Paul:   Fugue in the Music-Rhetorical Analogy and Rhetoric in the Development of Fugue. BachPerspectives 4 (1999), 159-179.
43. Walker, Paul:   Miscellanea: Sacred Works for Five and/or Six Voices and Instruments, Occasional Works, Canons, Dubia / Dieterich Buxtehude. New York: The Broude Trust, 2018. ISBN: 0-8540-7513-6. (= Dieterich Buxtehude: The Collected Works, Vol. 13)
44. Walker, Paul:   Rhetoric, the ricercar, and J. S. Bach's Musical Offering. BachStud 2 (1995), 175-191.
45. Walker, Paul (ed.):   Sacred Works for Five Voices and Instruments, Part 3 / Dieterich Buxtehude. New York: The Broude Trust, 2018. ISBN: 0-8540-7512-8. (= Dieterich Buxtehude: The Collected Works, Vol. 12)
46. Walker, Paul:   The origin of the permutation fugue. StudHistM(NY) 3 (1993), 51-91. In: Studies in the history of music. Vol.3, The creative process. (New York, 1993)
47. Walker, Paul:   Zur Geschichte des Kontrasubjekts und zu seinem Gebrauch in den frühesten Klavier- und Orgelfugen Johann Sebastian Bachs. [cr]Rostock1990 (1995), 48-69.
48. Walker, Paul Mark:   Fugue in German Theory from Dressler to Mattheson. diss. (1987), x, 664p. PhD. State Univ. of New York at Buffalo. 1987. x, 664p.
49. Walker, Paul Mark:   Theories of Fugue from the Age of Josquin to the Age of Bach. Rochester Univ. Press, 2000. 485p. ISBN: 1-580-46029-1. (= Eastman Studies in Music, 13) [contents]
50. Walker, W. Seymour (ed.):   JIG FUGUE in G major / J. S. Bach. Piano Solo arranged by W. Seymour Walker. - London: J. & W. Chester, c1936. 6p. Pl.-Nr.: J.W.C. 2239. [BWV 577 (Anh. II)]
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